Uploaded August 2014 | Updated September 2026, 2 weeks ago
Here's a virtual movie of my favourite poem by the great John Keats "Ode on Melancholy". "Ode on Melancholy" is one of five odes composed by English poet John Keats in the spring of 1819, along with "Ode on a Grecian Urn", "Ode to a Nightingale", "Ode on Indolence", and "Ode to Psyche". The narrative of the poem describes the poet’s perception of melancholy through a lyric discourse between the poet and the reader, along with the introduction to Ancient Grecian characters and ideals.
While studying at Enfield, Keats attempted to gain a knowledge of Grecian art from translations of Tooke’s Pantheon, Lempriere's Classical Dictionary and Spence's Polymetis. Although Keats attempted to learn Ancient Greek, the majority of his understanding of Grecian mythology came from the translations into English.[1] "Ode on Melancholy" contains references to classical themes, characters, and places such as Psyche, Lethe, and Prosperine in its description of melancholy, as allusions to Grecian art and literature were common among the “five great odes”.[2]
Unlike the speaker of "Ode to a Grecian Urn", "Ode to a Nightingale", and "Ode to Psyche", the speaker of "Ode on Melancholy" speaks directly to the reader rather than to an object or an emotion.[3] With only three stanzas, the poem is the shortest of the odes Keats wrote in 1819; however, the original first stanza of the poem was removed before the poem’s publication in 1820.[4] It ran as follows:
Though you should build a bark of dead men's bones,
And rear a phantom gibbet for a mast,
Stitch creeds together for a sail, with groans
To fill it out, bloodstained and aghast;
Although your rudder be a Dragon's tail,
Long sever'd, yet still hard with agony,
Your cordage large uprootings from the skull
Of bald Medusa; certes you would fail
To find the Melancholy, whether she
Dreameth in any isle of Lethe dull.[5]
According to Harold Bloom, one can presume that the “harmony was threatened if fully half of [the poem] was concerned with the useless quest after “The Melancholy”.[6] Despite its adjusted length, Keats thought the poem to be of a higher quality than "Ode on Indolence", which was not published until 1848, after Keats’s death.
Here's a virtual movie of my favourite poem by the great John Keats "Ode on Melancholy". "Ode on Melancholy" is one of five odes composed by English poet John Keats in the spring of 1819, along with "Ode on a Grecian Urn", "Ode to a Nightingale", "Ode on Indolence", and "Ode to Psyche". The narrative of the poem describes the poet’s perception of melancholy through a lyric discourse between the poet and the reader, along with the introduction to Ancient Grecian characters and ideals.
While studying at Enfield, Keats attempted to gain a knowledge of Grecian art from translations of Tooke’s Pantheon, Lempriere's Classical Dictionary and Spence's Polymetis. Although Keats attempted to learn Ancient Greek, the majority of his understanding of Grecian mythology came from the translations into English.[1] "Ode on Melancholy" contains references to classical themes, characters, and places such as Psyche, Lethe, and Prosperine in its description of melancholy, as allusions to Grecian art and literature were common among the “five great odes”.[2]
Unlike the speaker of "Ode to a Grecian Urn", "Ode to a Nightingale", and "Ode to Psyche", the speaker of "Ode on Melancholy" speaks directly to the reader rather than to an object or an emotion.[3] With only three stanzas, the poem is the shortest of the odes Keats wrote in 1819; however, the original first stanza of the poem was removed before the poem’s publication in 1820.[4] It ran as follows:
Though you should build a bark of dead men's bones,
And rear a phantom gibbet for a mast,
Stitch creeds together for a sail, with groans
To fill it out, bloodstained and aghast;
Although your rudder be a Dragon's tail,
Long sever'd, yet still hard with agony,
Your cordage large uprootings from the skull
Of bald Medusa; certes you would fail
To find the Melancholy, whether she
Dreameth in any isle of Lethe dull.[5]
According to Harold Bloom, one can presume that the “harmony was threatened if fully half of [the poem] was concerned with the useless quest after “The Melancholy”.[6] Despite its adjusted length, Keats thought the poem to be of a higher quality than "Ode on Indolence", which was not published until 1848, after Keats’s death.



![Robert Frost - The Rose Family - Poem animation
Heres a virtual movie of Robert Frost reading his popular poem The Rose Family
Poet and American legend Robert Frost (1874 – 1963) was best known for his introspective verse that was often full of past regrets. One poem that showcased Frost’s dry sense of humor was “The Rose Family.” Although the poem is a mere 10 lines long, it packs quite a poetical punch.
“The Rose Family” first appeared in print in 1927 and has been derided by Frost’s contemporaries during his lifetime. This was the time when poems such as T. S. Eliot’s “The Waste Land” were so beloved of critics. American poet and critic Babette Deutsch (1895 – 1982) even went so far as to call “The Rose Family” as “unworthy of inclusion” of any literary journal or poetry anthology.
Unconventional Love Poem
Each line ends in the same sound “-ose” but never becomes repetitive. “The Rose Family” is spoken by an unseen narrator (presumably Frost himself) about the members of the rose family, including apples and pears. The narrator wonders if plums could be considered a rose (they are), but he firmly declares in the final lines “You, of course, are a rose/ But you were always a rose.”
The poem begins in the familiar “RO-ses are RED, VI-olets are BLUE” rhythm with “A rose is a rose” but then turns the usual love poem on its head. Instead of talking about the beloved’s great traits, the narrator wonders why fruits are related to roses. He has no problem equating his beloved with a rose, “of course.” This is emphasized in the final line, (“But you were always a rose”) which has the same rhythm as the second line, showing that the last line is a pair of the first and not the line that preceded it.
Poems, Metaphors and Life
The Robert Frost Encyclopedia (Greenwood Publishing Group; 2001) muses that Frost was poking fun at poets in general while making a simple yet touching deceleration of love. The usual metaphors used by poets may not be entirely accurate metaphors. For example, a rose is often thought of as a flower, but the rose family also encompasses apples, pears, plums, quinces, peaches, blackberries and strawberries.
Frost’s first line “A rose is a rose” echoes Gertrude Stein’s famous line to “Sacred Emily”, “A rose is a rose is a rose.” That line in turn echoed William Shakespeare’s line from “Romeo and Juliet” that “A rose by any other name would smell as sweet.” Perhaps poets need to come up with new metaphors for their beloveds, since fruits like the quince are far different from conventional roses.
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. His work was initially published in England before it was published in America. He is highly regarded for his realistic depictions of rural life and his command of American colloquial speech.[2] His work frequently employed settings from rural life in New England in the early twentieth century, using them to examine complex social and philosophical themes. One of the most popular and critically respected American poets of the twentieth century,[3] Frost was honored frequently during his lifetime, receiving four Pulitzer Prizes for Poetry. He became one of Americas rare public literary figures, almost an artistic institution.[3] He was awarded the Congressional Gold Medal in 1960 for his poetic works. On July 22, 1961, Frost was named poet laureate of Vermont. Robert Frost - The Rose Family - Poem animation](https://i.ytimg.com/vi/w69J5iaVxN0/mqdefault.jpg)
![A Very Respectable Mon By Samuel Laycock Lancshire Dialect Poet Poem Animation
Heres A Very Respectable Mon By Samuel Laycock the Lancshire Dialect Poet .
Samuel Laycock (1826–1893) was a dialect poet who recorded in verse the vernacular of the Lancashire cotton workers.
He was born on 17 January 1826 at Intake Head, Pule Hill, Marsden, West Yorkshire, the son of John Laycock, a hand-loom weaver. His formal education consisted of attending Sunday school and a few months at a local school. Laycock began work in a woollen mill at the age of nine. In 1837, when the family moved to Stalybridge, Cheshire, he worked as a cotton weaver and later cloth looker. The American Civil War (1861–1864) badly affected the Lancashire cotton towns as supplies of raw cotton dried up. Laycock was one of the thousands unemployed and tried to earn a meagre living by writing verses which the unemployed could set to music and sing in the streets for pennies. In 1864, he published Lancashire Rhymes and in 1866, Lancashire Songs, poems which documented the everyday life of cotton workers.
In 1865, Laycock became the librarian at Stalybridge Mechanics Institute, and in 1867, took up a similar post at The Whitworth Institute, Fleetwood. He moved to Blackpool in 1868 because his health was poor.[1] He continued writing while working as a photographer, while his wife ran a lodging-house. Just before his death in 1893, he published a collection of poems, Warblins fro an Owd Songster.
In 1850, Laycock married Martha Broadbent, a cotton weaver, but she died two years later. He remarried in 1858 to Hannah Woolley, who died in 1863. His third marriage was to Eliza Pontefract in 1864 and she survived him. He had several children by Hannah and at least two by Eliza, including Arthur, who became a novelist.
Laycock died of influenza which developed into acute bronchitis[2] on 15 December 1893, at his home, 48 Foxhall Road, Blackpool. He was buried in Layton Cemetery, Blackpool.[3] A Very Respectable Mon By Samuel Laycock Lancshire Dialect Poet Poem Animation](https://i.ytimg.com/vi/wdRKtMc5Lpc/mqdefault.jpg)


![The Knave,The Jew The Gull The Blackamore By N H Brettell - Poem - Animation
Heres a virtual movie of an African student reading an excerpt from the poem The Knave,The Jew The Gull The Blackamore originally titled The African Student by the white Rhodesian poet N H Brettell 1908 - 1991. The poem describes the thoughts of an African Student studying Shakespeares Twelfth Night The student at first struggles with the meaning of the play,but finally comes to a realisation that the play that on the face of it is a comedy has serious undertones of demands on tolerance and compassion the student wonders whether we are up to these demands. This exquisite poem is superbly recited by an authentic Rhodesian/Zimbabwean voice artist from a rare recording made in the late 1960s is shaped towards praising Shakespeares tremendous vision and human understanding which gives his plays their timeless appeal.
Twelfth Night, or What You Will[1] is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Nights entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as a boy) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man. The play expanded on the musical interludes and riotous disorder expected of the occasion,[2] with plot elements drawn from the short story Of Apollonius and Silla by Barnabe Rich, based on a story by Matteo Bandello. The first recorded performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the years calendar. The play was not published until its inclusion in the 1623 First Folio.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 The Knave,The Jew The Gull The Blackamore By N H Brettell - Poem - Animation](https://i.ytimg.com/vi/woq96Krnf2Y/mqdefault.jpg)
![Annabel Lee By Edgar Allan Poe Poem animation
Heres a virtual movie of the great Edgar Allan Poe reading his much loved poem Annabel Lee
Annabel Lee is the last complete poem composed by American author Edgar Allan Poe. Like many of Poes poems, it explores the theme of the death of a beautiful woman. The narrator, who fell in love with Annabel Lee when they were young, has a love for her so strong that even angels are envious. He retains his love for her even after her death. There has been debate over who, if anyone, was the inspiration for Annabel Lee. Though many women have been suggested, Poes wife Virginia Eliza Clemm Poe is one of the more credible candidates. Written in 1849, it was not published until shortly after Poes death that same year.
Edgar Allan Poe (born Edgar Poe; January 19, 1809 October 7, 1849) was an American author, poet, editor, and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story, and is generally considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction.[1] He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.[2]
Born in Boston, he was the second child of two actors. His father abandoned the family in 1810, and his mother died the following year. Thus orphaned, the child was taken in by John and Frances Allan, of Richmond, Virginia. Although they never formally adopted him, Poe was with them well into young adulthood. Tension developed later as John Allan and Edgar repeatedly clashed over debts, including those incurred by gambling, and the cost of secondary education for the young man. Poe attended the University of Virginia for one semester but left due to lack of money. Poe quarreled with Allan over the funds for his education and enlisted in the Army in 1827 under an assumed name. It was at this time his publishing career began, albeit humbly, with an anonymous collection of poems, Tamerlane and Other Poems (1827), credited only to a Bostonian. With the death of Frances Allan in 1829, Poe and Allan reached a temporary rapprochement. Later failing as an officers cadet at West Point and declaring a firm wish to be a poet and writer, Poe parted ways with John Allan.
Poe switched his focus to prose and spent the next several years working for literary journals and periodicals, becoming known for his own style of literary criticism. His work forced him to move among several cities, including Baltimore, Philadelphia, and New York City. In Baltimore in 1835, he married Virginia Clemm, his 13-year-old cousin. In January 1845 Poe published his poem, The Raven, to instant success. His wife died of tuberculosis two years after its publication. For years, he had been planning to produce his own journal, The Penn (later renamed The Stylus), though he died before it could be produced. On October 7, 1849, at age 40, Poe died in Baltimore; the cause of his death is unknown and has been variously attributed to alcohol, brain congestion, cholera, drugs, heart disease, rabies, suicide, tuberculosis, and other agents.[3]
Poe and his works influenced literature in the United States and around the world, as well as in specialized fields, such as cosmology and cryptography. Poe and his work appear throughout popular culture in literature, music, films, and television. A number of his homes are dedicated museums today. The Mystery Writers of America present an annual award known as the Edgar Award for distinguished work in the mystery genre.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 Annabel Lee By Edgar Allan Poe Poem animation](https://i.ytimg.com/vi/wulz7mbCxH4/mqdefault.jpg)

![To The Shirker A Last Appeal - Owen Seaman - Poem - Animation - WW1
Heres a virtual movie the British poet Owen Seaman reading his patriotic World War 1 poem To The Shirker A Last Appeal It was perhaps lucky for Owen Seaman that he himself was too old to respond to the patriotic claptrap that his rather good poem espouses or he may have ended up one of the millions of dead. The Poem was used in a recruiting poster published by The Punch Magazine.
Sir Owen Seaman, 1st Baronet (18 September 1861 – 2 February 1936) was a British writer, journalist and poet. He is best known as editor of Punch, from 1906 to 1932.
Born in Shrewsbury, he was the only son of William Mantle Seaman and Sarah Ann Balls. He distinguished himself academically both at Shrewsbury School and later Clare College, Cambridge.[1] Following this, he worked as a schoolmaster at Rossall School (1884) and Magdalen College School, Oxford (1887-8),[2] professor of literature at Durham College of Science, Newcastle upon Tyne (1890–1903), and became a barrister of the Inner Temple in 1897.[3]
Seamans first successful submission to the satirical and humorous magazine Punch was Rhyme of the Kipperling, an 1894 parody of Rudyard Kipling. The same year he published a full volume of parodies entitled Horace at Cambridge.[4] After several years of submitting work which showed a remarkable gift for the composition of light verse,[3] he was invited to join the staff in 1897, becoming assistant editor in 1902 and finally editor in 1906. It was during his tenure there that A. A. Milne, author of the Winnie-the-Pooh stories, worked as his assistant; it is thought that Seamans dour disposition may have been the inspiration behind the gloomy character of Eeyore.[4]
In 1914 he was knighted, more likely for his creativity than for his patriotism, which saw fuller bloom in the course of World War I. During the war, he wrote number of verses of a somewhat mindless, patriotic kind, reflecting the optimism and devotion to his native land rather than the stirrings of poetic genius, as anthologist John M. Munro put it.[5] In 1915, he published War Time, a book of poetry that Munro described as a mixture of satiric verse and patriotic doggerel. Nevertheless, in 1933, he was created a baronet, of Bouverie Street in the City of London. Sir Owen never married, and died in 1936. He is buried in Putney Vale Cemetery.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 To The Shirker A Last Appeal - Owen Seaman - Poem - Animation - WW1](https://i.ytimg.com/vi/x5TKtGjQdPg/mqdefault.jpg)