Uploaded December 2009 | Updated September 2026, 23 hours ago
Steve Kipner and Steve Groves went to London and formed the duo STEVE & STEVIE. They recorded an album together, which was released on the small Toast label. There was one single released off that album. While in London they met Steve Kipner's old friend Maurice Gibb, who recommended that they should work for the Robert Stigwood Organisation.
After Maurice Gibb had recommended that Steve Kipner and Steve Groves should work together with the Robert Stigwood Organisation, Stigwood bought out the contract from the small record company and the duo was free to start working with Polydor. Maurice Gibb offered to produce an album of the duo together with his brother in law Billy Lawrie. The first single release by the duo, who called themselves TIN TIN was "Only Ladies Play Croquet". The single was not hit, but the second release "Toast And Marmalade For Tea" was to become the biggest hit of TIN TIN.
Steve Kipner and Steve Groves went to London and formed the duo STEVE & STEVIE. They recorded an album together, which was released on the small Toast label. There was one single released off that album. While in London they met Steve Kipner's old friend Maurice Gibb, who recommended that they should work for the Robert Stigwood Organisation.
After Maurice Gibb had recommended that Steve Kipner and Steve Groves should work together with the Robert Stigwood Organisation, Stigwood bought out the contract from the small record company and the duo was free to start working with Polydor. Maurice Gibb offered to produce an album of the duo together with his brother in law Billy Lawrie. The first single release by the duo, who called themselves TIN TIN was "Only Ladies Play Croquet". The single was not hit, but the second release "Toast And Marmalade For Tea" was to become the biggest hit of TIN TIN.



![Todd - Alone
This has got to be the greatest album cover of all time or what? And the cringeworthy, insipid sub-elton john ness of the works contained within these grooves would make even the most emotionally dead school bully kill himself with rage.In the seventies, even sexually inadequate dorks released their own records full of dross glorifying diluted emotion.
The Acid Archives book writes of Todds record (last name is largely unknown, but one website seems to think it is Todd Warthen), Very homemade, deep and heartfelt private press from a bunch of teenagers and Todd, mid-late 70s (some websites call it 79). Like a perfect mix of Michael Angelo and Fame, housed in a cover that rivals and may ever surpass Rick Grossman.
There is one blog called Zamboni which has added an interesting story to the Todd mythology. It sounds fictional, but the author writes: And [Todd] did try to sell his albums at his senior prom, believe it or not: unsurprisingly a wallflower for most of his high school career, he decided to debut the album at the last formal school event and set up a booth somewhere near the buffet table so his classmates could finally see the real him. (The reception was frosty at first you could probably determine anyone in Todds classs social standing by how far away from him they were able to sit.) Sales were slow all night, but during the awards portion of the prom the prom king and captain of the football team took time out from receiving his own award to nominate Todd for Most Likely to Be Selling His Album in 20 Years. Then, in a moment out of one of John Hughes wet dreams, the entire class saw both Todd and the jock for what they truly were, flooded Todds sales booth, and bought out the entire run. Todd - Alone](https://i.ytimg.com/vi/9VNx2oye7uY/mqdefault.jpg)






