One Chord (Cdim7) Backing Track for the Diminished scale and Arpeggio @QJamTracks

Uploaded February 2019 | Updated September 2026, 2 hours ago

An uplifting, educational one chord groove backing track with a Cdim7 chord for guitarists who want to improvise with the whole-half step (tonic) diminished scale and arpeggios. You can also play pentatonic scales over this guitar Jam track. Excellent for improvising, learning modes, scales, chords, licks and arpeggio's in the Lydian Mode. This Q JAM TRACKS jam track in provides a visual representation of the chords and scales in diagrams as they appear in the music. Extra theoretical information is shown in the video. It is a backing track and tutorial (or lesson) at the same time.

View the crystal clear QJamTracks Tutorial about the diminished scale:
youtu.be/Unv1Ri5EKUQ

Photos:
Pexels.com (CCO license)

Used:
Ibanez JEM 7v (www.Ibanez.com)
Ibanez SD GR Bass (www.Ibanez.com)
Takamine GD930 (www.takamine.com)
Castilla Classical Guitars
Rode Microphone
Axe FX II (www.fractalaudio.com)

Social Media/contact:
facebook.com/QJamTracks
instagram.com/QJamTracks

youtube.com/QJamTracks

(c)2018 Rob van Hal, Netherlands

$One Chord (Cdim7) Backing Track for the Diminished scale and Arpeggio An uplifting, educational one chord groove backing track with a Cdim7 chord for guitarists who want to improvise with the whole-half step (tonic) diminished scale and arpeggios. You can also play pentatonic scales over this guitar Jam track. Excellent for improvising, learning modes, scales, chords, licks and arpeggios in the Lydian Mode. This Q JAM TRACKS jam track in provides a visual representation of the chords and scales in diagrams as they appear in the music. Extra theoretical information is shown in the video. It is a backing track and tutorial (or lesson) at the same time. View the crystal clear QJamTracks Tutorial about the diminished scale: https://youtu.be/Unv1Ri5EKUQ Photos: Pexels.com (CCO license) Used: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Rode Microphone Axe FX II (www.fractalaudio.com) Social Media/contact: www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2018 Rob van Hal, Netherlands$ $Backing Track - G LYDIAN – Satriani Style An educational and enhanced guitar backing track video in the G Lydian Mode which is very suitable for modern instrumental Rock. For guitarists who want to improvise in different keys and modes like the Lydian Mode. This beautiful ballad type backing track let ‘s you play with The G Lydian scale and arpeggios that are visualized onscreen. Excellent for improvising, learning modes, scales, chords, licks and arpeggios. This Q JAM TRACKS jam track provides a visual representation of the chords and scales in diagrams as they appear in the music. Extra theoretical information is shown in the video. It is a high quality backing track and handy tutorial (lesson) at the same time. Tip: Watch the QJamTracks tutorial about the Lydian Mode: https://youtu.be/W-59jd-crZs Artwork: Rob van Hal Photo thanks to www.Pexels.com (CCO License): https://www.pexels.com/@jtmultimidia-164235 (jtmultimedia) https://www.pexels.com/photo/artist-bass-close-up-drum-542553/ Used: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert Wireless Microphone system CR99 Axe FX II (www.fractalaudio.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2019 Rob van Hal, Netherlands #Lydianscale #LydianbackingTrack #BackingtrackLydian #JamTrackLydianmod, #lydianmode #modes #Guitarbackingtrack #TutorialLydianmode #LessonLydianmode #BackingTrackJoeSatriani #BackingtrackSteveVai #Joesatriani #stevevai #qjamtracks$

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$How to Improvise Over Complex Chord Changes (Fusion and Jazz) Ready to break out of the box and truly master improvisation over complex chord progressions? In this advanced guitar tutorial, we dive deep into how to solo over non-diatonic chords, explore outside-the-key harmony, and build a solid understanding of functional and non-functional harmony in real musical contexts. If youre a serious guitarist looking to elevate your improvisation skills, this video will teach you how to confidently navigate chord changes that defy the key, using modal interchange, secondary dominants, chromaticism, and more. Whether youre into jazz, fusion, progressive rock, or just want to break away from standard pentatonic licks, this lesson is for you. Well cover practical strategies to create melodic lines, use target tones, and develop your own voice over complex progressions-perfect for advanced players hungry for deeper music theory for guitar. 🎸 Subscribe for more in-depth guitar lessons, improvisation tutorials, and pro-level theory breakdowns. 💬 Drop a comment if you want a follow-up on advanced soloing concepts! #GuitarImprovisation #AdvancedGuitarLesson #MusicTheoryForGuitar #OutsideTheKey #GuitarSoloTips #NonDiatonic #FusionGuitar #GuitarTutorial #progressiverock Tablature, diagrams, examples and backing tracks will be available on my Patreon page: https://patreon.com/QJamTracks *BACKING TRACK:* https://www.patreon.com/posts/backing-track-126041647 *Chapters:* 0:00 Introduction 0:54 What is a complex progression? 1:49 The sky is the limit 3:36 Ideas for the Fmaj7 chord 4:37 How I created the solo 8:16 Final Thoughts *Crystal Clear E-BOOKS with audio files:* https://qjamtracks.shopify.com *Tabs and tracks at PATREON:* http://www.patreon.com/Qjamtracks *Social Media/contact: * https:// facebook.com/QJamTracks https:// instagram.com/QJamTracks https:// youtube.com/QJamTracks *Strandberg Guitars* https://strandbergguitars.com *Fractal Audio (FM9)* https://www.fractalaudio.com Neural DSP https://neuraldsp.com/ (c)2025 Rob van Hal, Netherlands$

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$Backing Track – II – Valt – I C major - with ALTERED SCALE PATTERNS A typical Jazz II V I guitar backing track in C major with an altered chord all scale patterns presented on screen. An educational and enhanced guitar backing track video to practice the altered scale . This backing track is or guitarists who want to improvise in different keys and modes. This Jazzy C major backing track let ‘s you play different scales, which are visualized onscreen. Excellent for improvising, learning modes, scales, chords, licks and arpeggios. This Q JAM TRACKS jam track provides a visual representation of the chords and scales in diagrams as they appear in the backing track. Extra theoretical information is shown in the video. It is a high quality backing track and handy tutorial (lesson) at the same time. Artwork: Rob van Hal CCO licensed photo: https://www.pexels.com/photo/person-playing-guitar-3858086/ by https://www.pexels.com/@koprivakart Used for recording: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert Wireless Microphone system CR99 Axe FX II (www.fractalaudio.com) QJamTrack Uses: BIAS FX II Cakewalk by Bandlab Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2020 Rob van Hal, Netherlands Guitar backing track, Altered scale, Altered chord, G altered chord, C major, Backing track altered scale, Altered scale backing track, Jam track altered scale, Jazz backing track, II V I backing track, Super Locrian scale, Guitar Jam track, Guitar tutorial, Backing track, Backing track C major, Fusion backing track, Guitar lesson altered scale$

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$The Secret of Writing a Memorable Melody and Catchy Tunes Unlock the secrets of songwriting with our latest guitar tutorial, The Secret of Writing a Memorable Melody and Catchy Tunes. In this advanced lesson, we dive deep into music theory, empowering serious guitarists and musicians to elevate their songwriting skills. Discover how to craft unforgettable melodies and hooks that resonate with listeners. Learn about key signatures, chord progressions, and the essential elements that make a melody stand out. This tutorial is designed for those who want to push their musical boundaries and create compelling tunes that captivate audiences. Whether youre an experienced guitarist or a passionate musician eager to explore advanced concepts, this video offers valuable insights to enhance your creative process. Dont miss the chance to unlock your full potential in music composition! Subscribe for more advanced guitar tutorials and elevate your playing with expert music theory tips. Join our community of serious musicians and take your guitar skills to the next level! Tablature, diagrams, examples and backing tracks will be available on my Patreon page: https://patreon.com/QJamTracks *Chapters:* 0:00 Introduction 0:57 Things to consider 1:27 Chord notes and tension notes 2:20 Melodic range 4:11 The motif 8:07 Repetition 8:52 Geometrical shape 9:31 Sticky intervals 10:57 Steps, skips and leaps 12:26 Words, sentences and paragraphs 13:52 Sequences 15:53 Conclusion #melodies #catchytunes #songwritingtips #songwriting #composition #guitarlesson #guitartutorial #musictheory *Crystal Clear E-BOOKS with audio files:* https://qjamtracks.shopify.com *Tabs and tracks at PATREON:* http://www.patreon.com/Qjamtracks *Social Media/contact: * https:// facebook.com/QJamTracks https:// instagram.com/QJamTracks https:// youtube.com/QJamTracks *Strandberg Guitars* https://strandbergguitars.com *Fractal Audio (FM9)* https://www.fractalaudio.com Neural DSP https://neuraldsp.com/ (c)2024 Rob van Hal, Netherlands$ $ALTERED SCALE: Jazzify YOUR Guitar SOLOS - CRYSTAL CLEAR Tutorial Create awesome fusion solos, outside blues licks, Jazz solos and eerie metal riffs with this altered dominant scale, a.k.a. the super Locrian scale and diminished whole tone scale. This scale is perfect for improvising over dominant chords and altered chords, but also to create riffs and licks with lots of tensions and dissonance. The altered dominant scale is the 7th mode of the melodic minor scale and is used often in Jazz and fusion rock by guitarists like Guthrie Govan, Frank Gambale, Plini, Shaun Lane, Scott Henderson and by the master of fusion guitar: Alan Holdsworth to name a few. In this guitar tutorial about the altered scale you’ll learn everything about this beautiful scale in a crystal clear way with examples and tablature. 0:00 Introduction 0:51 What is the altered scale 3:05 The altered chord 4:04 Example solo 4:23 Origin and similarities 6:03 Scale patterns 8:17 Altered vs diminished 9:11 Example using arpeggios 11:13 Example Blues 12:11 Example Metal 12:56 Example Fusion 13:39 Conclusion You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks Artwork: (c) 2020) Rob van Hal Used: Ibanez JEM 7vb (www.Ibanez.com) Ibanez RT Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert 99 Wireless system Rode Microphone Axe FX II (www.fractalaudio.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2020 Rob van Hal, Netherlands Create awesome fusion solos, outside blues licks, Jazzy solos and eerie metal riffs with this altered dominant scale, a.k.a. the super Locrian scale and diminished whole tone scale. This scale is perfect for improvising over dominant chords and altered chords, but also to create riffs and licks with lots of tensions and dissonancy. The altered dominant scale is the 7th mode of the melodic minor scale and is used often in Jazz and fusion rock by guitarists like Guthrie Govan, Frank Gambale, Plini, Shaun Lane, Scott Henderson and by the master of fusion guitar: Alan Holdsworth to name a few. In this guitar tutorial about the altered scale you’ll learn everything about this beautiful scale in a crystal clear way with examples and tablature. 0:00 Introduction 0:51 What is the altered scale 3:05 The altered chord 4:04 Example solo 4:23 Origin and similarities 6:03 Scale patterns 8:17 Altered vs diminished 9:11 Example using arpeggios 11:13 Example Blues 12:11 Example Metal 12:56 Example Fusion 13:39 Conclusion You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks Artwork: (c) 2020) Rob van Hal Used: Ibanez JEM 7vb (www.Ibanez.com) Ibanez RT Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert 99 Wireless system Rode Microphone Axe FX II (www.fractalaudio.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2020 Rob van Hal, Netherlands$

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