Uploaded February 2022 | Updated September 2026, 3 weeks ago
Presented at Roulette Intermedium in the festival Folly Systems in 2019, in collaboration with artist Viv Corringham and Julia Santoli.
Flâneuse La caminanta is a video documentary edited as a VR (virtual reality), using a 360-degree camera to document soundwalks of female participants in the public space. The title emphasizes a missing word in the French and Spanish language of women as wanderers. This lost world also represents the lack of inclusiveness in which the female-identifying bodies can safely perceive their autonomy as walkers. The VR environment exposes the perspective of participants navigating urban landscapes in Mexico City, Abu Dhabi, NYC, and Brooklyn through short conversations while we walk in their space. The locations selected by participants and have personal meaning in their everyday journeys on the relationship of inclusiveness, safeness, vulnerability, and empowerment.
Amanda Gutiérrez (b. 1978, Mexico City) explores the experience of home, belonging, and cultural identity by bringing into focus details of everyday practices whose ordinary status makes it particularly hard for us to notice their key role in defining who we are. Trained and graduated initially as a stage designer from The National School of Theater, Gutiérrez uses a range of media such as sound art and performance art to investigate how these conditions of everyday life set the stage for our experiences and in doing so shape our individual and collective identities.
Produced in part through the Harvestworks Artist in Residence Program.
COLLABORATORS
Matthew Gantt coding
Presented at Roulette Intermedium in the festival Folly Systems in 2019, in collaboration with artist Viv Corringham and Julia Santoli.
Flâneuse La caminanta is a video documentary edited as a VR (virtual reality), using a 360-degree camera to document soundwalks of female participants in the public space. The title emphasizes a missing word in the French and Spanish language of women as wanderers. This lost world also represents the lack of inclusiveness in which the female-identifying bodies can safely perceive their autonomy as walkers. The VR environment exposes the perspective of participants navigating urban landscapes in Mexico City, Abu Dhabi, NYC, and Brooklyn through short conversations while we walk in their space. The locations selected by participants and have personal meaning in their everyday journeys on the relationship of inclusiveness, safeness, vulnerability, and empowerment.
Amanda Gutiérrez (b. 1978, Mexico City) explores the experience of home, belonging, and cultural identity by bringing into focus details of everyday practices whose ordinary status makes it particularly hard for us to notice their key role in defining who we are. Trained and graduated initially as a stage designer from The National School of Theater, Gutiérrez uses a range of media such as sound art and performance art to investigate how these conditions of everyday life set the stage for our experiences and in doing so shape our individual and collective identities.
Produced in part through the Harvestworks Artist in Residence Program.
COLLABORATORS
Matthew Gantt coding

![[August 17] LIVE PERFORMANCE – William Hooker- “Separated Twins” w/ Kevin Ramsay
Harlem Arts Fund 10b, Nolan Park, Governors Island. [August 17] LIVE PERFORMANCE – William Hooker- “Separated Twins” w/ Kevin Ramsay](https://i.ytimg.com/vi/eZRW3trBX40/mqdefault.jpg)





![July 7 Alien Star Dust
Victoria Vesna’s work has long focused on immersing audiences in installation spaces that are meant to slow down time and take us into other dimensions. This led her to work in close collaborations with musicians, sound artists, nanoscientists, biologists, neuro-scientists and buddhist monks among others. Some examples of work in the past two decades are the NanoMandala, Blue Morph, Octopus Brain Storming, Bird Song Diamond and most recently the Noise Aquarium. In this new work, together with her collaborators from the UCLA Art Sci collective and Harvestworks, she takes us on a meditative journey to outer space.
Premiering with the support of Harvestworks, this work is meant to be experienced as a guided meditation bringing to life the sensations of meteorites and micro-meteorites falling on all continents and mixing with the anthropogenic dust falling on our planet from many dimensions. Layers of sounds from inner and outer space with animations of dust and data driven by corona deaths are presented with the intent of honoring those who left their bodies without preparation and all who are suffering.
This online version was created as a meditation that is guided by the artist following the extra-terrestrial, terrestrial, and human-made dusts traveling far and wide and creating complexity that is part of an invisible reality. Most go about their daily life without being aware of ever thinking about the extraterrestrial dusts that could be on their kitchen floor, right here on earth. The alien signal is lost in the human noise and the group meditation reclaims our vision of planetary citizenship.
We are created from stardust by nuclear fusion, like our myriad siblings – animals, plants, insects, plankton, bacteria, and viruses, and we all function together in vibratory fields – bottom up just as nature and nanotechnology works. [Alien] Star Dust rains on us every day and this piece brings these particles to our attention and reminds us of our interconnected heritage in the larger cosmos. Dust knows no borders.
Headphones highly recommended.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and mediaThe foundation Inc. July 7 Alien Star Dust](https://i.ytimg.com/vi/hJmzwKgJVmA/mqdefault.jpg)


