Uploaded October 2024 | Updated September 2026, 2 weeks ago
HELP "Black Cloud" from the Courage EP available from Three One G at threeoneg.com/archive/vinyl/courage
Directed by James Rexroad
Edited by Daniel Fickle
Portland’s Help is the frenzied sound of a broken and collapsing society. In a world beset with anti-human reactions to daily struggles, Help responds with ways to dismantle evil machines and systems. It is this pro-human mindset that brought Help band-mates Ryan Neighbors (Guitar/vocals), Morty (bass), and Bim Ditson (drums) together. All three had spent the last decade or so in other, perhaps more restrained, bands: Ditson with grinding indie rockers And And And, Neighbors with alt-pop dynamos Portugal. The Man and with his electronic project Hustle and Drone. With Help, they are retrieving punk roots each member had put down in their teens. They are ripping the seams back open to see what’s really inside. “Everyone is angry,” says Neighbors, “Make some art about it.” Help is the band Portland needs right now. Fuck it, it’s the band the whole world could use a heavy dose of if we want to climb out of the dark ages of greed and into the next century of mutual aid and collaborative self-directed communities of creativity.
Help’s new EP “Courage” is centered around heartbreak and pain. Progress as a series of fresh new hells. Hoping that it is better to be in love than to be right, while enduring the apparent absence of both love and coherence in American culture. The short version of the story of this record is that both Ryan and Bim’s lives were exploding and falling apart. Okay, okay, it's a breakup album. Their vulnerability in these songs became necessary for their survival. Though deeply personal, these songs are meant as an invitation for others to feel and hurt freely. After all, this may be one of the last freedoms we get to enjoy in this crumbled world. Courage. In the face of hopelessness, in the face of everyone pretending anything is fine, in the face of the end of things meant to last and last. Courage. For the band, Courage is a step towards a broader sound and an experiment in honesty over security. The upcoming vinyl release from Three One G Records also includes the band’s debut self-titled EP. Their focus in all they do: Remove fear from decision making. Act in defiant joy. Refuse to dominate others. Do not hoard the gifts of the universe. Remember: the future is uncertain. Ends don’t justify means. Solidarity now. If the goal is growth, success is an ending. War and love are forms of death. This record is an example of the destructive nature of growth: on the planet, on the human spirit, on our ability to hold on.
HELP "Black Cloud" from the Courage EP available from Three One G at threeoneg.com/archive/vinyl/courage
Directed by James Rexroad
Edited by Daniel Fickle
Portland’s Help is the frenzied sound of a broken and collapsing society. In a world beset with anti-human reactions to daily struggles, Help responds with ways to dismantle evil machines and systems. It is this pro-human mindset that brought Help band-mates Ryan Neighbors (Guitar/vocals), Morty (bass), and Bim Ditson (drums) together. All three had spent the last decade or so in other, perhaps more restrained, bands: Ditson with grinding indie rockers And And And, Neighbors with alt-pop dynamos Portugal. The Man and with his electronic project Hustle and Drone. With Help, they are retrieving punk roots each member had put down in their teens. They are ripping the seams back open to see what’s really inside. “Everyone is angry,” says Neighbors, “Make some art about it.” Help is the band Portland needs right now. Fuck it, it’s the band the whole world could use a heavy dose of if we want to climb out of the dark ages of greed and into the next century of mutual aid and collaborative self-directed communities of creativity.
Help’s new EP “Courage” is centered around heartbreak and pain. Progress as a series of fresh new hells. Hoping that it is better to be in love than to be right, while enduring the apparent absence of both love and coherence in American culture. The short version of the story of this record is that both Ryan and Bim’s lives were exploding and falling apart. Okay, okay, it's a breakup album. Their vulnerability in these songs became necessary for their survival. Though deeply personal, these songs are meant as an invitation for others to feel and hurt freely. After all, this may be one of the last freedoms we get to enjoy in this crumbled world. Courage. In the face of hopelessness, in the face of everyone pretending anything is fine, in the face of the end of things meant to last and last. Courage. For the band, Courage is a step towards a broader sound and an experiment in honesty over security. The upcoming vinyl release from Three One G Records also includes the band’s debut self-titled EP. Their focus in all they do: Remove fear from decision making. Act in defiant joy. Refuse to dominate others. Do not hoard the gifts of the universe. Remember: the future is uncertain. Ends don’t justify means. Solidarity now. If the goal is growth, success is an ending. War and love are forms of death. This record is an example of the destructive nature of growth: on the planet, on the human spirit, on our ability to hold on.
![Microwaves Your Dumb Guts [Official video]](https://i.ytimg.com/vi/iYl14ZC-xaI/mqdefault.jpg "Microwaves Your Dumb Guts [Official video]
Microwaves Your Dumb Guts from the Discomfiture Atlas LP available from Three One G here: https://threeoneg.com/archive/vinyl/discomfiture-atlas-lp
Video credits:
Andrea Parkowski - Filming and animation
John Roman - Editing
David Kuzy - Additional footage
Of innumerable bands that traffic in dissonance, the musick of Pittsburgh, PA’s Microwaves shears clean and hot as an oxy-lance through the defenses of even the most cynical noise rock aficionado. In this iteration of the band, which has been in existence now for 20 years, core members John Roman (drums, vocals) and David Kuzy (guitar, vocals) round themselves out with 2006 alum bassist/vocalist Adam MacGregor on one side (“Pyroclast”), and founding bassist/vocalist Steve Moore (Film composer and member of Zombi, Lovelock, Miracle, and more) on the other (“Plasma”). Over the years, Microwaves continues to pick up the loose ends left by Voivod, MX-80, Snakefinger, and some of their own Pittsburgh-area “math-rock” contemporaries, twisting them into a Gordian knot that at once rages and confounds.
Microwaves’ newest LP, Discomfiture Atlas, is being released by Three One G Records on October 14th. This album features guest appearances by Eric Paul (Arab on Radar, Doomsday Student, Psychic Graveyard), Sarah Quintero (Spotlights), Rebecca Burchette (Exosus), and Todd Rittman (Dead Rider). Discomfiture Atlas will be available through Three One G Records on limited edition of 300 color vinyl, 200 black vinyl, and 50 cassettes, as well as digitally.
Who among us doesn’t long for a “do-over” of our wreck of recent history? Maybe it’s that attitude that accounts for the ascendancy of multiverses, parallel dimensions, the “Berenstain/Berenstein” debate, etc., in public imagination. Whatever the reason, contemplating other planes of existence is no longer exclusive to the hard sci-fi wonk set. Apropos of all the above, Microwaves manifests their own twin realities over the two sides of Discomfiture Atlas, its second album on San Diego’s vaunted Three One G records. Though distinct, both sides of the album, “Pyrocast” and “Plasma,” salt the band’s terse alloy of thrash metal, no-wave, brutal prog, noise-rock, and math rock with a hint of pop brevity, if not the melody to match.
Even at a curmudgeonly 20 years of age, (both versions of) Microwaves lean into the new material with the desperate enthusiasm of a 50-something peeling out in a midlife-crisis Corvette. Roman delivers his usual cyborg clatter, careening through odd meters and deconstructing rock drumming according to plans laid out by Beefheart and Devo. MacGregor complements with tortuous lines that invoke eastern melodic ideas at times, though they seethe with distortion and gurgle queasily through analog filtering. His vocal palette has widened to include an unhinged/unschooled falsetto and a Teutonic metal shriek, used to great effect on “Hammerspace” alongside Kuzy’s wavering, town-crier bark. Kuzy executes his trademark spindly atonalities with a draftsman’s precision, alternately ratcheting through all of the first-wave thrash-metal riffs he probably ever wanted to hear. Moore’s performances on side “Plasma” present a tighter and more reeled-in quality, focused on timbre and monolithic repetition over the flash of the past. In an all-time first for Microwaves, the standout “Your Dumb Guts” finds Moore serving up a vocal melody with stunning earworm potential.")
![SQUID PISSER LIQUIFIED REMAINS [Official Video]](https://i.ytimg.com/vi/jCc60WQFuZk/mqdefault.jpg "SQUID PISSER LIQUIFIED REMAINS [Official Video]
SQUID PISSER Liquified Remains from MY TADPOLE LEGION LP available from www.threeoneg.com and www.sweatbandrecords.com
SQUID PISSER eviscerates the ego and and all things serene with their own vibrant form of vicious and mucky hardcore. Slamming down dolphin corpses at breakneck speeds, the duo, which is comprised of Tommy Meehan on guitar (Deaf Club, Cancer Christ, Sweatband Records, Cartoon Network) and Seth Carolina (Starcrawler), have constructed a fresh and mucousy new alien craft powered by tightly controlled noise-guitar, savage primal drum work, and gooped up vocal deliveries that might sound like a gaggle of frogs thrown into a garbage disposal (although the Squid boys wouldnt recommend doing this).
Conceptualized and formed in 2022, the band decided to fully utilize planet Earths viral slumber in order to gestate, write, and record 2 full length albums worth of material. Throughout the year, SQUID PISSER played a handful of shows in California and Nevada as a 2 piece as they continued the quest for further personnel and collaborators. Tommy Meehans tightly controlled noise-onslaught of rainbow vomit (spat out of a guitar amp via manic pedalboard wizardry and sophisticated finger work) paired with the utterly brutal, breakneck, and savage drumming of Seth Carolina, merge to create a collection of tracks that have been forged in a totally fucked and sonically chaotic storm of pus and goo.
Their debut release, MY TADPOLE LEGION, is a mutated smorgasbord of songs and guest vocalists from projects like: MELT BANANA, NEKROGOBLIKON, CANCER CHRIST, PUNCH, THE LOCUST, WACKO, and more. Also featured prominently is John Clardy of TERA MELOS on drums for 3 of the songs. The album was picked up by Justin Pearsons THREE ONE G label and is being released in conjunction with Tommys own SWEATBAND RECORDS (one of several collaborative releases the two have put out together over the last few years.)
Video by: Mike Manasewitsch @blockbustervideo.org_")
![FUCK MONEY Apollo [Official music video]](https://i.ytimg.com/vi/jMKXWOAfoso/mqdefault.jpg "FUCK MONEY Apollo [Official music video]
Fuck Money Apollo from the bands self-titled EP.
Purchase album here: https://threeoneg.com/archive/digital-only/self-titled-4
Fuck Money is an American space punk band based in Austin, TX. The group debuted in October 2021 consisting of members TaSzlin Trébuchet (vocals) Alton Jenkins (drums), Bill Kenny (lead guitar), and Jeremy Humphries (bass guitar). Their sound draws on punk rock, noise, industrial, extreme music and other transgressive subgenres. Fuck Money was formed in 2020 during the latter half of the COVID pandemic that year. After writing their first EP, they spent their time recording at Arroyo Audio. The band has created a reputation of performing high energy, sporadic DIY shows in liminal spaces throughout the dark corners of the city The Austin Chronicle noted how “the band’s churning feedback swirl is equal parts imposing and obfuscating – curiously serene in its refusal to give its sonic-aggression a clear human face.” Their vocalist is also known for donning an unpredictable and tantalizing look at each show.
Fuck Money’s debut self-titled EP on Three One G is six songs of unrelenting ‘space punk,’ drawing influence from punk, noise, industrial, and extreme music elements. Described as sounding like “a fully rabid Deerhoof,” the merciless & melodic stick-work of Alton Jenkins, paired with the visceral intensity of frontman TaSz Trébuchet, guides listeners down a path of challenging, awe-inspiring sonic behavior adorned with biting yet hyper-melodic guitar melodies. Death From Above’s Jesse F. Keeler aptly explains the EP simply as, “Feeling at all costs. If I was trying to explain this to someone with no reference, I’d say it was like a pomegranate. Challenging to get at the fruit, but worth the effort.”")
