Uploaded December 2014 | Updated September 2026, 2 weeks ago
USSR ministry of culture state symphony orchestra
Conductor: Gennady Rozhdestvensky
Recorded: March 1991
Symphony No. 3 in A minor, Op. 44 between 1935 and 1936. The Third Symphony is considered a transitional work in Rachmaninoff's output. In melodic outline and rhythm it is his most expressively Russian symphony, particularly in the dance rhythms of the finale. What was groundbreaking in this symphony was its greater economy of utterance compared to its two predecessors. This sparer style, first apparent in the Rhapsody on a Theme of Paganini, enhances the emotional power of the work.
The symphony was premiered on November 6, 1936, with Leopold Stokowski conducting the Philadelphia Orchestra. Critical opinion was divided and public opinion negative toward the work. Rachmaninoff remained convinced of the piece's worth, however, and conducted the Philadelphia Orchestra in the first recording of the work in 1939. Following the reevaluation of Rachmaninoff's work in the 1970s, the symphony has been viewed in a more favorable light and has been frequently played and recorded.
Movements:
0:00 Lento - Allegro moderato - Allegro
12:21 Adagio ma non troppo - Allegro vivace
23:55 Allegro - Allegro vivace - Allegro (Tempo primo) - Allegretto - Allegro vivace.
USSR ministry of culture state symphony orchestra
Conductor: Gennady Rozhdestvensky
Recorded: March 1991
Symphony No. 3 in A minor, Op. 44 between 1935 and 1936. The Third Symphony is considered a transitional work in Rachmaninoff's output. In melodic outline and rhythm it is his most expressively Russian symphony, particularly in the dance rhythms of the finale. What was groundbreaking in this symphony was its greater economy of utterance compared to its two predecessors. This sparer style, first apparent in the Rhapsody on a Theme of Paganini, enhances the emotional power of the work.
The symphony was premiered on November 6, 1936, with Leopold Stokowski conducting the Philadelphia Orchestra. Critical opinion was divided and public opinion negative toward the work. Rachmaninoff remained convinced of the piece's worth, however, and conducted the Philadelphia Orchestra in the first recording of the work in 1939. Following the reevaluation of Rachmaninoff's work in the 1970s, the symphony has been viewed in a more favorable light and has been frequently played and recorded.
Movements:
0:00 Lento - Allegro moderato - Allegro
12:21 Adagio ma non troppo - Allegro vivace
23:55 Allegro - Allegro vivace - Allegro (Tempo primo) - Allegretto - Allegro vivace.
![Bartók - Viola Concerto
Conductor: András Kórodi
Soloist: Géza Németh
Budapest Symphony Orchestra
Viola Concerto, Sz. 120, BB 128 was one of the last pieces written by Béla Bartók. He began composing the work while living in Saranac Lake, New York, in July 1945. The piece was commissioned by William Primrose, a respected violist who knew that Bartók could provide a challenging piece for him to perform.
He said that Bartók should not feel in any way proscribed by the apparent technical limitations of the instrument; Bartók, though, was suffering from the terminal stages of leukemia when he began writing the viola concerto and left only sketches at the time of his death.
0:00 I. Moderato [BB 128]
11:32 II. Adagio religioso [BB 128]
15:46 III. Allegro vivace [BB 128] Bartók - Viola Concerto](https://i.ytimg.com/vi/TSZSTV90R4k/mqdefault.jpg)







![J.S. Bach - Brandenburg Concerto No. 3
Brandenburg Concerto No. 3 in G major, BWV 1048
0:00 [no tempo indication] (usually performed at Allegro or Allegro moderato)
5:44 Adagio
6:12 Allegro J.S. Bach - Brandenburg Concerto No. 3](https://i.ytimg.com/vi/WxFfY61-mtY/mqdefault.jpg)

