Uploaded June 2021 | Updated September 2026, 2 weeks ago
Sonido de la Frontera "Somos Sonideros" from the Sonidero Guerrillero LP available at threeoneg.com
Video for “Somos Sonideros” was directed by Luke Henshaw, filmed by Becky DiGiglio, and edited by Displaced/Replaced.
Sonido De La Frontera is the combination of Soundsystem culture, hip hop production aesthetic, and the sounds of Latin America's most prolific dance music: Cumbia. The result is a bass oriented, dance driven music with a sound unique to the border between San Diego, California and Tijuana, Mexico. This trio is made up of Karlos Paez, Mr. Henshaw, and DJ Unite. Karlos Paez is an energetic frontman, also known for his role as vocalist for San Diego's premiere Latin Music project, The B-Side Players. With his unique vocal styling and ability to deliver a magnetic performance, Karlos produces lyrics that seduce a dancer to cut loose, while inducing the spirit of both culture and rebellion. Mr. Henshaw is the producer for First Power Crew, and has produced many break records directed towards the avid turntablist. His sound is dark and heavy, with an emphasis on big drums and bass, as evident in his current projects Planet B and Satanic Planet. DJ Unite is a veteran DJ for Tribe of Kings Soundsystem as well as First Power Crew, who cut his teeth on dancefloors nationwide. Unite is well versed in keeping dances energetic, with a musical arsenal that spans for many genres. Sonido De La Frontera is a mixture of all the different sounds and culture found in the southernmost part of California, San Diego. It is cumbia music with a production approach similar to hip hop and electronic music.
The Sound System is at the heart of many genres of modern music. People gather to hear their favorite music over massive speakers, and dance for hours on end. At the center of these events is the DJ, raising the energy of their crowd by selecting the right tune at the right time. In Mexico, these DJs are hailed as Sonideros. Sonido de la Frontera’s lead single “Somos Sonideros," from their forthcoming album Sonidero Guerrillero, is an anthem which has an unquestionable message: “Somos Sonideros, de la Frontera”. Lead Vocalist Karlos Paez delivers both inspiration and intention, which is thoughtfully delivered over an infectious Cumbia rhythm. The song is drenched in Sonido de la Frontera’s signature sound, which combines the many influential sounds found in their hometown of San Diego, California.
Sonido de la Frontera "Somos Sonideros" from the Sonidero Guerrillero LP available at threeoneg.com
Video for “Somos Sonideros” was directed by Luke Henshaw, filmed by Becky DiGiglio, and edited by Displaced/Replaced.
Sonido De La Frontera is the combination of Soundsystem culture, hip hop production aesthetic, and the sounds of Latin America's most prolific dance music: Cumbia. The result is a bass oriented, dance driven music with a sound unique to the border between San Diego, California and Tijuana, Mexico. This trio is made up of Karlos Paez, Mr. Henshaw, and DJ Unite. Karlos Paez is an energetic frontman, also known for his role as vocalist for San Diego's premiere Latin Music project, The B-Side Players. With his unique vocal styling and ability to deliver a magnetic performance, Karlos produces lyrics that seduce a dancer to cut loose, while inducing the spirit of both culture and rebellion. Mr. Henshaw is the producer for First Power Crew, and has produced many break records directed towards the avid turntablist. His sound is dark and heavy, with an emphasis on big drums and bass, as evident in his current projects Planet B and Satanic Planet. DJ Unite is a veteran DJ for Tribe of Kings Soundsystem as well as First Power Crew, who cut his teeth on dancefloors nationwide. Unite is well versed in keeping dances energetic, with a musical arsenal that spans for many genres. Sonido De La Frontera is a mixture of all the different sounds and culture found in the southernmost part of California, San Diego. It is cumbia music with a production approach similar to hip hop and electronic music.
The Sound System is at the heart of many genres of modern music. People gather to hear their favorite music over massive speakers, and dance for hours on end. At the center of these events is the DJ, raising the energy of their crowd by selecting the right tune at the right time. In Mexico, these DJs are hailed as Sonideros. Sonido de la Frontera’s lead single “Somos Sonideros," from their forthcoming album Sonidero Guerrillero, is an anthem which has an unquestionable message: “Somos Sonideros, de la Frontera”. Lead Vocalist Karlos Paez delivers both inspiration and intention, which is thoughtfully delivered over an infectious Cumbia rhythm. The song is drenched in Sonido de la Frontera’s signature sound, which combines the many influential sounds found in their hometown of San Diego, California.
![Microwaves Your Dumb Guts [Official video]](https://i.ytimg.com/vi/iYl14ZC-xaI/mqdefault.jpg "Microwaves Your Dumb Guts [Official video]
Microwaves Your Dumb Guts from the Discomfiture Atlas LP available from Three One G here: https://threeoneg.com/archive/vinyl/discomfiture-atlas-lp
Video credits:
Andrea Parkowski - Filming and animation
John Roman - Editing
David Kuzy - Additional footage
Of innumerable bands that traffic in dissonance, the musick of Pittsburgh, PA’s Microwaves shears clean and hot as an oxy-lance through the defenses of even the most cynical noise rock aficionado. In this iteration of the band, which has been in existence now for 20 years, core members John Roman (drums, vocals) and David Kuzy (guitar, vocals) round themselves out with 2006 alum bassist/vocalist Adam MacGregor on one side (“Pyroclast”), and founding bassist/vocalist Steve Moore (Film composer and member of Zombi, Lovelock, Miracle, and more) on the other (“Plasma”). Over the years, Microwaves continues to pick up the loose ends left by Voivod, MX-80, Snakefinger, and some of their own Pittsburgh-area “math-rock” contemporaries, twisting them into a Gordian knot that at once rages and confounds.
Microwaves’ newest LP, Discomfiture Atlas, is being released by Three One G Records on October 14th. This album features guest appearances by Eric Paul (Arab on Radar, Doomsday Student, Psychic Graveyard), Sarah Quintero (Spotlights), Rebecca Burchette (Exosus), and Todd Rittman (Dead Rider). Discomfiture Atlas will be available through Three One G Records on limited edition of 300 color vinyl, 200 black vinyl, and 50 cassettes, as well as digitally.
Who among us doesn’t long for a “do-over” of our wreck of recent history? Maybe it’s that attitude that accounts for the ascendancy of multiverses, parallel dimensions, the “Berenstain/Berenstein” debate, etc., in public imagination. Whatever the reason, contemplating other planes of existence is no longer exclusive to the hard sci-fi wonk set. Apropos of all the above, Microwaves manifests their own twin realities over the two sides of Discomfiture Atlas, its second album on San Diego’s vaunted Three One G records. Though distinct, both sides of the album, “Pyrocast” and “Plasma,” salt the band’s terse alloy of thrash metal, no-wave, brutal prog, noise-rock, and math rock with a hint of pop brevity, if not the melody to match.
Even at a curmudgeonly 20 years of age, (both versions of) Microwaves lean into the new material with the desperate enthusiasm of a 50-something peeling out in a midlife-crisis Corvette. Roman delivers his usual cyborg clatter, careening through odd meters and deconstructing rock drumming according to plans laid out by Beefheart and Devo. MacGregor complements with tortuous lines that invoke eastern melodic ideas at times, though they seethe with distortion and gurgle queasily through analog filtering. His vocal palette has widened to include an unhinged/unschooled falsetto and a Teutonic metal shriek, used to great effect on “Hammerspace” alongside Kuzy’s wavering, town-crier bark. Kuzy executes his trademark spindly atonalities with a draftsman’s precision, alternately ratcheting through all of the first-wave thrash-metal riffs he probably ever wanted to hear. Moore’s performances on side “Plasma” present a tighter and more reeled-in quality, focused on timbre and monolithic repetition over the flash of the past. In an all-time first for Microwaves, the standout “Your Dumb Guts” finds Moore serving up a vocal melody with stunning earworm potential.")
![SQUID PISSER LIQUIFIED REMAINS [Official Video]](https://i.ytimg.com/vi/jCc60WQFuZk/mqdefault.jpg "SQUID PISSER LIQUIFIED REMAINS [Official Video]
SQUID PISSER Liquified Remains from MY TADPOLE LEGION LP available from www.threeoneg.com and www.sweatbandrecords.com
SQUID PISSER eviscerates the ego and and all things serene with their own vibrant form of vicious and mucky hardcore. Slamming down dolphin corpses at breakneck speeds, the duo, which is comprised of Tommy Meehan on guitar (Deaf Club, Cancer Christ, Sweatband Records, Cartoon Network) and Seth Carolina (Starcrawler), have constructed a fresh and mucousy new alien craft powered by tightly controlled noise-guitar, savage primal drum work, and gooped up vocal deliveries that might sound like a gaggle of frogs thrown into a garbage disposal (although the Squid boys wouldnt recommend doing this).
Conceptualized and formed in 2022, the band decided to fully utilize planet Earths viral slumber in order to gestate, write, and record 2 full length albums worth of material. Throughout the year, SQUID PISSER played a handful of shows in California and Nevada as a 2 piece as they continued the quest for further personnel and collaborators. Tommy Meehans tightly controlled noise-onslaught of rainbow vomit (spat out of a guitar amp via manic pedalboard wizardry and sophisticated finger work) paired with the utterly brutal, breakneck, and savage drumming of Seth Carolina, merge to create a collection of tracks that have been forged in a totally fucked and sonically chaotic storm of pus and goo.
Their debut release, MY TADPOLE LEGION, is a mutated smorgasbord of songs and guest vocalists from projects like: MELT BANANA, NEKROGOBLIKON, CANCER CHRIST, PUNCH, THE LOCUST, WACKO, and more. Also featured prominently is John Clardy of TERA MELOS on drums for 3 of the songs. The album was picked up by Justin Pearsons THREE ONE G label and is being released in conjunction with Tommys own SWEATBAND RECORDS (one of several collaborative releases the two have put out together over the last few years.)
Video by: Mike Manasewitsch @blockbustervideo.org_")
![FUCK MONEY Apollo [Official music video]](https://i.ytimg.com/vi/jMKXWOAfoso/mqdefault.jpg "FUCK MONEY Apollo [Official music video]
Fuck Money Apollo from the bands self-titled EP.
Purchase album here: https://threeoneg.com/archive/digital-only/self-titled-4
Fuck Money is an American space punk band based in Austin, TX. The group debuted in October 2021 consisting of members TaSzlin Trébuchet (vocals) Alton Jenkins (drums), Bill Kenny (lead guitar), and Jeremy Humphries (bass guitar). Their sound draws on punk rock, noise, industrial, extreme music and other transgressive subgenres. Fuck Money was formed in 2020 during the latter half of the COVID pandemic that year. After writing their first EP, they spent their time recording at Arroyo Audio. The band has created a reputation of performing high energy, sporadic DIY shows in liminal spaces throughout the dark corners of the city The Austin Chronicle noted how “the band’s churning feedback swirl is equal parts imposing and obfuscating – curiously serene in its refusal to give its sonic-aggression a clear human face.” Their vocalist is also known for donning an unpredictable and tantalizing look at each show.
Fuck Money’s debut self-titled EP on Three One G is six songs of unrelenting ‘space punk,’ drawing influence from punk, noise, industrial, and extreme music elements. Described as sounding like “a fully rabid Deerhoof,” the merciless & melodic stick-work of Alton Jenkins, paired with the visceral intensity of frontman TaSz Trébuchet, guides listeners down a path of challenging, awe-inspiring sonic behavior adorned with biting yet hyper-melodic guitar melodies. Death From Above’s Jesse F. Keeler aptly explains the EP simply as, “Feeling at all costs. If I was trying to explain this to someone with no reference, I’d say it was like a pomegranate. Challenging to get at the fruit, but worth the effort.”")
