Uploaded September 2026 | Updated September 2026, 1 hour ago
On the evening of Sunday, August 30 we proudly presented avant-garde multi-instrumentalist Danny Kamins (HOU), a duo between dark ambient/experimental electronic musician David Reed (CMH) and multi-instrumentalist Chris Weldon (CMH), and the Craft/Sherrick/Kunkler improv trio (CMH). In addition to a short solo set, Danny engaged in an improvisational set with Julie Licata, Caleb Miller, and Nick Weckman.
About the artist:
Danny Kamins is an improvising saxophonist based out of Houston, TX. His current musical endeavors include playing in various ensembles such as Sleeping Beast, El Mantis, Dennis Gonzalez Legacy Band, FireLife Trio, and Relative Dissonance as well as directing the jazz program at Rice University. Musicians he has performed/recorded with include Tatsuya Nakatani, Alvin Fielder, Ra Kalam Bob Moses, LaDonna Smith, Aaron Gonzalez, Stefan Gonzalez, Susan Alcorn, Jamison Williams, Thomas Helton, Lisa Cameron, Adam Goodwin, Vinny Golia, Antonio Borghini, David Leon, Jeb Bishop, Taylor Rouss, Sandy Ewen, Alexander Von Schlippenbach, Damon Smith, Luke Stewart, Kamila Drabek, Marc Edwards, Vincent Davis, Natan Kryszk, and Paulina Owczarek.
Julie Licata is a percussionist/drummer, noisemaker, collaborator, and educator. Her performances range from improvisational soundscapes and works with computer processing, to solo marimba and percussion, chamber ensembles, orchestras, theater pits, Indonesian gamelan and West African drum ensembles. Julie recently accepted the position of Assistant Professor and Director of Percussion at Capital University in Columbus, Ohio. As a performer, Julie focuses on promoting emerging composers and seeking new modes of musical expression with particular emphasis on improvisation and the integration of live analog and digital electronics. She recently released an album, resound/unsound, with co-creators Andris Balins and Brett Masteller; the album features percussive improvisations with time lag accumulation, feedback looping, and modular synthesis. Within this musical realm, Julie has performed at the Society for Electro-Acoustic Music in the US, the International Computer Music Conference, CHIMEFest in Chicago, IL, and numerous new music venues across the US.
Nick Weckman has a zest for life and is excited to share new sounds that stem from his love for the avant garde as he constructs vocal sound fortresses of made up languages that integrate with dance and story-telling.
Caleb Miller is a keyboardist, saxophonist, composer and educator currently residing in Columbus, OH. His work mostly focuses on midwestern perspectives surrounding improvisational-based music and projects. In addition to his personally lead projects (Gault, pincer, Here Here & solo work) Caleb plays, writes and subs in many jazz-adjacent projects (Sun Trash, Yumbambe, Radarhill, Ryan Jewell Quintet, Troy Kunkler 4tet), songs-oriented groups (Zack Kouns and His Insatiable Orchestra, Confusions, Francis Bacon Band, Taylor K Conrad, Keating, Fables), contemporary classical settings (dance accompanist, classical pianist) and other settings (solo work, audio work, Very Much Recordings, music videos, album artwork, improvising/ creative ensembles). As output he is most interested in productions that show a true synthesis of perspectives, sounds, individuals and communities. Music and projects that truly strive for some form of “newness” regardless of the setting, people or situation. Simply stated things that try to be “their own” in some way or another. Caleb also currently operates the Columbus-based recording label Very Much Recordings and teaches in the American public (!) school system.
On the evening of Sunday, August 30 we proudly presented avant-garde multi-instrumentalist Danny Kamins (HOU), a duo between dark ambient/experimental electronic musician David Reed (CMH) and multi-instrumentalist Chris Weldon (CMH), and the Craft/Sherrick/Kunkler improv trio (CMH). In addition to a short solo set, Danny engaged in an improvisational set with Julie Licata, Caleb Miller, and Nick Weckman.
About the artist:
Danny Kamins is an improvising saxophonist based out of Houston, TX. His current musical endeavors include playing in various ensembles such as Sleeping Beast, El Mantis, Dennis Gonzalez Legacy Band, FireLife Trio, and Relative Dissonance as well as directing the jazz program at Rice University. Musicians he has performed/recorded with include Tatsuya Nakatani, Alvin Fielder, Ra Kalam Bob Moses, LaDonna Smith, Aaron Gonzalez, Stefan Gonzalez, Susan Alcorn, Jamison Williams, Thomas Helton, Lisa Cameron, Adam Goodwin, Vinny Golia, Antonio Borghini, David Leon, Jeb Bishop, Taylor Rouss, Sandy Ewen, Alexander Von Schlippenbach, Damon Smith, Luke Stewart, Kamila Drabek, Marc Edwards, Vincent Davis, Natan Kryszk, and Paulina Owczarek.
Julie Licata is a percussionist/drummer, noisemaker, collaborator, and educator. Her performances range from improvisational soundscapes and works with computer processing, to solo marimba and percussion, chamber ensembles, orchestras, theater pits, Indonesian gamelan and West African drum ensembles. Julie recently accepted the position of Assistant Professor and Director of Percussion at Capital University in Columbus, Ohio. As a performer, Julie focuses on promoting emerging composers and seeking new modes of musical expression with particular emphasis on improvisation and the integration of live analog and digital electronics. She recently released an album, resound/unsound, with co-creators Andris Balins and Brett Masteller; the album features percussive improvisations with time lag accumulation, feedback looping, and modular synthesis. Within this musical realm, Julie has performed at the Society for Electro-Acoustic Music in the US, the International Computer Music Conference, CHIMEFest in Chicago, IL, and numerous new music venues across the US.
Nick Weckman has a zest for life and is excited to share new sounds that stem from his love for the avant garde as he constructs vocal sound fortresses of made up languages that integrate with dance and story-telling.
Caleb Miller is a keyboardist, saxophonist, composer and educator currently residing in Columbus, OH. His work mostly focuses on midwestern perspectives surrounding improvisational-based music and projects. In addition to his personally lead projects (Gault, pincer, Here Here & solo work) Caleb plays, writes and subs in many jazz-adjacent projects (Sun Trash, Yumbambe, Radarhill, Ryan Jewell Quintet, Troy Kunkler 4tet), songs-oriented groups (Zack Kouns and His Insatiable Orchestra, Confusions, Francis Bacon Band, Taylor K Conrad, Keating, Fables), contemporary classical settings (dance accompanist, classical pianist) and other settings (solo work, audio work, Very Much Recordings, music videos, album artwork, improvising/ creative ensembles). As output he is most interested in productions that show a true synthesis of perspectives, sounds, individuals and communities. Music and projects that truly strive for some form of “newness” regardless of the setting, people or situation. Simply stated things that try to be “their own” in some way or another. Caleb also currently operates the Columbus-based recording label Very Much Recordings and teaches in the American public (!) school system.





![Cassette Culture Celebration: Hal McGee + Skull Vacuum
On Saturday, July 22 2023 we proudly hosted our first ever Cassette Culture Celebration microfestival at the Columbus Performing Arts Center. This event celebrated Cassette Culture and the spirit of DIY from the early 1980’s and beyond, included a who’s who of DIY cassette culture and noise, and was organized by Columbus music historian Jeff Chenault.
Jeff kicked off the festival with a seminar on the history of Columbus electronic music, titled Attack and Decay: The History of Columbus Electronic Music. Festival performers included Chris Phinney (Harsh Reality Music, Mental Anguish), Hal McGee, certified guru of HalTapes and multiple other labels, Jeff Chenault (ITN/Exoteque Music), Knox Mitchell (Green Tapes, Easy Listening), Gates of Janus (Detroit), Envenomist (Columbus), Full Load of King (Cuyahoga Falls), with a special surprise appearance by Michael Thomas Jackson (Winston-Salem, NC).
In addition, Jerry Kranitz, author of the book Cassette Culture – Homemade Music and the Creative Spirit in the Pre-Internet-Age lead a panel discussion and Q&A with Hal, Chris, and Jeff. During the performances and presentations, we also screened two films, which ran continuously throughout the day: The Great American Cassette Masters by William Davenport and Grindstone Redux by Andrew Szava-Kovats. To top everything off, vendors sold cassettes, books, and other cassette culture memorabilia. along with displays of vintage tapes and artwork by the festival performers.
Video credits: Rachel Rew Wagner.
About Hal McGee: Hal is an American experimental artist and producer who has been active since 1981. With Debbie Jaffe, McGee operated the Cause And Effect cassette label and distributor in Indianapolis, Indiana. In the mid-1980s, McGee recorded works as a member of Viscera, solo as Dog As Master, and in collaboration with If, Bwana and JABON.
McGee moved to Florida in 1988, where he operated the Electronic Cottage label out of Gainesville, FL, simultaneously with an Electronic Cottage Magazine into the 1990s. This was restarted as an online zine and community in April 2018.
In the mid to late 1990s, McGee released dozens of cassettes of homemade experimental music, solo and in collaboration with Jeph Jerman, Brian Noring (EHI), Big City Orchestra, Emil Hagstrom (Cock E.S.P.), Charles Rice Goff III and others. He also produced a series of Tape Heads cassette compilations on his own HalTapes label.
In the late 1990s and early 2000s Hal McGee started releasing homemade CDr albums. During this time he collaborated heavily with Brian Noring of the FDR Tapes, in person and via mail collaboration, and with his long-time partner Chris Phinney. In 2006, with the encouragement of Andrew Chadwick and Christopher Miller (2), McGee began performing live for the first time since 1987, joining the ranks of Floridas live noise/experimental music scene. From 2014 to 2015 Hal operated a new label, Kassette Kult Tapes, and has contributed to Exit (16). He continues to release music on the [lHalTapes] label.
Since 2008 Hal has hosted a numbered series of live performances from his apartment called Apartment Music. Attendance is limited mostly to participants but documentation is posted on his YouTube channel, and some live audio recordings have been released.
About Skull Vacuum: Skull Vacuum is a collaborative project between Chris Phinney and Jeff Central Chenault - see: https://harshrealitymusic.bandcamp.com/album/a-chris-phinney-tribute-concert-by-jeff-central Cassette Culture Celebration: Hal McGee + Skull Vacuum](https://i.ytimg.com/vi/D9Vypa1OscA/mqdefault.jpg)

![Cassette Culture Celebration: Hal McGee
On Saturday, July 22 2023 we proudly hosted our first ever Cassette Culture Celebration microfestival at the Columbus Performing Arts Center. This event celebrated Cassette Culture and the spirit of DIY from the early 1980’s and beyond, included a who’s who of DIY cassette culture and noise, and was organized by Columbus music historian Jeff Chenault.
Jeff kicked off the festival with a seminar on the history of Columbus electronic music, titled Attack and Decay: The History of Columbus Electronic Music. Festival performers included Chris Phinney (Harsh Reality Music, Mental Anguish), Hal McGee, certified guru of HalTapes and multiple other labels, Jeff Chenault (ITN/Exoteque Music), Knox Mitchell (Green Tapes, Easy Listening), Gates of Janus (Detroit), Envenomist (Columbus), Full Load of King (Cuyahoga Falls), with a special surprise appearance by Michael Thomas Jackson (Winston-Salem, NC).
In addition, Jerry Kranitz, author of the book Cassette Culture – Homemade Music and the Creative Spirit in the Pre-Internet-Age lead a panel discussion and Q&A with Hal, Chris, and Jeff. During the performances and presentations, we also screened two films, which ran continuously throughout the day: The Great American Cassette Masters by William Davenport and Grindstone Redux by Andrew Szava-Kovats. To top everything off, vendors sold cassettes, books, and other cassette culture memorabilia. along with displays of vintage tapes and artwork by the festival performers.
Video credits: Rachel Rew Wagner.
About Hal McGee: Hal is an American experimental artist and producer who has been active since 1981. With Debbie Jaffe, McGee operated the Cause And Effect cassette label and distributor in Indianapolis, Indiana. In the mid-1980s, McGee recorded works as a member of Viscera, solo as Dog As Master, and in collaboration with If, Bwana and JABON.
McGee moved to Florida in 1988, where he operated the Electronic Cottage label out of Gainesville, FL, simultaneously with an Electronic Cottage Magazine into the 1990s. This was restarted as an online zine and community in April 2018.
In the mid to late 1990s, McGee released dozens of cassettes of homemade experimental music, solo and in collaboration with Jeph Jerman, Brian Noring (EHI), Big City Orchestra, Emil Hagstrom (Cock E.S.P.), Charles Rice Goff III and others. He also produced a series of Tape Heads cassette compilations on his own HalTapes label.
In the late 1990s and early 2000s Hal McGee started releasing homemade CDr albums. During this time he collaborated heavily with Brian Noring of the FDR Tapes, in person and via mail collaboration, and with his long-time partner Chris Phinney. In 2006, with the encouragement of Andrew Chadwick and Christopher Miller (2), McGee began performing live for the first time since 1987, joining the ranks of Floridas live noise/experimental music scene. From 2014 to 2015 Hal operated a new label, Kassette Kult Tapes, and has contributed to Exit (16). He continues to release music on the [lHalTapes] label. Cassette Culture Celebration: Hal McGee](https://i.ytimg.com/vi/Db_yY4Dp1xU/mqdefault.jpg)


