Uploaded June 2021 | Updated September 2026, 1 week ago
Here's Jean Ritchie singing accompanied by her Guitar singing Pretty Fair Miss an Appalachian Mountain Song from a rare 78 rpm shellac record released in 1953. Played on HMV 102 gramophone.
Jean Ruth Ritchie (December 8, 1922 – June 1, 2015) was an American folk singer, songwriter, and Appalachian dulcimer player,[1] called by some the "Mother of Folk".[2] In her youth she learned hundreds of folk songs in the traditional way (orally, from her family and community), many of which were Appalachian variants of centuries old British and Irish songs, including dozens of Child Ballads.[3][4] In adulthood, she shared these songs with wide audiences,[5] as well as writing some of her own songs using traditional foundations.[4] She is ultimately responsible for the revival of the Appalachian dulcimer, the traditional instrument of her community, which she popularized by playing the instrument on her albums and writing tutorial books.[4] She also spent time collecting folk music in the United States and in Britain and Ireland,[6][7] in order to research the origins of her family songs and help preserve traditional music.[4] She inspired a wide array of musicians, including Bob Dylan, Joan Baez, Shirley Collins, Joni Mitchell, Emmylou Harris and Judy Collins.[5][8][9]
Here's Jean Ritchie singing accompanied by her Guitar singing Pretty Fair Miss an Appalachian Mountain Song from a rare 78 rpm shellac record released in 1953. Played on HMV 102 gramophone.
Jean Ruth Ritchie (December 8, 1922 – June 1, 2015) was an American folk singer, songwriter, and Appalachian dulcimer player,[1] called by some the "Mother of Folk".[2] In her youth she learned hundreds of folk songs in the traditional way (orally, from her family and community), many of which were Appalachian variants of centuries old British and Irish songs, including dozens of Child Ballads.[3][4] In adulthood, she shared these songs with wide audiences,[5] as well as writing some of her own songs using traditional foundations.[4] She is ultimately responsible for the revival of the Appalachian dulcimer, the traditional instrument of her community, which she popularized by playing the instrument on her albums and writing tutorial books.[4] She also spent time collecting folk music in the United States and in Britain and Ireland,[6][7] in order to research the origins of her family songs and help preserve traditional music.[4] She inspired a wide array of musicians, including Bob Dylan, Joan Baez, Shirley Collins, Joni Mitchell, Emmylou Harris and Judy Collins.[5][8][9]

![While Shepherds Watch Their Flocks By Night Childrens Choir Devon 78 rpm Acetate Record
Heres While Shepherds Watch Their Flocks By Night Childrens Choir Devon From a privately recorded 78 rpm Acetate Record probably recorded in the 1950s.or 60s.
While shepherds watched their flocks[1] is a traditional Christmas carol describing the Annunciation to the Shepherds, with words attributed to Irish hymnist, lyricist and Englands Poet Laureate Nahum Tate.[2] It is listed as number 16898 in the Roud Folk Song Index.
While shepherds watched their flocks
Song of the Angels at the Nativity of our Blessed Saviour - Nahum Tate.png
Genre
Hymn
Written
1700
Text
Nahum Tate, Edith Sanford Tillotson
Based on
Luke 2:8
Meter
8.6.8.6
Melody
Winchester Old by George Kirbye, Christmas by George Frideric Handel, arranged by Lowell Mason
The meane of chapter VIII in Christopher Tyes Actes of the Apostles of 1553. The latter half was adapted and used as the tune of Winchester Old.
The exact date of Tates composition is not known, but the words appeared in Tate and Nicholas Bradys 1700 supplement to their New Version of the Psalms of David of 1696. It was the only Christmas hymn authorised to be sung by the Anglican Church; before 1700 only the Psalms of David were permitted to be sung. It is written in common metre and based on the Gospel of Luke 2:8–14.
It is the only one of the sixteen works in the 1700 supplement to still be sung today. It was published by Davies Gilbert (London, 1822), and William B. Sandys (London, 1833).[2] The carol is sung to a wide variety of tunes, the two most common ones being Winchester Old in the United Kingdom and a variation on a Handel aria arranged by Lowell Mason in the United States.
Professor Jeremy Dibble of Durham University has noted that While shepherds watched was the only Christmas hymn to be approved by the Church of England in the 18th century and this allowed it to be disseminated across the country with the Book of Common Prayer.[3] This was because most carols, which had roots in folk music, were considered too secular and thus not used in church services until the end of the 18th century.[4] As a result of its approved status, many tunes have been associated with this carol. The editors of the English Hymnal note that it is impossible to print all the tunes which are traditionally sung to this hymn.[5] While Shepherds Watch Their Flocks By Night Childrens Choir Devon 78 rpm Acetate Record](https://i.ytimg.com/vi/MumNXT0BqVA/mqdefault.jpg)





![Scotland Ayrshire British Drama League Lyntone Flexi record reissue of 1920s 78 rpm Record.
Heres Scotland Ayrshire British Drama League Lyntone Flexi record reissue of 1920s 78 rpm Gramophone Record.
The British Drama League was established in 1919 to promote amateur and professional theatre in England, 3 a head office based at Fitzroy Square, London. It was founded by Geoffrey Whitworth. Its work included pursuing the creation of the National Theatre, offering library and research services, founded the journal Drama in 1919, and encouraging the introduction of drama into the national curriculum.[1] Its name was changed to the British Theatre Association in 1972.[2] The Association was disbanded in 1990, due to financial pressures. Play scripts held in its archive are now in the possession of the Theatre Museum, London Scotland Ayrshire British Drama League Lyntone Flexi record reissue of 1920s 78 rpm Record.](https://i.ytimg.com/vi/QtBQlol7U8Y/mqdefault.jpg)
![The Organ Grinders Song No 1 by Edward Elgar sung by Stuart Robertson Rare 78 rpm
Heres The Organ Grinders Song No 1 by Sir Edward Elgar sung by Stuart Robertson from a rare 12 inch 78 rpm shellac record released in 1936. The song comes from a musical The musical was called The Starlight Express
Baritone Stuart Robertson was born on March 5, 1901 in London, England. He was also an actor, known for Bitter Sweet (1933), As You Like It (1936) and Queen of Destiny (1938). He was married to Alice Moxon. He died on December 26, 1958 in Elstree, England. He was the brother of actress Anna Neagle.
The Starlight Express is a childrens play by Violet Pearn,[1] based on the imaginative novel A Prisoner in Fairyland by Algernon Blackwood, with songs and incidental music written by the English composer Sir Edward Elgar in 1915.
The Starlight Express was produced by Lena Ashwell at the Kingsway Theatre in London, as one of her high-quality wartime entertainments. The production was announced in The Times, mentioning that the small orchestra pit of the theatre would be enlarged to accommodate a full orchestra.[5] It opened on 29 December 1915. The premiere was to have been the conducted by the composer, but because Lady Elgar had suffered concussion a few days before as the result of a traffic accident, he stayed at home with her, and the conductor was the young Julius Harrison.[6] It ran for only one month, closing on 29 January 1916. The Organ Grinders Song No 1 by Edward Elgar sung by Stuart Robertson Rare 78 rpm](https://i.ytimg.com/vi/RKTKcEHHPdg/mqdefault.jpg)
![Snowdrops Played On The Tubaphone 78 rpm
Heres Snowdrops Played The Tubaphone an instrument similar to Xylaphone but using metal tubes from an early double sided 78 rpm Twin shellac record.
A tubaphone is a type of metallophone constructed from a series of metal tubes arranged in a keyboard configuration.[1][2] The tubes are similar in length to that of a xylophone, and sound vaguely like a glockenspiel.[3 Snowdrops Played On The Tubaphone 78 rpm](https://i.ytimg.com/vi/S9ArIoqEy1I/mqdefault.jpg)
