Uploaded July 2022 | Updated September 2026, 1 day ago
Presented in conjunction with the exhibitions, Mixpantli: Space, Time, and the Indigenous Origins of Mexico and Mixpantli: Contemporary Echoes, Rethinking Conquest is a recorded Zoom lecture series that features four scholars’ reflections on the moment of Mexico’s Conquest by Spaniards in the 15th century through through three illustrated historical accounts and an analysis of the figure of Our Lady of Guadalupe. In this video, LACMA Deputy Director, Program Director, and Dr. Virginia Fields Curator of the Art of the Ancient Americas, Diana Magaloni, takes us through the Florentine Codex and its depiction of the Conquest of Mexico.
Dr. Diana Magaloni is a renowned art historian, author, curator, and conservator. She is currently Deputy Director,Program Director of the Art of the Ancient Americas (2014-2021), and the Conservation Center Director at the Los Angeles County Museum of Art (2019-2021). Dr. Magaloni holds a Ph.D. in Art History from Yale University, an M.A. in Art History from the Universidad Nacional Autónoma de México (UNAM), and a B.A. in Conservation from the Instituto Nacional de Antropología e Historia (INAH). She was Director of the Museo Nacional de Antropología in Mexico City (2009–13), and a researcher and professor at UNAM (1991-2014). Her research has focused on developing methodologies to understand the originality of the artistic and aesthetic processes of ancient American Indigenous cultures.
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Mixpantli: Space, Time, and the Indigenous Origins of Mexico and Mixpantli: Contemporary Echoes are co-curated by Dr. Diana Magaloni the Deputy Director, Program Director and the Dr. Virginia Fields Curator of the Art of the Ancient Americas as well as the Suzanne D. Booth and David G. Booth Conservation Center Director at LACMA; and Alyce de Carteret, the Mellon Postdoctoral Fellow in the Art of the Ancient Americas Department at LACMA.
Both exhibitions were themselves conceived to rethink the traditional narrative of “conquest,” creating an opportunity on the 500th anniversary of the fall of the Aztec capital of Tenochtitlan to center instead the creative resistance of Indigenous artists.
Their works—illustrated histories, featherworks, stone sculptures, cartographic paintings—tell a story not of defeat but of perseverance, renewal, and an enduring commitment to an Indigenous future.
This program was originally presented on Zoom on January 11, 2022.
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About LACMA
Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of nearly 140,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.
Connect with LACMA
Subscribe for our latest videos: lacma.org/videos
Explore our collection online: collections.lacma.org
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Support the museum and become a member: lacma.org/support
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Presented in conjunction with the exhibitions, Mixpantli: Space, Time, and the Indigenous Origins of Mexico and Mixpantli: Contemporary Echoes, Rethinking Conquest is a recorded Zoom lecture series that features four scholars’ reflections on the moment of Mexico’s Conquest by Spaniards in the 15th century through through three illustrated historical accounts and an analysis of the figure of Our Lady of Guadalupe. In this video, LACMA Deputy Director, Program Director, and Dr. Virginia Fields Curator of the Art of the Ancient Americas, Diana Magaloni, takes us through the Florentine Codex and its depiction of the Conquest of Mexico.
Dr. Diana Magaloni is a renowned art historian, author, curator, and conservator. She is currently Deputy Director,Program Director of the Art of the Ancient Americas (2014-2021), and the Conservation Center Director at the Los Angeles County Museum of Art (2019-2021). Dr. Magaloni holds a Ph.D. in Art History from Yale University, an M.A. in Art History from the Universidad Nacional Autónoma de México (UNAM), and a B.A. in Conservation from the Instituto Nacional de Antropología e Historia (INAH). She was Director of the Museo Nacional de Antropología in Mexico City (2009–13), and a researcher and professor at UNAM (1991-2014). Her research has focused on developing methodologies to understand the originality of the artistic and aesthetic processes of ancient American Indigenous cultures.
___
Mixpantli: Space, Time, and the Indigenous Origins of Mexico and Mixpantli: Contemporary Echoes are co-curated by Dr. Diana Magaloni the Deputy Director, Program Director and the Dr. Virginia Fields Curator of the Art of the Ancient Americas as well as the Suzanne D. Booth and David G. Booth Conservation Center Director at LACMA; and Alyce de Carteret, the Mellon Postdoctoral Fellow in the Art of the Ancient Americas Department at LACMA.
Both exhibitions were themselves conceived to rethink the traditional narrative of “conquest,” creating an opportunity on the 500th anniversary of the fall of the Aztec capital of Tenochtitlan to center instead the creative resistance of Indigenous artists.
Their works—illustrated histories, featherworks, stone sculptures, cartographic paintings—tell a story not of defeat but of perseverance, renewal, and an enduring commitment to an Indigenous future.
This program was originally presented on Zoom on January 11, 2022.
___
About LACMA
Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of nearly 140,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.
Connect with LACMA
Subscribe for our latest videos: lacma.org/videos
Explore our collection online: collections.lacma.org
Plan your visit to LACMA: lacma.org/visit
Support the museum and become a member: lacma.org/support
Follow us on social
Facebook: facebook.com/LACMA
Twitter: twitter.com/lacma
Tumblr: lacma.tumblr.com
Pinterest: pinterest.com/lacma
Instagram: instagram.com/lacma
