Uploaded September 2010 | Updated September 2026, 3 days ago
Priaulx Rainier's Cello Concerto was written for a Prom Concert held on 3 September 1964, where it was introduced to the world by Jacqueline du Pré and the BBC Symphony Orchestra under Norman Del Mar (at the same concert, du Pré played Edward Elgar's Cello Concerto with the same orchestra under Sir Malcolm Sargent, the year before she made her famous recording of it under Sir John Barbirolli.) It has been claimed that du Pré "loathed every second" of the Rainier concerto, "not only because of its idiom, but also because it was technically beyond her".
Priaulx Rainier's largest work of that period was the orchestral suite Aequora Lunae, a continuous piece in seven sections, each one descriptive of one of the Moon's seas. It was dedicated to Barbara Hepworth, whose acquaintance she made in the summer of 1949 when she stayed in St Ives, Cornwall, using a fisherman's loft as a studio. She remained a close friend of Hepworth and Ben Nicholson. She claimed that only sculptors and architects fully understood her music. Another work premiered at a Prom Concert was Ploërmel (1973), an evocation of one her favourite places, Ploërmel in the North West of France, near the mouth of the River Loire. It uses an orchestra of winds and percussion, including timpani, tubular bells, hand-bells, antique cymbals, high and low gongs, xylophone and marimba.
Her violin concerto, Due Canti e Finale, was commissioned by Yehudi Menuhin, who performed it at the 1977 Edinburgh Festival with the Royal Philharmonic Orchestra conducted by Sir Charles Groves. Menuhin described Rainier as "having a musical imagination of a colour and variety scarcely to be believed". On the other hand, after hearing her music, William Walton commented that she "must have barbed-wire underwear". Concertante for Two Winds and Orchestra was written for and dedicated to Janet Craxton and Thea King and was premiered at the Proms in 1981.
There have been infrequent performances of Priaulx Rainier's music as they are difficult for both performer and listener. Premieres of her music were not always adequate, reducing the chances of there being further performances. Her complete chamber music was recorded and broadcast by the BBC in 1976. She was awarded a Doctorate in Music (Honoris Causa) by the University of Cape Town in June 1982. She was also a passionate gardener and ecologist who helped design, and planted the exotic plants in, Barbara Hepworth's Sculpture Garden in St Ives. Her last work, Wildlife Celebration, was commissioned by Yehudi Menuhin and performed in aid of Gerald Durrell's Wildlife Conservation Trust.
Priaulx Rainier died on 10 October 1986 at Besse-en-Chandesse in France, aged 83. The date was the 70th birthday of David Gascoyne, the poet to whose words she had written her Requiem of 1956.
Most of her music manuscripts are now housed at the J. W. Jagger Library at the University of Cape Town.
On 28 March 1987 a concert in celebration of her life and work was held at Wigmore Hall. A pictorial biography, Come and Listen to the Stars Singing, written by June Opie, was published in 1988.
Her centenary on 3 February 2003 was marked by a special program on Australia's ABC Classic FM.
Her "lost" early String Quartet (1922) was given its world premiere on 8 September 2004 at the Tate St.Ives Visual Music Week.
Priaulx Rainier's Cello Concerto was written for a Prom Concert held on 3 September 1964, where it was introduced to the world by Jacqueline du Pré and the BBC Symphony Orchestra under Norman Del Mar (at the same concert, du Pré played Edward Elgar's Cello Concerto with the same orchestra under Sir Malcolm Sargent, the year before she made her famous recording of it under Sir John Barbirolli.) It has been claimed that du Pré "loathed every second" of the Rainier concerto, "not only because of its idiom, but also because it was technically beyond her".
Priaulx Rainier's largest work of that period was the orchestral suite Aequora Lunae, a continuous piece in seven sections, each one descriptive of one of the Moon's seas. It was dedicated to Barbara Hepworth, whose acquaintance she made in the summer of 1949 when she stayed in St Ives, Cornwall, using a fisherman's loft as a studio. She remained a close friend of Hepworth and Ben Nicholson. She claimed that only sculptors and architects fully understood her music. Another work premiered at a Prom Concert was Ploërmel (1973), an evocation of one her favourite places, Ploërmel in the North West of France, near the mouth of the River Loire. It uses an orchestra of winds and percussion, including timpani, tubular bells, hand-bells, antique cymbals, high and low gongs, xylophone and marimba.
Her violin concerto, Due Canti e Finale, was commissioned by Yehudi Menuhin, who performed it at the 1977 Edinburgh Festival with the Royal Philharmonic Orchestra conducted by Sir Charles Groves. Menuhin described Rainier as "having a musical imagination of a colour and variety scarcely to be believed". On the other hand, after hearing her music, William Walton commented that she "must have barbed-wire underwear". Concertante for Two Winds and Orchestra was written for and dedicated to Janet Craxton and Thea King and was premiered at the Proms in 1981.
There have been infrequent performances of Priaulx Rainier's music as they are difficult for both performer and listener. Premieres of her music were not always adequate, reducing the chances of there being further performances. Her complete chamber music was recorded and broadcast by the BBC in 1976. She was awarded a Doctorate in Music (Honoris Causa) by the University of Cape Town in June 1982. She was also a passionate gardener and ecologist who helped design, and planted the exotic plants in, Barbara Hepworth's Sculpture Garden in St Ives. Her last work, Wildlife Celebration, was commissioned by Yehudi Menuhin and performed in aid of Gerald Durrell's Wildlife Conservation Trust.
Priaulx Rainier died on 10 October 1986 at Besse-en-Chandesse in France, aged 83. The date was the 70th birthday of David Gascoyne, the poet to whose words she had written her Requiem of 1956.
Most of her music manuscripts are now housed at the J. W. Jagger Library at the University of Cape Town.
On 28 March 1987 a concert in celebration of her life and work was held at Wigmore Hall. A pictorial biography, Come and Listen to the Stars Singing, written by June Opie, was published in 1988.
Her centenary on 3 February 2003 was marked by a special program on Australia's ABC Classic FM.
Her "lost" early String Quartet (1922) was given its world premiere on 8 September 2004 at the Tate St.Ives Visual Music Week.

![Roque Cordero, Dodecaconcerto, ii. Largo
Just as I am allowing Barbara Pentland to represent the large number of Canadian twelve-tone composers, I will allow Roque Cordero to represent the comparable number of twelve-tone composers from Central and South Amerca. Corderos early works were basically tonal and with a nationalist, Panamanian orientation. He began to compose twelve-tone music while studying with Krenek, and his twelve-tone music retained a Panamanian flavor. Joseph Straus, Twelve Tone Music in America
I had to integrated technical elements from Europe which I learned from Ernst Krenek, and before I studied Beethoven and Brahms and the others on my own but that technique has to be true for myself to express something that has to be completely personal. I am not necessarily quoting from Panamanian folk song because I have very seldom quoted directly from Panamanian folk song, but I do use rhythmic elements and some melodic design that can be found there without being any one in particular... But you can find that still in my latest compositions there is some element of Panamanian quotation that is based rhythmically on some Panamanian dances. The specific melody doesnt have anything to do with Panamanian folk song. And the point is: I will insist always to be recognized as a Panamanian composer. Roque Cordero
(A list of significant twelve-tone composers from Central and South America would include: Juan Carlos Paz (Argentina), (Jose Ardevol (Cuba), and Alberto Ginastera. Which sets this site on a major mission to research Paz and Ardevol. [We obviously know Ginastera well already, and have some fine works of his coming up. Stay tuned.] Roque Cordero, Dodecaconcerto, ii. Largo](https://i.ytimg.com/vi/1t8Gpjs_Nkc/mqdefault.jpg)


![Darius Milhaud, Septuor à cordes, op. 408 - part 1 of 2
In 1920, Darius Milhaud had already toyed with the idea of aleatory music. The Cocktail for Singer and Four Clarinets is just one experiment in controlled chance. In the second movement of the String Septet, each measure lasts one second. While one or several other instruments follow their normal course in playing the score, certain measures can be repeated for as many seconds (measures0 as is indicated by the composer. There resunts from this, in the words of Paul Colaer, the impression of a controlled musical kaleidoscope, of a rapidly discreet careering and of joyful near-misses. The String Septet was first performed in the Library of Congress in Washington on October 30th 1964.
Darius Milhaud (4 September 1892 22 June 1974) was a French composer and teacher. He was a member of Les Six—also known as The Group of Six—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and make use of polytonality (music in more than one key at once).
Born in Marseilles to a Jewish family from Aix-en-Provence, Milhaud studied in Paris at the Paris Conservatory where he met his fellow group members Arthur Honegger and Germaine Tailleferre. He studied composition under Charles Widor and harmony and counterpoint with André Gedalge. He also studied privately with Vincent dIndy. As a young man he worked for a while in the diplomatic entourage of Paul Claudel, the eminent poet and dramatist, who was serving as French ambassador to Brazil.
n 1925, Milhaud married his cousin, Madeleine (1902 - 2008), an actress and reciter. In 1930 she bore him a son, the painter and sculptor Daniel Milhaud, to be the couples only child. [2]
The Milhauds left France in 1939 and emigrated to America in 1940 (his Jewish background made it impossible for him to return to his native country until after its Liberation). He secured a teaching post at Mills College in Oakland, California, where he collaborated with Henri Temianka and the Paganini Quartet. In an extraordinary concert there in 1949, the Budapest Quartet performed the composers 14th String Quartet, followed by the Paganinis performance of his 15th; and then both ensembles played the two pieces together as an octet.[3] The following year, these same pieces were performed at the Aspen Music Festival in Colorado, by the Paganini and Juilliard Quartet.[4]
Legendary jazz pianist Dave Brubeck arguably became Milhauds most famous student when Brubeck furthered his music studies at Mills College in the late 1940s (he named his eldest son Darius). However, his former students also include two of the seminal figures in Americas version of minimalism, Philip Glass and Steve Reich, several arrangers and composers associated with West Coast modern jazz and popular songwriter Burt Bacharach. Darius Milhaud, Septuor à cordes, op. 408 - part 1 of 2](https://i.ytimg.com/vi/2XsHFUZuH1E/mqdefault.jpg)





