Uploaded April 2015 | Updated September 2026, 2 weeks ago
Conductor: Valery Polyansky
Cellist: Alexander Ivashkin
Moscow Symphony Orchestra
Date: 1997
Venue: Moscow Conservatory
Cello Concerto No. 2, Opus 126, was written by Dmitri Shostakovich in the spring of 1966 in the Crimea. Like the first concerto, it was written for Mstislav Rostropovich, who gave the premiere in Moscow under Yevgeny Svetlanov on 25 September 1966 at the composer's 60th birthday concert. Sometimes the concerto is listed as being in the key of G, but the score gives no such indication.
Along with the Eleventh String Quartet, the Preface to the Complete Works, and the Seven Romances on Texts by Alexander Blok, the Second Cello Concerto signaled the beginning of Shostakovich's late period style.
0:00 Largo
15:44 Allegretto
20:05 Allegretto
Conductor: Valery Polyansky
Cellist: Alexander Ivashkin
Moscow Symphony Orchestra
Date: 1997
Venue: Moscow Conservatory
Cello Concerto No. 2, Opus 126, was written by Dmitri Shostakovich in the spring of 1966 in the Crimea. Like the first concerto, it was written for Mstislav Rostropovich, who gave the premiere in Moscow under Yevgeny Svetlanov on 25 September 1966 at the composer's 60th birthday concert. Sometimes the concerto is listed as being in the key of G, but the score gives no such indication.
Along with the Eleventh String Quartet, the Preface to the Complete Works, and the Seven Romances on Texts by Alexander Blok, the Second Cello Concerto signaled the beginning of Shostakovich's late period style.
0:00 Largo
15:44 Allegretto
20:05 Allegretto




![Bartók - Viola Concerto
Conductor: András Kórodi
Soloist: Géza Németh
Budapest Symphony Orchestra
Viola Concerto, Sz. 120, BB 128 was one of the last pieces written by Béla Bartók. He began composing the work while living in Saranac Lake, New York, in July 1945. The piece was commissioned by William Primrose, a respected violist who knew that Bartók could provide a challenging piece for him to perform.
He said that Bartók should not feel in any way proscribed by the apparent technical limitations of the instrument; Bartók, though, was suffering from the terminal stages of leukemia when he began writing the viola concerto and left only sketches at the time of his death.
0:00 I. Moderato [BB 128]
11:32 II. Adagio religioso [BB 128]
15:46 III. Allegro vivace [BB 128] Bartók - Viola Concerto](https://i.ytimg.com/vi/TSZSTV90R4k/mqdefault.jpg)





