Uploaded March 2024 | Updated September 2026, 2 hours ago
On the evening of Friday, March 1st we proudly presented electronic musician Jim Petty’s (NYC) solo project Crew Called Self, experimental musician/multidisciplinary artist Rafael Vargas Bernard (FL), David Reed’s (CMH) solo project Envenomist, and Reon Moebius’ (CMH) solo project Seagull Died on Impact.
Supporters of our 2023-2024 season include the Greater Columbus Arts Council, the Ohio Arts Council, the National Endowment for the Arts, and the Columbus Foundation.
About the artist:
Some people equate David Reed’s solo project Envenomist (CMH) with science fiction film scores; others envision solitary nocturnal travels through bleak urban settings. A fundamental strength of Envenomist is that these illusory backdrops remain open to interpretation. Taking inspiration from industrial, ambient, and the kosmische scenes along with altered states of consciousness, the oceanic abyss, and deep space, Reed has been producing desolate soundscapes under the Envenomist moniker since 2005.
On the evening of Friday, March 1st we proudly presented electronic musician Jim Petty’s (NYC) solo project Crew Called Self, experimental musician/multidisciplinary artist Rafael Vargas Bernard (FL), David Reed’s (CMH) solo project Envenomist, and Reon Moebius’ (CMH) solo project Seagull Died on Impact.
Supporters of our 2023-2024 season include the Greater Columbus Arts Council, the Ohio Arts Council, the National Endowment for the Arts, and the Columbus Foundation.
About the artist:
Some people equate David Reed’s solo project Envenomist (CMH) with science fiction film scores; others envision solitary nocturnal travels through bleak urban settings. A fundamental strength of Envenomist is that these illusory backdrops remain open to interpretation. Taking inspiration from industrial, ambient, and the kosmische scenes along with altered states of consciousness, the oceanic abyss, and deep space, Reed has been producing desolate soundscapes under the Envenomist moniker since 2005.
