Uploaded May 2022 | Updated September 2026, 1 day ago
The little bird didn't let her get away with it.
I'm sure I can improve my singing with practice. Singing is a joy for me, but I often feel extra cautious not to make mistakes while singing on camera and that causes the songs to come out less natural and playful than they could be.
I'm having fun bringing forgotten songs back to life. I often try to sing them my own way without directly copying another singer.
The lyrics need a bit of work, I made all sorts of changes to them:
(I'm too sleepy now, I'll correct them tomorrow)
'Twas late, 'twas late last friday night,
Lady Margaret was going to bed,
When she heard the sound of a musical horn,
Which made her poor heart glad.
She thought it was her brother John
Returning from the king,
But who should it be but her own true love,
A-Riding so late in the night.
Light down, light down, my own true love,
And stay with me all night,
And you shall have a cheer of the charcoal clear,
And a candle to give you light.
I can't light down, I won't light down,
I can't light down at all,
For there's a lady far prettier than thee
Waits in Lord Barney's hall.
He stooped from the saddle so blight
To kiss her red rosy cheeks,
When with a little pen-knife keen and sharp,
She pierced him full deep.
[Oh live, oh live, Love Henery,
For an hour, or two, or three,
And I will send for a doctor dear,
To save the life of thee.] *
You can neither ride east, you can neither ride west,
No nowhere's under the moon,
For there's ne'er a doctor in all this land,
Can cure what I have done.
She called unto her waitingmaids,
By one, by two, and three,
Saying there is a dead man in this hall,
And it's time he was taken'd away.
Some took him by the long yellow hair,
Some took him by the hands and feet.
And they throwed him into the wonderous well,
Fifteen good fathoms deep.
[Lie there, lie there, Love Henery,
Till the flesh drops off your bone,
And have that lady in Barnard's Hall,
Think you long a coming home.] *
Just as she was returning home,
She heard a voice in the air,
Saying go home, go home, and pay
Your hirelings their wages for your dear.
Come down, come down, you pretty little bird,
Come down as low as my knee,
And your cage shall be build of the beaten yellow gold,
And hang in the green willow tree,
I shan't come down, I won't come down,
I shan't come down a-tall,
For fear that you would murder me,
As you murdered your love in the hall.
I wished I had my bow and arrow,
All fitted to the string,
I would send a dart through your bold heart,
As you set on that limb.
I wished you had your bow and arrow,
All fitted to the string,
I'd soon take a flight and fly away,
To yonders valley green.
* I threw together verses I memorized from various sources for this one. It is mainly based on a text that was sung by Mrs. Hannah Gatts Rogers of Washington, Greene County, Pennsylvania in 1949. She had learned the song in the late 1800s from her mother who was born in West Virginia.
The little bird didn't let her get away with it.
I'm sure I can improve my singing with practice. Singing is a joy for me, but I often feel extra cautious not to make mistakes while singing on camera and that causes the songs to come out less natural and playful than they could be.
I'm having fun bringing forgotten songs back to life. I often try to sing them my own way without directly copying another singer.
The lyrics need a bit of work, I made all sorts of changes to them:
(I'm too sleepy now, I'll correct them tomorrow)
'Twas late, 'twas late last friday night,
Lady Margaret was going to bed,
When she heard the sound of a musical horn,
Which made her poor heart glad.
She thought it was her brother John
Returning from the king,
But who should it be but her own true love,
A-Riding so late in the night.
Light down, light down, my own true love,
And stay with me all night,
And you shall have a cheer of the charcoal clear,
And a candle to give you light.
I can't light down, I won't light down,
I can't light down at all,
For there's a lady far prettier than thee
Waits in Lord Barney's hall.
He stooped from the saddle so blight
To kiss her red rosy cheeks,
When with a little pen-knife keen and sharp,
She pierced him full deep.
[Oh live, oh live, Love Henery,
For an hour, or two, or three,
And I will send for a doctor dear,
To save the life of thee.] *
You can neither ride east, you can neither ride west,
No nowhere's under the moon,
For there's ne'er a doctor in all this land,
Can cure what I have done.
She called unto her waitingmaids,
By one, by two, and three,
Saying there is a dead man in this hall,
And it's time he was taken'd away.
Some took him by the long yellow hair,
Some took him by the hands and feet.
And they throwed him into the wonderous well,
Fifteen good fathoms deep.
[Lie there, lie there, Love Henery,
Till the flesh drops off your bone,
And have that lady in Barnard's Hall,
Think you long a coming home.] *
Just as she was returning home,
She heard a voice in the air,
Saying go home, go home, and pay
Your hirelings their wages for your dear.
Come down, come down, you pretty little bird,
Come down as low as my knee,
And your cage shall be build of the beaten yellow gold,
And hang in the green willow tree,
I shan't come down, I won't come down,
I shan't come down a-tall,
For fear that you would murder me,
As you murdered your love in the hall.
I wished I had my bow and arrow,
All fitted to the string,
I would send a dart through your bold heart,
As you set on that limb.
I wished you had your bow and arrow,
All fitted to the string,
I'd soon take a flight and fly away,
To yonders valley green.
* I threw together verses I memorized from various sources for this one. It is mainly based on a text that was sung by Mrs. Hannah Gatts Rogers of Washington, Greene County, Pennsylvania in 1949. She had learned the song in the late 1800s from her mother who was born in West Virginia.



![John Barleycorn (Roud 164) - Duncan Williamson
The Barley Grain / John Barleycorn (Roud No. 164) - Sung by Duncan Williamson, a Traveller of Furnace, Argyllshire, Scotland, later settled in Fife. Recorded by David Engle on January 18, 1987.
The original recording can be listened to here:
https://www.tobarandualchais.co.uk/track/91096?l=en
A biography of Duncan Williamson along with many further sound recordings can be found here:
https://www.tobarandualchais.co.uk/person/4292?l=en
Linda Williamsons thesis on Scottish Traveller singing can be read here, it is well worth your time if you are interested in Duncan Williamsons song repertoire: https://era.ed.ac.uk/handle/1842/8223
Note by Kevin W.:
This is Robert Burns text of John Barleycorn, first published in 1782, which Duncan learned as a boy in school. Its a fine rendition, the only one Ive ever heard sung by a traditional singer from Scotland. Duncan said in a recording made by John D. Niles in August 1986 that the tune was one his father played on the bagpipes and he put it to Robert Burns words.
Song transcription:
There were three kings into the East,
Three kings both great and high,
And they had sworn a solemn oath,
John Barleycorn should die.
O ho poor Barley,
O poor Barleycorn,
It would cut the heart from a dying man,
To hear poor Barley groan.
[So they took a plough, they ploughed him down,
Put clods upon his head,
And then they swore a solemn oath,
John Barleycorn was dead.] *
And then the Spring it entered mild,
And showers began to fall;
John Barleycorn got up again,
And he so surprised them all.
And then the summer entered warm,
And he grew strong and tall;
His head well armed with pointed spears,
No one could do him wrong.
O ho John Barley,
O John Barleycorn,
It would cut the heart of a dying man,
To hear John Barley groan.
And then October entered mild,
And he grew wan and pale;
His bending head and drooping joints,
Showed hed began to fail.
His colour sickened more and more,
As he grew into age;
And then his enemies began
To show their deadly rage.
They taken a weapon long and sharp,
And cut him by the knee;
They tied him fast upon a cart,
Like a rogue for forgery.
O ho John Barley,
O John Barleycorn,
It would cut the heart from a dying man,
To hear John Barley groan.
They laid him out upon the floor,
To work him for their woe;
And as the signs of life appeared,
They tossed him too and fro.
They filled up a deep and darksome pit,
With water to the brim;
They heaved in poor John Barleycorn,
For to let him sink or swim.
O ho poor Barley,
O poor Barleycorn,
It would cut the heart of a dying man,
To hear John Barley groan.
They roasted o’er a scorching fire,
The marrow of his bones;
But the miller used him worst of all,
For he crushed him between two stones.
And then they taken his very heart’s blood,
And drank it round and round;
And as they more and more they drank,
Their joy did more abound.
John Barleycorn is a noble man,
Of gentle enterprise;
And if you do but taste his blood,
It will make your courage rise.
It will make a man forget his woes,
Will tiding all his joy;
It will make the widow’s heart to sing,
Though tear be in her eye.
So here’s to dear John Barleycorn,
Each man a glass in hand;
And may his great prosperity,
Never fail in all Scotland.
O ho John Barley,
O John Barleycorn,
It would cut the heart of a dying man,
To hear John Barley groan.
* Duncan missed this verse on this occasion but sang it in other recordings. John Barleycorn (Roud 164) - Duncan Williamson](https://i.ytimg.com/vi/DV9bL9HhuWU/mqdefault.jpg)



![Mary Mild (Child 173) - Willie Mathieson
Four Maries / The Four Marys / Mary Mild / Mary Hamilton (Child No. 173) - Sung by William Mathieson of Ellon, Aberdeenshire, Scotland. He learned the song either from John Shewan, a shepherd, or from a Mr. Fowlie at Gourdieburn when he was about ten years old. Recorded by Hamish Henderson in April 1952.
Note by Kevin W.:
This is an important version of Child 173, one of few recorded texts to preserve the original story about the infanticide. Nearly all recent texts have reduced the ballad into a short lyrical lament in which no reason for Mary Hamiltons hanging is given.
Mr. Mathieson told Hamish Henderson in 1952 that he learned the song from John Shewan, a shepherd, when he was about ten years old. However, when he sang it previously in the 1930s for Dr. James Madison Carpenter he told him that he had learned it from a Mr. Fowlie at Gourdieburn, Aberdeenshire thirty-eight years ago.
The text matches Child 173 Version M, from James Maidments North Countrie Garland (1824, reprinted in 1891), but includes additional (non story relevant) stanzas:
http://71.174.62.16/Demo/LongerHarvest?Text=Child_d17313
Willie Mathieson wasnt known to be dishonest about ballad sources but it is thinkable that the person he got it from learned it from print, or filled out their short lyrical version of the song with print stanzas telling the full story. The date Willie Mathieson learned it was only a few years after the 1891 reprint of the North Countrie Garland.
Song transcription:
Then doon it cam Queen Mary
Wi gowd links in her hair,
Saying, Mary Mild, where is the child
That I heard greet sae sair?
Chorus:
Yestreen the Queen had four Maries;
This nicht shell hae but three:
There was Mary Beaton, an Mary Seaton,
An Mary Carmichael, an me. [*]
There was nae child wi me, madam;
There was nae child wi me.
It was but me in a sair colic
When I was like tae dee.
Chorus
Im not deceived, Queen Mary said.
Nae, nae, indeed, not I.
Mary Mild, where is the child?
For sure I heard it cry.
Chorus
She turned doon the blankets fine,
Likewise the holland sheet,
An underneath there strangled lay
A lovely baby sweet.
O cruel mother, said the Queen,
Some fiend possessed thee,
But I will hang you for this deed,
My Mary thoch you be.
Chorus
O happy, happy is the maid
Thats born o beauty free,
For it was my dimplin rosy cheeks
Thats been the ruin o me.
O often hae I dressed my queen
An put gowd in her hair,
An noo I got for my reward
The gallows tae be my share.
Chorus
O little did my mother think
When first she cradled me
That I would dee sae far frae hame,
Or hang on a gallows tree.
Theyll tie a napkin roun my een,
An theyll nae let me see tae dee;
An theyll neer let on tae father an mother,
But Im awa oer the sea.
Chorus
When she cam tae the Netherbo Port,
She laughed loud lachters three,
But when she cam tae the gallows foot,
The saut tear blint her ee.
Chorus
Ye mariners, ye mariners,
That sail upon the sea,
Let not my father or mother ken
The death that I maun dee.
I was my parents only hope;
They neer had ane but me;
They little thought when I left hame
The death that I should dee.
Chorus
* It should be noted that Willie did not use this verse as a chorus when he sang for Dr. Carpenter in the 1930s. He only sang it once as the final verse. Mary Mild (Child 173) - Willie Mathieson](https://i.ytimg.com/vi/F6GOaRsme5A/mqdefault.jpg)


