Uploaded May 2010 | Updated September 2026, 2 hours ago
Kobza was established by several students of Kyiv School of Music as an instrumental folk music band in late 60s. Having been unable to win much fame, the band started experimenting with new music formats and eventually moved closer to more popular rock sound, while still retaining its focus on traditional music and the respective repertoire. The debut album by Kobza, recorded in 1970, is one of the earliest documented examples of Ukrainian folk-rock. As a matter of fact, it is is said to be the very first long-play record to have been produced in Ukraine.
Despite being deeply rooted into the 'folk art' soil, the music on the Kobza's maiden album has a distinct psych feeling which probably reflects the musicians' keen interest in the modern Western rock scene. Half of the tracks are folk songs carefully arranged for electric organ, bass, drums, woodwinds, and three banduras (traditional Ukrainian string instruments). The other half are pop/folk songs composed by contemporary local authors, and stylized to fit into the same traditional vs modern compositional and sonic framework.
Kobza was established by several students of Kyiv School of Music as an instrumental folk music band in late 60s. Having been unable to win much fame, the band started experimenting with new music formats and eventually moved closer to more popular rock sound, while still retaining its focus on traditional music and the respective repertoire. The debut album by Kobza, recorded in 1970, is one of the earliest documented examples of Ukrainian folk-rock. As a matter of fact, it is is said to be the very first long-play record to have been produced in Ukraine.
Despite being deeply rooted into the 'folk art' soil, the music on the Kobza's maiden album has a distinct psych feeling which probably reflects the musicians' keen interest in the modern Western rock scene. Half of the tracks are folk songs carefully arranged for electric organ, bass, drums, woodwinds, and three banduras (traditional Ukrainian string instruments). The other half are pop/folk songs composed by contemporary local authors, and stylized to fit into the same traditional vs modern compositional and sonic framework.


![Todd - Alone
This has got to be the greatest album cover of all time or what? And the cringeworthy, insipid sub-elton john ness of the works contained within these grooves would make even the most emotionally dead school bully kill himself with rage.In the seventies, even sexually inadequate dorks released their own records full of dross glorifying diluted emotion.
The Acid Archives book writes of Todds record (last name is largely unknown, but one website seems to think it is Todd Warthen), Very homemade, deep and heartfelt private press from a bunch of teenagers and Todd, mid-late 70s (some websites call it 79). Like a perfect mix of Michael Angelo and Fame, housed in a cover that rivals and may ever surpass Rick Grossman.
There is one blog called Zamboni which has added an interesting story to the Todd mythology. It sounds fictional, but the author writes: And [Todd] did try to sell his albums at his senior prom, believe it or not: unsurprisingly a wallflower for most of his high school career, he decided to debut the album at the last formal school event and set up a booth somewhere near the buffet table so his classmates could finally see the real him. (The reception was frosty at first you could probably determine anyone in Todds classs social standing by how far away from him they were able to sit.) Sales were slow all night, but during the awards portion of the prom the prom king and captain of the football team took time out from receiving his own award to nominate Todd for Most Likely to Be Selling His Album in 20 Years. Then, in a moment out of one of John Hughes wet dreams, the entire class saw both Todd and the jock for what they truly were, flooded Todds sales booth, and bought out the entire run. Todd - Alone](https://i.ytimg.com/vi/9VNx2oye7uY/mqdefault.jpg)







