Uploaded October 2021 | Updated September 2026, 1 week ago
Here's Ould John Braddleum Sung from Three North Country Folk Songs sung by John Buckley the Bass Singer from a rare 78 rpm shellac record released in the mid 1920s. The song which is no doubt of traditional origin is credited in this form to composer and vocalist Lyell Johnston born in Whitehaven Cumbria and published in 1915 & is of Cumbrian origin. Its a Children's song also called "Old John Braddleum", "Old John Braddelum" or "John Bradlelum".
Here's the lyrics copied from The Mudcat Discussion forum
Number one, number one,
now my song has just begun,
with an rum tum tattelam owd John Bradelam
Oh what country folk we be.
Number two, number two,
some likes a boot and some likes a shoe.
chorus
Number three, number three,
some like coffee and some likes tea.
chorus
Number four, number four,
some likes a gate and some likes a door.
chorus
Number five, number five,
old folks die when they can't stay alive.
chorus
Number six, number six,
old men use crutches when they can't use sticks.
chorus
Number seven, number seven,
when you die you should go to heaven.
chorus
Number eight, number eight,
some likes a door and some likes a gate,
chorus
Number nine, number nine,
some likes beer and some likes wine,
chorus
Number ten, number ten,
when we get to twelve we'll start again,
chorus
Number eleven, number eleven,
much about the same as number seven,
chorus
Number twelve, number twelve,
if you wants anymore, you mun sing it yourselves
chorus
Here's Ould John Braddleum Sung from Three North Country Folk Songs sung by John Buckley the Bass Singer from a rare 78 rpm shellac record released in the mid 1920s. The song which is no doubt of traditional origin is credited in this form to composer and vocalist Lyell Johnston born in Whitehaven Cumbria and published in 1915 & is of Cumbrian origin. Its a Children's song also called "Old John Braddleum", "Old John Braddelum" or "John Bradlelum".
Here's the lyrics copied from The Mudcat Discussion forum
Number one, number one,
now my song has just begun,
with an rum tum tattelam owd John Bradelam
Oh what country folk we be.
Number two, number two,
some likes a boot and some likes a shoe.
chorus
Number three, number three,
some like coffee and some likes tea.
chorus
Number four, number four,
some likes a gate and some likes a door.
chorus
Number five, number five,
old folks die when they can't stay alive.
chorus
Number six, number six,
old men use crutches when they can't use sticks.
chorus
Number seven, number seven,
when you die you should go to heaven.
chorus
Number eight, number eight,
some likes a door and some likes a gate,
chorus
Number nine, number nine,
some likes beer and some likes wine,
chorus
Number ten, number ten,
when we get to twelve we'll start again,
chorus
Number eleven, number eleven,
much about the same as number seven,
chorus
Number twelve, number twelve,
if you wants anymore, you mun sing it yourselves
chorus

![Cornwall - The British Drama League Lyntone Flexi record reissue of 1920s 78 rpm Gramophone Record.
Heres Cornwall - The British Drama League Lyntone Flexi record reissue of 1920s 78 rpm Gramophone Record.
The British Drama League was established in 1919 to promote amateur and professional theatre in England, with a head office based at Fitzroy Square, London. It was founded by Geoffrey Whitworth. Its work included pursuing the creation of the National Theatre, offering library and research services, founded the journal Drama in 1919, and encouraging the introduction of drama into the national curriculum.[1] Its name was changed to the British Theatre Association in 1972.[2] The Association was disbanded in 1990, due to financial pressures. Play scripts held in its archive are now in the possession of the Theatre Museum, London Cornwall - The British Drama League Lyntone Flexi record reissue of 1920s 78 rpm Gramophone Record.](https://i.ytimg.com/vi/JwLo7TCaIgc/mqdefault.jpg)
![This England - A Coronation Toast 1 of 2 Traditional English Medley Debroy Somers Band 78 rpm
HeresThis England - A Coronation Toast 1 of 2 Traditional English Medley Debroy Somers Band from a 78 rpm shellac record
Debroy Somers (born William Henry Somers, 11 April 1890[1] in Dublin[2] – 16 May 1952 in London)[3] was a British twentieth-century big band bandleader.[4]
He had trained as a musician at the Duke of Yorks Royal Military School in Chelsea,[5] and continued his studies in Dublin under Signor Michele Esposito at The Royal Irish Academy of Music in 1904.[6] At the age of 15 he joined the 2nd Battalion the Royal Irish Regiment as a boy bandsman before retiring in 1913.[7] He rejoined his old regiment in 1916 retiring as a sergeant musician in 1918; being demobilised in Wiltshire.[8]
His period of celebrity stretched from the 1920s to the 1940s.[6] He appeared in numerous films, including Second Choice, Stars on Parade and Aunt Sally,[9] and founded the Savoy Orpheans. On 15 June 1925, Somers conducted the first British performance of George Gershwins Rhapsody in Blue from the Savoy Hotel with the Orpheans, alongside the Savoy Havana Band and Gershwin himself on piano. The performance was broadcast live by the BBC.[10]
His ensemble, the Debroy Somers Band, was also known as the Midnight Minstrels.[11] In 1930, they covered Amy, Wonderful Amy, a song about Amy Johnson.[12] Before the war Somers was a regular broadcaster on Radio Luxembourg, acting as musical director for several regular shows, including the childrens show Ovaltineys and Shipmates Ashore for the Merchant Navy.[13] In 1943 he returned to Londons West End to direct the hit show The Lisbon Story at the Hippodrome.[14] He was also director for Tom Arnold and Robert Nesbitts production of Latin Quarter at the London Casino in 1949.[15] His last production was as musical director for George Formbys Zip Goes a Million at the Palace Theatre in 1951, but he collapsed and died during the run of the show in May 1952, aged 62.[14]
Somers married a widow Doddy Payne (nee Watts) on 9 September 1912 in Fulham, London;[16] she already had three children from her previous marriage.[8] The family home remained in Twickenham, Surrey for many years.[1] This England - A Coronation Toast 1 of 2 Traditional English Medley Debroy Somers Band 78 rpm](https://i.ytimg.com/vi/Jxh2qRrOyZA/mqdefault.jpg)




![The Red Flag Sung by Mr Rufus John AKA John Goss Baritone Socialist Song 1926 Rare 78 rpm
Heres The Red Flag Sung .by Mr Rufus John AKA John Goss Baritone singing this Socialist Song recorded in 1926 from this rare 78 rpm shellac record.
Lansburys Labour Weekly
In 1912, George Lansbury, Labour MP and later Party leader, was one of the leading lights in the formation of the Daily Herald. After the paper was taken over by the Labour Party and the Trades Union Congress,
The Recordings
Due to declining sales in 1926, Lansburys Labour Weekly decided to market a series of commercial left-wing gramophone records banned by record companies and in December released recording no.6 The March of the Workers and A Talk by George Lansbury, in a series of Labour gramophone records. These records were labelled at the newspapers offices due to the desire to remain anonymous of the record companies who originally produced them. This makeshift production often led to mistakes and many readers often found they had received The Red Flag rather than A Talk by George Lansbury.
In 1927, the paper carried advertisments from Independent Labour Party bookshops for these Labour records. They were 10 inch double sided and priced 3s each (postage 6d), although the whole set could be purchased in a fine red case for £3.1s. Record No.1 was The Red Flag and The International and record number 6 included the original speech by Lansbury. Other records in the series included talks by Ramsey MacDonald, James Maxton and A.J.Cook, along with socialist songs sung by Rufus John and others.
George Lansbury, a Labour M.P. in the early 20th century, founded the magazine of this name in 1925. It survived independently until 1928 when it was merged with the Labour Partys own official newspaper. During this time, he arranged to have six different records produced. Due to the controversial political nature of the records, they had to be produced anonymously with plain white labels, then Lansburys people pasted on the label as seen here. The records were recorded by British Homophone (acoustically) and pressed by Pathe UK.
Jim Connell (27 March 1852 – February 1929) was an Irish political activist of the late 19th century and early 20th century, best known as the writer of the anthem The Red Flag in December 1889.
John Goss (1894-1953) was an Englishman by birth, but for most of his later years, he made Vancouver his home. In the 1920s and ’30s, Goss toured in the U.K., the U.S. and Canada as a recital singer, gradually building a reputation as a world-class baritone.
Goss was also political. As early as 1941, he spoke out at the Canadian Federation of Music Teachers’ Associations, urging amateur musicians to “organize to avoid this ‘sweated labor’ by various well-meaning organizations which offer artists nothing more than a cup of tea in return for their services” (11 July 1941 Lethbridge Herald).
Starting in 1944, he co-founded and later became president of a new organization called the Labor Arts Guild. The Guild was intended to promote interest in the arts among labour and interest in labour’s struggle among artists. A number of the members of the first executive of the Guild were members of the Labour-Progressive Party.
In 1949, Goss was evicted from the U.S. while in New York at a peace conference. The FBI made noises about Goss being a Communist sympathizer. He returned to Vancouver where he was under the impression that he had a job with the BCIMD faculty. Wrong. The BCIMD, together with many others in the city were not interested in a ‘Communist’ joining the staff of the Theatre Under the Stars group. There was no written contract between the board and Goss, and the Board made it clear that he could forget about working with BCIMD.
Goss left Vancouver for England the following year, with his reputation in tatters. He died there in 1953. Keir Hardies newspaper The Labour Leader, and was secretary of the Workingmens Legal Aid Society during the last 20 years of his life
Although Lenin dismissed the Independent Labour Party as bourgeois, he later awarded Connell the Red Star Medal in 1922.[3]
John Goss (1894-1953) was an Englishman by birth, but for most of his later years, he made Vancouver his home. In the 1920s and ’30s, Goss toured in the U.K., the U.S. and Canada as a recital singer, gradually building a reputation as a world-class baritone. The Red Flag Sung by Mr Rufus John AKA John Goss Baritone Socialist Song 1926 Rare 78 rpm](https://i.ytimg.com/vi/LG_k7NANRO0/mqdefault.jpg)

![Jean Ritchie & her Guitar singing Pretty Fair Miss Appalachian Mountain Song Rare 78 rpm Hmv 102
Heres Jean Ritchie singing accompanied by her Guitar singing Pretty Fair Miss an Appalachian Mountain Song from a rare 78 rpm shellac record released in 1953. Played on HMV 102 gramophone.
Jean Ruth Ritchie (December 8, 1922 – June 1, 2015) was an American folk singer, songwriter, and Appalachian dulcimer player,[1] called by some the Mother of Folk.[2] In her youth she learned hundreds of folk songs in the traditional way (orally, from her family and community), many of which were Appalachian variants of centuries old British and Irish songs, including dozens of Child Ballads.[3][4] In adulthood, she shared these songs with wide audiences,[5] as well as writing some of her own songs using traditional foundations.[4] She is ultimately responsible for the revival of the Appalachian dulcimer, the traditional instrument of her community, which she popularized by playing the instrument on her albums and writing tutorial books.[4] She also spent time collecting folk music in the United States and in Britain and Ireland,[6][7] in order to research the origins of her family songs and help preserve traditional music.[4] She inspired a wide array of musicians, including Bob Dylan, Joan Baez, Shirley Collins, Joni Mitchell, Emmylou Harris and Judy Collins.[5][8][9] Jean Ritchie & her Guitar singing Pretty Fair Miss Appalachian Mountain Song Rare 78 rpm Hmv 102](https://i.ytimg.com/vi/LkOYHaS0Xdw/mqdefault.jpg)
