Uploaded October 2023 | Updated September 2026, 1 week ago
BUY/STREAM THE SONG:
Bandcamp: paranoiddj.bandcamp.com/track/blood-runs-thicker-feat-august-fiche
iTunes: itunes.apple.com/album/id1713308407?ls=1&app=itunes
Spotify: open.spotify.com/album/2wgX0oocnOvqMXwDYk2XZg
Apple Music: itunes.apple.com/album/id/1713308407
A brand new original song based on the fate of Michael and William Afton from the Five Nights at Freddy's series, featuring originally created backing music, sound design, and artwork.
What better time to make a Halloween treat than on the day the FNAF movie premieres? This notorious indie series has been entertaining all of us close to nearly a decade with its creative character designs and gameplay, but also an intriguing mix of deep lore and mystery that only ever seems to lead to more. To me personally, FNAF 3 was one of the culminations of this potent mixture, and that was in no small part thanks to one of the entire series most iconic villains: Springtrap.
This human murderer turned animatronic monster has always been one of my favourite characters in the horror genre and I wanted to do a piece that would do justice to his insidious nature but also the story of how he got there. To that end the song takes on the perspective of Michael Afton, the son of William, who laments about how his father became what he is today while also knowing fully aware just how much of a monster he is through the events of Sister Location.
The track itself is one of the most complicated I've ever created, greatly influenced by the likes of modern dubstep artists like SVDDEN DEATH and Muerte, but also by the scores of the later games in the series with 80s style vintage synths and production. Using all of that, plus real libraries of horror strings and screams, I hope you all enjoy listening.
Happy Halloween!
Music Production, Lyrics, Sound Design, Voice of Michael: Myself (PARANOiD DJ)
Voice of Springtrap: August Fiche
twitter.com/AugustFiche
Artwork & Visual Assets: Ayyy-Imma-Ninja
twitter.com/Megluvyoutube
youtube.com/channel/UCegICiK5ImxRMymA7bqwe9g
Motion Design & Video Editing: MrDemoVE
youtube.com/@MrDemoVE?si=wIDSHpIxMCfCX-TN
https://x.com/MrDemoVE?t=-i6OdG8Yy2AOoyfiNVBP1g&s=09
https://bsky.app/profile/mrdemove.bsky.social
Five Nights at Freddy's belongs to Scott Cawthon.
Twitter: twitter.com/PARANOiDDJ1
Ko-fi: ko-fi.com/paranoiddj1
SoundCloud: soundcloud.com/paranoid-dj
Bandcamp: paranoiddj.bandcamp.com
Spotify: open.spotify.com/artist/1ErI35SxG33WMpluWpSe08
Apple Music: music.apple.com/gb/artist/paranoid-dj/470018767
BUY/STREAM THE SONG:
Bandcamp: paranoiddj.bandcamp.com/track/blood-runs-thicker-feat-august-fiche
iTunes: itunes.apple.com/album/id1713308407?ls=1&app=itunes
Spotify: open.spotify.com/album/2wgX0oocnOvqMXwDYk2XZg
Apple Music: itunes.apple.com/album/id/1713308407
A brand new original song based on the fate of Michael and William Afton from the Five Nights at Freddy's series, featuring originally created backing music, sound design, and artwork.
What better time to make a Halloween treat than on the day the FNAF movie premieres? This notorious indie series has been entertaining all of us close to nearly a decade with its creative character designs and gameplay, but also an intriguing mix of deep lore and mystery that only ever seems to lead to more. To me personally, FNAF 3 was one of the culminations of this potent mixture, and that was in no small part thanks to one of the entire series most iconic villains: Springtrap.
This human murderer turned animatronic monster has always been one of my favourite characters in the horror genre and I wanted to do a piece that would do justice to his insidious nature but also the story of how he got there. To that end the song takes on the perspective of Michael Afton, the son of William, who laments about how his father became what he is today while also knowing fully aware just how much of a monster he is through the events of Sister Location.
The track itself is one of the most complicated I've ever created, greatly influenced by the likes of modern dubstep artists like SVDDEN DEATH and Muerte, but also by the scores of the later games in the series with 80s style vintage synths and production. Using all of that, plus real libraries of horror strings and screams, I hope you all enjoy listening.
Happy Halloween!
Music Production, Lyrics, Sound Design, Voice of Michael: Myself (PARANOiD DJ)
Voice of Springtrap: August Fiche
twitter.com/AugustFiche
Artwork & Visual Assets: Ayyy-Imma-Ninja
twitter.com/Megluvyoutube
youtube.com/channel/UCegICiK5ImxRMymA7bqwe9g
Motion Design & Video Editing: MrDemoVE
youtube.com/@MrDemoVE?si=wIDSHpIxMCfCX-TN
https://x.com/MrDemoVE?t=-i6OdG8Yy2AOoyfiNVBP1g&s=09
https://bsky.app/profile/mrdemove.bsky.social
Five Nights at Freddy's belongs to Scott Cawthon.
Twitter: twitter.com/PARANOiDDJ1
Ko-fi: ko-fi.com/paranoiddj1
SoundCloud: soundcloud.com/paranoid-dj
Bandcamp: paranoiddj.bandcamp.com
Spotify: open.spotify.com/artist/1ErI35SxG33WMpluWpSe08
Apple Music: music.apple.com/gb/artist/paranoid-dj/470018767
![PARANOiD DJ - Just Look My Way (Stolas Lament) [ORIGINAL 2021 VER.] (Helluva Boss)](https://i.ytimg.com/vi/XrZ2vqVPTFM/mqdefault.jpg "PARANOiD DJ - Just Look My Way (Stolas Lament) [ORIGINAL 2021 VER.] (Helluva Boss)
SEE THE OFFICIAL HELLUVA BOSS MUSIC VIDEO:
https://www.youtube.com/watch?v=rATbtwj1qls
ORIGINAL:
BUY/STREAM THE SONG:
Bandcamp: https://paranoiddj.bandcamp.com/track/just-look-my-way-stolas-lament
iTunes: http://itunes.apple.com/album/id1610851529?ls=1&app=itunes
Spotify: https://open.spotify.com/album/3ZJJvIoOj7V91BvxPnANae
Apple Music: https://music.apple.com/album/id/1610851529
An original song centred around the Goetian prince Stolas, featuring originally created backing music, sound design, voice acted story and artwork.
After how well Eyes On Me was received as my first attempt at original song writing, this is my second. Just Look My Way was a very difficult thing to put together, not just because of the subject matter but because of other things that had been affecting me outside of the work I do for this channel and elsewhere. Tackling all that, I had constant doubts about how accurate to Stolas voice I was being, whether the sudden change in tone from such a highly energetic piece as Voxs song to this would be welcome, among countless other worry. But the end result is something Im ultimately proud of.
Over the past few episodes of Helluva Boss, and through watching the show in general, its clear that Stolas has a sense of emotional ignorance when it comes to how he behaves and how it affects others. While most obviously seen with Octavia, episodes 5 & 6 helped to cement this further with how he behaves in regards to Blitzo. Using pet names, outright calling him a play thing during the summoning, even down to how Blitzo hallucinates being chained to him because of his behaviours. And Stolas seems either oblivious to it or realises it too late.
I wanted this song to address that specifically. For Stolas sense of arrogance to be apparent in how he cant understand why Blitzo is so awkward about being with him despite everything that he can provide, only to realise that it is his own actions that have caused the problem and how it may affect others. I hope this is a topic the later episodes of Helluva will tackle because the setup for it is there.
As a result, the actual music is heavily rooted in both traditional classic instruments and synthetic soundscapes to reflect Stolas position as a royal but with access to the cosmos and magic. Its a subdued score, but something I felt needed to be done suitably to match the sombre mood of the song I was aiming for.
And finally, another huge round of gratitude and praise for Ayyy-Imma-Ninja for once again creating the beautiful artwork used in the video. She not only came up with the basic outlines for what I wanted the images to show, but also added in wonderful little details to really drive the point of the music home (pay attention to the flowers). Please support her through the links provided below for her wonderful efforts.
All vocals, sound design, lyrics & music production: Myself (PARANOiD DJ)
Original Artwork: Ayyy-Imma-Ninja
https://twitter.com/Megluvyoutube
https://www.youtube.com/channel/UCegICiK5ImxRMymA7bqwe9g
Helluva Boss and all its characters belong to Vivziepop and Spindle Horse Toons.
Twitter: https://twitter.com/PARANOiDDJ1
Ko-fi: https://ko-fi.com/paranoiddj1
SoundCloud: https://soundcloud.com/paranoid-dj
Bandcamp: https://paranoiddj.bandcamp.com/
Spotify: https://open.spotify.com/artist/1ErI35SxG33WMpluWpSe08
Apple Music: https://music.apple.com/gb/artist/paranoid-dj/470018767")
![[LIVESTREAM] 40K Q&A/Behind The Scenes Special](https://i.ytimg.com/vi/YNCn2CcvwEU/mqdefault.jpg "[LIVESTREAM] 40K Q&A/Behind The Scenes Special
A special livestream to commemorate 40k subscribers! Thank you all for helping me to reach this milestone.
Starting things off with to talk with all of you and answer any questions you have about whatever you want to know about me, the dubs I create, my opinions on franchises or interests, anything within reason! Then, showing off a behind the scenes look at the work behind the recent Temptation dub, including an explanation of how I did all the effects for RoboFizzs voice.")
![[SOUND DESIGN] Bendy And The Ink Machine Comic Dub](https://i.ytimg.com/vi/YwmbrJaDIS8/mqdefault.jpg "[SOUND DESIGN] Bendy And The Ink Machine Comic Dub
Been a while hasnt it, folks?
I thought Id mix up the content a little bit with a semi-return to YouTube showcasing sound design work in FL Studio 12.
As part of my Music Production education, I learned the processes of creating sound design for a movie scene from scratch. These processes included things like dubbing voices, sound foley, post processing, music arrangement and mixing. With a little bit of effort, sound effects and music together really gives life to a scene, even with just static imagery. I thought it would be cool to show off that knowledge in a dub like this, so if anyone would be interested in seeing the process for this project, do let me know in the comments.
I chose to use the fantastic comic created by squigglydigg on Tumblr for her superb scene of an alternate universe for Bendy And The Ink Machine. The game has become a bit of favourite of mine with its premise and I cant wait to see how it turns out.
Original Comic: https://squigglydigg.tumblr.com/post/160432900281/part-1-of-5-next
All Voices: Myself
Sound Effect Arrangement, Processing: Myself
Music (altered and arranged by me):
- The Grudge 2 Original Movie Soundtrack by Christopher Young (Seme, Hikan, Gishiki)
- Bendy And The Ink Machine Original Soundtrack by theMeatly (Sketches)")
![[SOUND DESIGN] Silent Hill 4: The Room - Ill Stick With You Re-dub](https://i.ytimg.com/vi/ZS8Rop8exhY/mqdefault.jpg "[SOUND DESIGN] Silent Hill 4: The Room - Ill Stick With You Re-dub
A complete sound design addition and re-dubbing of a cutscene from Silent Hill 4: The Room, to celebrate the games re-release on GOG.com.
Something a bit different this time. The original four Silent Hill games are some of the finest survival horror experiences that gaming has to offer, and that is in no small part to fantastic visual and sound artistry. Theyve inspired me for many years and I wanted to try my hand at giving one of the scenes from this game the detail it was lacking thanks to an admittedly lacklustre technical release.
A more personal project Im very proud of, I hope you enjoy it.
Silent Hill 4: The Room, the Silent Hill series and all associated content belongs to Konami.
Henry: Myself (PARANOiD DJ)
Eileen: dragonscale8374
Made in FL Studio 20, with additional production and editing on voices, sound effects.
Music: The Last Mariachi, Wounded Warsong - Akira Yamaoka (from the Silent Hill 4: The Room soundtrack)
SoundCloud: https://soundcloud.com/paranoid-dj
Twitter: https://twitter.com/PARANOiDDJ1")
![[SOUND DESIGN] Helluva Boss: Cinders Comic Dub](https://i.ytimg.com/vi/alC4koFIs8s/mqdefault.jpg "[SOUND DESIGN] Helluva Boss: Cinders Comic Dub
A complete dub of Cinders by Midiroo⁷ (https://twitter.com/midi_roo), featuring full sound design for all scenes. Please give them all the positivity they deserve for this lovely and dramatic bit of storytelling.
Ive actually been following this one for a while, eagerly awaiting the final parts in order to complete my sound injection to it. Along with a chance to voice Valentino in a rare moment of him losing his cool, trying to perform Stolas being more emotionally upset compared to how weve usually seen him was fun to try too.
Im not sure if I pulled it off completely, I feel some particular parts could be stronger in tone and accuracy, but it was a good experiment nonetheless (and I already re-did a lot of these takes three times over already because I was being too fussy with the details).
Poor Pringles.
Helluva Boss and all its characters belong to Vivziepop and Spindle Horse Toons.
Comic originally created by Midiroo⁷. The first part can be found at the link below, with the rest in subsequent threads on their page. https://twitter.com/midi_roo/status/1335776034793418753
All voices by myself (PARANOiD DJ)
Made in FL Studio 20, with additional production and editing on voices, sound effects.
Music used (in order of appearance):
Cohens Masterpiece - Garry Schyman (BioShock)
Meet Jigsaw - Charlie Clouser (SAW V)
Pairbond (BioShock 2 Theme), How She Sees The World - Garry Schyman (BioShock 2)
SoundCloud: https://soundcloud.com/paranoid-dj
Twitter: https://twitter.com/PARANOiDDJ1")
![[SOUND DESIGN]: Hazbin Hotel (Pilot): If It Aint Got That Swing Comic Dub](https://i.ytimg.com/vi/c-oVIEj7TRY/mqdefault.jpg "[SOUND DESIGN]: Hazbin Hotel (Pilot): If It Aint Got That Swing Comic Dub
A complete dub of If It Aint Got That Swing by Dreadfluent (https://twitter.com/dreadfluent), featuring full sound design for all scenes. They remain to this day one of my favourite artists for the Hazbin fandom for their unique style on the characters, please show them all the support they deserve for their wonderful work.
This was an fun challenge to take on because the original comic has no written dialogue. Much like the larger stretches of Alastors official comic, the entire scene has to rely purely on sound design in order to properly reflect the intended mood. Thanks to dreadfluents ambiguity regarding the scene, I also appreciated how this could be interpreted as Angel and Alastor finding common ground with music tastes, or as something more depending on how you look at it.
The track I chose to use is originally from 1939, an in-between of Angel and Alastors death years to further emphasise their shared connection. And, as a chance to partially show off and also because Alastor is a showman, having him sing lyrics relating to someone else being careless perfectly matched Angels fluster at being caught dancing on his own like this.
NOTE: Please avoid making blunt remarks about ships and the culture that surrounds them as comments or as responses to other people. This is a fan comic done purely for fun and people should be allowed to enjoy this type of content without being called out for having a different preference to someone else. Be civil, be respectful. Anything I see in the comments sections endorsing or acting out this behaviour, I will remove.
Hazbin Hotel and all its characters belong to Vivziepop and Spindle Horse Toons.
All voices by myself (PARANOiD DJ)
Comic originally created by Dreadfluent: https://twitter.com/dreadfluent/status/1262391832492871680
Music Used:
Careless - Tommy Dorsey
Made in FL Studio 20, with additional production and editing on voices, sound effects.
SoundCloud: https://soundcloud.com/paranoid-dj
Twitter: https://twitter.com/PARANOiDDJ1
Ko-fi: https://ko-fi.com/paranoiddj1")
