Uploaded July 2025 | Updated September 2026, 2 hours ago
✨ "Steppin’ On the Clouds" — written by Linda Small in 1974 and made beloved by The Hoppers — is a joyful reminder of the hope we have in Heaven! ☁️🎶 This old gospel favorite paints a beautiful picture of that glorious day when we'll leave this world behind and walk on clouds to meet Jesus. 🙌💛
If this song has ever blessed your heart, share it with someone who needs encouragement today!
#GospelMusic #HeavenBound #SteppinOnTheClouds #TheHoppers #OldTimeHymns #ChristianMusic
✨ "Steppin’ On the Clouds" — written by Linda Small in 1974 and made beloved by The Hoppers — is a joyful reminder of the hope we have in Heaven! ☁️🎶 This old gospel favorite paints a beautiful picture of that glorious day when we'll leave this world behind and walk on clouds to meet Jesus. 🙌💛
If this song has ever blessed your heart, share it with someone who needs encouragement today!
#GospelMusic #HeavenBound #SteppinOnTheClouds #TheHoppers #OldTimeHymns #ChristianMusic



![LET ALL MORTAL FLESH KEEP SILENT (A Capella Middle Ages Hymn)
Few hymns sung today are steeped in as much tradition as Let All Mortal Flesh Keep Silence. Its roots are ancient, tracing back to the fourth century, and the hymn’s cryptic lyrics summon the singer to take part in the Incarnation and experience the sense of going into the Holy of Holies.
Let All Mortal Flesh Keep Silence is based on the Prayer of the Cherubic Hymn, which is found within the Liturgy of Saint James. The original hymn was used to prepare members of the church for the practice of communion. In those ancient days, communion was taken with extreme sincerity, for the people believed Christ’s body was truly present in the form of bread and wine. [Michaels Note: I am not Catholic and do not believe in transubstantiation, and interpret this hymn text as the body and blood being simply representative of Christ body and blood like most Baptists would.] Spiritual preparation was certainly needed before partaking, and this is where the hymn found its purpose. Prior to the singing of the hymn, the following would be said to give further meaning to it:
“We remember the sky, the earth and the sea, the sun and the moon, the stars and all creation both rational and irrational, the angels and archangels, powers, mights, dominations, principalities, thrones, the many-eyed Cherubim who say those words of David: ‘Praise the Lord with me.’ We remember the Seraphim, whom Isaias saw in spirit standing around the throne of God, who with two wings cover their faces, with two their feet and with two fly; who say: ‘Holy, holy, holy, Lord of Sabaoth.’ We also say these divine words of the Seraphim, so as to take part in the hymns of the heavenly host.”
The Oxford Movement, a period when ancient Christian texts were translated from Greek and Latin to English, is when the hymn was brought into the modern age. Modern times have changed how we view the Christian faith. It is less somber, as people see the religion as a freedom from sorrow. Freedom and joy are certainly important aspects within Christianity, but it is still vital to remember the weight of the burden Christ took on for us. Let All Mortal Flesh Keep Silence is a tool we can use to remember this, and, like the people of old, put us in the right frame of mind to truly appreciate the freedom we have.
Article ©2021 hymncharts.com, written by Taylor Brantley
This arrangement by Jeff Taylor appears in the Yuletide Favorites, Vol. II collection, available from the Barbershop Harmony Society. LET ALL MORTAL FLESH KEEP SILENT (A Capella Middle Ages Hymn)](https://i.ytimg.com/vi/f_l9DWmtylc/mqdefault.jpg)


![FADE, FADE, EACH EARTHLY JOY [A Capella Hymn]
Psalms and Hymns and Spiritual Songs #564. You can get this hymnal here:
https://melodypublications.com/youtube/michaellining/fadefadeeachearthlyjoy
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