Uploaded January 2020 | Updated September 2026, 3 weeks ago
An excerpt to an evening of presentations by curators, technicians and critics followed by a discussion and an open session of Q&A., Discussion moderated by Carol Parkinson with presentations by the following experts in the field, Stephan Moore, Xiaoying Juliette Yuan, Andrew Horwitz and Paul Geluso. We will also show a preview of the Intercept Tone/Vacant Level installation by Meridian7 aka Lori Napoleon.
Harvestworks picks up from our 2005 booklet THE EXTENDED INSTRUMENT: an investigation into Sound Art & Contemporary Music to track the current developments of Sound Art including its new global scope, critical discourse and evolving technical tools.
||Stephan Moore|| is a composer, improviser, audio artist, sound designer, teacher, and curator based in Brooklyn and Providence. His creative work currently manifests as electronic studio compositions, solo and group improvisations, sound installation works, scores for collaborative performance pieces, and sound designs for unusual circumstances. Evidence, his long-standing project with Scott Smallwood, has performed widely and released several recordings over the past decade. He also performs with the improvisation quartets Bumpr and Volume(n), and is a frequent collaborator with the performance groups The Nerve Tank and a canary torsi. His company, Isobel Audio, produces unique Hemisphere speakers. Since receiving an Electronic Arts MFA from Rensselaer Polytechnic Institute in 2003, where he studied with Pauline Oliveros and Curtis Bahn, he has created custom music software for a number of composers and artists, and taught workshops and numerous college-level courses in composition, programming, sound art and electronic music. He is the vice president of the American Society for Acoustic Ecology, and the curator and artistic director of In The Garden of Sonic Delights at the Caramoor Center for Music and the Arts, a 5-month exhibition of outdoor sound art across Westchester County in 2014. From late 2004 to mid-2010, he performed over 250 concerts with the Merce Cunningham Dance Company, serving as a touring musician, sound engineer, and music coordinator. He is currently enrolled in the MEME Ph.D. program at Brown University.
||About Harvestworks||
Harvestworks’ mission is to present experimental sound and visual artworks created in collaboration with our Technology, Engineering, Art and Music (TEAM) Lab. The Harvestworks T.E.A.M Lab supports the creation of art works achieved through the use of new and evolving technologies and provides an environment for experimentation with project consultants, technicians, instructors and innovative practitioners in all branches of the electronic arts.
Our programs are made possible with funds from New York State Council on the Arts, the National Endowment for the Arts, the NYC Dept. of Cultural Affairs, Foundation for Contemporary Arts, mediaThe foundation, Lily Auchincloss Foundation, Materials for the Arts, Jerome Foundation, Jerome Foundation 50th Anniversary Grant, the Edwards Foundation Arts Fund, the Aaron Copland Fund for Music, Tokio Marine Nichido, James E. Robison Foundation, Bloomberg Philanthropies, New Music USA’s Cary New Music Performance Fund, and the Friends of Harvestworks.
An excerpt to an evening of presentations by curators, technicians and critics followed by a discussion and an open session of Q&A., Discussion moderated by Carol Parkinson with presentations by the following experts in the field, Stephan Moore, Xiaoying Juliette Yuan, Andrew Horwitz and Paul Geluso. We will also show a preview of the Intercept Tone/Vacant Level installation by Meridian7 aka Lori Napoleon.
Harvestworks picks up from our 2005 booklet THE EXTENDED INSTRUMENT: an investigation into Sound Art & Contemporary Music to track the current developments of Sound Art including its new global scope, critical discourse and evolving technical tools.
||Stephan Moore|| is a composer, improviser, audio artist, sound designer, teacher, and curator based in Brooklyn and Providence. His creative work currently manifests as electronic studio compositions, solo and group improvisations, sound installation works, scores for collaborative performance pieces, and sound designs for unusual circumstances. Evidence, his long-standing project with Scott Smallwood, has performed widely and released several recordings over the past decade. He also performs with the improvisation quartets Bumpr and Volume(n), and is a frequent collaborator with the performance groups The Nerve Tank and a canary torsi. His company, Isobel Audio, produces unique Hemisphere speakers. Since receiving an Electronic Arts MFA from Rensselaer Polytechnic Institute in 2003, where he studied with Pauline Oliveros and Curtis Bahn, he has created custom music software for a number of composers and artists, and taught workshops and numerous college-level courses in composition, programming, sound art and electronic music. He is the vice president of the American Society for Acoustic Ecology, and the curator and artistic director of In The Garden of Sonic Delights at the Caramoor Center for Music and the Arts, a 5-month exhibition of outdoor sound art across Westchester County in 2014. From late 2004 to mid-2010, he performed over 250 concerts with the Merce Cunningham Dance Company, serving as a touring musician, sound engineer, and music coordinator. He is currently enrolled in the MEME Ph.D. program at Brown University.
||About Harvestworks||
Harvestworks’ mission is to present experimental sound and visual artworks created in collaboration with our Technology, Engineering, Art and Music (TEAM) Lab. The Harvestworks T.E.A.M Lab supports the creation of art works achieved through the use of new and evolving technologies and provides an environment for experimentation with project consultants, technicians, instructors and innovative practitioners in all branches of the electronic arts.
Our programs are made possible with funds from New York State Council on the Arts, the National Endowment for the Arts, the NYC Dept. of Cultural Affairs, Foundation for Contemporary Arts, mediaThe foundation, Lily Auchincloss Foundation, Materials for the Arts, Jerome Foundation, Jerome Foundation 50th Anniversary Grant, the Edwards Foundation Arts Fund, the Aaron Copland Fund for Music, Tokio Marine Nichido, James E. Robison Foundation, Bloomberg Philanthropies, New Music USA’s Cary New Music Performance Fund, and the Friends of Harvestworks.
![The Workings Of Media [art and artists] Fall 2021: An Overview
The Workings of Media [Art and Artists] is a series of presentations, workshops, open studios and exhibitions to understand social and cultural changes reflected through the lens of art and artists. Curator and director Carol Parkinson has selected these artists because of their use of the new media technology including data sonification and visualization, immersive sound, smell and social networks. The Art and Technology program is a component of our Creative Residency and Sponsored Projects programs and seeks to create a responsive public context for the appreciation of new work and to advance the art’s community and the public’s appreciation of the use of technology in art. Artworks in order of appearance:
Matthew Goodheart: remnants, an immersive sound installation of sonic instruments, found objects to be listened to with bone-conducting headphones (COVID restrictions will apply). Artist Talk October 30, 2021 at 1:30 pm
Dan Joseph: Informed by early minimalism, acoustic ecology, deep listening and ambient music, Periodicity Piece #10 will combine a diverse collection of sounds into a slowly changing sonic ecosystem. A Harvestworks Commission for our Immersive Room on Governors Island. Opens October 2, 2021. Performance Oct. 30, 2021 at 3 pm.
Sofy Yuditskaya: The Secret Pope is a video homage to Pope Joan, considered fictional in todays society, but a beloved story during the middle ages of a female pope that rose through the ranks of Christianity with her wit and skill. Pope Joan dressed in men’s clothes, but was discovered as a woman when she became pregnant. After she was discovered body examinations practices were put in place so that no women could rise to power in Christianity ever again. Gaze upon her as into a mirror, the Secret Pope is all of us. Performance October 31, 2021 at 2:30 pm
Jocelyn Ho: An installation and performance series of compositions for Women’s Labor, a feminist project that uses embedded technologies to transform old domestic tools into new musical instruments, to address gender inequality in domestic labor division and challenge persistent gendered social norms. Performance Sept. 18, 2021
George Moraitis: AttoWatt is an installation made up of long vertical metal bars and neon tubes. Light and sound travel from rung to rung simultaneously all around the installation with fast velocity creating various forms made of electricity within space. Performance October 23, 2021
Mike Bullock: Ephemerospheres, an installation of electroacoustic audio works for his custom wave field synthesis array. Compositions by Mike Bullock, Seth Cluett and LInda Gail Aubry. MIke Bullock is a composer and intermedia artist focused on environmental sound recording. Artist Talk Sept. 11, 2021.
LadyK : Inspired by bioluminescent marine organisms and digital network traffic, Luciferins is an interactive installation. Viewers walk through awakening graphical portals and field recordings, which open to depict invisible network traffic of websites. LadyK’s practice encompasses responsive systems exploring how our collective digital experiences are shaping our future. Artist Talk Sept. 11, 2021.
Performances
Liz Gerring Company with Michael Schumacher presents Nolan Park, a sound and movement installation. PROGRAM: 60 min. Program Times: noon, 2 pm & 4 pm. Performance Sept. 25, 2021 with Liz Gerring Dance Company.
Ginny Benson presents her live A/V performance The Workings Of Media [art and artists] Fall 2021: An Overview](https://i.ytimg.com/vi/d5oI6dyp_S8/mqdefault.jpg)



![[August 17] LIVE PERFORMANCE – William Hooker- “Separated Twins” w/ Kevin Ramsay
Harlem Arts Fund 10b, Nolan Park, Governors Island. [August 17] LIVE PERFORMANCE – William Hooker- “Separated Twins” w/ Kevin Ramsay](https://i.ytimg.com/vi/eZRW3trBX40/mqdefault.jpg)





![July 7 Alien Star Dust
Victoria Vesna’s work has long focused on immersing audiences in installation spaces that are meant to slow down time and take us into other dimensions. This led her to work in close collaborations with musicians, sound artists, nanoscientists, biologists, neuro-scientists and buddhist monks among others. Some examples of work in the past two decades are the NanoMandala, Blue Morph, Octopus Brain Storming, Bird Song Diamond and most recently the Noise Aquarium. In this new work, together with her collaborators from the UCLA Art Sci collective and Harvestworks, she takes us on a meditative journey to outer space.
Premiering with the support of Harvestworks, this work is meant to be experienced as a guided meditation bringing to life the sensations of meteorites and micro-meteorites falling on all continents and mixing with the anthropogenic dust falling on our planet from many dimensions. Layers of sounds from inner and outer space with animations of dust and data driven by corona deaths are presented with the intent of honoring those who left their bodies without preparation and all who are suffering.
This online version was created as a meditation that is guided by the artist following the extra-terrestrial, terrestrial, and human-made dusts traveling far and wide and creating complexity that is part of an invisible reality. Most go about their daily life without being aware of ever thinking about the extraterrestrial dusts that could be on their kitchen floor, right here on earth. The alien signal is lost in the human noise and the group meditation reclaims our vision of planetary citizenship.
We are created from stardust by nuclear fusion, like our myriad siblings – animals, plants, insects, plankton, bacteria, and viruses, and we all function together in vibratory fields – bottom up just as nature and nanotechnology works. [Alien] Star Dust rains on us every day and this piece brings these particles to our attention and reminds us of our interconnected heritage in the larger cosmos. Dust knows no borders.
Headphones highly recommended.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and mediaThe foundation Inc. July 7 Alien Star Dust](https://i.ytimg.com/vi/hJmzwKgJVmA/mqdefault.jpg)