Uploaded July 2021 | Updated September 2026, 1 day ago
Pretty Molly / Pretty Polly / The Cruel Ship's Carpenter / The Gosport Tragedy (Roud No. 15) - Sung by blind singer and accordion player Dorman Ralph (1923-1999) of St. John's, Newfoundland, Canada. Recorded by Peter Narvaez between February 22 and June 5, 1986. From the album "Dorman Ralph" (2001) SingSong RALPH-CD1.
Note by Kevin W.:
The tune is the ubiquitous "Vilikins and His Dinah" (Roud No. 271) but it doesn't impact the enjoyment of this splendid performance with a surprisingly full text.
This version is similar to one that was recorded from Norfolk singer Sam Larner in 1961: youtube.com/watch?v=Rsl1jEOuW9A
Song transcription:
There was a rich merchant in London did dwell,
He had but one daughter a sailor loved well,
Rich lords came to court her, but she slighted them all
She was true to her sailor, who was handsome and tall.
It was early one morning before it was day,
She heard the voice of her Willie to say,
"Arise, Pretty Polly, and come 'long with me
Before we get married our friends we shall see."
He lead her through valleys and hills that were steep,
Which caused Pretty Polly to sob and to weep,
Saying "Hard-hearted Willie, you've led me astray,
I'm afraid my poor innocent life take away."
"Oh, yes, Pretty Polly, it is right what you said,
I'd been all the long night a-digging your grave"
Now her grave laying open with she standing by,
Which caused Pretty Polly to sob and to cry.
"No pardon, no pardon, no time for to stand,"
As Willie was taking his knife in his hand.
He stuck her, he stabbed her, till her heart's blood did flow
And it's down in the grave her dead body he'd thrown.
He covered her over with sticks and small stones,
So that nothing could find her but small birds alone,
He joined a large vessel to sail the world around,
Not thinking the murder would ever be found.
We had a chief steward his courage were bold,
He'd been late last night going through the ship's hold.
When a fair pretty damsel to him did appear,
And she held in her arms an infant so dear.
Our cook he felt groggy, he went to embrace,
The joy and affliction she held in her face.
But to his amazement she vanished away,
And it's straight to the captain without no delay.
"There's a murder on bord, sir, it have lately been done,
Our ship lays in mourning, she can't sail along."
The captain did summon this jolly ship's crew,
"I'm thinking my sailors it is one of you."
"Now if he is here, the truth he denies,
We will hang him right up to the yard arm so high,
But if he confesses, his life we won't take,
We will hand him safe unto fair silent we make.
Up speaks the first fellow, "I'm sure it's not me"
And up speaks another, the same he did say,
And up jumped John Willie, with a curse and a swear,
"I'm sure it's not me, sir, I vow and declare".
As Willie returned from the cabin with speed,
He met Pretty Polly which made his heart bleed,
She ripped him, she stripped him, she tore him in three,
Because he had murdered her baby and she.
Then she went to the captain without no delay,
"Now I have taken the murderer away,
May the great god protect you and keep you all free
And send you back safe to your own counterie".
Pretty Molly / Pretty Polly / The Cruel Ship's Carpenter / The Gosport Tragedy (Roud No. 15) - Sung by blind singer and accordion player Dorman Ralph (1923-1999) of St. John's, Newfoundland, Canada. Recorded by Peter Narvaez between February 22 and June 5, 1986. From the album "Dorman Ralph" (2001) SingSong RALPH-CD1.
Note by Kevin W.:
The tune is the ubiquitous "Vilikins and His Dinah" (Roud No. 271) but it doesn't impact the enjoyment of this splendid performance with a surprisingly full text.
This version is similar to one that was recorded from Norfolk singer Sam Larner in 1961: youtube.com/watch?v=Rsl1jEOuW9A
Song transcription:
There was a rich merchant in London did dwell,
He had but one daughter a sailor loved well,
Rich lords came to court her, but she slighted them all
She was true to her sailor, who was handsome and tall.
It was early one morning before it was day,
She heard the voice of her Willie to say,
"Arise, Pretty Polly, and come 'long with me
Before we get married our friends we shall see."
He lead her through valleys and hills that were steep,
Which caused Pretty Polly to sob and to weep,
Saying "Hard-hearted Willie, you've led me astray,
I'm afraid my poor innocent life take away."
"Oh, yes, Pretty Polly, it is right what you said,
I'd been all the long night a-digging your grave"
Now her grave laying open with she standing by,
Which caused Pretty Polly to sob and to cry.
"No pardon, no pardon, no time for to stand,"
As Willie was taking his knife in his hand.
He stuck her, he stabbed her, till her heart's blood did flow
And it's down in the grave her dead body he'd thrown.
He covered her over with sticks and small stones,
So that nothing could find her but small birds alone,
He joined a large vessel to sail the world around,
Not thinking the murder would ever be found.
We had a chief steward his courage were bold,
He'd been late last night going through the ship's hold.
When a fair pretty damsel to him did appear,
And she held in her arms an infant so dear.
Our cook he felt groggy, he went to embrace,
The joy and affliction she held in her face.
But to his amazement she vanished away,
And it's straight to the captain without no delay.
"There's a murder on bord, sir, it have lately been done,
Our ship lays in mourning, she can't sail along."
The captain did summon this jolly ship's crew,
"I'm thinking my sailors it is one of you."
"Now if he is here, the truth he denies,
We will hang him right up to the yard arm so high,
But if he confesses, his life we won't take,
We will hand him safe unto fair silent we make.
Up speaks the first fellow, "I'm sure it's not me"
And up speaks another, the same he did say,
And up jumped John Willie, with a curse and a swear,
"I'm sure it's not me, sir, I vow and declare".
As Willie returned from the cabin with speed,
He met Pretty Polly which made his heart bleed,
She ripped him, she stripped him, she tore him in three,
Because he had murdered her baby and she.
Then she went to the captain without no delay,
"Now I have taken the murderer away,
May the great god protect you and keep you all free
And send you back safe to your own counterie".

![Sweet Williams Ghost (Child 77) - Charles OBoyle
Lady Margaret / Sweet Williams Ghost (Child No. 77) - Sung by Charles OBoyle (father of folk song collector Sean OBoyle) of Belfast, Northern Ireland. Recorded by Sean OBoyle and Peter Kennedy for the BBC on July 7, 1952.
Notes by Peter Kennedy:
Journal of the English Folk Dance and Song Society, vol.VIII no.1, 1956.
Charles OBoyle: Age 74 at the time of recording; died shortly afterwards. Father of Sean OBoyle who worked as a collector for the BBC in Northern Ireland. Charles inherited much of his own singing tradition from his mother, who was born in Donaghadee, Co. Down, where there is a strong Scots tradition, but she lived most of her life in Belfast. He was a teacher, but from 1914-20 (interrupted by the war) studied and worked in Cork with Hardebeck. He became secretary to Hardebeck, who was blind, and made musical and Gaelic transcriptions and translations for him. His work is acknowledged by Hardebeck in the preface to Pt. III of Gems of Melody. (Pigott). - Peter Kennedy.
A.L. Lloyd commented, The tune is an interesting Mi pentatonic variant of the ubiquitous Dives and Lazarus tune.
Song transcription:
Lady Margaret sat in her bow window, sewing her silken seam,
When a grievous ghost chanced to pass by, most wonderful to be seen.
Are you my father Phillip?, she said, Are you my brother John?
Or are you my true-love Willy, to fair Scotland has come home?
Im not your father Phillip, he said, nor yet your brother John,
But Im your true-love Willy, to fair Scotland has come home.
Did you bring me the gold, dear Willy, did you bring me the lace?
Did you bring me the bonny brown dress, my fair body to embrace?
I brought no gold, dear Margaret, he said, and I forgot the lace,
But now I carry my winding sheet through manys the dreary place.
The cock crew once, dear Margaret, he said, tis wearing nearer day.
Come give to me my faith and troth that I once gave to thee.
Your faith and troth, dear Willy, she said, you neer will get from me
Till you come down to yon bower and give me kisses three.
The cock crew twice, dear Margaret, he said, tis wearing nearer day.
Come give to me my faith and troth that I once gave to thee.
My nose is ate with the worms, dear Margaret, my breath it is mighty strong
And if I would kiss your bonny fair lips your days would not be long.
The cock crew thrice, dear Margaret, he said, tis wearing nearer day.
Come give to me my faith and troth that I once gave to thee.
She tilted up her bonny brown dress a-far above her knee,
For the lee long length of the dark winters night the dread corpse followed she.
Until she came to Saint Bernards churchyard and sat down on a stone
When she saw the grave a-opening to let her Willy in.
[The cock crew thrice, dear Margaret, he said, tis wearing nearer day.
Come give to me my faith and troth that I once gave to thee.] *
She lifted up her lily white hand and struck him on the breast.
Saying, Theres your faith and troth, dear Willy, I hope your souls at rest!
* As a repetition of an earlier verse these two lines dont make too much sense here. Charles OBoyle skipped them in a later recording, he sang only the last two lines to the second half of the tune. Sweet Williams Ghost (Child 77) - Charles OBoyle](https://i.ytimg.com/vi/jnIaNG5kGcM/mqdefault.jpg)

![The Dublin Murder Ballad (Roud 15) - Grace Stewart
Miss Mary Brown of Dublin Town / The Ballad of Thomas Brown / In Dublins Fair City / Pretty Polly / Pretty Molly / The Cruel Ships Carpenter / The Gosport Tragedy (Roud No. 15) - Sung by Grace Stewart, a Traveller of Tomich Camp, Kilmorack, Inverness-shire, Scotland. She learned it from her mother. Recorded by Hamish Henderson and Peter Kennedy in June 1955 for the School of Scottish Studies.
The original recording can be heard here:
https://www.tobarandualchais.co.uk/track/20841?l=en
Note by Kevin W.:
Graces text, confused as it is, forms an important link between the short Traveller texts and the longer Cruel Ships Carpenter texts through the ending stanzas about the ship and the captain.
The Dublin Murder Ballad was also recorded from Jeannie Robertson, a Traveller of Aberdeen, Aberdeenshire by Hamish Henderson in September 1953:
https://www.youtube.com/watch?v=jEIxEE5kMmQ
From Margaret Stewart, an aunt of Jeannies, of Banchory, Kincardineshire by Hamish Henderson in August 1954:
https://www.youtube.com/watch?v=FEs0oydMvVw
A one stanza fragment was recorded from Joe Heaney of Carna, Connemara, Co. Galway, Ireland at an unknown date:
https://www.youtube.com/watch?v=govC9jToQJo
A much longer but clearly related text was recorded from Paddy McCluskey of Clough Mills, Co. Antrim, Ireland by Sean OBoyle and Peter Kennedy on August 5th, 1953:
https://www.youtube.com/watch?v=EgNmZhqS2ak
All these texts name the woman Miss (Mary) Brown. A name not usually found in this ballad. The common name being Pretty Polly or Molly.
Song transcription:
For its Dublin fair city
And its Dublin fair town
There lived a lonely maiden
Whose name being Mary Brown.
For she courted a sailor
For seven long years,
At the end of that seven
She had it in tears.
For he came to her window,
Crying Mary dear rise
O before well get married
Some kind friends to see.
O before well get married
Some words we must say
For he took her through mountains
Through valleys and glens.
He drew his hand in his pocket,
And a pen knife he drew
For he cut her he lost her
He had her in two.
For he buried her body
Between two green trees
O early next morning
The ship could not sail. [*]
O down came the captain
Whats this you have done
O I murdered my sweetheart
O yes I have done.
For I buried her body
Between two green trees
For I buried her body
For its yonder it lies.
[*] At one point these lines mustve read as in The Cruel Ships Carpenter:
Now ‘twas early one morning before it was day,
Our captain came up and these words he did say:
“Our ship she’s in mourning and cannot sail on,
There’s a murder on board which has lately been done.”
Its an old superstition that a ship refuses to sail if theres a wrongdoing on board that hasnt been brought to justice. The Dublin Murder Ballad (Roud 15) - Grace Stewart](https://i.ytimg.com/vi/kHiQFPUEnpw/mqdefault.jpg)



![My Ain Sailor Boy (Roud 23902) (1982) - Heather MacGregor - The Travelling Stewart Family of Blair
When I Look to Yon High Hills / My Ain Sailor Boy (Roud No. 23902) (1982) - Performed by Heather MacGregor at a ceilidh of the Travelling Stewart family of Blair. From the documentary Gypsies Sing Long Ballads (1982). Filmed and recorded by John Cohen in Blairgowrie, Perthshire, Scotland.
The complete movie can be watched here:
https://www.folkstreams.net/films/gypsies-sing-long-ballads
I extracted the songs and used my knowledge on video editing to share them on Youtube in the highest possible quality, I used manual video upscaling (no AI was used!) for this, to further document variants of traditional ballads and songs which has been my hobby for many years. I claim no ownership of the video, all the rights belong with John Cohen.
Note about the film:
Scotland’s Travellers have lived outside mainstream society for more than 500 years. Although some of the Travelling People still live by the sides of roads, most live today in houses and are under pressure to abandon their culture. This film celebrates their traditional music, especially the long unaccompanied ballads that date back hundreds of years and have been handed down by memory through the generations.
Note by Kevin W.:
I was delighted to discover this video documentation of Scotlands greatest tradition bearers. The often poorly treated Scottish Travellers honor the memories of their ancestors through songs, music and storytelling. They are proud of their culture and kept old traditions alive for hundreds of years. Many of our most gifted traditional singers and storytellers are Travellers.
Scottish Travellers are an indigenous ethnic minority in Scotland who live or traditionally lived a nomadic lifestyle and for centuries were unfairly shunned by the settled population. For that reason the singing culture of the Travelling people had not been well documented before the 20th century when non-Travellers with an interest in folklore visited and befriended Travellers and started recording their songs, music and stories.
Song transcription:
Its a pink and blue cravat for my love Ill prepare
In the cold nights of winter for my laddie to wear
And when he returns Ill be his bride with joy
And Ill kiss the dear lips of my ain sailor boy
Its a bunch of white roses to my love Ill present
To live with my laddie ah Ill be content
And when he returns Ill be his bride with joy
And Ill kiss the dear lips of my ain sailor boy
Well I look to the high hills and my laddies no there
Ill look all around me and my laddies no here
Ill look to the salt sea and a tear blinds my ee
For the lad I love dearly lies a distance frae me
[Belle Stewart]
Well my children went to school in a hard, hard time because the word wasnt travelling people at that time, it was tinker, and it was tinky, tinky, tinkian. Well they wouldnt play with them on the playground. They wouldnt sit beside them if they could possibly help it in the classroom. When they grew up a bit too, they couldnt go to dancing or anything. Nobody would dance with them because they were tinkers. My Ain Sailor Boy (Roud 23902) (1982) - Heather MacGregor - The Travelling Stewart Family of Blair](https://i.ytimg.com/vi/lnX87ge6Ibc/mqdefault.jpg)

![Border Widows Lament (Child 106) - Ellen Mitchell
Ill Cut Off My Long Yellow Hair / My Brother Built Me a Bancy Bower / My Father Built Me a Shady Bower / Sweet William / The Small Birds Whistle / Dukes and Earls / The Border Widows Lament / The Famous Flower of Serving Men (Child No. 106) - Sung by Ellen Mitchell on Have a Drop Mair (2015) Musical Traditions MTCD315-6.
Liner Notes:
Ellen: I learned this ballad from Gordheanna McCulloch, of Glasgow, and she doesnt seem to sing it very often any more, which is a great pity. She is the only person I have ever heard singing it.
A very old ballad; among Rouds 72 instances F J Child quotes a collection from a Mrs Barnard in Ireland in 1776, but it is obviously older than that. It was printed as a broasdside all over these islands (including by both Anderson and Colquhoun of Edinburgh) and has been collected widely here and in the USA and Canada. It was printed in Scotts Minstrelsy of the Scottish Border (1806) and the Pocket Songster or Caledonian Warbler (1823), so its not surprising that most British examples have come from Scotland, where the present title seems the most common; elsewhere it is more often known as The Famous Flower of Serving Men.
Song transcription:
My love built me a bonny bower,
And clad it aa with a lily flower
A brawer bower you neer did see
Than my true love he built for me
There cam a knight by middle o day
He spied his sport and he went away
He brought the king at dead o night
Oh I brak my bower and slew ma knight
He slew ma knight so dear to me
He slew ma knight and he poined his gear [pawned]
Ma servants a for their lives did flee
And left me in extremity.
I saw his sheet makin ma main
I watched the corpse mysel alane
I watched his body baith night and day
And nae living creature came that way.
I took his body on my back
And whiles I gaed and whiles I sat
I digged his grave and laid him in
And happed him wi the sod so green.
But think na ye ma hairt was sair
When I threw the mold on his yellow hair
Think na ye ma hairt was wae
When I turned aroond awa to gae.
Nae livin man Ill loo again
Noo that ma lovely knight is slain
And wi a lock o his yellow hair
Ive chained ma hairt forever mair. Border Widows Lament (Child 106) - Ellen Mitchell](https://i.ytimg.com/vi/m4OPXLOO-uY/mqdefault.jpg)
