Uploaded October 2016 | Updated September 2026, 2 weeks ago
Here's a virtual movie of the great Robert Burns reciting "A Red, Red Rose".
"A Red, Red Rose" is a 1794 song in Scots by Robert Burns based on traditional sources. The song is also referred to by the title "Oh, My Love is Like a Red, Red Rose", "My Love is Like a Red, Red Rose" or "Red, Red Rose" and is often published as a poem.
Burns worked for the final ten years of his life on projects to preserve traditional Scottish songs for the future. In all, Burns had a hand in preserving over 300 songs for posterity, the most famous being "Auld Lang Syne". He worked on this project for James Johnson's the Scots Musical Museum (1787-1803) and for George Thomson's five-volume A Select Collection of Original Scottish Airs for the Voice. Burns had intended the work to be published as part of Thomson's selection. However, he wrote to a friend that Thomson and he disagreed on the merits of that type of song. "What to me appears to be the simple and the wild, to him, and I suspect to you likewise, will be looked on as the ludicrous and the absurd."[1]
Instead, Burns gave the song to Scots singer Pietro Urbani who published it in his Scots Songs. In his book, Urbani claimed the words of The Red Red Rose were obligingly given to him by a celebrated Scots poet, who was so struck by them when sung by a country girl that he wrote them down and, not being pleased with the air, begged the author to set them to music in the style of a Scots tune, which he has done accordingly.[2] In other correspondence, Burns referred to it as a "simple old Scots song which I had picked up in the country."[3]
The lyrics of the song are simple but effective. "My luve's like a red, red rose/That's newly sprung in June" describe a love that is both fresh and long lasting. David Daiches in his work describes Burns as "the greatest songwriter Britain has produced" for his work in refurbishing and improving traditional Scots songs including "Red, Red Rose" which he described as a "combination of tenderness and swagger.
Robert Burns (25 January 1759 – 21 July 1796), also known as Rabbie Burns, the Bard of Ayrshire and various other names and epithets,[nb 1] was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a light Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.
He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world
Here's a virtual movie of the great Robert Burns reciting "A Red, Red Rose".
"A Red, Red Rose" is a 1794 song in Scots by Robert Burns based on traditional sources. The song is also referred to by the title "Oh, My Love is Like a Red, Red Rose", "My Love is Like a Red, Red Rose" or "Red, Red Rose" and is often published as a poem.
Burns worked for the final ten years of his life on projects to preserve traditional Scottish songs for the future. In all, Burns had a hand in preserving over 300 songs for posterity, the most famous being "Auld Lang Syne". He worked on this project for James Johnson's the Scots Musical Museum (1787-1803) and for George Thomson's five-volume A Select Collection of Original Scottish Airs for the Voice. Burns had intended the work to be published as part of Thomson's selection. However, he wrote to a friend that Thomson and he disagreed on the merits of that type of song. "What to me appears to be the simple and the wild, to him, and I suspect to you likewise, will be looked on as the ludicrous and the absurd."[1]
Instead, Burns gave the song to Scots singer Pietro Urbani who published it in his Scots Songs. In his book, Urbani claimed the words of The Red Red Rose were obligingly given to him by a celebrated Scots poet, who was so struck by them when sung by a country girl that he wrote them down and, not being pleased with the air, begged the author to set them to music in the style of a Scots tune, which he has done accordingly.[2] In other correspondence, Burns referred to it as a "simple old Scots song which I had picked up in the country."[3]
The lyrics of the song are simple but effective. "My luve's like a red, red rose/That's newly sprung in June" describe a love that is both fresh and long lasting. David Daiches in his work describes Burns as "the greatest songwriter Britain has produced" for his work in refurbishing and improving traditional Scots songs including "Red, Red Rose" which he described as a "combination of tenderness and swagger.
Robert Burns (25 January 1759 – 21 July 1796), also known as Rabbie Burns, the Bard of Ayrshire and various other names and epithets,[nb 1] was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a light Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.
He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world

![Year of Meteors - Walt Whitman - Poem Animation
Heres a virtual movie of the great Walt Whitman reading Year of Meteors The poem describes an actual celestial event in 1859 juxtaposing this event with momentous political and social events of the time.Whitman was writing about an omen-filled time that led up to Americas bloodiest war. Whitman appears to use the theme of meteors as a metaphor for the fleeting nature of what appeared to be major events as well as for his own connection to life.
Year of comets and meteors transient and strange, he writes, ending with: As I flit though you hastily, soon to fall and be gone, what is this chant, / what am I myself but one of your meteors?
The rare event described in the poem Year of Meteors (1859-1860) is indeed called a meteor procession. It takes place when a grazer meteor breaks up and the pieces travel together as if in formation.
Scholars have for decades tried to identify a puzzling celestial event in one of Walt Whitmans poems from his collection Leaves of Grass. Now theyve done so — using clues from a famed American landscape painter.
In the July issue of Sky and Telescope magazine, a team that includes astronomers and a literary scholar, all from Texas State University, details the existence and nature of the rare event, in which meteor fragments crossed the sky in stately, synchronized fashion.
The heavenly display is described in the poem Year of Meteors (1859-1860), in which Whitman writes of the tumultuous period leading up to the Civil War. He touches upon the hanging of abolitionist John Brown and the ascendancy of Abraham Lincoln to the presidency, and he makes two references to astronomy: The comet that came unannounced out of the north, flaring in heaven, and the strange huge meteor procession, dazzling and clear, shooting over our heads.
dentifying the comet in the verses was easy, said astronomer Don Olson, lead author of the article. It had to be the Great Comet of 1860, seen in the Northern Hemisphere on June 18 of that year.
Identifying the second event, what Whitman called the meteor procession, proved much more difficult.
Various authors have tried to figure out what Whitman was describing. This thing has been bubbling in my mind [since] 1994, said Olson, who that year started teaching a class on astronomy in art, history and literature.
Prevailing theories didnt make sense to Olson. Some scholars had thought that the poem could have been referring to an 1859 daylight fireball — but Whitman has the meteor occurring at night, and describes several flares traveling through the sky at once.
Others thought the poet may have been recalling the 1833 Leonid meteor shower, which Whitman did indeed witness — but that is inconsistent with the poems timeframe (1859-1860) and doesnt match the description. Whitmans procession lasted a moment, a moment long, but meteor showers last for hours, even days.
The breakthrough came in 2000, when Olson picked up a catalog of works by 19th-century landscape artist Frederic Edwin Church.
Scientists in general, but astronomers in particular, love Frederic Church because he was such a careful observer of the sky, Olson said. You can see it in his paintings.
Olson turned the catalog over. On the back was a copy of the painting The Meteor of 1860.
The scene clearly depicts two large balls of light passing almost horizontally across the night sky, followed by a series of smaller fragments.
The astronomer recognized this as an extremely rare event that is in fact called a meteor procession, in which a meteor breaks up and the pieces travel together as if in formation before exiting the Earths atmosphere once more.
A procession is rare, Olson said, because so many factors need to fall into place. The meteor, known as a grazer, must travel almost tangent to the Earths surface, giving it a long, near-horizontal path across the skies. It usually has to travel between about 35 and 40 miles above the ground — any higher and it would not light up, any lower and it would likely fall to Earth. And it has to break up very soon after entering the Earths atmosphere, or the procession-like effect will be lost.
Since the 18th century, only four have been documented, Olson said. Compare that with meteor showers, which happen several times a year, he added.
Griffith Observatory Director Edwin Krupp said the most important impact of this celestial rediscovery would be its literary significance.
There is a fuss about this because the literary analysis that has accompanied this famous piece of Americana, [what could be considered] the backbone of American literary tradition, has sort of been misunderstood, Krupp said.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 Year of Meteors - Walt Whitman - Poem Animation](https://i.ytimg.com/vi/HKf-2nhIGrI/mqdefault.jpg)
![D H Lawrence - A Sexless England - The Phoenix - Literary animation Poem
Heres a virtual movie of the great D H Lawrence Reading from his biography and the last stanza of his poem A Sexless England & The Phoenix. D H Lawrences most famous novel Lady Chatterleys Lover was in many ways a retelling of his own views on Englishness and inhibition,and the artificiality of the barriers of the British class system in this short virtual movie he recites a little of his liberal somewhat Pre-Raphaelite views tinged with his working class origins on free expression and sex..
David Herbert Lawrence (11 September 1885 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works, among other things, represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct.
Lawrences opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his savage pilgrimage.[1] At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, The greatest imaginative novelist of our generation.[2] Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrences fiction within the canonical great tradition of the English novel.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 D H Lawrence - A Sexless England - The Phoenix - Literary animation Poem](https://i.ytimg.com/vi/HLOIGwX1iQ0/mqdefault.jpg)



![Charles Graves - Five Poems - Poem - Animation
Heres a virtual movie of Charles Graves poet and brother of Robert Graves reading Five of his original Poems. Fear in the Night - Girl Asleep - The Hoer - The Usurper - The Ghost.
Charles Ranke Patrick Graves (1 December 1899 – 21 February 1971) was a journalist and writer, and brother of Robert Graves.
He was born in Wimbledon, England. His father was Alfred Perceval Graves (born in Dublin, 22 July 1846) who was a poet of high standing, writing many charming poems and ballads. His mother was Amalie (Amy) Elizabeth Sophie (or Sophia) von Ranke.[1]
He worked on the Sunday Express, Daily Mail and many other newspapers. He published 46 books in all including the Thin Blue Line or Adventures in the RAF. He also wrote a continuation (more than a sequel) called The Avengers. His hobbies were golf and gin rummy.
Two of his books are of special interest, his Ireland Revisited (1949) and his autobiography The Bad Old Days (1951). In Ireland Revisited he takes the reader on an informative and humorous tour of Ireland.
He begins his autobiography:
Those were the days, the Bad Old Days – primarily of large families, but also of could look the dollar in the eye without flinching or wincing, when cigarettes were 11d. for 20 and beef was unrationed and champagne was 5s. a bottle.
and he concludes it as follows:
What is happiness? I did not yet know. But I had already learnt that to have any chance of success in life one must be able to ‘take it’; that tact can be worth all the genius in the world; that unless you specialise you will never make more than £800 a year; that it is madness to disbelieve in luck and the cycles of luck; that you have to spend money to make money; that you must at all costs keep your youthful enthusiasms; that the two greatest influences in a man’s life are his mother and his wife; that marriage will either make you or break you, because it can never leave you the same.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 Charles Graves - Five Poems - Poem - Animation](https://i.ytimg.com/vi/HzgIOiFZhVA/mqdefault.jpg)
![I know a planet - The Little Prince - Antoine de Saint-Exupéry - Poem - animation
Heres a virtual movie of a reading from The Little Prince by the great Antoine de Saint-Exupéry I know a planet where there is a certain red-faced gentleman For the purposes of this animation I have used the beautiful face of the authors wife Consuelo de Saint Exupéry.
Antoine de Saint-Exupéry (French: [ɑ̃twan də sɛ̃tɛɡzypeʁi]), officially Antoine Marie Jean-Baptiste Roger, comte de Saint Exupéry[3][4][Note 1][Note 2] (29 June 1900 – 31 July 1944) was a French aristocrat, writer, poet, and pioneering aviator. He became a laureate of several of Frances highest literary awards and also won the U.S. National Book Award.[7] He is best remembered for his novella The Little Prince (Le Petit Prince) and for his lyrical aviation writings, including Wind, Sand and Stars and Night Flight.
Consuelo de Saint Exupéry, officially Consuelo Suncín, comtesse de Saint Exupéry, (born Armenia, El Salvador on 10 April 1901; died Grasse, France on 18 May 1979) was a Salvadoran-French writer and artist, and the wife of the French aristocrat, writer and pioneering aviator Antoine de Saint-Exupéry (1900–1944).
The Little Prince (French: Le Petit Prince; French pronunciation: [lə.pə.tiˈpʁɛ̃s]), first published in 1943, is a novella and the most famous work of the French aristocrat, writer, poet and pioneering aviator Antoine de Saint-Exupéry (1900–1944).
The novella is both the most-read and most-translated book in the French language, and was voted the best book of the 20th century in France. Translated into more than 250 languages and dialects (as well as braille),[3][4] selling nearly two million copies annually with sales totalling over 140 million copies worldwide,[5] it has become one of the best-selling books ever published.
The Little Prince is a poetic tale, with watercolour illustrations by the author, in which a pilot stranded in the desert meets a young prince fallen to Earth from a tiny asteroid. The story is philosophical and includes social criticism, remarking on the strangeness of the adult world. It was written during a period when Saint-Exupéry fled to North America subsequent to the Fall of France during the Second World War, witnessed first hand by the author and captured in his memoir Flight to Arras.[11] The adult fable, according to one review, is actually ...an allegory of Saint-Exupérys own life—his search for childhood certainties and interior peace, his mysticism, his belief in human courage and brotherhood.... but also an allusion to the tortured nature of their relationship.
Kind Regards
Jim Clark
All rights are reserved on tghis video recording copyright Jim Clark 2015 I know a planet - The Little Prince - Antoine de Saint-Exupéry - Poem - animation](https://i.ytimg.com/vi/I2svPb7X1a8/mqdefault.jpg)

![The Tyger - William Blake - Poem - Animation
Heres a virtual movie of William Blake reading his much loved Poem The Tyger The soundtrack used on this video is from a rare 78 rpm shellac record recited by Clifford Turner.
Clifford Turner delivers the Poem somewhat in the style of a preacher delivering a sermon.Very few people would ever have seen a Tiger in the flesh in Blakes Time and most people of the time in Britain would have considered such a creature depicted only by art works as a devilish creature of Myth. To me Turner is the nearest I have ever heard ,and I have most of the significant recordings of recitals of this poem in my collection to how I imagine Blake may have sounded reciting his poem.
J. Clifford Turner was a leading voice teacher who gained his experience at RADA.
The Tyger is a poem by the English poet William Blake published in 1794 as part of the Songs of Experience collection. Literary critic Alfred Kazin calls it the most famous of his poems,[1] and The Cambridge Companion to William Blake says it is the most anthologized poem in English.[2] It is one of Blakes most reinterpreted and arranged works.
he Songs of Experience was published in 1794 as a follow up to Blakes 1789 Songs of Innocence.[4] The two books were published together under the merged title Songs of Innocence and Experience, showing the Two Contrary States of the Human Soul: the author and printer, W. Blake[4] featuring 54 plates. The illustrations are arranged differently in some copies, while a number of poems were moved from Songs of Innocence to Songs of Experience. Blake continued to print the work throughout his life.[5] Of the copies of the original collection, only 28 published during his life are known to exist, with an additional 16 published posthumously.[6] Only 5 of the poems from Songs of Experience appeared individually before 1839.The Tyger,
All rights are reserved on this video recording copyright Jim Clark 2017 The Tyger - William Blake - Poem - Animation](https://i.ytimg.com/vi/Iwa_PPnaZps/mqdefault.jpg)
