Uploaded August 2026 | Updated September 2026, 1 week ago
Presented and curated by △ thoHk ▽
Forms shatter into static. Volume II anchors itself in the deep, unhurried space between silence and sound. Here, rhythmic structure is entirely abandoned to lay bare a raw, visceral landscape of shifting frequencies and weightless density. Six timeless composers mapping the unseen: no pulse______only color.
01. Jon Madof – Hayom (2026) [00:00 - 08:28]
"Hayom" ('Today' in Hebrew) is a live guitar improvisation by Jon Madof. It draws from a narrative in the Babylonian Talmud (Sanhedrin 98a) where Rabbi Yehoshua ben Levi went to the Messiah and said, "Greetings to you, my rabbi and my teacher." The Messiah replied, "Greetings to you, bar Leva’i." Rabbi Yehoshua ben Levi then asked him, "When will the Master come?" The Messiah answered, "Today (Hayom)." Sometime later, Rabbi Yehoshua ben Levi met Elijah and protested, "The Messiah lied to me! He said he was coming today, but he did not come." Elijah explained, "This is what he actually meant: He will come 'today, if you will listen to his voice' (Psalms 95:7)."
02. Maya Felixbrodt – Dream#1 [08:29 - 14:42]
'Dream#1' is a live recording captured at Het Nutshuis in The Hague in 2014, later featured on her album 'Yellow Stomach Music', released on December 22, 2025. Originally conceived as a participatory stage installation, the track is a deeply texture-driven work from a period of artistic creation bridging The Hague, Istanbul, and Tel Aviv, focusing heavily on experimental noise, field recordings, and raw dream transcriptions.
03. Charlie Beresford with Tim Harries – You Spoke of Jesus [14:43 - 19:44]
'You Spoke of Jesus' was recorded recently with longtime collaborator Tim Harries (double bass). It is part of a group of works exploring ways to deconstruct the concept of song form, using a combination of a frequent motif that acts as an un-sung chorus and extended techniques backing a minimal vocal for the verses. The composition becomes more about a sense of place rather than a piece of music.
04. Jimmy Peggie – Monochrome Light (2026) [19:45 - 27:24]
'Monochrome light' is a sound installation composed of reflective timbres, subtle frequencies, and evolving textures.
05. Michal Perez Noy – My Child [27:25 - 31:29]
'My Child' is a dark experimental lullaby built from soundscapes, voice, and memory. The piece moves between comfort and unease, between mother and child, dream and shadow, creating an intimate space where tenderness itself takes on a mysterious depth.
06. Vladan Radovanović – Audiospatial (1978) [31:31 - 46:52]
'Audiospatial' is a seminal electro-acoustic work that exemplifies Radovanović's obsession with structural hyper-polyphony, acoustic illusions, and the manipulation of sonic space. Created within the technological ecosystem of the Radio Belgrade Electronic Studio, the composition strips away conventional melodic narratives to focus entirely on the movement, density, and envelope of abstract frequencies. The track carefully layers synthetic timbres and shifting sound fields to manipulate the listener’s psychoacoustic perception, creating an immersive, multi-dimensional expanse where sound behaves as fluid physical architecture.
Vol. III is already in the works and coming soon! Stay tuned for the next phase.
Presented and curated by △ thoHk ▽
Forms shatter into static. Volume II anchors itself in the deep, unhurried space between silence and sound. Here, rhythmic structure is entirely abandoned to lay bare a raw, visceral landscape of shifting frequencies and weightless density. Six timeless composers mapping the unseen: no pulse______only color.
01. Jon Madof – Hayom (2026) [00:00 - 08:28]
"Hayom" ('Today' in Hebrew) is a live guitar improvisation by Jon Madof. It draws from a narrative in the Babylonian Talmud (Sanhedrin 98a) where Rabbi Yehoshua ben Levi went to the Messiah and said, "Greetings to you, my rabbi and my teacher." The Messiah replied, "Greetings to you, bar Leva’i." Rabbi Yehoshua ben Levi then asked him, "When will the Master come?" The Messiah answered, "Today (Hayom)." Sometime later, Rabbi Yehoshua ben Levi met Elijah and protested, "The Messiah lied to me! He said he was coming today, but he did not come." Elijah explained, "This is what he actually meant: He will come 'today, if you will listen to his voice' (Psalms 95:7)."
02. Maya Felixbrodt – Dream#1 [08:29 - 14:42]
'Dream#1' is a live recording captured at Het Nutshuis in The Hague in 2014, later featured on her album 'Yellow Stomach Music', released on December 22, 2025. Originally conceived as a participatory stage installation, the track is a deeply texture-driven work from a period of artistic creation bridging The Hague, Istanbul, and Tel Aviv, focusing heavily on experimental noise, field recordings, and raw dream transcriptions.
03. Charlie Beresford with Tim Harries – You Spoke of Jesus [14:43 - 19:44]
'You Spoke of Jesus' was recorded recently with longtime collaborator Tim Harries (double bass). It is part of a group of works exploring ways to deconstruct the concept of song form, using a combination of a frequent motif that acts as an un-sung chorus and extended techniques backing a minimal vocal for the verses. The composition becomes more about a sense of place rather than a piece of music.
04. Jimmy Peggie – Monochrome Light (2026) [19:45 - 27:24]
'Monochrome light' is a sound installation composed of reflective timbres, subtle frequencies, and evolving textures.
05. Michal Perez Noy – My Child [27:25 - 31:29]
'My Child' is a dark experimental lullaby built from soundscapes, voice, and memory. The piece moves between comfort and unease, between mother and child, dream and shadow, creating an intimate space where tenderness itself takes on a mysterious depth.
06. Vladan Radovanović – Audiospatial (1978) [31:31 - 46:52]
'Audiospatial' is a seminal electro-acoustic work that exemplifies Radovanović's obsession with structural hyper-polyphony, acoustic illusions, and the manipulation of sonic space. Created within the technological ecosystem of the Radio Belgrade Electronic Studio, the composition strips away conventional melodic narratives to focus entirely on the movement, density, and envelope of abstract frequencies. The track carefully layers synthetic timbres and shifting sound fields to manipulate the listener’s psychoacoustic perception, creating an immersive, multi-dimensional expanse where sound behaves as fluid physical architecture.
Vol. III is already in the works and coming soon! Stay tuned for the next phase.
