Uploaded April 2017 | Updated September 2026, 17 hours ago
PATCH NOTES
============
In order of appearance:
All trigger/gate timing controlled by multiple channels of ALM Pamela’s Workout and 4ms Rotating Clock Divider.
Very slow two note arpeggio from SV-1, to v/oct input of Synth Tech E350. XY out of E350 to Wiard Borg Filter, then Disting in ping-pong delay mode, and then on to Clouds. Stereo out of Clouds to Sputnik mixer. E350 X and Y morphing controlled by E355 LFO1 attenuated via Shades. Clouds Position and Density controlled by a channel of O+C in LFO mode, attenuated by Shades.
Drum sounds from Peaks, sequenced/controlled by Grids, submitted into one channel and on into the Sputnik mixer. Single repeating bass note from tuned SV-1 Osc 2 sine, routed through Streams in “plucked vactrol” mode.
Lead sound Pittsburgh SV-1 Osc1 sine/saw/pulse/sub mix sequenced by Korg SQ-1. Changes in melodic timing via Doepfer A151 Sequential Switch changing between Pamela’s workout channels. Manual changes to play mode and active gates throughout performance. SV-1 output filtered by SV-1 filter controlled manually and via SV-1 ADSR and on to Disting ping-pong delay mode. Stereo out of Disting to Sputnik mixer.
Lots of manual wiggling: Shades attenuation knobs, SV-1 filter attenuverter and frequency knobs, switching A151 step modes, interacting with SQ-1 controls, adjusting Clouds’ mix control, etc.
PATCH NOTES
============
In order of appearance:
All trigger/gate timing controlled by multiple channels of ALM Pamela’s Workout and 4ms Rotating Clock Divider.
Very slow two note arpeggio from SV-1, to v/oct input of Synth Tech E350. XY out of E350 to Wiard Borg Filter, then Disting in ping-pong delay mode, and then on to Clouds. Stereo out of Clouds to Sputnik mixer. E350 X and Y morphing controlled by E355 LFO1 attenuated via Shades. Clouds Position and Density controlled by a channel of O+C in LFO mode, attenuated by Shades.
Drum sounds from Peaks, sequenced/controlled by Grids, submitted into one channel and on into the Sputnik mixer. Single repeating bass note from tuned SV-1 Osc 2 sine, routed through Streams in “plucked vactrol” mode.
Lead sound Pittsburgh SV-1 Osc1 sine/saw/pulse/sub mix sequenced by Korg SQ-1. Changes in melodic timing via Doepfer A151 Sequential Switch changing between Pamela’s workout channels. Manual changes to play mode and active gates throughout performance. SV-1 output filtered by SV-1 filter controlled manually and via SV-1 ADSR and on to Disting ping-pong delay mode. Stereo out of Disting to Sputnik mixer.
Lots of manual wiggling: Shades attenuation knobs, SV-1 filter attenuverter and frequency knobs, switching A151 step modes, interacting with SQ-1 controls, adjusting Clouds’ mix control, etc.
