Uploaded December 2021 | Updated September 2026, 4 days ago
As far as Tantra, intimacy, love and relationships are concerned my special guest on my Explore Ecstatic Sensuality podcast knows it all. In this episode Anita explains what Tantra can do for you and your relationship. Would you rather be a giver or a receiver in Life and in Love? In this episode Randolph and his special guest Anita DeFrancesco discuss Tantra, relationships, and pleasure; the psychology or giving and receiving; what it means to be romantic. Are you into friendship love or game playing love? Men and women and how they differ in love and in relationships. What it means to fall in love. The search for your True Flame.
Anita DeFrancesco, MA, is a Somatic Orgonomy Psychotherapist, a two-time Award Winning Journalist, and a Love & Relationship Coach. She is the Founder of Tantra Wisdom - Kinepathics. She is the host of the Discover Joyous Love series on YouTube and also of the Discover Joyous Love and It’s Your Voice Podcasts available on Apple Podcasts, Spotify, Amazon Music and elsewhere. She is the author of “Live Free – Recreate and Liberate Your Life” and “The Donna Gentile Story,” a true crime thriller.
Mindfullness, Sexuality and Relationships: Anita’s mission is to educate people to enlightenment and awareness. To free the emotions from pain, learn to love more openly, express the hidden voice, and recreate a more purposeful, empowered and happy life; thus awakening from separation and suffering and embracing the modern world with oneness and love.
Randolph Pitts holds Summa Cum Laude degrees in Social Psychology and Egyptology from the University of California Berkeley, and a Masters Degree in Motion Picture Production and Entertainment Law from UCLA. He has also done advanced research for the Department of Psychology at UCLA, concentrating on couples and relationships dynamics. He is a member of Phi Beta Kappa and the American Philosophical Association, the organization of university professors of Philosophy. He is also an associate member of the Los Angeles County Bar Association. Randolph has been a top executive at several entertainment companies, including a ten year stint as Chief Executive Officer of the company that produced Leaving Las Vegas for which Nicolas Cage won the Academy Award as best actor. The first volume of his tetralogy of novels will be published in 2022. He has a lifelong interest in the relationship between philosophy, psychology and history. He is the founder and host of the Explore Ecstatic Sensuality podcast.
As far as Tantra, intimacy, love and relationships are concerned my special guest on my Explore Ecstatic Sensuality podcast knows it all. In this episode Anita explains what Tantra can do for you and your relationship. Would you rather be a giver or a receiver in Life and in Love? In this episode Randolph and his special guest Anita DeFrancesco discuss Tantra, relationships, and pleasure; the psychology or giving and receiving; what it means to be romantic. Are you into friendship love or game playing love? Men and women and how they differ in love and in relationships. What it means to fall in love. The search for your True Flame.
Anita DeFrancesco, MA, is a Somatic Orgonomy Psychotherapist, a two-time Award Winning Journalist, and a Love & Relationship Coach. She is the Founder of Tantra Wisdom - Kinepathics. She is the host of the Discover Joyous Love series on YouTube and also of the Discover Joyous Love and It’s Your Voice Podcasts available on Apple Podcasts, Spotify, Amazon Music and elsewhere. She is the author of “Live Free – Recreate and Liberate Your Life” and “The Donna Gentile Story,” a true crime thriller.
Mindfullness, Sexuality and Relationships: Anita’s mission is to educate people to enlightenment and awareness. To free the emotions from pain, learn to love more openly, express the hidden voice, and recreate a more purposeful, empowered and happy life; thus awakening from separation and suffering and embracing the modern world with oneness and love.
Randolph Pitts holds Summa Cum Laude degrees in Social Psychology and Egyptology from the University of California Berkeley, and a Masters Degree in Motion Picture Production and Entertainment Law from UCLA. He has also done advanced research for the Department of Psychology at UCLA, concentrating on couples and relationships dynamics. He is a member of Phi Beta Kappa and the American Philosophical Association, the organization of university professors of Philosophy. He is also an associate member of the Los Angeles County Bar Association. Randolph has been a top executive at several entertainment companies, including a ten year stint as Chief Executive Officer of the company that produced Leaving Las Vegas for which Nicolas Cage won the Academy Award as best actor. The first volume of his tetralogy of novels will be published in 2022. He has a lifelong interest in the relationship between philosophy, psychology and history. He is the founder and host of the Explore Ecstatic Sensuality podcast.
![Jörg Herchet, Komposition 1 für zwei Violinen, Viola und Violoncello [1980] - ii.
The subject of Jörg Herchets thesis while studying in East Berlin was The Theoretical Writings of Arnold Schönberg and Their Significance for the Teaching of Composition. Herchet argued the need for a teaching method setting out from Schönberg and leading to Pierre Boulez. This line of thought was anathema to the school administrators, who felt that the teaching of composition should lead to Hanns Eisler [ironically, a student of Schönberg, and a fine composer in our opinion]. After failing to complete his degree Herchet worked for a year in Dresden as a temporary employee in the bookdealers trade. In 1970 Paul Dessau was able to have the young composer accepted as his special pupil at the Akademie der Künste in East Berlin even though he lacked a degree. In Dessau, Herchet found a teacher who could accept and further his own approach to composition.
Jörg Herchets Composition 1 for Two Violins, Viola and Violoncello was written in 1980 and is dedicated to Paul Dessau in veneration and gratitude. Herchets two-movement string quartet is based on a specific dramaturgical conception. The second movement starts out with scraps of material and motifs from the preceding movement. The texture becomes more compressed, and for a moment we hear once again the arpeggiated passage of chromatic saturation, this time built of all-interval chords. Then, in rigid and regular repetition, all-interval chords march past en masse in a wide variety of transpositions. The motor-like thrust of the rhythm, however, soon dissolves once again into a dense polyphony in which striking particles of melody occasionally rise to the surface. At the very end, clearly divided into dynamically activated chordal blocks, we hear mirror-reflections and inversions of the pure all-interval chord vanishing in pianissimo. A state of stability seems to have been reached.
The only supra-musical dimension that Herchet allows his works to assume is expressed in the phrased soli Deo gloria [to the glory of Gold alone] found at the end of each of his compositions since 1984. Herchet sees himself entirely as a composer of religious and sacred music. His understanding of religion, however, cannot be easily conveyed on words. Parts of it are alluded to in such concepts as veneration of the all-encompassing, the holistic, the common substance of man. He regards his music to as a yearning for God. The important thing for me is first to unify all the different areas and then the most important thing in all of my music to proceed from that unity. Jörg Herchet, Komposition 1 für zwei Violinen, Viola und Violoncello [1980] - ii.](https://i.ytimg.com/vi/EJ3Ezo_1GYs/mqdefault.jpg)



![Elisabeth Lutyens, Plenum I (1973), Richard Deering, piano
Plenum (Philosophy): the nature of chaos or non-being as fullness.
This is part of an enjoyable recital which Richard Deering gave at the Purcell Room in celebration of Elisabeth Lutyenss 70th birthday. Deering was a convinced and convincing advocate, the recording is lifelike, and everything is new to the catalogue except the Bagatelles, which survive in the performance by Katharina Wolpe [which we have posted on YouTube previously], their dedicatee..
Even if Miss Lutyens was a late developer and the Intermezzi of 1942 are relatively early, they already form a fairly characteristic sequence, cogent and concentrated. The most recent Lutyens piece is Plenum, dating from 1973, a slow-moving, contemplative yet highly organized essay which also is beautiful and entirely personal in thought and feeling. Juxtaposed with the Intermezzi, it gives an idea of the growth of the composers expressive and technical resources over three decades. In between conic the Bagatelles of 1962, which form a terse, incantatory group, and the slightly earlier Piano e forte of 1958, which receives a particularly clear and ringing performance from Deering.
Daughter of the famous architect Sir Edwin Lutyens, Elisabeth Lutyens used her own method of serial (12-tone) composition to create individual, psychologically powerful music.
Determined to be a composer from the age of 9, Elisabeth Lutyens went to Paris in 1922 to study at the Ècole Normale de Musique in Paris. On her return to London, she studied composition and the viola at the Royal College of Music from 1926-30.
Critical of the overblown music of Mahler, Bruckner and Elgar, she collaborated with fellow RCM students Iris Lemare and Anne MacNaughton to mount a series of modern music concerts which featured first performances by new composers such as Benjamin Britten, Alan Rawsthorne and Elizabeth Maconchy. Some of Lutyens own works were also performed, but she withdrew these later because they were too conservative.
In 1933, Lutyens married the singer Ian Glennie, by whom she had 3 children, but in 1938 she left Glennie for the conductor, Edward Clark. For much of this period, Lutyens had been working in near isolation, since her music had little affinity with prevailing trends in Britain. For example, her Concerto for Nine Instruments (1939) employed a 14-note series which she had worked out for herself. These and other pieces have been described as extraordinary achievements, demonstrating a completely personal serial style and very original structures.
However, at that time her work was not looked on favourably by the musical authorities at the BBC, although she was praised by the pioneering British serial composer Humphrey Searle, a former pupil of the Austrian serialist Anton Webern. In 1947, she scored a success among the avant garde with a setting of Rimbauds poem O Saisons, O Chateaux, which had been turned down as unsingable by the BBC. Lutyens bohemian lifestyle was equally unconventional, and there were many parties at Clarks flat in Fitzroy Street, where the alcoholic poet Dylan Thomas was briefly a lodger.
As the music of Webern and Alban Berg became better known in this country, recognition gradually came Lutyens way with such works as the Wittgenstein Motet (1952) and Music for Orchestra 1 (1955). She nevertheless had to earn her bread and butter by writing film scores, which she did with characteristic energy and professionalism. Her film music career began in 1944 with an item in a 1944 RAF newsreel, and included feature films such as Dont Bother to Knock (1960). She also had a close association with Hammer films, which found her 12-tone system to their taste in numerous movies, including Dr Terrors House of Horrors, The Skull (1965) and The Terrornauts (1967) and of course, that deathless classic, The Earth Dies Screaming.
Lutyens was known and respected as a creative artist for whom compromise was impossible. She was also a provocative and inspiring teacher who gave herself unstintingly to her pupils. Her output was large and varied, and the importance of her contribution to the countrys musical life was recognised in 1969, when she was made a Commander of the British Empire.
When I finally heard a piece by Webern I said, What marvelous music from the composer of Der Freischutz. (Elisabeth Lutyens) Elisabeth Lutyens, Plenum I (1973), Richard Deering, piano](https://i.ytimg.com/vi/FVkr-YzInRE/mqdefault.jpg)





