Uploaded July 2026 | Updated September 2026, 2 weeks ago
From '' Nightair ''
Label: SRT – SRTZ 76372
Format: Vinyl, LP, Album
Country: UK
Released: 1976
Tracklist
A1 In The Meantime
A2 You've Lost That Loving Feeling
Written-By – Barry Mann, Cynthia Weil, Phil Spector
A3 The Wonderful World Of The Young
Written-By – Tepper-Bennett
A4 Jambalaya
Written-By – Hank Williams
A5 Without You
Written-By – Pete Ham, Tom Evans
A6a Mr. Postman
Written-By – Lennon-McCartney
A6b She Loves You
Written-By – Lennon-McCartney
B1 Love The One You're With
Written-By – Stephen Stills
B2 The Way We Were
Written-By – Alan & Marilyn Bergman, Marvin Hamlisch
B3 It's For You
Written-By – Lennon-McCartney
B4 After The Goldrush
Written-By – Neil Young
B5a I've Got The Music In Me
Written-By – Bias Boshell
B5b I Believe In Music
Written-By – Mac Davis
B6 Bridge Over Troubled Water
Written-By – Paul Simon
Featuring, Lead Guitar, Synthesizer [Double], Guitar [Double] – Danny Wood
Featuring, Piano – Keith Herd
Rhythm Guitar, Vocals – Dave Knight
Drums, Vocals – Kevin Airey
Bass [Bass Machine], Vocals [Double] – Lynda Airey
Engineer – Keith Herd
Recorded At – Fairview Recording Studio
Phonographic Copyright ℗ – SRT Productions Ltd.
🎵 [SONG INFO]
"Love the One You're With" is a song by American folk rock musician Stephen Stills. It was released in November 1970 as the lead single from his debut self-titled studio album (1970). The song, inspired by a remark Stills heard from musician Billy Preston, became his biggest hit single, peaking at No. 14 on the US Billboard Hot 100 in early 1971.
David Crosby and Graham Nash, Stills's fellow members of Crosby, Stills & Nash, provided background vocals on the song. Rita Coolidge, her sister Priscilla Jones, and John Sebastian also provided background vocals. The song was later recorded by various artists including the Isley Brothers, The Meters, Bucks Fizz, Luther Vandross, Firefall, and Bob Seger.
Background
Stills wrote the song after being inspired by the tag line — "If you can't be with the one you love, love the one you're with" which was a frequent remark by musician Billy Preston. Stills explained in 1991: "This song has been very good to me. The title came from a party with Billy Preston. Then I asked him if I could pinch this line he had, and he said, 'Sure.' So I took the phrase and wrote a song around it. It's a good times song, just a bit of fun. My favorite part is the steel drums. I played them before a little bit but I just kept diddling around till I found the right notes." Billy Preston may have been familiar with the song "When I'm Not Near the Girl I Love" from the 1947 musical Finian's Rainbow which has the line "When I can't be with the girl I love, I love the girl I'm with". Like the majority of the album, Stills recorded the song over the previous summer. Former CSNY bandmate Graham Nash recalled in his book Wild Tales: "Stephen called and said, 'You remember that song of mine, "Love the One You’re With," that I cut in London? Well, I've brought the track back and we're in Wally Heider's with it. I need voices for the choruses. Any chance you and David would come down?'".
Cover versions
Several acts have since recorded the song, most notably, in 1971, the Isley Brothers as the lead single from their ninth studio album Givin' It Back, whose unique gospel-driven rendering of the song sent it to the charts again reaching number three R&B and number 18 pop, giving the group their fifth US top 40 pop single. It also reached number 10 on the US Cash Box chart. On the Canadian charts, their version reached No. 41.
British pop group Bucks Fizz covered the song as the fourth and penultimate single of their 1986 album Writing on the Wall.
Ultimately the song peaked at a low No.47 in the UK Singles Chart during a three-week run.
Australian pop group the Chantoozies released a version in February 1991.
The song was the third and final single from the group's second studio album, Gild the Lily (1991). The song peaked at number 21 on the Australian charts.
American singer-songwriter Luther Vandross released a version of the song on his ninth album, Songs (1994). It peaked within the top 30 of the US Billboard Hot R&B Singles chart, reached number 33 on the Billboard Hot Adult Contemporary Tracks chart, and earned Vandross a 1995 Grammy nomination for Best Male Pop Vocal Performance.
Gino Soccio reached number 79 in Canada with a 1988 recording of the song.
Dutch duo Pep & Rash sampled this song in their song of the same name in 2016, which was a minor hit at Number 79 in French Belgium.
In culture
In 2012, the song was featured in Ridley Scott's science fiction movie Prometheus. Idris Elba, playing Janek, sings a short phrase from the song after claiming his squeezebox once belonged to Stephen Stills.
In 2022 the song featured in the season finale of BBC series Blue Lights.
#nightair
#lovetheoneyourewith
#stephenstills
From '' Nightair ''
Label: SRT – SRTZ 76372
Format: Vinyl, LP, Album
Country: UK
Released: 1976
Tracklist
A1 In The Meantime
A2 You've Lost That Loving Feeling
Written-By – Barry Mann, Cynthia Weil, Phil Spector
A3 The Wonderful World Of The Young
Written-By – Tepper-Bennett
A4 Jambalaya
Written-By – Hank Williams
A5 Without You
Written-By – Pete Ham, Tom Evans
A6a Mr. Postman
Written-By – Lennon-McCartney
A6b She Loves You
Written-By – Lennon-McCartney
B1 Love The One You're With
Written-By – Stephen Stills
B2 The Way We Were
Written-By – Alan & Marilyn Bergman, Marvin Hamlisch
B3 It's For You
Written-By – Lennon-McCartney
B4 After The Goldrush
Written-By – Neil Young
B5a I've Got The Music In Me
Written-By – Bias Boshell
B5b I Believe In Music
Written-By – Mac Davis
B6 Bridge Over Troubled Water
Written-By – Paul Simon
Featuring, Lead Guitar, Synthesizer [Double], Guitar [Double] – Danny Wood
Featuring, Piano – Keith Herd
Rhythm Guitar, Vocals – Dave Knight
Drums, Vocals – Kevin Airey
Bass [Bass Machine], Vocals [Double] – Lynda Airey
Engineer – Keith Herd
Recorded At – Fairview Recording Studio
Phonographic Copyright ℗ – SRT Productions Ltd.
🎵 [SONG INFO]
"Love the One You're With" is a song by American folk rock musician Stephen Stills. It was released in November 1970 as the lead single from his debut self-titled studio album (1970). The song, inspired by a remark Stills heard from musician Billy Preston, became his biggest hit single, peaking at No. 14 on the US Billboard Hot 100 in early 1971.
David Crosby and Graham Nash, Stills's fellow members of Crosby, Stills & Nash, provided background vocals on the song. Rita Coolidge, her sister Priscilla Jones, and John Sebastian also provided background vocals. The song was later recorded by various artists including the Isley Brothers, The Meters, Bucks Fizz, Luther Vandross, Firefall, and Bob Seger.
Background
Stills wrote the song after being inspired by the tag line — "If you can't be with the one you love, love the one you're with" which was a frequent remark by musician Billy Preston. Stills explained in 1991: "This song has been very good to me. The title came from a party with Billy Preston. Then I asked him if I could pinch this line he had, and he said, 'Sure.' So I took the phrase and wrote a song around it. It's a good times song, just a bit of fun. My favorite part is the steel drums. I played them before a little bit but I just kept diddling around till I found the right notes." Billy Preston may have been familiar with the song "When I'm Not Near the Girl I Love" from the 1947 musical Finian's Rainbow which has the line "When I can't be with the girl I love, I love the girl I'm with". Like the majority of the album, Stills recorded the song over the previous summer. Former CSNY bandmate Graham Nash recalled in his book Wild Tales: "Stephen called and said, 'You remember that song of mine, "Love the One You’re With," that I cut in London? Well, I've brought the track back and we're in Wally Heider's with it. I need voices for the choruses. Any chance you and David would come down?'".
Cover versions
Several acts have since recorded the song, most notably, in 1971, the Isley Brothers as the lead single from their ninth studio album Givin' It Back, whose unique gospel-driven rendering of the song sent it to the charts again reaching number three R&B and number 18 pop, giving the group their fifth US top 40 pop single. It also reached number 10 on the US Cash Box chart. On the Canadian charts, their version reached No. 41.
British pop group Bucks Fizz covered the song as the fourth and penultimate single of their 1986 album Writing on the Wall.
Ultimately the song peaked at a low No.47 in the UK Singles Chart during a three-week run.
Australian pop group the Chantoozies released a version in February 1991.
The song was the third and final single from the group's second studio album, Gild the Lily (1991). The song peaked at number 21 on the Australian charts.
American singer-songwriter Luther Vandross released a version of the song on his ninth album, Songs (1994). It peaked within the top 30 of the US Billboard Hot R&B Singles chart, reached number 33 on the Billboard Hot Adult Contemporary Tracks chart, and earned Vandross a 1995 Grammy nomination for Best Male Pop Vocal Performance.
Gino Soccio reached number 79 in Canada with a 1988 recording of the song.
Dutch duo Pep & Rash sampled this song in their song of the same name in 2016, which was a minor hit at Number 79 in French Belgium.
In culture
In 2012, the song was featured in Ridley Scott's science fiction movie Prometheus. Idris Elba, playing Janek, sings a short phrase from the song after claiming his squeezebox once belonged to Stephen Stills.
In 2022 the song featured in the season finale of BBC series Blue Lights.
#nightair
#lovetheoneyourewith
#stephenstills
![Sinkhole - You Got Another Thing Coming (Judas Priest Cover)
From The Spandex Experiment
Label: Double Deuce Records – DDR 11 / Double Deuce 11
Format: CD, Compilation
Country: US
Released: 1996
Tracklist
01. Ludwig Klopfer - Sweet Child Of Mine
02. Snuka - Round & Round
03. Jugheads Revenge - The Trooper
04. No Fraud - Rock You Like A Hurricane
05. Weston - She Dont Know Me
06. Pet UFO - Hot For Teacher
Recorded By – Scott Waters
07. Nobodys - You Shook Me All Night Long
08. Ff - Makes Me Wanna Sing
09. Farside - Metal Man
10. Dahlia Seed - Missing Sequences
11. Sinkhole - You Got Another Thing Coming
12. Halcion - Photograph
13. Walleye - Over The Mountain
14. Norman Mayer Group - Letting Go
Design, Layout – Amy Demas
Photography By [All Other Photos] – Mike ODonnell
Photography By [Cover] – Nina Rich
Liner Notes – Rudy Sarzo
Copyright © – Double Deuce Records
Glass Mastered At – Disctronics USA – 146430
Notes
Compilation of present-day punk and hardcore bands covering 80s metal hits.
Youve Got Another Thing Comin is a song by English heavy metal band Judas Priest.
It was originally released on their 1982 album Screaming for Vengeance and released as a single later that year.
In May 2006, VH1 ranked it fifth on their list of the 40 Greatest Metal Songs.
It became one of Judas Priests signature songs along with Electric Eye and Breaking the Law, and a staple of the bands live performances. Youve Got Another Thing Comin was first performed on the opening concert of the Vengeance World Tour at the Stabler Center in Bethlehem, Pennsylvania, on 26 August 1982 and had been played a total of 673 times through the 2012 Epitaph Tour.
The song reached No. 67 on the Billboard Hot 100 chart, making it Judas Priests only song to make that chart.
Background
Singer Rob Halford said the lyrics were about Just this attitude that weve always had in Priest. And I dare say, weve always had in our personal way of dealing with issues that are sent to challenge us. ... Its also wrapped up in the heavy metal community culture of the way we support each other with our metal. Its very much a song of hope and rising above the issues or difficulties that come your way. Its a song of resilience, as well.
Charting
Youve Got Another Thing Comin has charted in two countries in the United Kingdom and in the United States.
In the United Kingdom it peaked at No. 66 in the UK Singles Chart and in the US, it reached No. 4 on the Billboard rock chart and No. 67 on the Billboard Hot 100.
Music video
The music video was directed by Julien Temple, and filmed at the Kempton Park Water Works. It features the band performing outside the pumping station among a background of lasers and smoke. Meanwhile, a higher authority figure arrives to shut the group down due to the noise level only to have his head blown off and their pants fall off towards the end of the video as a result of the exceeding force of Halford.
Reception
Wayne Parry of the Associated Press called it, along with Hell Bent for Leather and Living After Midnight, one of the standards against which other metal tracks are measured.
Greg Prato of AllMusic wrote that the song was what finally broke Judas Priest into the mainstream in the United States.
In 2012, Loudwire ranked the song number nine on its list of the 10 greatest Judas Priest songs, and in 2019, Louder Sound ranked the song number four on its list of the 50 greatest Judas Priest songs.
In other media
The song shows up on several video games, for example, it is featured on the jukebox of the first level of Prey; in Grand Theft Auto: Vice Citys radio station V-Rock; as downloadable content for Rock Band series (alongside the rest of the 1982 album Screaming for Vengeance), Rock Band Track Pack Volume 2; and a cover version is featured in Guitar Hero. It is also featured in 2K Sports Major League Baseball 2K9 and EA Sports NHL 12.
The original song is also featured in the 2011 comedy film, Bad Teacher.
The song was featured in a 2013 episode Hell Bent for Leather of Californication and in the 2020 season eleven episode The Orpheus Gambit of Archer.
The song is playing in Wayne Potts (Jeb Kreager)s house in episode 5 Illusions of Mare of Easttown (2021).
Personnel
Rob Halford – Vocals
Glenn Tipton – Lead Guitar
K. K. Downing – Rhythm Guitar
Ian Hill – Bass
Dave Holland – Drums
Charts
Chart (1982) / Peak position
UK Singles (OCC) / 66
US Billboard Hot 100 / 67
US Mainstream Rock (Billboard) / 4
Cover versions
1985
Metalmorphose
1996
Saxon
Pierrot
1997
Pat Boone
1998
Holy Mother
2001
Sergei Abolõmov
2003
Hot Rod Crüe
2004
Panik
2005
Stephen Pearcy
2006
The Harden Garden
2007
Silent Force
2008
The Believers
2009
Hanker
Mechanika in Czech titled Karel
2010
The String Tribute Players
2011
Maziora The Band
2014
Three Quarter Stone
gov holocaustal
2016
Doro
2020
David Luning
2022
Hudu Akil
Cobra
#heavymetal Sinkhole - You Got Another Thing Coming (Judas Priest Cover)](https://i.ytimg.com/vi/HsCSFmozejY/mqdefault.jpg)
![The Merry Singers & Orchestra - Yankee Doodle
From Kindergarten Funtime
Label: Merry Records – MR-6010
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1980
Tracklist
A1 Yankee Doodle
A2 Dixie
A3 Oh Susanna
A4 Clementine
A5 Row, Row Your Boat
A6 Turkey In The Straw
A7 Erie Canal
A8 Ive Been Working On The Railroad
A9 One More River
B1 Blue Tail Fly
B2 Green Grass Grew All Around
B3 School Days
B4 49 Pirates
B5 Home On The Range
B6 Barn Dance
B7 Polly Wolly Doodle
B8 In The Good Old Summertime
B9 Big Rock Candy Mountain
Mastered By – Nutone
Notes
Originally released in 1972
RE 1980
🎵 [SONG INFO]
Yankee Doodle is a traditional song and nursery rhyme, the early versions of which predate the Seven Years War and American Revolutionary War.
It is often sung patriotically in the United States today.
It is the state song of the U.S. state of Connecticut.
Its Roud Folk Song Index number is 4501.
Origin
The tune of Yankee Doodle is thought to be much older than the lyrics, being well known across western Europe, including England, France, the Netherlands, Hungary, and Spain.
The melody of the song may have originated from an Irish tune All the way to Galway, in which the second strain is identical to Yankee Doodle.
There are rumors that the earliest words of Yankee Doodle came from a Middle Dutch harvest song which is thought to have followed the same tune, supposedly dating back as far as 15th-century Holland.
It supposedly contained mostly nonsense words in English and Dutch: Yanker, didel, doodle down, Diddle, dudel, lanther, Yanke viver, voover vown, Botermilk und tanther.
Farm laborers in Holland were paid as much buttermilk (Botermelk) as they could drink, and a tenth (tanther) of the grain.
The term Doodle first appeared in English in the early 17th century and is thought to be derived from the Low German dudel, meaning playing music badly, or Dödel, meaning fool or simpleton. The Macaroni wig was an extreme fashion in the 1770s and became slang for being a fop.
Dandies were men who placed particular importance upon physical appearance, refined language, and leisure hobbies. A self-made dandy was a British middle-class man who impersonated an aristocratic lifestyle. They notably wore silk strip cloth, stuck feathers in their hats, and carried two pocket watches with chains—one to tell what time it was and the other to tell what time it was not.
The macaroni wig was an example of such Rococo dandy fashion, popular in elite circles in Western Europe and much-mocked in the London press. The term macaroni was used to describe a fashionable man who dressed and spoke in an outlandishly affected and effeminate manner. The term pejoratively referred to a man who exceeded the ordinary bounds of fashion in terms of clothes, fastidious eating, and gambling.
In British conversation, the term Yankee doodle dandy implied unsophisticated misappropriation of upper-class fashion, as though simply sticking a feather in ones cap would transform the wearer into a noble. Peter McNeil, a professor of fashion studies, claims that the British were insinuating that the colonists were lower-class men who lacked masculinity, emphasizing that the American men were womanly.
Early versions
The song was a pre-Revolutionary War song originally sung by British military officers to mock the disheveled, disorganized colonial Yankees with whom they served in the French and Indian War.
It was written at Fort Crailo around 1755 by British Army surgeon Richard Shuckburgh while campaigning in Rensselaer, New York.
The British troops sang it to mock American soldiers as simpletons who thought that they were stylish simply by sticking a feather in their hats.
It was also embraced by American troops, who added verses to it that mocked the British and hailed George Washington. By 1781, Yankee Doodle had become a song of national pride among Americans.
According to one account, Shuckburgh wrote the original lyrics after seeing the appearance of Colonial troops under Colonel Thomas Fitch, the son of Connecticut Governor Thomas Fitch.
According to the Online Etymology Dictionary, the current version seems to have been written in 1776 by Edward Bangs, a Harvard sophomore who also was a Minuteman.
He wrote a ballad with 15 verses which circulated in Boston and surrounding towns in 1775 or 1776.
A bill was introduced to the House of Representatives on July 25, 1999, recognizing Billerica, Massachusetts, as Americas Yankee Doodle Town. After the Battle of Lexington and Concord, a Boston newspaper reported: Upon their return to Boston [pursued by the Minutemen], one [Briton] asked his brother officer how he liked the tune now, – Dang them, returned he, they made us dance it till we were tired – since which Yankee Doodle sounds less sweet to their ears.
~more info about the song here: https://en.wikipedia.org/wiki/Yankee_Doodle
#childrensongs
#childrensmusic
#childrenssongs
#nurseryrhymes
#nurseryrhyme The Merry Singers & Orchestra - Yankee Doodle](https://i.ytimg.com/vi/HwWl0gIlCQY/mqdefault.jpg)
![Florence Warner - Take Good Care Of My Baby (Carole King, Gerry Goffin)
From Another Hot Night
Label: Mercury – SRM-1-4019
Format: Vinyl, LP, Album, Stereo, 18 Pressing
Country: US
Released: 1981
Tracklist
A1 You Cant Win em All
A2 All In One Night
A3 Easy
A4 Love On A Shoestring
A5 Hold Me Once
B1 I Miss Your Heartbeat
B2 Drawing Pictures
B3 Love Gone By
B4 Take Good Care Of My Baby
Written-By – Goffin And King
B5 Staying With It
B6 Why Do You Pick (The People You Pick)
Piano, Electric Piano [Fender Rhodes] – Graham Todd
Keyboards [All Others] – Barrie Guard
Percussion – Barrie Guard, Barry Morgan
Guitar – Geoff Whitehorn, Teddy Irwin, Tim Renwick
Alto Saxophone, Soprano Saxophone – Ron Aspery
Backing Vocals – Florence Warner, Joe Fagin, Linda Taylor, Simon Bell
Bass – Dave Wintour
Drums – Stuart Elliott
Lyricon – Barrie Guard
Producer, Engineer – David Mackay
Take Good Care of My Baby is a song written by Carole King and Gerry Goffin.
The song was made famous by American singer Bobby Vee, when it was released in 1961.
Bobby Vee versions
While searching for material for Bobby Vee to record, Vees producer Snuff Garrett heard a demo of Carole King singing Take Good Care of My Baby.
Garrett told publisher Don Kirshner that he wanted the song for Vee, but he believed the song needed an introductory verse. Garrett met with Carole King, and the introductory verse of Vees version was written.
Among the musicians on the record were Barney Kessel, Tommy Allsup, and Howard Roberts on guitar, Clifford Hills on bass, Robert Florence on piano, and Earl Palmer on drums, while Sid Sharp did the string arrangements. The Johnny Mann Singers sang backup.
Bobby Vee released Take Good Care of My Baby as a single on July 20, 1961, and it was reviewed by Billboard in its issue dated July 31, 1961.
Vees recording quickly became popular, spending 15 weeks on the US Billboard Hot 100, reaching No. 1 on September 18, 1961, and spending three weeks in that position.
The song became a major hit internationally as well, reaching No. 1 in Canada, New Zealand, and the United Kingdom.
The song was ranked No. 12 on Billboards Hot 100 for 1961 – Top Sides of the Year and No. 23 on Cash Boxs Top 100 Chart Hits of 1961.
The song was the lead track on Bobby Vees album, Take Good Care of My Baby, which was released in 1962.
Vee re-recorded the song as a ballad in 1972.
He released under his real name, Robert Thomas Velline, on his 1972 album Aint Nothing Like a Sunny Day, and as a single in 1973.
However, it is his original version, along with Bobby Vintons, that remain as staples of oldies radio stations.
Bobby Vinton version
In 1968, the song was released by American singer Bobby Vinton as a single and on his seventeenth album, Take Good Care of My Baby (1968).
Vintons version became a hit, spending 8 weeks on the US Billboard Hot 100, reaching No. 33, while reaching No. 14 on Billboards Easy Listening chart, No. 19 on Record Worlds 100 Top Pops, No. 12 on Record Worlds Top Non-Rock chart, No. 36 on Canadas RPM 100, and No. 16 on Canadas CHUM Hit Parade.
Vintons version omitted the introduction, plus the first two lines of the repeated refrain.
Smokie version
In 1980, English rock band Smokie released a version of the song, which spent seven weeks on the UK Singles Chart, reaching No. 34, while reaching No. 10 on Austrias Ö3 Hit wähl mit chart, No. 15 on the Irish Singles Chart, and No. 18 in West Germany.
It was later released on their 1981 album Solid Ground.
Other versions
Dion recorded a version of the song, which was released on his November 1961 album Runaround Sue.
Although Dions version was released after Bobby Vees version, Dions was the first version to be recorded.
The song was performed by the Beatles during their audition at Decca Records on January 1, 1962, with George Harrison on lead vocals.
The version has never been released officially, but can be found easily through bootlegs.
Gary Lewis & the Playboys recorded the song for their 1966 album, Shes Just My Style.
Donny Osmond released a version of the song on his 1972 album Too Young.
Shaun Cassidy included his rendition of the song on his 1977 debut self-titled album.
Neil Innes included an excerpt of the song in the Re-Cycled Vinyl Blues medley, the title track from his 1994 eponymous album.
As Dick Brave and the Backbeats, German pop star Sasha released a version in 2003, which reached No. 21 in Germany and No. 52 on the Ö3 Austria Top 40.
In 2007, Frankie Valli sang the song on his album Romancing The 60s.
Answer songs
An answer song, titled Ill Take Good Care of Your Baby, was recorded by Ralph Emery.
It was released as a single on Liberty F-55383, in 1961.
Another answer song, titled You Should Know Im Still Your Baby, was recorded by Sammi Lynn.
It was released as a single on Sue Records 45-752, in 1961.
#lovesong
#poprock Florence Warner - Take Good Care Of My Baby (Carole King, Gerry Goffin)](https://i.ytimg.com/vi/I3ey1PtteLg/mqdefault.jpg)
![Eddie Bond & The Stompers - Ive Got A Woman (Rockabilly, Ray Charles Cover)
From Ive Got A Woman / Rockin Daddy
Label: Mercury – 70826X45
Format: Vinyl, 7, 45 RPM
Country: US
Released: 1956
Tracklist
A Ive Got A Woman
Written-By – Ray Charles
B Rockin Daddy
Written-By – Sonny Fisher
Vocals – Eddie Bond
Record Company – Mercury Record Corporation
© 2011 Tsk Music
℗ 2011 Tsk Music
💿 [SONG INFO]
I Got a Woman (originally titled Ive Got a Woman) is a song co-written and recorded by American R&B/soul musician Ray Charles and released as a single in December 1954 on the Atlantic label as Atlantic 45-1050 b/w Come Back Baby. Both sides later appeared on his 1957 album Ray Charles (subsequently reissued as Hallelujah I Love Her So).
Origin
The song builds on It Must Be Jesus by the Southern Tones, that Ray Charles was listening to on the radio while on the road with his band in the summer of 1954.
He and a member of his band, trumpeter Renald Richard, penned a song that was built along a gospel-frenetic pace with secular lyrics and a jazz-inspired rhythm and blues (R&B) background.
The song would be one of the prototypes for what later became termed as soul music after Charles released Whatd I Say nearly five years later.
Recording
The song was recorded late 1954 in the Atlanta studios of Georgia Tech radio station WGST. It was a hit—Charles first—climbing quickly to No.1 R&B in January 1955.
Charles told the Pop Chronicles that he performed this song for about a year before he recorded in on November 18, 1954.
The song would lead to more hits for Charles during this period when he was on Atlantic.
It was later ranked No.235 on Rolling Stones list of the 500 Greatest Songs of All Time, one of Charles five songs on the list.
A re-recorded version by Ray Charles, entitled I Gotta Woman (ABC-Paramount 10649) reached No.79 on the Billboard pop chart in 1965.
Cover versions
Other versions that have made the pop or R&B charts in the US are those by:
Jimmy McGriff (No.20 pop, No.5 R&B, 1962),
Freddie Scott (No.48 pop, 1963)
and Rick Nelson (No.49 pop, 1963).
The song has also been covered by many other artists, including:
Elvis Presley - Elvis Presley (1956)
The Beatles - Live at the BBC
Bill Cosby
Bill Wymans Rhythm Kings
The Barbarians
Anneke van Giersbergen
Baby Face Willette
Fred McDowell
Jo Stafford (rewritten and recorded as I Got a Sweetie)
Bobby Darin
Adam Faith
Booker T. & the M.G.s
Roy Orbison
Al Kooper
The Honeydrippers
The Monkees
Stevie Wonder
Snooks Eaglin
Johnny Cash and June Carter
John Mayer Trio
Jerry Lee Lewis
Them
John Hammond
Bill Haley & His Comets
Jamie Cullum
Sonny Terry & Brownie McGhee
Jayson Slack
Tom Petty and the Heartbreakers
Gibson Brothers
Andrew Wild
Kermit Ruffins & Rebirth Brass Band
Bryan Adams
Ramblin Jack Elliott
Sammy Davis Jr.
Toots & the Maytals
Jimmy Smith
Pink Anderson
Paolo Nutini
Alonzo Pennington
Johnny Hallyday
John Scofield
John Mayer
The Routers
Johnny Rivers (1964)
Martin Solveig
Lightnin Hopkins
The band Dire Straits mentions the song in their song Walk of Life, from their 1985 album Brothers in Arms in 2:44.
Kanye Wests song Gold Digger contains samples (as well as an interpolation during the introduction) of the song.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/4driHU9TACuvlpzObNsdBu
Deezer:
https://www.deezer.com/us/track/145476084
#rockabillycover
#rockabilly Eddie Bond & The Stompers - Ive Got A Woman (Rockabilly, Ray Charles Cover)](https://i.ytimg.com/vi/ILsiLJBL8No/mqdefault.jpg)
![Annie Lewis - The Lass With The Delicate Air (Michael Arne)
From The Lass With The Delicate Air
Label: Button Records – BTN 109
Format: Vinyl, 7, 45 RPM, Single, Stereo
Country: UK
Released: 1983
Tracklist
A The Lass With The Delicate Air
Arranged By – H. Wright, Peter Durrent
B I Sowed The Seeds
Written By – J. MacAlpine
Written-By – Peter Durrent
Producer – Roger Holt, Peter Durrent (track: A), Martin Allcock (track: B)
Phonographic Copyright ℗ – Musical Characters Ltd.
Copyright © – Button Music
🎵 [SONG INFO]
The Lass With The Delicate Air is a well-known English song with a history dating back to the 18th century.
Origin and Composer
The song was composed by Michael Arne, the son of the famous composer Thomas Arne.
It was first published in 1762 in the Universal Magazine.
The lyrics, which describe a beautiful and graceful woman named Molly, were written by an anonymous author.
The songs full title is often given as Young Molly who Lived at the Foot of the Hill.
Musical Style and Popularity
The Lass With The Delicate Air is considered a classical piece, fitting into the vocal art song or ballad genres.
It was a popular piece for singers in Londons pleasure gardens in its time.
The tune has a light, charming quality, and its lyrics paint a picture of an admired and enchanting young woman.
Notable Recordings and Adaptations
Throughout the 20th century, the song was recorded by various artists, including classical and folk singers.
One of the most famous recordings is by Julie Andrews, who included it as the title track on her debut solo album in 1957. Andrews, at the time a rising star on Broadway, chose a collection of traditional English folk and art songs for the album, showcasing her vocal talent beyond the show tunes for which she was becoming known.
The melody of The Lass With The Delicate Air has also been used in other contexts, including a jingle for Mission Bell wine.
Other recordings
Beyond the famous recording by Julie Andrews, The Lass With The Delicate Air has been a favorite of classical and folk singers for centuries. Its simple, elegant melody and charming lyrics have led to various interpretations and arrangements over the years.
Here are some notable versions and adaptations
Classical Soprano Recordings: The song is a staple of the classical soprano repertoire.
Alma Gluck (1913): This early recording by the Romanian-born American soprano is a significant historical document. It showcases the song as it would have been performed by a classical artist in the early 20th century.
Mimi Coertse (1959): The South African soprano also recorded a well-regarded version, demonstrating the songs continued place in the classical concert hall.
Folk and Traditional Versions: The songs ballad-like structure and folk-like themes have made it a favorite for folk singers.
Evelyn Knight: This American vocalist recorded her own version of the song in the mid-20th century. She was known as the Lass with the Delicate Air, and her version is a blend of traditional pop and light vocal music.
Josh White: The renowned American blues and folk singer included a version on his album The Best of Josh White (1951), showing how the song could be adapted to a different genre.
Modern Interpretations and Arrangements: The melodys enduring appeal has also led to new arrangements for different instruments and ensembles.
Choral Arrangements: The song has also been arranged for choirs, such as a version for female voices (SSA - Soprano, Soprano, Alto). This allows for a more layered and harmonic interpretation of the classic tune.
The variety of recordings, from classical to folk and beyond, demonstrates the songs lasting influence and adaptability. While Julie Andrews version may be the most famous to modern audiences, it is just one chapter in the songs long and rich history.
🎤 [LYRICS]
Young Molly who lived at the foot of the hill,
Whose fame every virgin with envy doth fill,
Of beauty is blessed with and so ample a share
They call her the lass with the delicate air.
With the delicate air,
Men call her the lass with the delicate air.
One evening last May as I traversed the grove
In thoughtless retirement, not dreaming of love.
I chanced to espy the gay nymph, I declare
And really she had a most delicate air,
A most delicate air,
She really did have a most delicate air.
By a murmuring brook on a green mossy bed
A chaplet composing, the fair one was laid.
Surprised and transported I could not forbear
With rapture to gaze on her delicate air,
On her delicate air,
With rapture to gaze on her delicate air.
A thousand times oer I repeated my suit
But still the tormentor affects to be mute.
Then tell me ye swains who have conquered the fair
How to win the dear lass with the delicate air,
With the delicate air,
How to win the dear lass with the delicate air.
#avantgardemusic
#artrock
#minimal
#minimalsynth
#artfolk Annie Lewis - The Lass With The Delicate Air (Michael Arne)](https://i.ytimg.com/vi/IP9I76LlQG0/mqdefault.jpg)
![The Blind Bats - The Wind Blows Your Hair (The Seeds Cover)
From Pop The Question
Label: Perfect Pop Records – POP 13
Format: CD, Album, Stereo
Country: Norway
Released: Jan 1, 1994
Tracklist
01. Sleep The Whole Night Through
Lyrics By – Tuesday Knight
Music By – Vibeke Viken
02. Alice In Wonderland
Lyrics By, Music By – Vibeke Viken
03. She Goes To Parties
Lyrics By, Music By – Tuesday Knight
04. By Accident
Lyrics By, Music By – Sandy Shore
05. Nolan Bigsby’s Wonderful Story
Lyrics By – Tuesday Knight
Music By – Tuesday Knight, Vibeke Viken
06. Candy Flavoured!
Lyrics By – Tuesday Knight
Music By – Tuesday Knight, Vibeke Viken
07. Buick Outside My House
Lyrics By – Tuesday Knight
Music By – Vibeke Viken
08. Everywhere I Go
Lyrics By, Music By – Sandy Shore
09. Daydreamer
Lyrics By, Music By – Vibeke Viken
10. Run Around In The Sun
Lyrics By, Music By – Tuesday Knight
11. The Wind Blows Your Hair
Lyrics By, Music By – Buddy Biglow, Sky Saxon
12. Susan
Lyrics By, Music By – Vibeke Viken
Lead Vocals, Backing Vocals, Electric Guitar, Acoustic Guitar – Vibeke Viken
Bass, Backing Vocals, Lead Vocals – Tuesday Knight
Electric Organ [Farfisa], Backing Vocals, Mellotron, Lead Vocals – Sandy Shore
Drums, Guitar – J. Slingerland
Guitar – Tom Trøbråten (track: 11)
Tambourine – Robert Birdeye (track: 11), Tom Trøbråten
Acoustic Guitar [XII-String Guitar] – Reg Trademark (track: 4)
Artwork [Blind Bats Logo By] – M. D. Bizzartvaark
Layout [Sleeve Lay-out By] – Tom & John
Engineer [Engineered By], Producer [Produced By] – Eystein Hopland, Tom Trøbråten
Phonographic Copyright ℗ – Perfect Pop Records
Published By – Perfect Pop
Recorded At – Endless Sound
Mastered At – Strype Audio
Pressed By – DCM
Notes
Issued in a standard jewel case with a 4-page folded inlay.
[Inlay p. 2:]
Recorded at Endless Sound, Oslo, November and December 1993.
Mastered at Strype Audio, January 1994.
[Disc:]
Publ.: perfect pop n©b
© 1994 Perfect Pop
💿 [SONG INFO]
The Wind Blows Your Hair is a song written by Buddy Biglow and Sky Saxon.
It was originally released as a single on GNP Crescendo Records in the US in 1967 (GNP 398).
The single was produced by Marcus Tybalt for Brompton Productions.
Six Dreams was on the b-side of the single.
Cover versions
1984
Naz Nomad & The Nightmares
1994
The Purple Merkins
1998
Dwarves
2005
Yesterdays Thoughts
2006
Prince Albert
🎤 [LYRICS]
Were up the sidewalk runnin down the street.
Showin our love to the world we meet.
Your days comin sunshine’s begun.
Big machines are starting to hum.
And the wind blows your hair.
Two little children come walking by.
Looking just like you and I.
Colored by some beautiful people.
Flowers growin round the church house steeple.
And the wind blows your hair.
Ive a feelin weve been here before.
Angels singing as we pass through the door.
Hand in hand we walk down the aisle.
See their faces their starting to smile.
Their starting to smile.
In my eyes I’m starting to cry.
This is not a dream of you and I.
I’ve never been this happy before.
Hand in hand we walk out the door.
And the wind blows your hair.
Rice is falling on us everywhere.
The scent of flowers fill the air.
Children laughing out in the street.
Everyone’s happy that we meet.
And the wind blows your hair.
And the wind blows your hair.
And the wind blows your hair.
🔗 [LINKS]
https://www.perfectpop.no/
https://www.perfectpop.no/photos-2/the-blind-bats/
https://www.facebook.com/perfectpoprecords
Available on Perfect Pop Records:
https://www.perfectpop.no/products-page/cd/
Spotify:
https://open.spotify.com/album/1393CWwhUjpnG6YXh0QFS6
Apple Music:
https://music.apple.com/us/album/pop-the-question/298016427
and Amazon Music:
https://music.amazon.co.uk/albums/B001ERNYII
#indierock
#indierockcover The Blind Bats - The Wind Blows Your Hair (The Seeds Cover)](https://i.ytimg.com/vi/JwkOdxBCLx0/mqdefault.jpg)
![Jerry Johnson - Red Red Wine (Dub/Rocksteady/Reggae, Neil Diamond Cover)
From The Score
Label: Wackies – A23U-76
Format: Vinyl, LP
Country: Japan
Released: 1988
Tracklist
A1 The Score
A2 What Does It Takes
A3 Hot Soup
A4 Stranger
A5 Honey From The Bee
B1 Tail Gate
B2 Red Red Wine
B3 All I Have Is Love
B4 Imagination
B5 La La Means I Love You
Piano – Bullwackie, Jerry Harris, Junior Delahaye
Synth – Jerry Harris, Mortie Butler
Percussion – Ras Menelik, The Chosen Brothers
Horns – Jerry Johnson
Guitar – Jerry Harris, Leroy Asher
Drums – Edmond Sylvester, Jerry Harris
Drum Programming – Bullwackie, Sugar Minott
Bass – Harold Sylvester, Jerry Harris
Art Direction – Koh Etsu
Photography – Akira Kumagai
Engineer – Bullwackie
Producer – Lloyd Barnes
Executive-Producer – Lloyd Barnes, Sonny Ochiai
Notes
Recorded And Mixed At: Wackies Studio, Englewood,NJ
Wackies/Tachyon Production
💿 [SONG INFO]
Red Red Wine is the title of a song written and originally recorded by American artist Neil Diamond.
It has been covered by Tony Tribe, Jimmy James & the Vagabonds, and more famously by British reggae group UB40, whose version topped the U.S. and UK singles charts.
Diamonds version reached number sixty-two on the Billboard Hot 100 chart in 1968.
The single version of his recording includes a backing choir not found in any other version. Diamond later performed a UB40-inspired version of the song on tour.
In it, Diamond makes a slight complaint about UB40 misunderstanding the lyrics because of the happy tone to their version.
This version was released on Diamonds The Greatest Hits (1966-1992).
The lyrics are sung from the perspective of someone who finds drinking red wine the only way to forget a lost love.
UB40 version
UB40 made their rendition for their cover versions album Labour of Love.
According to the band they were only familiar with Tony Tribes version (apparently they didnt realise that the writer - credited simply as Diamond - was in fact Neil Diamond), and their version featured a lighter, reggae-style flavor compared to Diamonds somber, acoustic ballad.
This version reached number one in the UK chart in August 1983, and number 34 in the U.S. in March 1984.
This cover version adds a toasted verse by UB40 member Astro, opening: Red Red Wine, you make me feel so fine/You keep me rocking all of the time.
In 1988, the song regained popularity in the US, when it re-charted and climbed all the way to no.1 on the Billboard Hot 100.
Other cover versions
Jimmy James and The Vagabonds released a cover version the same year as Diamonds version, for the UK market.
It charted at number thirty-six.
Tony Tribe, a Jamaican rocksteady singer, recorded a reggae-influenced version in 1969 which reached number forty-six in the UK Singles Chart.
Also, in 1969, the song was covered by swamp rock/pop artist Charles Mann.
In 1970, a remake by Vic Dana became a minor Billboard Hot 100 hit, peaking at no.74 and reached no.30 on Adult Contemporary.
In early 1972, country singer Roy Drusky enjoyed a Top 20 hit with his cover version, reaching no.17 in US Country and no.16 in Canada Country.
The Hobos did a cover of this song on their 2004 double album Radio Jah Jah.
Red Red Wine was also performed by Peter Tetteroo, former singer of Tee Set, a Dutch band, in 1968.
The song has also been performed by Cas Haley along with UB40 on the last episode of the season 2 show Americas Got Talent.
In 2001, singer Elan Atias released a dancehall version on the Buy Out Riddim instrumental, best known performed by Sean Paul, with the song entitled, Like Glue.
This was the first time the song was performed on a totally different instrumental tracking.
The lyrics were also re-written.
In 2008, Sizzla also released a dancehall single (No Time To Gaze) based on the UB40 version.
In August 2012, Ballyhoo!s lead singer was requested to perform an acoustic version based on the UB40 version, and posted it on Soundcloud.
🔗 [LINKS]
https://www.facebook.com/jerry.johnsonsaxman
#reggaecover
#instrumentalcover
#dubreggae
#dub Jerry Johnson - Red Red Wine (Dub/Rocksteady/Reggae, Neil Diamond Cover)](https://i.ytimg.com/vi/KMoSfXECorg/mqdefault.jpg)
![Exploding White Mice - Down On The Street (The Stooges Cover)
From An Oasis In A Desert Of Noise (The 1985 Greasy Pop Compilation Of Adelaide Bands)
Label: Greasy Pop Records – GPR 113, GPR113
Format: Vinyl, LP, Compilation, Stereo
Country: Australia
Released: Mar 1986
Tracklist
Pop Side
A1 The Verge - Here With No Fear
Producer – Kim Horne, Mark Storm, Rohan Belton
Recorded By – Kim Horne
Written-By – Rohan Belton
A2 The Verge - Outside Eden
Producer – Kim Horne, Mark Storm, Rohan Belton
Recorded By – Kim Horne
Written-By – Mark Storm
A3 Dust Collection - Ingrid
Recorded By – Tony Elliott
Written-By – Scott Allen, Travis Underdog
A4 Dead Nats - How To Keep Your Husband Happy
Recorded By – Tony Elliott
Written-By – Jamie K. Sims
A5 Primitive Painters - Undertow
Recorded By – Kim Horne
Written-By – David Norris, Greg Vincent, Rodney Tyler
A6 The Garden Path - This Place
Recorded By – Kim Horne
Written-By – Vic Conrad
Greasy Side
B1 The Spikes - Spy In My House
Producer – The Spikes
Recorded By – KIm Horne
Written-By – Ian List, The Spikes
B2 The Mad Turks From Istanbul - Yet You Wonder Why
Recorded By – Tony Elliott
Recorded By [Backing Vocals Added] – Kim Horne
Written-By – Chuck Skatt, Hank M. Turk
B3 On Heat - Headlines
Recorded By – Dave
Written-By – Gary Mallett, Graham Mallett
B4 The Plague - Axeman
Written-By – The Plague
B5 Primevils - Lazy Mosquito Soup
Recorded By – Kim Horne
Written-By – Jim Selene
B6 Primevils - Wasting Away
Recorded By – Kim Horne
Written-By – David Mason, Jim Selene
B7 Exploding White Mice - Down On The Street
Producer – Exploding White Mice
Producer, Recorded By – Kim Horne
Written-By – The Stooges
Notes
The 1985 Greasy Pop compilation of Adelaide bands: An Oasis is not intended to be the ultimate Adelaide compilation, simply a selection of bands that recorded & played during 1985.
A1, A2, A5, A6, B1, B3, B6, B7, B8 recorded at Studio 202.
A3, A4, B2 recorded at Hitsville Studios.
B4 recorded at Bartels St. Rehearsal Room, mixed later at 5MMM-FM.
Includes a 12 x 12 insert of credits, band bios, photos, etc.
Copyright © – Greasy Pop Songs Pty. Ltd.
Copyright © – Albion Music Ltd.
Copyright © – Paradox Music
Copyright © – Greasy Pop Records
👥 [BAND INFO]
Australian garage rock / punk band founded in 1983 in Adelaide, South Australia and disbanded in 1999.
Vocals – Paul Gilchrist
Guitar – Giles Barrow
Guitar – Jeff Stephens
Drums – Craig Rodda
Bass – Andy MacQueen
🎵 [SONG INFO]
Down on the Street is an iconic song by the American rock band The Stooges, known for its raw energy and proto-punk sound.
It is the opening track on The Stooges second album Fun House released in August 1970 in the US and December 1970 in the UK.
It was also released as their debut 7 single in Japan.
The song is credited to all four original members of The Stooges: Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass guitar), and Scott Asheton (drums).
It was recorded at Elektra Sound Recorders in Los Angeles, California, between May 10 and May 25, 1970. It was produced by Don Gallucci and engineered by Brian Ross-Myring. Steve Mackay also contributed tenor saxophone to the track.
The song exemplifies The Stooges aggressive and unpolished sound, which was a significant precursor to punk rock.
Lyrically, Down on the Street evokes a gritty, nocturnal atmosphere, with Iggy Pops distinctive vocals exploring themes of being lost in love and the visceral energy of street life.
Some interpretations suggest a connection to altered states of mind and a primal, instinctual view of love, contrasting with the more utopian themes prevalent in the counterculture of the time.
While The Stooges didnt achieve mainstream commercial success at the time of Fun Houses release, Down on the Street and the album as a whole have become hugely influential. They are widely considered foundational works in the development of punk rock and alternative music, admired for their raw power, simplicity, and unapologetic attitude. The song continues to be celebrated as a classic of early rock and roll rebellion.
Cover Versions
Rage Against the Machine included their version of Down on the Street on their 2000 covers album, Renegades.
The British band TOY released a cover of Down on the Street.
Protomartyr has also covered the song, as seen in online live performances.
A supergroup formed by members of Pearl Jam, Guns N Roses, Mudhoney, and Screaming Trees (including Mike McCready, Duff McKagan, Mark Arm, and Barrett Martin) performed Down on the Street as part of a one-off Iggy & The Stooges tribute show under the name Raw Power.
Its important to note that many bands who cite The Stooges as an influence might play Down on the Street in live settings or as part of informal recordings, even if those versions arent widely released. The songs raw energy and classic riff make it a natural choice for bands looking to pay homage to the proto-punk sound.
#explodingwhitemice
#downonthestreet
#thestooges Exploding White Mice - Down On The Street (The Stooges Cover)](https://i.ytimg.com/vi/KT8d0LwZAgM/mqdefault.jpg)
![Massiel - We Can Work It Out (The Beatles Cover)
From Massiel
Label: Philips – SBL.7857
Format: Vinyl, LP, Album
Country: UK
Released: 1968
Tracklist
A1 Turn Of A Wheel
Written-By – Glen Mason, Keith Miller
A2 Youve Got To Hide Your Love Away
Written-By – Lennon-McCartney
A3 Ruidos
Written-By – José Luis De Pablo, Massiel
A4 We Can Work It Out
Written-By – Lennon-McCartney
A5 Las Rocas Y El Mar
Written-By – José Luis De Pablo, Massiel
A6 Only Forever Will Do
Written-By – Carlo Donida, Don Black, Mogol
B1 Things We Said Today
Written-By – Lennon-McCartney
B2 And I Love Him
Written-By – Lennon-McCartney
B3 Y Sabes Que Vi?
Written-By – Maryni Callejo, Massiel
B4 Yesterday
Written-By – Lennon-McCartney
B5 El Era Mi Amigo
Written-By – José Luis De Pablo, Massiel
B6 La La La
Written-By – Manuel De La Calva, Ramón Arcusa
Arranged By, Conductor – Zack Laurence
Photography By – Herb Schmitz
Producer – Stephen James
Notes
Her first recording in UK with some Beatles covers
🎵 [SONG INFO]
We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon.
It was first issued as a double A-side single with Day Tripper in December 1965.
The song was recorded during the sessions for the bands Rubber Soul album.
The single reached number one in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada, and Ireland.
In the UK, it was the seventh highest selling single of the 1960s.
We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles career, in that the two songwriters worked together as they had when writing the groups early hit singles of 1963. A Day in the Life, Baby, Youre a Rich Man, and Ive Got a Feeling, are among the other notable exceptions to this trend from the groups later career.
Composition
McCartney wrote the words and music to the verses and the chorus, with lyrics that might have been personal, probably relating to his relationship with actress Jane Asher.
McCartney then presented the song to Lennon, who contributed the bridge.
With its intimations of mortality, Lennons contribution to the twelve-bar bridge contrasts typically with what he saw as McCartneys cajoling optimism, a contrast also seen in other collaborations by the pair, such as Getting Better and Ive Got a Feeling.
Promotional films
For the first time for one of their singles, the Beatles filmed promotional clips for We Can Work It Out and Day Tripper. Subsequently, known as the Intertel Promos, these clips were intended as a way to save the band having to appear in person on popular British television shows such as Ready Steady Go! and Top of the Pops, and also ensured that the Beatles reached their large international audience.
Filming took place at Twickenham Studios in Twickenham, London on 23 November 1965, with Joe McGrath as director.
The Beatles made a total of ten black-and-white videos that day, filming clips for the new songs as well as for their previous hit singles I Feel Fine, Ticket to Ride and Help!
Three of the films were mimed performances of We Can Work It Out, in all of which Lennon was seated at a harmonium.
The most frequently broadcast of the three was a straightforward performance piece with the group wearing black suits.
Another clip shows the group wearing the stage suits from their Shea Stadium performance on 15 August.
The third clip opens with a still photograph of Lennon with a sunflower in front of his eye.
Cover versions
Deep Purple covered We Can Work It Out on their 1968 album The Book of Taliesyn.
In 1970, Stevie Wonder covered the song on his album Signed, Sealed & Delivered, and released it as a single in 1971.
The single reached number 13 on the Billboard Hot 100.
Wonders version earned him his fifth Grammy Award nomination in 1972, for Best Male R&B Vocal Performance. Cash Box described this version as a spectacular dance track which returns Wonder to his earlier straight-ahead teen self complete with harmonica solo.
Wonder performed the song for McCartney when the latter was presented with a Grammy Lifetime Achievement Award in 1990.
In 2010, when McCartney was awarded the Gershwin Prize by the Library of Congress, Wonder again performed his arrangement of We Can Work It Out at a White House ceremony held in McCartneys honour.
Wonder performed it a third time in January 2014, at the 50th anniversary tribute of the Beatles first appearance on The Ed Sullivan Show.
Other artists who have covered the song include:
Petula Clark
Humble Pie
Dionne Warwick
Valerie Simpson
Melanie
Chaka Khan
Maxine Brown
Brass Construction
King Missile
Johnny Mathis
Judy Collins
Big Youth
Tesla
Plain White Ts
Tom Jones
Heather Nova
Steel Pulse
and Rick Wakeman.
In 1976, the song was the Four Seasons contribution to the soundtrack of All This and World War II, a musical documentary.
#massiel
#wecanworkitout
#thebeatlescover Massiel - We Can Work It Out (The Beatles Cover)](https://i.ytimg.com/vi/KcUeU2H5iGo/mqdefault.jpg)
![The Afrika Korps - Till The End Of The Day (The Kinks Cover)
From Music To Kill By
Label: Iron Cross Records – 4001
Format: Vinyl, LP, Album, Stereo
Country: US
Released: Sep 1977
Tracklist
A1 Jailbait Janet
Written-By – Kenne Highland
A2 Fox Lane
Written-By – Jay Gruberger, Sharon McGuire
A3 Too Cool To Fool
Written-By – Kenne Highland, Solomon Gruberger
A4 Everyday
Written-By – Jay Gruberger, Solomon Gruberger
A5 Buzz Stomp
Written-By – Kim Kane
A6 Make Her Know
Written-By – Solomon Gruberger
A7 Juvenile Delinquent
Written-By – Kenne Highland, Scott Duhamel
A8 Wild Mouse
Written-By – Ken Kaiser
A9 Refrigerator Rappin
Written-By – Kenne Highland
A10 Till The End Of The Day
Written-By – Ray Davies
A11 Breaking Out
Written-By – Howard Wuelfing, Solomon Gruberger
B1 N.Y. Punk
Written-By – Jay Gruberger, Solomon Gruberger
B2 Youre A Tease Baby
Written-By – Solomon Gruberger
B3 Creep Skin
Written-By – Kim Kane
B4 Happy Person
Written-By – Jay Gruberger, Solomon Gruberger
B5 Heartful Of Soul
Written-By – Graham Gouldman
B6 Iggy
Written-By – Howard Wuelfing, Solomon Gruberger
B7 Ellen No
Written-By – Solomon Gruberger
B8 I Laffed Out Loud
Written-By – Kenne Highland
B9 Crazy Jill
Written-By – Solomon Gruberger
B10 Lorraine
Written-By – Eddie Flowers, Ken Kaiser, Kenne Highland, Solomon Gruberger
B11 Death To Disko!
Vocals – Barbara Q. Ribbs, Charles Eichert, Karen Hoch, Martha Hull, Patricia Ragan
Vocals, Cover [Design And Graphics] – Laurie Hoch
Lead Guitar, Rhythm Guitar, Vocals – Marshall Keith
Lead Guitar, Rhythm Guitar, Blues Harp, Bass, Vocals – Kenne Highland
Lead Guitar, Rhythm Guitar, Vocals, Producer – Solomon Spector
Lead Guitar, Rhythm Guitar – Max Bialistock
Rhythm Guitar, Vocals, Producer, Artwork – Kim Kane
Drums, Rhythm Guitar, Bass, Vocals, Piano, Producer, Photography By, Artwork – Ken Kaiser
Drums – Chris Thompson, Tommy Bonham
Bass, Lead Guitar, Vocals – Jay Gruberger
Bass, Vocals – Howard Wuelfing
Bass – Thomas Kane
Backing Vocals – The Kaisers Kittens
© 2001 Gulcher Records
℗ 2001 Copyright control
💿 [SONG INFO]
Till the End of the Day is a song by the Kinks, written by Ray Davies and released as a single in 1965 and later on their album The Kink Kontroversy.
It centers on a power chord, like many of the groups early hits, and was similarly successful, reaching number eight in the United Kingdom and number 50 in the United States, spending eight weeks or more in each chart.
Background
Davies recalled of the process of writing the song,
I remember how Till the End of the Day came about. I had a bit of writer’s block, and my managers were getting worried because I hadnt produced anything in almost a month. [Laughs] They sent Mort Shuman round to my house, one of my hit-writing heroes. He wrote Save the Last Dance For Me with Doc Pomus. This mad, druggy New Yorker came round to my little semi-detached house in London. He said, Im here to find out what youre thinking about. Im not interested in what you have written; Im interested in what youre gonna write. He was completely peed off by my managers to say it. I thought it was ridiculous that there was so much importance put on it. If I dont want to write for a month, I wont. To say the least, I was pressured into doing it. Then I went off to stay with my sister and bought a new toy, a little upright piano, and wrote Till The End Of The Day.
Of the songs meaning, Davies said, That song was about freedom, in the sense that someones been a slave or locked up in prison. Its a song about escaping something. I didnt know it was about my state of mind.
Billboard described the song as a rockin dance beat wailer with up-beat lyric.
Cash Box described the single as a rollicking, fast-moving, bluesy romancer about a fella who is especially hung-up on his gal.
Cover versions
A cover version by Big Star appeared on the CD release of Third/Sister Lovers.
Alex Chilton, the singer for Big Star, would eventually record the song with Davies 30 years later for Davies album See My Friends.
The song was covered by Japanese band Shonen Knife and is one of four songs on the CD single Brown Mushrooms And Other Delights from their Rock Animals album released in 1993.
Ty Segalls band, Fuzz, covered the song on their 2013 debut album.
Former KISS guitarist Ace Frehley recorded a cover of the song on his solo covers album: Origins, Vol. 1, released in April 2016.
🔗 [LINKS]
https://gulcher.bigcartel.com/
Available on Spotify:
https://open.spotify.com/album/1M5laqMRfsryV4bnXSyK6S
Apple Music:
https://music.apple.com/us/album/music-to-kill-by/213984945
and Deezer:
https://www.deezer.com/us/album/6249743
and Amazon Music:
https://www.amazon.com/music/player/albums/B0013FRQ8U
#protopunk The Afrika Korps - Till The End Of The Day (The Kinks Cover)](https://i.ytimg.com/vi/Ke1rJn4wP6M/mqdefault.jpg)
![Michael Collins - Helpless (You Took My Love) (Dark Electro/Darkwave/EBM, The Flirts Cover)
From Violet Flame
Released: October 15, 2011
Tracklist
1. Entrance
2. Radhika Stava
3. Like This Before
4. Helpless (You Took My Love)
5. Let Go
6. Radha Ramana
7. Glory
🎵 [SONG INFO]
Helpless (You Took My Love) is a song recorded by The Flirts, a New York-based female vocal trio created by Bobby Orlando, an American musician, songwriter and producer.
Background
The song was written and produced by Bobby Orlando.
Charts
Weekly charts
Chart (1984) / Peak position
Germany (GfK) / 13
Switzerland (Schweizer Hitparade) / 15
US Dance Club Songs (Billboard) / 12
🎤 [LYRICS]
Walk away,
You came into my life and then you went away.
Is there nothing I can do to try and make you stay?
I can see you in the arms of another girl.
You shattered my world!
Suddenly,
Im not half the woman that I used to be.
Now all I have is memories.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
All alone,
We had a deal together now Im all alone.
I shared a life with you and now I dont belong.
Ill have to start a new life on my own,
But Im not that strong!
Suddenly,
Im not half the woman that I used to be.
Now all I have to hold on to is memories.
I just cannot imagine all this treachery.
Now all I have is memories!
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
You took my love, you took my love
You took my love, you took my love
And left me helpless, helpless.
🔗 [LINKS]
Michael Collins on bandcamp:
https://michaelcollins.bandcamp.com/music
and Facebook:
https://www.facebook.com/profile.php?id=100066742873918
Available on bandcamp:
https://michaelcollins.bandcamp.com/album/violet-flame
#michaelcollins
#helplessyoutookmylove
#darkelectro
#ebm
#theflirtscover Michael Collins - Helpless (You Took My Love) (Dark Electro/Darkwave/EBM, The Flirts Cover)](https://i.ytimg.com/vi/Kn3rlXnFbxY/mqdefault.jpg)