Uploaded April 2021 | Updated September 2026, 6 days ago
Sandburg writes: "One service performed by George Pullen Jackson's book "Spiritual Folksongs of Early America" was the bringing to light and making available many songs reposing in old and scarce religious songbooks of a hundred years ago and still earlier. We have here one of the earliest versions of the "Poor Wayfaring Stranger."
"A later version of THE WAYFARING STRANGER puts the heavy accent on misery in the present world rather than another happier realm in an afterworld."
Theres two versions are combined in this recording.
Sandburg writes: "One service performed by George Pullen Jackson's book "Spiritual Folksongs of Early America" was the bringing to light and making available many songs reposing in old and scarce religious songbooks of a hundred years ago and still earlier. We have here one of the earliest versions of the "Poor Wayfaring Stranger."
"A later version of THE WAYFARING STRANGER puts the heavy accent on misery in the present world rather than another happier realm in an afterworld."
Theres two versions are combined in this recording.
![Telephone Book
Sandburg writes: When Folk-Say was published by the University of Oklahoma it included poems by Waring Cuney, a Black poet, [a part of the Harlem Renaissance] whose lines have simplicity that often goes with folk songs. Albert Hague has given a tune and an arrangement to two of the modern Cuney lyrics. Why shouldnt there be a song about the telephone book? Deftly the Cuney lines bring out that there can be moments when all the names in the phone book from A to Z are no use to you except a single precious one.
William Waring Cuney (May 6, 1906 – June 30, 1976) was a poet of the Harlem Renaissance. He is best known for his poem No Images, which has been widely anthologized. Although his work was largely forgotten in the United States by the 1950s, it was translated into German and Dutch and developed a following in Europe. He published only two volumes of poetry in his lifetime: Puzzles, a limited edition published in the Netherlands in 1960, and Storefront Church, published in London in 1973. He died in New York City on June 30, 1976. Telephone Book](https://i.ytimg.com/vi/PQyuTqFdyA8/mqdefault.jpg)

![Ten Thousand Miles Away from Home
Day 284 of the American Songbag Stay-at-Home Series
Sandburg writes: This may be one of the many Po’ Boy songs, [see Po Boy, day 15 in this series] carrying its own peculiar load of grief. Verse 2 sometimes goes—
I went down to the railroad
Where the big six-wheelers ran;
I saw my woman sitting there
In the arms of another man.
And occasionally, for the sake of plot, these two verses are interspersed—
I stood on the street corner;
It was shortly after dark;
Along came a man with the woman I love,
And I stabbed him through the heart.
“Well, it’s please, Mr. Judge, now please, Mr. Judge,
It’s what are you goin’ to do with me?”
He says, “ If I find you guilty, dear boy,
I’m goin’ to send you to the penitentiary.”
From Alan Lomaxs notes: There are stanzas in this one from so many different hobo songs, sung in so many different ways, that one might call this the master hobo song. Actually I had some hand in mixing the verses together in American Ballads and Folk Songs (Macmillan, 1934), from which Pete Seegers version comes. Ten Thousand Miles Away from Home](https://i.ytimg.com/vi/PfGRep6ZWII/mqdefault.jpg)





![Owa Tanna Siam
Sandburg writes: Singing [this] to make the syllables fit into the tune of America is more fun than crossword puzzles or writing sonnets about sin or triolets about violets.
Owa Tanna Siam
Owa Tanna Siam
Owa Tanna Siam
Owa Tanna Siam
Owa Tanna Siam
Owa Tanna Siam
Owa Tanna Siam Owa Tanna Siam](https://i.ytimg.com/vi/QnKd1_SHqw0/mqdefault.jpg)

