Uploaded November 2012 | Updated September 2026, 2 weeks ago
Eros Hoagland is raising funds for his photobook exploring the drug war in northern Mexico. In order to receive contributions, the project must be funded in full by 12/7/12. kickstarter.com/projects/548813049/reckoning-at-the-frontier
From Eros: I am raising money to complete a hauntingly beautiful photo book about life along the northern borders of Mexico's drug war. I will be using kickstarter generated funds to pay for an editor, book designer and most importantly a publishing company. The state of the book publishing industry these days generally requires the artist to bring substantial funds to the table to offset costs that book publishers simply cant cover anymore. Its like medical care, I need to bring a hefty co-pay to get results.
Reckoning at the Frontier is a photographic window into Mexico's struggle with organized crime along its border with the United States. Centered around two cities, Tijuana and Ciudad Juarez, Reckoning takes the viewer through the harsh deserts and urban mazes of northern Mexico on both a literal and interpretive photographic journey.
I began photographing along the US Mexico border in June of 2005. Over the next five years, I made over a dozen trips to northern Mexico, each fueled by an evolving sense of thematic interpretation and historical perspective. I grew with the work as the border's modern history unfolded before me. In 2010, I moved to the outskirts of Tijuana, where I live today.
Seven years ago when I began, my agenda was vague. I wandered through the arid Tijuana hills photographing anything that caught my interest. A group of immigrants waiting to cross into the US, young children playing along the border fence, or an echelon of police motorcycles at a memorial service for slain officers. At that time, I had no idea that this project would be so strongly shaped by the modern Narco-wars that have been unfolding for years. I merely wanted to represent what life on the border looked and felt like. But it was impossible not to be drawn into the fray of organized crime; a phenomenon that is almost entirely misunderstood from a historical, economic and political perspective.
Part journalistic reportage and part conceptual interpretation, Reckoning looks beyond the body counts and media misinformation to reveal a country at war with it's own ghosts. Thematically, I am most intrigued by the notion that the wild western frontier has changed very little from the days of Pancho Villa and the Mexican revolution. Outlaws and dirty cops still control vast swaths of Mexican territory. Powerful four-wheel drive trucks have replaced horses, and lever-action rifles have been exchanged for fully automatic assault weapons. The government and its enforcers are still murderously corrupt, and the divide between rich and poor is still ultimately negotiated from behind the barrel of a gun.
I approached the subject with a cinematic eye rather than a strictly journalistic documentary style. I used a deliberately bleak color palette to accentuate the true feeling of the unforgiving desert. The terrain and the weather play into the narrative, the desert itself becomes a character.
From the beginning of this project, I have always seen it as a book that would bring artistic sensibility to a subject matter that typically turns audiences away. I hope to give viewers greater perspective of a land and people that are so often vilified with extreme prejudice due to political agendas and basic misunderstanding. I was inspired to realize this project not only by previous works of journalism, but also by great works of fiction. I hope to pass on and build upon this inspiration so that others might seek out their own understanding of this pivotal point in Mexico's history.
This Kickstarter campaign will raise money to help pay for the printing costs of the book. The reality of today's book publishing industry demands that the artist contribute substantial money towards printing and distribution. The photography is done, I have the material. Now comes the hard part, and I need your help!
Eros Hoagland has worked as an independent photojournalist and documentary photographer since 1993. He has concentrated on the exploration of countries and peoples immersed in cycles of violence across the globe. Assignments and personal projects have taken him to El Salvador, Colombia, Mexico and the wars in Iraq and Afghanistan where he continues to work for international editorial clients. As well as documenting the political climate and social impact of conflict, Eros looks for an emotional and visceral narrative when approaching reportage projects. Themes are just as important as issues in Eros' photography. Subtleties are never overlooked as he conveys a feeling of place, character and a larger historical perspective to his viewers. Hoagland's regular clients include the New York Times, Newsweek, Time, Stern, and the Times of London.
reckoningbook.com eroshoagland.com
Eros Hoagland is raising funds for his photobook exploring the drug war in northern Mexico. In order to receive contributions, the project must be funded in full by 12/7/12. kickstarter.com/projects/548813049/reckoning-at-the-frontier
From Eros: I am raising money to complete a hauntingly beautiful photo book about life along the northern borders of Mexico's drug war. I will be using kickstarter generated funds to pay for an editor, book designer and most importantly a publishing company. The state of the book publishing industry these days generally requires the artist to bring substantial funds to the table to offset costs that book publishers simply cant cover anymore. Its like medical care, I need to bring a hefty co-pay to get results.
Reckoning at the Frontier is a photographic window into Mexico's struggle with organized crime along its border with the United States. Centered around two cities, Tijuana and Ciudad Juarez, Reckoning takes the viewer through the harsh deserts and urban mazes of northern Mexico on both a literal and interpretive photographic journey.
I began photographing along the US Mexico border in June of 2005. Over the next five years, I made over a dozen trips to northern Mexico, each fueled by an evolving sense of thematic interpretation and historical perspective. I grew with the work as the border's modern history unfolded before me. In 2010, I moved to the outskirts of Tijuana, where I live today.
Seven years ago when I began, my agenda was vague. I wandered through the arid Tijuana hills photographing anything that caught my interest. A group of immigrants waiting to cross into the US, young children playing along the border fence, or an echelon of police motorcycles at a memorial service for slain officers. At that time, I had no idea that this project would be so strongly shaped by the modern Narco-wars that have been unfolding for years. I merely wanted to represent what life on the border looked and felt like. But it was impossible not to be drawn into the fray of organized crime; a phenomenon that is almost entirely misunderstood from a historical, economic and political perspective.
Part journalistic reportage and part conceptual interpretation, Reckoning looks beyond the body counts and media misinformation to reveal a country at war with it's own ghosts. Thematically, I am most intrigued by the notion that the wild western frontier has changed very little from the days of Pancho Villa and the Mexican revolution. Outlaws and dirty cops still control vast swaths of Mexican territory. Powerful four-wheel drive trucks have replaced horses, and lever-action rifles have been exchanged for fully automatic assault weapons. The government and its enforcers are still murderously corrupt, and the divide between rich and poor is still ultimately negotiated from behind the barrel of a gun.
I approached the subject with a cinematic eye rather than a strictly journalistic documentary style. I used a deliberately bleak color palette to accentuate the true feeling of the unforgiving desert. The terrain and the weather play into the narrative, the desert itself becomes a character.
From the beginning of this project, I have always seen it as a book that would bring artistic sensibility to a subject matter that typically turns audiences away. I hope to give viewers greater perspective of a land and people that are so often vilified with extreme prejudice due to political agendas and basic misunderstanding. I was inspired to realize this project not only by previous works of journalism, but also by great works of fiction. I hope to pass on and build upon this inspiration so that others might seek out their own understanding of this pivotal point in Mexico's history.
This Kickstarter campaign will raise money to help pay for the printing costs of the book. The reality of today's book publishing industry demands that the artist contribute substantial money towards printing and distribution. The photography is done, I have the material. Now comes the hard part, and I need your help!
Eros Hoagland has worked as an independent photojournalist and documentary photographer since 1993. He has concentrated on the exploration of countries and peoples immersed in cycles of violence across the globe. Assignments and personal projects have taken him to El Salvador, Colombia, Mexico and the wars in Iraq and Afghanistan where he continues to work for international editorial clients. As well as documenting the political climate and social impact of conflict, Eros looks for an emotional and visceral narrative when approaching reportage projects. Themes are just as important as issues in Eros' photography. Subtleties are never overlooked as he conveys a feeling of place, character and a larger historical perspective to his viewers. Hoagland's regular clients include the New York Times, Newsweek, Time, Stern, and the Times of London.
reckoningbook.com eroshoagland.com
