Uploaded May 2025 | Updated September 2026, 3 weeks ago
Violin and flogera by @Dimitrios_Dallas, daouli by Dimitri Papadimitriou; video, main vocals, laouto and santouri by Farya Faraji; with additional vocals by Dimitrios Dallas, Eleni Dimopoulos, Dimitris Kap and Panagiotis Athanasiou.
This is a folk song from the Peloponnese, and one of the many Greek variants of folk songs recounting the tale of the mythical Castle of Oria, a common motif in Greek folklore. To my knowledge, there are two other variants, one from the Agean Islands and the other from Pontus. This version tells of how, after a long siege of twelve years, a Janissary tricks the castle into opening its doors by strapping a pillow to his belly and feigning being a pregnang woman, leading to the castle's fall.
This arrangement uses instruments common to the Peloponnese: a violin, santouri, daouli drums, mainland laouto, and an archaic flogera flute, the latter having been mostly replaced by clarinets nowadays, but I wanted it used here to give a more archaic sound to this arrangement.
I filmed this video around the Peloponnese, collecting images from some of its many castles and fortifications.
Lyrics in Greek:
Όλα τα κάστρα τα είδα κι όλα τα 'δειρα
Βρ' αμάν αμάν αμάν, κι όλα τα 'δειρα
Κι όλα τα 'δει- τα 'δειρα, Φραγκοπούλα και Ρωμιά.
Σαν της Ωριάς το κάστρο, κάστρο δεν είδα
Βρ' αμάν αμάν αμάν, κάστρο δεν είδα
Κάστρο- κάστρο δεν είδα, Φράγκα με τα ρεπαντιά
Να 'χει ασημένιες πόρτες κι αργυρά κλειδιά
Βρ' αμάν αμάν αμάν, κι αργυρά κλειδιά
Κι αργυ- κι αργυρά κλειδιά, Φραγκοπούλα και Ρωμιά
Τούρκοι το πολεμούσαν χρόνους δώδεκα
Βρ' αμάν αμάν αμάν, χρόνους δώδεκα
Χρόνους μήνες δεκατρείς, συ το νου μου τον κρατείς
Μα 'νας κοντός Τουρκάκος και γενίτσαρος
Βρ' αμάν αμάν αμάν, και γενίτσαρος
Και γενί- γενίτσαρος, τουρκεμένος χριστιανός
Το μαξιλάρι εζώστη και γκαστρώθηκε
Βρ' αμάν αμάν αμάν, και γκαστρώθηκε
Και γκαστρώ- γκαστρώθηκε στο κάστρο φανερώθηκε
Στην πόρτα πάει και στέκει και παρακαλεί
Βρ' αμάν αμάν αμάν, και παρακαλεί
Και παρα- παρακαλεί, συ το νου μου τον κρατείς
Ανοίξτε μου της δόλιας και της ορφανής
Βρ' αμάν αμάν αμάν, και της ορφανής
Και της ο- της ορφανής, Φραγκοπούλα μου να ζεις
Γιατ' είμαι γκαστρωμένη και στο μήνα μου
Βρ' αμάν αμάν αμάν, και στο μήνα μου
Και στο μη- στο μήνα μου που να 'χετε το κρίμα μου
Κι ώσπου ν' ανοίξ' η πόρτα, χίλιοι εμπήκανε
Βρ' αμάν αμάν αμάν, χίλιοι εμπήκανε
Χίλιοι- χίλιοι εμπήκανε, το κάστρο το πατήσανε
English translation:
I have seen all the castles, and I have conquered them all,
Oh, aman, aman, aman, and I have conquered them all,
And I have conquered them all, oh Frankish maiden and Roman girl.
But a castle like that of Oria, I have never seen,
Oh, aman, aman, aman, I have never seen,
A castle- a castle like that, Frankish (girl) with the colourful (clothes).
With silver gates and silver keys,
Oh, aman, aman, aman, and silver keys,
And silver- and silver keys, Frankish maiden and Roman girl.
For twelve long years, the Turks laid siege to it,
Oh, aman, aman, aman, twelve years,
Twelve years and thirteen months, you hold my mind captive.
But a short Turk, a Janissary,
Oh, aman, aman, aman, and a Janissary,
A Janis- a Janissary, a Christian turned Turk,
Strapped a pillow to himself and feigned pregnancy,
Oh, aman, aman, aman, and feigned pregnancy,
And feigned- feigned pregnancy, then appeared at the castle.
He went to the gate and stood there, pleading,
Oh, aman, aman, aman, and pleaded,
And pleaded- pleaded, you hold my mind captive.
"Open for me, the poor wretch, the orphaned one,
Oh, aman, aman, aman, the orphaned one,
The or- the orphaned one, my Frankish maiden, may you live.
For I am with child, and my time has come,
Oh, aman, aman, aman, my time has come,
And my time- my time has come, may you not bear the blame."
And before the gate could open, a thousand men rushed in,
Oh, aman, aman, aman, a thousand men rushed in,
A thousand- a thousand men rushed in, and the castle fell.
Violin and flogera by @Dimitrios_Dallas, daouli by Dimitri Papadimitriou; video, main vocals, laouto and santouri by Farya Faraji; with additional vocals by Dimitrios Dallas, Eleni Dimopoulos, Dimitris Kap and Panagiotis Athanasiou.
This is a folk song from the Peloponnese, and one of the many Greek variants of folk songs recounting the tale of the mythical Castle of Oria, a common motif in Greek folklore. To my knowledge, there are two other variants, one from the Agean Islands and the other from Pontus. This version tells of how, after a long siege of twelve years, a Janissary tricks the castle into opening its doors by strapping a pillow to his belly and feigning being a pregnang woman, leading to the castle's fall.
This arrangement uses instruments common to the Peloponnese: a violin, santouri, daouli drums, mainland laouto, and an archaic flogera flute, the latter having been mostly replaced by clarinets nowadays, but I wanted it used here to give a more archaic sound to this arrangement.
I filmed this video around the Peloponnese, collecting images from some of its many castles and fortifications.
Lyrics in Greek:
Όλα τα κάστρα τα είδα κι όλα τα 'δειρα
Βρ' αμάν αμάν αμάν, κι όλα τα 'δειρα
Κι όλα τα 'δει- τα 'δειρα, Φραγκοπούλα και Ρωμιά.
Σαν της Ωριάς το κάστρο, κάστρο δεν είδα
Βρ' αμάν αμάν αμάν, κάστρο δεν είδα
Κάστρο- κάστρο δεν είδα, Φράγκα με τα ρεπαντιά
Να 'χει ασημένιες πόρτες κι αργυρά κλειδιά
Βρ' αμάν αμάν αμάν, κι αργυρά κλειδιά
Κι αργυ- κι αργυρά κλειδιά, Φραγκοπούλα και Ρωμιά
Τούρκοι το πολεμούσαν χρόνους δώδεκα
Βρ' αμάν αμάν αμάν, χρόνους δώδεκα
Χρόνους μήνες δεκατρείς, συ το νου μου τον κρατείς
Μα 'νας κοντός Τουρκάκος και γενίτσαρος
Βρ' αμάν αμάν αμάν, και γενίτσαρος
Και γενί- γενίτσαρος, τουρκεμένος χριστιανός
Το μαξιλάρι εζώστη και γκαστρώθηκε
Βρ' αμάν αμάν αμάν, και γκαστρώθηκε
Και γκαστρώ- γκαστρώθηκε στο κάστρο φανερώθηκε
Στην πόρτα πάει και στέκει και παρακαλεί
Βρ' αμάν αμάν αμάν, και παρακαλεί
Και παρα- παρακαλεί, συ το νου μου τον κρατείς
Ανοίξτε μου της δόλιας και της ορφανής
Βρ' αμάν αμάν αμάν, και της ορφανής
Και της ο- της ορφανής, Φραγκοπούλα μου να ζεις
Γιατ' είμαι γκαστρωμένη και στο μήνα μου
Βρ' αμάν αμάν αμάν, και στο μήνα μου
Και στο μη- στο μήνα μου που να 'χετε το κρίμα μου
Κι ώσπου ν' ανοίξ' η πόρτα, χίλιοι εμπήκανε
Βρ' αμάν αμάν αμάν, χίλιοι εμπήκανε
Χίλιοι- χίλιοι εμπήκανε, το κάστρο το πατήσανε
English translation:
I have seen all the castles, and I have conquered them all,
Oh, aman, aman, aman, and I have conquered them all,
And I have conquered them all, oh Frankish maiden and Roman girl.
But a castle like that of Oria, I have never seen,
Oh, aman, aman, aman, I have never seen,
A castle- a castle like that, Frankish (girl) with the colourful (clothes).
With silver gates and silver keys,
Oh, aman, aman, aman, and silver keys,
And silver- and silver keys, Frankish maiden and Roman girl.
For twelve long years, the Turks laid siege to it,
Oh, aman, aman, aman, twelve years,
Twelve years and thirteen months, you hold my mind captive.
But a short Turk, a Janissary,
Oh, aman, aman, aman, and a Janissary,
A Janis- a Janissary, a Christian turned Turk,
Strapped a pillow to himself and feigned pregnancy,
Oh, aman, aman, aman, and feigned pregnancy,
And feigned- feigned pregnancy, then appeared at the castle.
He went to the gate and stood there, pleading,
Oh, aman, aman, aman, and pleaded,
And pleaded- pleaded, you hold my mind captive.
"Open for me, the poor wretch, the orphaned one,
Oh, aman, aman, aman, the orphaned one,
The or- the orphaned one, my Frankish maiden, may you live.
For I am with child, and my time has come,
Oh, aman, aman, aman, my time has come,
And my time- my time has come, may you not bear the blame."
And before the gate could open, a thousand men rushed in,
Oh, aman, aman, aman, a thousand men rushed in,
A thousand- a thousand men rushed in, and the castle fell.









![Valerians Doom - Epic Iranian Music
If you wish to support my work, please consider donating to my Patreon: https://www.patreon.com/FaryaFaraji
Ney by @AliFarbodnia, kemencheh by Amir Hossein Eskandari, music by Farya Faraji. The Epic Iranian series is a musical project where the sounds of modern Iranian music are used as a framing device for themes pertaining to the history of Iranian civilisation.
In this case, I fused native, dastgāh system music with the sounds of modern Iranian orchestral music, the idiom that developed in the 20th century with the fusion of Western Classical orchestras and the native modal systems of Iran. The mode of this song is Isfahan, the original variant where the sixth interval is a microtone. This mode is often rendered Western compatible by flattening the microtone into a Western-tuned note, but I decided to keep it as it is in the dastgah system, and added a Western chord progression underneath the song, as is often done nowadays in Iranian music. The modal, melodic structure of the song, entirely written in accordance with Iranian tradition, is therefore accompanied by a tonal progression inherited from Western musical idiom. The instrumentation consist of ney, kamancheh, santour and setar, daf, davul drums, as well as a Western orchestral ensemble.
The text sung is part of the Naqsh-e-Rostam inscriptions by Shapur I, emperor of the Sasanian Empire, who defeated and captured the Roman emperor Valerian during the Battle of Edessa, the first time it ever happened in Roman history, sending shock waves across the Roman world at the time. Interestingly, the text is not the Middle-Persian language, Shapurs native language as an ethnic Persian, but in Parthian, a closely related Iranian language spoken by the Parthians. Due to the fact that the previous imperial polity ruling over Iran for centuries, the Arsacid Empire, had been ruled by an ethnically Parthian elite, the power of the Parthian houses remained very strong in the Sasanian era, and Parthian remained an official language of the Sasanian state, with many proclamations and monuments using three languages, Persian, Parthian, and Aramaic.
Lyrics in Parthian:
Ud būd aδ až Garmāniyā šahr, Rēšiyā šahr, Nīrakos šahr, Dākiyā šahr, Astriyā, Ispaniyā šahr, Afrikiyā, zāwar 70 hazār.
Wālaraniyos Kēsar wuzurg raft bud, Wālaraniyos Kēsar wxad pad wxēbeh dast dastgraβ kerd.
Až Trākiyā šahr, Bitūniyā šahr, Āsāyā šahr, Isawriyā šahr, Likōniyā šahr, Galātīniyā, Lūkiyā, Kīlikiyā, Kappōdakiyā, Frūgāyā, Sūriyā šahr, zāwar 70 hazār.
Wālaraniyos Kēsar wuzurg raft bud, Wālaraniyos Kēsar wxad pad wxēbeh dast dastgraβ kerd.
Rabēsēf, sānatōr ud hēgemōn kē hō zāwar sārār būd, harw dastgraβ kerd, ud bē ō Pārs wāst ahēnd.
Až Fonikāyā šahr, až Yūdāyā šahr, Arabiyā šahr, Mōrān šahr, Garmāniyā šahr, Rōdōs šahr, Maδyānrōdān šahr zāwar 70 hazār.
Wālaraniyos Kēsar wuzurg raft bud, Wālaraniyos Kēsar wxad pad wxēbeh dast dastgraβ kerd.
Rabēsēf, sānatōr ud hēgemōn kē hō zāwar sārār būd, harw dastgraβ kerd, ud bē ō Pārs wāst ahēnd.
English translation:
And there were with [him] from the land of Germany, from the land of Raetia, from the land of Norica, from the land of Dacia, from the land of Pannonia, from the land of Moesia, from the land of Istria [or: Asturia], from the land of Spain, from the land of Africa.
And there was a great battle with Valerian Caesar, and Valerian Caesar was captured by my own hand, and the rest, the praetorian prefects and the senators and the officers who were the leaders of this army, were all captured and led into the province of Pars.
From the land of Thrace, from the land of Bithynia, from the land of Asia, from the land of Pamphylia, from the land of Isauria, from the land of Lyconia, from the land of Galatia, from the land of Lycia, from the land of Cilicia, from the land of Cappadocia, from the land of Phrygia, from the land of Syria.
And there was a great battle with Valerian Caesar, and Valerian Caesar was captured by my own hand, and the rest, the praetorian prefects and the senators and the officers who were the leaders of this army, were all captured and led into the province of Pars.
From the land of Phoenicia, from the land of Judaea, from the land of Arabia, from the land of Mauretania, from the land of Germany, from the land of Rhodes, from the land of Osrhoene, from the land of Mesopotamia an army of 70,000 men.
And there was a great battle with Valerian Caesar, and Valerian Caesar was captured by my own hand, and the rest, the praetorian prefects and the senators and the officers who were the leaders of this army, were all captured and led into the province of Pars.
The text and translation come from the site Parthian Sources Online: https://parthiansources.com/ Please note that the pronunciation does not use reconstructed phonetics but applies modern Iranian phonetic pronunciation onto the text. Valerians Doom - Epic Iranian Music](https://i.ytimg.com/vi/xZ7U5x4r5K4/mqdefault.jpg)
