Discover the Mysterious minMaj7 Chord Progression Secret Today @QJamTracks

Uploaded September 2026 | Updated September 2026, 2 days ago

A songwriting tip to compose music and write awesome guitar chord progressions is using the music theory for beginners that covers the minor major 7 chord also known as the minMaj7 chord. It is the exponent of the Plagal cadence that can be used in different ways as this short guitar lesson shows.
The style is Jazz Fusion and Prog Rock but can also be used for pop and other styles.

#guitarlesson #guitartutorial #composemusic #composition #musictheory #songwriting #minmaj7 #chordprogressions

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Discover the Mysterious minMaj7 Chord Progression Secret Today

$Backing Track – II – Valt – I C major - with ALTERED SCALE PATTERNS A typical Jazz II V I guitar backing track in C major with an altered chord all scale patterns presented on screen. An educational and enhanced guitar backing track video to practice the altered scale . This backing track is or guitarists who want to improvise in different keys and modes. This Jazzy C major backing track let ‘s you play different scales, which are visualized onscreen. Excellent for improvising, learning modes, scales, chords, licks and arpeggios. This Q JAM TRACKS jam track provides a visual representation of the chords and scales in diagrams as they appear in the backing track. Extra theoretical information is shown in the video. It is a high quality backing track and handy tutorial (lesson) at the same time. Artwork: Rob van Hal CCO licensed photo: https://www.pexels.com/photo/person-playing-guitar-3858086/ by https://www.pexels.com/@koprivakart Used for recording: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert Wireless Microphone system CR99 Axe FX II (www.fractalaudio.com) QJamTrack Uses: BIAS FX II Cakewalk by Bandlab Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2020 Rob van Hal, Netherlands Guitar backing track, Altered scale, Altered chord, G altered chord, C major, Backing track altered scale, Altered scale backing track, Jam track altered scale, Jazz backing track, II V I backing track, Super Locrian scale, Guitar Jam track, Guitar tutorial, Backing track, Backing track C major, Fusion backing track, Guitar lesson altered scale$

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$The Secret of Writing a Memorable Melody and Catchy Tunes Unlock the secrets of songwriting with our latest guitar tutorial, The Secret of Writing a Memorable Melody and Catchy Tunes. In this advanced lesson, we dive deep into music theory, empowering serious guitarists and musicians to elevate their songwriting skills. Discover how to craft unforgettable melodies and hooks that resonate with listeners. Learn about key signatures, chord progressions, and the essential elements that make a melody stand out. This tutorial is designed for those who want to push their musical boundaries and create compelling tunes that captivate audiences. Whether youre an experienced guitarist or a passionate musician eager to explore advanced concepts, this video offers valuable insights to enhance your creative process. Dont miss the chance to unlock your full potential in music composition! Subscribe for more advanced guitar tutorials and elevate your playing with expert music theory tips. Join our community of serious musicians and take your guitar skills to the next level! Tablature, diagrams, examples and backing tracks will be available on my Patreon page: https://patreon.com/QJamTracks *Chapters:* 0:00 Introduction 0:57 Things to consider 1:27 Chord notes and tension notes 2:20 Melodic range 4:11 The motif 8:07 Repetition 8:52 Geometrical shape 9:31 Sticky intervals 10:57 Steps, skips and leaps 12:26 Words, sentences and paragraphs 13:52 Sequences 15:53 Conclusion #melodies #catchytunes #songwritingtips #songwriting #composition #guitarlesson #guitartutorial #musictheory *Crystal Clear E-BOOKS with audio files:* https://qjamtracks.shopify.com *Tabs and tracks at PATREON:* http://www.patreon.com/Qjamtracks *Social Media/contact: * https:// facebook.com/QJamTracks https:// instagram.com/QJamTracks https:// youtube.com/QJamTracks *Strandberg Guitars* https://strandbergguitars.com *Fractal Audio (FM9)* https://www.fractalaudio.com Neural DSP https://neuraldsp.com/ (c)2024 Rob van Hal, Netherlands$ $ALTERED SCALE: Jazzify YOUR Guitar SOLOS - CRYSTAL CLEAR Tutorial Create awesome fusion solos, outside blues licks, Jazz solos and eerie metal riffs with this altered dominant scale, a.k.a. the super Locrian scale and diminished whole tone scale. This scale is perfect for improvising over dominant chords and altered chords, but also to create riffs and licks with lots of tensions and dissonance. The altered dominant scale is the 7th mode of the melodic minor scale and is used often in Jazz and fusion rock by guitarists like Guthrie Govan, Frank Gambale, Plini, Shaun Lane, Scott Henderson and by the master of fusion guitar: Alan Holdsworth to name a few. In this guitar tutorial about the altered scale you’ll learn everything about this beautiful scale in a crystal clear way with examples and tablature. 0:00 Introduction 0:51 What is the altered scale 3:05 The altered chord 4:04 Example solo 4:23 Origin and similarities 6:03 Scale patterns 8:17 Altered vs diminished 9:11 Example using arpeggios 11:13 Example Blues 12:11 Example Metal 12:56 Example Fusion 13:39 Conclusion You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks Artwork: (c) 2020) Rob van Hal Used: Ibanez JEM 7vb (www.Ibanez.com) Ibanez RT Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert 99 Wireless system Rode Microphone Axe FX II (www.fractalaudio.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2020 Rob van Hal, Netherlands Create awesome fusion solos, outside blues licks, Jazzy solos and eerie metal riffs with this altered dominant scale, a.k.a. the super Locrian scale and diminished whole tone scale. This scale is perfect for improvising over dominant chords and altered chords, but also to create riffs and licks with lots of tensions and dissonancy. The altered dominant scale is the 7th mode of the melodic minor scale and is used often in Jazz and fusion rock by guitarists like Guthrie Govan, Frank Gambale, Plini, Shaun Lane, Scott Henderson and by the master of fusion guitar: Alan Holdsworth to name a few. In this guitar tutorial about the altered scale you’ll learn everything about this beautiful scale in a crystal clear way with examples and tablature. 0:00 Introduction 0:51 What is the altered scale 3:05 The altered chord 4:04 Example solo 4:23 Origin and similarities 6:03 Scale patterns 8:17 Altered vs diminished 9:11 Example using arpeggios 11:13 Example Blues 12:11 Example Metal 12:56 Example Fusion 13:39 Conclusion You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks Artwork: (c) 2020) Rob van Hal Used: Ibanez JEM 7vb (www.Ibanez.com) Ibanez RT Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert 99 Wireless system Rode Microphone Axe FX II (www.fractalaudio.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2020 Rob van Hal, Netherlands$

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$The Diminished scale and arpeggios nailed – Crystal Clear Tutorial Learn all about the wonders of the tonic diminished scale and dominant diminished scale to add it to your improvisation arsenal and let your solos stand out. In this enhanced visual guitar tutorial I explain everything you need to know about the diminished scale and arpeggios so you can incorporate it in your improvisation the easy way. Backing track for practising the Diminished scale and arpeggio: https://youtu.be/R2eQzNJ8aV4 0:00 Introduction 1:46 History of the Diminished scale 2:16 Structure and symmetrie 3:17 Using the diminished scale for improvisation 5:00 Scale patterns 5:59 Jamming with the diminished scale 6:51 Diminished scale in a 12-bar Blues 7:54 Diminished Arpeggio 10:52 Diminished scale over a minor progression 13:34 Triads in the diminished scale 14:43 Using Diminished Cells 15:22 Conclusion Photo’s : Pixabay.com (CCO license) I use: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Rode Microphone Axe FX II (www.fractalaudio.com) Social Media/contact: www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2018 Rob van Hal, Netherlands$ $Building Chords on Guitar: 7, 9, 11 and 13 chords (part2) A crystal clear guide to chord theory in 3 parts, showing you how to build chords and how to create chord extensions. Starting in part 1 with thorough understanding of the basic triads like minor, major, augmented and diminished. Get full knowledge of the basis of all chords in the common tertian chord theory. Expand you knowledge in part 2 with a crystal clear explanation of 7th, 9th, 11th and 13th chords. In part 3 we end this chord extravaganza with some alternative, yet awesome and beautiful uncommon shapes to create a whole lot of versatile and ambiguous sounds that can also be deployed to create modal chord sequences and fusion like rock music. PART 1: https://www.youtube.com/watch?v=ALqBpTJrCsQ If you want to dive into the triads used in advanced situations, please take a look at my tutorial about this subject: https://www.youtube.com/watch?v FFJ-OULakc You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks Artwork: (c) 2020) Rob van Hal Used: Ibanez JEM 7vb (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert 99 Wireless system Rode Microphone Axe FX II (www.fractalaudio.com) A chair Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2020 Rob van Hal, Netherlands$ $6 WAYS to improvise over MAJOR 7 chords In this tutorial you’ll learn 6 ways to improvise over 7 chords. In this guitar lesson we look at the scales and arpeggios to use over the maj7 chord such as the major scale, pentatonic scale, superimpose a pentatonic scale over a maj7 chord, the maj7 arpeggio, superimpose a min7 arpeggio over a maj7 chord and superimpose a major 7 arpeggio of the 5th degree. 0:00 Introduction 01:17 Five important 7 chords 3:02 The Major 7 chord 4:12 The Major scale 5:39 Pentatonic scales 7:48 The Minor scale of the 3rd degree 9:45 Maj7 arpeggio over the Maj7 chord 11:24 Min7 arpeggio of the 3rd degree 12:40 Maj7 arpeggio of the 5th degree 13:48 Conclusion Crystal Clear E-BOOKS with audio files: https://qjamtracks.myshopify.com Other E-books: E-BOOK - Easy arpeggios for sophisticated results https://qjamtracks.myshopify.com/products/e-book-easy-arpeggios-for-sophisticated-sounds E-BOOK - Improvising over dominant 7 chords (using scales) https://qjamtracks.myshopify.com/products/e-book-improvising-over-dominant-chords E-BOOK - Modes of the major scale crystal clear https://qjamtracks.myshopify.com/products/e-book-modes-of-the-major-scale-crystal-clear E-BOOK - Exotic Pentatonic scale for Guitar https://qjamtracks.myshopify.com/products/exotic-pentatonic-scales-for-guitar E-BOOK - Modes of the harmonic minor scale https://qjamtracks.myshopify.com/products/modes-of-the-harmonic-minor-scale E-BOOK - Secrets of outside playing https://qjamtracks.myshopify.com/products/secrets-of-outside-playing E-BOOK - Superimpose Pentatonic scales https://qjamtracks.myshopify.com/products/superimpose-pentatonic-scales-for-rock-fusion-and-jazz E-BOOK - Traids and inversions for Guitar https://qjamtracks.myshopify.com/products/triads-and-inversions-for-guitar-easy-to-advanced PATREON: You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks Artwork: (c) 2021) Rob van Hal Used: Strandberg Boden Metal 8 NX (www.strandbergguitars.com) Ibanez JEM 7vb (www.Ibanez.com) Ibanez RT Ibanez SD GR Bass (www.Ibanez.com) Schecter Banshee GT FR (www.schecterguitars.com/) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert 99 Wireless system Rode Microphone Axe FX II (www.fractalaudio.com) BIAS FX (www.positivegrid.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks (c)2021 Rob van Hal, Netherlands Subjects in this video: Improvising, 7-chords, 7 chords, Minor 7 chord, Major 7 chord, Diminished 7 chord, Augmented 7 chord, Dominant 7 chord, Soloing over maj7 chord, Scales for maj7 chord, Maj7 arpeggio, Min7 arpeggio, Lydian mode, Lydian scale, Maj7#11 chord, Music theory lesson guitar, Music theory, Guitar tutorial, Guitar lesson, Rob van Hal, QJamTracks, Q Jem tracks, Q jam tracks$