Uploaded March 2016 | Updated September 2026, 3 weeks ago
Please subscribe to support the arts in Canada.
William Vazan is a 2016 winner of the Governor General's Awards in Visual and Media Arts.
Directed by Julie Perron
Co-production of the Canada Council for the Arts and PRIM
Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance
The Canada Council for the Arts is a federal, arm's-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) "to foster and promote the study and enjoyment of, and the production of works in, the arts."
For more information, visit: ggavma.canadacouncil.ca
*****
Transcript:
This looks good. Yeah, this looks good.
The flat there, and then these little lined trees in this area. It’ll work out well.
So... The intent for that piece, it is to show neutrino impacts; these very tiny particles that arrive from the sun. It comes with the solar wind. It sort of penetrates everything in the world: us, the planet, whatever. As you can see, a lot of science comes into my art.
That’ll look good.
I like making works which tend to bring out the invisible. I try to make it visible.
Now I’m going to convert that into a digital field by adding ones with the zeros. Ones and the zeros make up the binary code for our digital technology that we have today.
You could call me a traveller. I do go to several places and I like to show where I have been.
Mainly it seems to me that I go for this movement over the earth’s surface rather than making objects which would be on the walls or on pedestals in museums.
Some real sexy shots here.
Can you see me?
By having an air of being a private person, looking normal, I can come into any situation without people knowing that I’m there.
And I do it; I’ve taken my pictures and I’ve gone. Like a parachutist, I come in, do and go.
Ça y est. Fini!
I guess you could say I’m one of the pioneers in this part of the world - in Canada - in this sort of stuff. It’s all stuff actually. We just pile it up a different way; and we could use other words for it, but I guess you could say it’s just stuff. But in a very pleasant way.
Please subscribe to support the arts in Canada.
William Vazan is a 2016 winner of the Governor General's Awards in Visual and Media Arts.
Directed by Julie Perron
Co-production of the Canada Council for the Arts and PRIM
Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance
The Canada Council for the Arts is a federal, arm's-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) "to foster and promote the study and enjoyment of, and the production of works in, the arts."
For more information, visit: ggavma.canadacouncil.ca
*****
Transcript:
This looks good. Yeah, this looks good.
The flat there, and then these little lined trees in this area. It’ll work out well.
So... The intent for that piece, it is to show neutrino impacts; these very tiny particles that arrive from the sun. It comes with the solar wind. It sort of penetrates everything in the world: us, the planet, whatever. As you can see, a lot of science comes into my art.
That’ll look good.
I like making works which tend to bring out the invisible. I try to make it visible.
Now I’m going to convert that into a digital field by adding ones with the zeros. Ones and the zeros make up the binary code for our digital technology that we have today.
You could call me a traveller. I do go to several places and I like to show where I have been.
Mainly it seems to me that I go for this movement over the earth’s surface rather than making objects which would be on the walls or on pedestals in museums.
Some real sexy shots here.
Can you see me?
By having an air of being a private person, looking normal, I can come into any situation without people knowing that I’m there.
And I do it; I’ve taken my pictures and I’ve gone. Like a parachutist, I come in, do and go.
Ça y est. Fini!
I guess you could say I’m one of the pioneers in this part of the world - in Canada - in this sort of stuff. It’s all stuff actually. We just pile it up a different way; and we could use other words for it, but I guess you could say it’s just stuff. But in a very pleasant way.



![Portrait of Germaine Koh, #GGArts2023 winner
Please like this video and subscribe to support the arts in Canada.
Germaine Koh is a 2023 winner of the Governor Generals Awards in Visual and Media Arts.
Video directed by Kyle Armstrong.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arms-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) to foster and promote the study and enjoyment of, and the production of works in, the arts.
For more information, visit: https://en.ggarts.ca
****
Transcript:
My work as an artist is about putting ideas out into the world.
The word ‘art’ is more often a stumbling block or barrier or kind of like… not useful. [laugh]
A lot of my work exists outside of gallery spaces. People go to art galleries for contemplation and so on. What I want to do is focus on the behaviours that happen in the world at large.
I’m always looking for the patterns that shape any kind of place, not only how people behave, what kinds of communities use the space, but also the kinds of systems that underlie it that we don’t necessarily pay attention to always in our daily lives. The kinds of behaviours that we engage in every day that end up structuring our lives and our interactions with other people, so a lot of my work is having to do with trying to find the patterns that cross in any particular space or situation.
The general public has a capacity to look at things and bring all of their creative faculties and have conversations with both the work and with their fellow citizens about interesting ideas. For sure, my work is multidisciplinary and tends to take very different forms and make use of and even delve into different kinds of systems and modes of operating, to such an extent that I have started to describe my work as being a lot about translating different realms to each other. You might be in a situation before you actually realize it. For example, when I built a bench that looks like a bench in the transit shelters, but it was actually a teeter-totter. It’s kind of like a recognizable situation. People are approaching the situation with certain kinds of expectations and then, all of a sudden, the conditions have been shifted in a way that hopefully creates an interesting conundrum for them and the people around them.
I would like my work to be part of that social mesh that we all share, and a lot of my work is trying to pay attention to and celebrate the kinds of things that we have in common, rather than the things that divide us. Portrait of Germaine Koh, #GGArts2023 winner](https://i.ytimg.com/vi/Gm5-N89HNYg/mqdefault.jpg)






