Uploaded March 2025 | Updated September 2026, 3 weeks ago
Please like this video and subscribe to support the arts in Canada.
Clive Robertson is a 2025 winner of the Governor General’s Awards in Visual and Media Arts.
Video directed by Alixandra Buck.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit https://en.ggarts.ca.
****
Transcript:
Tonight, we have a tremendous show for you.
Got a dream? Talk to the Bank of DontWeAll.
Artists… Artists are a very serious people. They have something called ‘work,’ which looks like fun, reads like fun, sounds like fun, but is anything but fun.
[singing] _We reminisce, we sing a song, but we still know there’s something wrong. We’re still here, which is to say, counterculture never went away._
My PhD supervisor said, “A culture critiqued is culture cared for.” It was this reaffirmation of the magazine, the record label, and of course, the artists-run centres themselves.
_Broadcasting live from the Parachute Centre for Cultural Affairs._
Robert Filliou circulated this idea: for every artist to think of himself as part of an eternal network.
_Centerfold_ is Parachute’s newspaper document.
A key question that informs much of my work is: How is art spoken for? And who, or what, does the speaking?
_Hello?_
I’ve done some installation performances.
_He slapped me blind. He pulled the shotgun from the wall..._ [unintelligible]
This man, this man, whose own instigations...
_Repeat after me: There is nothing..._
There is nothing...
_creatively rewarding..._
creatively rewarding...
_about not being paid._
about not being paid.
_Out of the studio, into the street!_
_Fuse_ was something that we call a cultural news magazine. It was responding to issues which were misrepresented a lot of times by the media. The magazine had this mission of being able to publish in print, in audio and video.
When you’re an artist, people try their hardest to tell you that the world is not artist-centric, that your individualism is giving you a bad name, that the history of your existence is five parts mythology, two parts nostalgia. That you’re a figment of someone else’s patronly imagination.
Anyone can become an artist. All it takes is self-determination, some form of adolescent grudge, a little neurosis, optional allergies, good circulation, a bad appetite, a thick skin, a few ideals, romantic or otherwise.
Thank you!
#GGArts2025 #CliveRobertson #CanadaCouncil
Connect with us on social media:
Canada Council for the Arts
Instagram - instagram.com/canada.council
Facebook - facebook.com/canadacouncil
X - twitter.com/CanadaCouncil
LinkedIn - linkedin.com/company/canada-council-for-the-arts
Website - canadacouncil.ca
Art Bank
Instagram - instagram.com/artbank_banquedart
Facebook - facebook.com/CCartbank
YouTube - youtube.com/watch?v=x9fGIx7hZYk
Website - artbank.ca
CCUNESCO - Canadian Commission for UNESCO
Instagram - instagram.com/ccunesco
X - twitter.com/CCUNESCO
LinkedIn - linkedin.com/company/canadian-commission-for-unesco
Website - en.ccunesco.ca
Please like this video and subscribe to support the arts in Canada.
Clive Robertson is a 2025 winner of the Governor General’s Awards in Visual and Media Arts.
Video directed by Alixandra Buck.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit https://en.ggarts.ca.
****
Transcript:
Tonight, we have a tremendous show for you.
Got a dream? Talk to the Bank of DontWeAll.
Artists… Artists are a very serious people. They have something called ‘work,’ which looks like fun, reads like fun, sounds like fun, but is anything but fun.
[singing] _We reminisce, we sing a song, but we still know there’s something wrong. We’re still here, which is to say, counterculture never went away._
My PhD supervisor said, “A culture critiqued is culture cared for.” It was this reaffirmation of the magazine, the record label, and of course, the artists-run centres themselves.
_Broadcasting live from the Parachute Centre for Cultural Affairs._
Robert Filliou circulated this idea: for every artist to think of himself as part of an eternal network.
_Centerfold_ is Parachute’s newspaper document.
A key question that informs much of my work is: How is art spoken for? And who, or what, does the speaking?
_Hello?_
I’ve done some installation performances.
_He slapped me blind. He pulled the shotgun from the wall..._ [unintelligible]
This man, this man, whose own instigations...
_Repeat after me: There is nothing..._
There is nothing...
_creatively rewarding..._
creatively rewarding...
_about not being paid._
about not being paid.
_Out of the studio, into the street!_
_Fuse_ was something that we call a cultural news magazine. It was responding to issues which were misrepresented a lot of times by the media. The magazine had this mission of being able to publish in print, in audio and video.
When you’re an artist, people try their hardest to tell you that the world is not artist-centric, that your individualism is giving you a bad name, that the history of your existence is five parts mythology, two parts nostalgia. That you’re a figment of someone else’s patronly imagination.
Anyone can become an artist. All it takes is self-determination, some form of adolescent grudge, a little neurosis, optional allergies, good circulation, a bad appetite, a thick skin, a few ideals, romantic or otherwise.
Thank you!
#GGArts2025 #CliveRobertson #CanadaCouncil
Connect with us on social media:
Canada Council for the Arts
Instagram - instagram.com/canada.council
Facebook - facebook.com/canadacouncil
X - twitter.com/CanadaCouncil
LinkedIn - linkedin.com/company/canada-council-for-the-arts
Website - canadacouncil.ca
Art Bank
Instagram - instagram.com/artbank_banquedart
Facebook - facebook.com/CCartbank
YouTube - youtube.com/watch?v=x9fGIx7hZYk
Website - artbank.ca
CCUNESCO - Canadian Commission for UNESCO
Instagram - instagram.com/ccunesco
X - twitter.com/CCUNESCO
LinkedIn - linkedin.com/company/canadian-commission-for-unesco
Website - en.ccunesco.ca







![Portrait of Germaine Koh, #GGArts2023 winner
Please like this video and subscribe to support the arts in Canada.
Germaine Koh is a 2023 winner of the Governor Generals Awards in Visual and Media Arts.
Video directed by Kyle Armstrong.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arms-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) to foster and promote the study and enjoyment of, and the production of works in, the arts.
For more information, visit: https://en.ggarts.ca
****
Transcript:
My work as an artist is about putting ideas out into the world.
The word ‘art’ is more often a stumbling block or barrier or kind of like… not useful. [laugh]
A lot of my work exists outside of gallery spaces. People go to art galleries for contemplation and so on. What I want to do is focus on the behaviours that happen in the world at large.
I’m always looking for the patterns that shape any kind of place, not only how people behave, what kinds of communities use the space, but also the kinds of systems that underlie it that we don’t necessarily pay attention to always in our daily lives. The kinds of behaviours that we engage in every day that end up structuring our lives and our interactions with other people, so a lot of my work is having to do with trying to find the patterns that cross in any particular space or situation.
The general public has a capacity to look at things and bring all of their creative faculties and have conversations with both the work and with their fellow citizens about interesting ideas. For sure, my work is multidisciplinary and tends to take very different forms and make use of and even delve into different kinds of systems and modes of operating, to such an extent that I have started to describe my work as being a lot about translating different realms to each other. You might be in a situation before you actually realize it. For example, when I built a bench that looks like a bench in the transit shelters, but it was actually a teeter-totter. It’s kind of like a recognizable situation. People are approaching the situation with certain kinds of expectations and then, all of a sudden, the conditions have been shifted in a way that hopefully creates an interesting conundrum for them and the people around them.
I would like my work to be part of that social mesh that we all share, and a lot of my work is trying to pay attention to and celebrate the kinds of things that we have in common, rather than the things that divide us. Portrait of Germaine Koh, #GGArts2023 winner](https://i.ytimg.com/vi/Gm5-N89HNYg/mqdefault.jpg)


