Uploaded September 2025 | Updated September 2026, 5 days ago
By 1970, Daiei was falling apart. Years of bad management had gutted the studio, and the Japanese film industry as a whole was already shrinking thanks to television pulling audiences away. At that point, the Gamera series was pretty much the only thing keeping Daiei alive. Gamera vs. Jiger was the sixth entry, and the production ran into money problems almost immediately. Director Noriaki Yuasa even had to go directly to the studio president and beg for extra cash just to build the miniature sets and effects the movie needed. The big hook this time around was the 1970 World’s Fair in Osaka. A lot of the film was shot at the actual Expo grounds, which gave it a unique setting compared to the other Gamera movies. But filming there came with a catch. Expo officials didn’t want to see their brand-new buildings trashed on screen, so Daiei agreed that Gamera and Jiger wouldn’t destroy any of the Expo structures. Screenwriter Niisan Takahashi even defended the decision, saying it would have been in bad taste to show Gamera wrecking the World’s Fair. He worried kids might start resenting Gamera as “the monster that destroyed the Expo.” So in a weird way, Gamera vs. Jiger is probably the only kaiju movie where the monsters had to follow a “no destruction” rule.
The movie hit theaters in 1970 as a double feature with the samurai adventure The Invisible Swordsman. Hard numbers on its box office are tough to find, but by then the series was clearly losing steam, and Jiger didn’t change that. It did fine with kids but wasn’t nearly enough to pull Daiei out of its financial spiral. Outside Japan, American International Television picked it up for U.S. syndication under the title Gamera vs. Monster X. Decades later, it even got the Mystery Science Theater 3000 treatment in 2022. Like most of the late Showa Gamera films, it has the reputation of being a cheap kids’ movie that’s entertaining in a goofy way. So, let’s dive in. This is Gamera vs. Jiger.
BUY OUR MERCH: firewood-media.creator-spring.com
check out the website: www.firewood.media
Join this channel to get access to perks:
youtube.com/channel/UCWt-qgIjac3_pm4YKj-ODYA/join
Thanks for watching and consider checking out the other films and music videos on our channel! We have released two feature films, a vast collection of short films, music videos, and weekly uploads. If you are interested in watching them, here are a selection of links...
PESTICIDE: youtu.be/JUGUbJQo8bE
S2D MUSIC VIDEO: youtu.be/ecSQbMREO5M
CAREER MINOR LEAGUER: youtu.be/5DYLbgSqtvM
Twitter: twitter.com/firewoodmediatv
Instagram: instagram.com/firewoodmediatv
TikTok: tiktok.com/@firewoodmedia
Bandcamp: firewoodmedia.bandcamp.com/album/pesticide
By 1970, Daiei was falling apart. Years of bad management had gutted the studio, and the Japanese film industry as a whole was already shrinking thanks to television pulling audiences away. At that point, the Gamera series was pretty much the only thing keeping Daiei alive. Gamera vs. Jiger was the sixth entry, and the production ran into money problems almost immediately. Director Noriaki Yuasa even had to go directly to the studio president and beg for extra cash just to build the miniature sets and effects the movie needed. The big hook this time around was the 1970 World’s Fair in Osaka. A lot of the film was shot at the actual Expo grounds, which gave it a unique setting compared to the other Gamera movies. But filming there came with a catch. Expo officials didn’t want to see their brand-new buildings trashed on screen, so Daiei agreed that Gamera and Jiger wouldn’t destroy any of the Expo structures. Screenwriter Niisan Takahashi even defended the decision, saying it would have been in bad taste to show Gamera wrecking the World’s Fair. He worried kids might start resenting Gamera as “the monster that destroyed the Expo.” So in a weird way, Gamera vs. Jiger is probably the only kaiju movie where the monsters had to follow a “no destruction” rule.
The movie hit theaters in 1970 as a double feature with the samurai adventure The Invisible Swordsman. Hard numbers on its box office are tough to find, but by then the series was clearly losing steam, and Jiger didn’t change that. It did fine with kids but wasn’t nearly enough to pull Daiei out of its financial spiral. Outside Japan, American International Television picked it up for U.S. syndication under the title Gamera vs. Monster X. Decades later, it even got the Mystery Science Theater 3000 treatment in 2022. Like most of the late Showa Gamera films, it has the reputation of being a cheap kids’ movie that’s entertaining in a goofy way. So, let’s dive in. This is Gamera vs. Jiger.
BUY OUR MERCH: firewood-media.creator-spring.com
check out the website: www.firewood.media
Join this channel to get access to perks:
youtube.com/channel/UCWt-qgIjac3_pm4YKj-ODYA/join
Thanks for watching and consider checking out the other films and music videos on our channel! We have released two feature films, a vast collection of short films, music videos, and weekly uploads. If you are interested in watching them, here are a selection of links...
PESTICIDE: youtu.be/JUGUbJQo8bE
S2D MUSIC VIDEO: youtu.be/ecSQbMREO5M
CAREER MINOR LEAGUER: youtu.be/5DYLbgSqtvM
Twitter: twitter.com/firewoodmediatv
Instagram: instagram.com/firewoodmediatv
TikTok: tiktok.com/@firewoodmedia
Bandcamp: firewoodmedia.bandcamp.com/album/pesticide


![Eiji Tsuburayas Tragic Masterpiece | ULTRASEVEN (1967)
Unfortunately, this video has been claimed by Tsuburaya so I had to alter various clips shown throughout. If you want to watch this video completely unaltered, become a channel member!
Join this channel to get access to perks:
https://www.youtube.com/channel/UCWt-qgIjac3_pm4YKj-ODYA/join
The story of “Ultraseven” starts with a rather obscure Toei show from 1967 titled Captain Ultra. This series served as a stopgap between Ultraman and whatever Tsuburaya was working on next. The show followed a space explorer named Captain Ultra and his crew as they traveled the galaxy battling alien threats, which on paper should have worked given the audience Ultraman had built. It didnt. Ratings were soft, merchandise wasnt moving, and TBS found themselves with a Sunday evening timeslot that had gone from one of the most valuable in Japanese television to a genuine liability within a single season. Captain Ultra was cancelled in September 1967, and TBS came back to Eiji Tsuburaya with real pressure behind them: they needed a color science fiction series with a powerful hero, they needed it to sell toys, and they needed it to stop bleeding money...
[00:14] – Introduction: Captain Ultra (1967) and the Pressure on Tsuburaya
[01:17] – Concept Development: From The Ultra Garrison to Kinjos Ultra Eye
[03:00] – The Capsule Monsters Budget Workaround
[03:42] – Tohl Naritas Design Philosophy (Chaos vs. Cosmos) & The Red Suit Accident
[05:48] – Casting Moritsugu & Hashimi: Hidden Marriages and Backstage Uniform Troubles
[07:45] – Financial Collapse: Flying Saucer Salad Bowls and Production Exhaustion
[08:46] – The Merchandising Controversy: The Banning of Episode 12 (From Another Planet with Love)
[11:04] – Tohl Narita’s Resignation over Commercialization & Noriyoshi Ohrai Taking Over
[12:18] – Dan Moroboshi as a Protagonist: Performance, Secrets, and the Unhurried Pilot
[14:22] – The Targeted Town: staging the Cold War Confrontation with Alien Metron
[15:21] – Melancholy Narratives & Moral Ambiguity in Ultra 7
[16:23] – The Absurdity Balance: Dino Tank (The 700 km Run)
[18:05] – Physical Limitations: The Beam Lamp vs. The Color Timer & Shared Injuries
[19:54] – The Romance Between Dan and Anne & Staging the Final Confession
[21:05] – The Melancholic Mastery of the Finale & Earning the Tragedy
[22:35] – Eiji Tsuburaya’s Masterpiece, His Passing, and His Lasting Legacy
[24:41] – Channel Update & Future of the Ultra Franchise Retrospective Series
check out the website: www.firewood.media
Thanks for watching and consider checking out the other films and music videos on our channel! We have released two feature films, a vast collection of short films, music videos, and weekly uploads. If you are interested in watching them, here are a selection of links...
PESTICIDE: https://youtu.be/JUGUbJQo8bE
S2D MUSIC VIDEO: https://youtu.be/ecSQbMREO5M
CAREER MINOR LEAGUER: https://youtu.be/5DYLbgSqtvM
Twitter: https://twitter.com/firewoodmediatv
Instagram: https://www.instagram.com/firewoodmediatv/
TikTok: https://www.tiktok.com/@firewoodmedia
Bandcamp: https://firewoodmedia.bandcamp.com/album/pesticide Eiji Tsuburayas Tragic Masterpiece | ULTRASEVEN (1967)](https://i.ytimg.com/vi/rUNBeBcL9lw/mqdefault.jpg)







