Uploaded March 2025 | Updated September 2026, 3 weeks ago
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Kent Monkman is a 2025 winner of the Governor General’s Awards in Visual and Media Arts.
Video directed by David Hartman.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit https://en.ggarts.ca.
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Transcript:
I think the thing that drives me is just the need to make art, and I can’t explain it other than that’s when I feel the most normal or grounded is when I’m making art.
I always felt that to really be grounded as an artist, the most important thing is to be true to yourself. And that means speaking to the themes and concerns that are urgent to yourself personally first. From there, you’re going to have the most informed perspective. You’re going to know your subject matter the best.
It was really about wanting to communicate my own experiences, to express my own way of thinking, my own reactions to this legacy of the colonial project that has impacted my own family, that has impacted my community, and wanting to address that directly through a very personal lens. My hope was that in doing so from a very personal perspective, that I would also reach a wide audience.
I think that I do that for myself. I make those paintings for myself. I know they have impact. I know they’re difficult to look at sometimes, but I just feel like they’re important for me to make, an important part of my process.
I think that sometimes my audience feels validated by seeing themselves or by seeing their experiences in my work. I think that’s how I see that we are able to transcend these difficulties by creating art out of them.
But it is exhilarating to see people embrace the character, to see value in my work. It’s not for everybody. It is challenging, and it explodes preconceptions that people have about what an Indigenous person is or what an Indigenous artist is.
So, I think it is very rewarding as an artist to see that recognition happen in my lifetime. I just want my work to be disseminated and exhibited as widely as possible.
I always think about the world stage because I feel like Canada has projected this image of itself out into the world, and the world doesn’t see the behind-the-scenes stuff. They don’t see the darker side to the colonial history here. I’m really interested in getting my work out there more widely so that people can understand what actually happened here.
#GGArts2025 #KentMonkman #CanadaCouncil
Connect with us on social media:
Canada Council for the Arts
Instagram - instagram.com/canada.council
Facebook - facebook.com/canadacouncil
X - twitter.com/CanadaCouncil
LinkedIn - linkedin.com/company/canada-council-for-the-arts
Website - canadacouncil.ca
Art Bank
Instagram - instagram.com/artbank_banquedart
Facebook - facebook.com/CCartbank
YouTube - youtube.com/watch?v=x9fGIx7hZYk
Website - artbank.ca
CCUNESCO - Canadian Commission for UNESCO
Instagram - instagram.com/ccunesco
X - twitter.com/CCUNESCO
LinkedIn - linkedin.com/company/canadian-commission-for-unesco
Website - en.ccunesco.ca
Please like this video and subscribe to support the arts in Canada.
Kent Monkman is a 2025 winner of the Governor General’s Awards in Visual and Media Arts.
Video directed by David Hartman.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit https://en.ggarts.ca.
****
Transcript:
I think the thing that drives me is just the need to make art, and I can’t explain it other than that’s when I feel the most normal or grounded is when I’m making art.
I always felt that to really be grounded as an artist, the most important thing is to be true to yourself. And that means speaking to the themes and concerns that are urgent to yourself personally first. From there, you’re going to have the most informed perspective. You’re going to know your subject matter the best.
It was really about wanting to communicate my own experiences, to express my own way of thinking, my own reactions to this legacy of the colonial project that has impacted my own family, that has impacted my community, and wanting to address that directly through a very personal lens. My hope was that in doing so from a very personal perspective, that I would also reach a wide audience.
I think that I do that for myself. I make those paintings for myself. I know they have impact. I know they’re difficult to look at sometimes, but I just feel like they’re important for me to make, an important part of my process.
I think that sometimes my audience feels validated by seeing themselves or by seeing their experiences in my work. I think that’s how I see that we are able to transcend these difficulties by creating art out of them.
But it is exhilarating to see people embrace the character, to see value in my work. It’s not for everybody. It is challenging, and it explodes preconceptions that people have about what an Indigenous person is or what an Indigenous artist is.
So, I think it is very rewarding as an artist to see that recognition happen in my lifetime. I just want my work to be disseminated and exhibited as widely as possible.
I always think about the world stage because I feel like Canada has projected this image of itself out into the world, and the world doesn’t see the behind-the-scenes stuff. They don’t see the darker side to the colonial history here. I’m really interested in getting my work out there more widely so that people can understand what actually happened here.
#GGArts2025 #KentMonkman #CanadaCouncil
Connect with us on social media:
Canada Council for the Arts
Instagram - instagram.com/canada.council
Facebook - facebook.com/canadacouncil
X - twitter.com/CanadaCouncil
LinkedIn - linkedin.com/company/canada-council-for-the-arts
Website - canadacouncil.ca
Art Bank
Instagram - instagram.com/artbank_banquedart
Facebook - facebook.com/CCartbank
YouTube - youtube.com/watch?v=x9fGIx7hZYk
Website - artbank.ca
CCUNESCO - Canadian Commission for UNESCO
Instagram - instagram.com/ccunesco
X - twitter.com/CCUNESCO
LinkedIn - linkedin.com/company/canadian-commission-for-unesco
Website - en.ccunesco.ca



![Portrait of COZIC, 2019 #GGARTS winner
Please like this video and subscribe to support the arts in Canada.
COZIC is a 2019 winner of the Governor Generals Awards in Visual and Media Arts. Directed by Chantal Dahan.
Production of the Canada Council for the Arts. Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arms-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) to foster and promote the study and enjoyment of, and the production of works in, the arts.
For more information, visit: https://ggavma.canadacouncil.ca
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Transcript:
“It starts with a dream.”
Deciding to be an artist is making a long-term decision to see and express life differently.
Just like Little Thumbling, we scatter works of art so that we don’t get lost. The Société protectrice du noble vegetal [plantdom protection society] supports all actions carried out in and with nature.
Our work is closely tied to our personal lives, which is why we use materials from everyday life. Being constantly surprised and provoked by otherness is what feeds our creativity. Folding and unfolding a simple piece of paper gives it life, until you can practically converse with it. By inviting spectators to touch the work, we provide them with the opportunity to begin to understand their own creation.
The work behind COZIC is a dialogue between two egos. The COZIC entity has developed its own identity and is an equal player with Yvon and Monic in the conceptualization of works.
It is more interesting to ask questions than to find answers. Questions are timeless, but answers change over time. Is there no better way, in visual arts, to defy the dictatorship of the eye than to touch, and smell, and listen? We have opened doors and dismantled barriers by creating the COZIC entity, by using scraps and by opting for the ephemeral. Regardless of all the explanations we could give about our research, from the 1960s to nowadays, colour remains the guideline of our work. The Code Couronne [crown code] project is as much a reflection on communication as it is on the incommunicable. Portrait of COZIC, 2019 #GGARTS winner](https://i.ytimg.com/vi/ogyX9nIK0kM/mqdefault.jpg)






