![Modat - Phreak Out [RKD021] @rekids](https://i.ytimg.com/vi/_F1SWZIrh3Y/maxresdefault.jpg)
Uploaded August 2026 | Updated September 2026, 1 week ago
Out now: orcd.co/rkd021
Scottish DJ, producer and Johnny Johnny Records boss Modat makes his debut on Radio Slave's REK'D with the 'Dashin' EP, arriving 21st August 2026. He kicks things off with 'Still Dashin', a dubbed-out adventure complete with glitchy stabs, acid licks and a subtle shuffle through its straight house groove. It's followed by 'Phreak Out', which places a playful spoken-word vocal alongside its wonky low-end, before 'Thawber' delivers another deep and stripped-back cut. Closing the EP, 'Dish Dash' pairs futuristic modular bleeps with a tight late-night rhythm to round off the release in style.
“I don't tend to overthink the 'why' behind making music. I just enjoy sitting down, making tunes, and seeing where it leads. With the Dashing EP, the only real brief was to make four records that felt built for the club: energetic, functional, and each with its own personality. Listening back, I can hear a bit of my older Nico Mendez sound creeping back in, which wasn't intentional. But I'm not arguing with it either.” — Modat
Glasgow's Modat, aka Beau You Know, has been a fixture of the UK's underground house and techno scene since 2010. Alongside appearances at venues and festivals including The Berkeley Suite, The Mash House, Hideout Festival and Platform 18, he heads up Johnny Johnny Records, launched in 2017, and its sister imprint Rhythm.
Out now: orcd.co/rkd021
Scottish DJ, producer and Johnny Johnny Records boss Modat makes his debut on Radio Slave's REK'D with the 'Dashin' EP, arriving 21st August 2026. He kicks things off with 'Still Dashin', a dubbed-out adventure complete with glitchy stabs, acid licks and a subtle shuffle through its straight house groove. It's followed by 'Phreak Out', which places a playful spoken-word vocal alongside its wonky low-end, before 'Thawber' delivers another deep and stripped-back cut. Closing the EP, 'Dish Dash' pairs futuristic modular bleeps with a tight late-night rhythm to round off the release in style.
“I don't tend to overthink the 'why' behind making music. I just enjoy sitting down, making tunes, and seeing where it leads. With the Dashing EP, the only real brief was to make four records that felt built for the club: energetic, functional, and each with its own personality. Listening back, I can hear a bit of my older Nico Mendez sound creeping back in, which wasn't intentional. But I'm not arguing with it either.” — Modat
Glasgow's Modat, aka Beau You Know, has been a fixture of the UK's underground house and techno scene since 2010. Alongside appearances at venues and festivals including The Berkeley Suite, The Mash House, Hideout Festival and Platform 18, he heads up Johnny Johnny Records, launched in 2017, and its sister imprint Rhythm.
![Modat - Phreak Out [RKD021]](https://i.ytimg.com/vi/_F1SWZIrh3Y/mqdefault.jpg "Modat - Phreak Out [RKD021]
Out now: orcd.co/rkd021
Scottish DJ, producer and Johnny Johnny Records boss Modat makes his debut on Radio Slaves REKD with the Dashin EP, arriving 21st August 2026. He kicks things off with Still Dashin, a dubbed-out adventure complete with glitchy stabs, acid licks and a subtle shuffle through its straight house groove. Its followed by Phreak Out, which places a playful spoken-word vocal alongside its wonky low-end, before Thawber delivers another deep and stripped-back cut. Closing the EP, Dish Dash pairs futuristic modular bleeps with a tight late-night rhythm to round off the release in style.
“I dont tend to overthink the why behind making music. I just enjoy sitting down, making tunes, and seeing where it leads. With the Dashing EP, the only real brief was to make four records that felt built for the club: energetic, functional, and each with its own personality. Listening back, I can hear a bit of my older Nico Mendez sound creeping back in, which wasnt intentional. But Im not arguing with it either.” — Modat
Glasgows Modat, aka Beau You Know, has been a fixture of the UKs underground house and techno scene since 2010. Alongside appearances at venues and festivals including The Berkeley Suite, The Mash House, Hideout Festival and Platform 18, he heads up Johnny Johnny Records, launched in 2017, and its sister imprint Rhythm.")
![Echonomist & OVEOUS - We Surrender [REKIDS280]](https://i.ytimg.com/vi/_HgUNhRJfPY/mqdefault.jpg "Echonomist & OVEOUS - We Surrender [REKIDS280]
Out now: orcd.co/REKIDS280
Greece’s Echonomist, aka Petros Manganaris, returns to Rekids with the ‘My Religion’ EP, arriving 30th January 2026 and featuring collaborations with OVEOUS and Ede. It follows his 2025 remix for Frankey & Sandrino, which won plays from HAAi, John Digweed, Auntie Flo, and more, alongside recent music on labels like Habitat, Innervisions, and its sublabel, Exit Strategy.
Echonomist’s ‘My Religion’ EP opens with the title track, where he teams up with Hyper Soul founder OVEOUS for a loopy, hypnotic cut driven by an alarm-like sequence and tripped-out spoken word vocal. OVEOUS returns on ‘We Surrender’, adding psychedelic, warped phrases over deep bass and an infectious clap-led groove. On the flip, Echonomist joins fellow Innervisions artist Ede for ‘The Heat’, a heavy-hitting, party-starter packed with larger-than-life sirens, big snare rolls, and funky sample work. Petros closes the EP solo with ‘Master Groove’, pairing the drums back while echoing spoken lines ride above an irresistible bassline, rounding off a versatile release built to land with adventurous listeners and on peak-time floors alike.
Greek DJ, producer, and live performer Petros Manganaris became Echonomist in 2008 and has since become known for his prolific output on labels Innervisions, Afterlife, Kompakt, TAU, and more, alongside collaborations with the likes of WhoMadeWho and numerous top-tier remix projects for Âme, Ry X, and Stephan Bodzin.")
![Oliver Dollar - Ought To Be feat. Billy Love [REKIDS276]](https://i.ytimg.com/vi/_iOgxwuGdhs/mqdefault.jpg "Oliver Dollar - Ought To Be feat. Billy Love [REKIDS276]
Out now: orcd.co/REKIDS276
German House artist Oliver Dollar announces his ‘Contemporary’ LP on Rekids, arriving 21st November 2025. Since 2024, he has released four EPs on Radio Slave’s label, featuring collaborations with over a dozen artists and singer-songwriters, supported by the likes of Dam Swindle, Louie Vega, Honey Dijon, Hunee, Kai Alce, and more.
Contemporary stands for what Im playing right now, from deeper tunes to more jacking and booty bangers. Ive been working on this album for the last four years and want to thank all of the collaborators and remixers (so far) involved in making this album happen. Also, big thanks to the Rekids team who gave me full creative control and the stage to bring my favourite artists and friends along for the ride.”
Oliver Dollar
Since 2011, Industry Standard label boss Oliver Dollar has become a trusted name in House music, he was one of the leading proponents of its Fidget subgenre in Berlin at the height of its popularity, propelling him towards releases on labels such as Snatch!, Classic Music Company, and Defected, alongside a reputation as a formidable collaborator that’s worked with the likes of Crazy P, Mousse T, and Todd Edwards. For the ‘Contemporary’ LP, he doubles down on this spirit of partnership, bringing together a transatlantic cast of friends and peers, linking Berlin and Detroit through a shared House vision.
The album begins with ‘The New Is Here’, where Oliver Dollar teams up with Nils Ohrman for a soulful sermon that sets the tone with warmth and gravity, which was previously reimagined into a club-focused dub for ‘Contemporary Part Four’. From there, the mood shifts into ‘Downtown’ with Phil WZK, a deep, Jazz-inflected groove underpinned by a spoken monologue that feels both intimate and eternal.
Vocalists like APROPOS, Boog Brown, and Billy Love then bring soul and gospel fire, while producers including ADMN, Seven Davis Jr., Harvard Bass, Brillstein, and Austin Ato shape grooves that range from Disco-tinged uplift to deep, dubby hypnotism. Rather than a showcase of features, the album flows as one unified statement, a celebration of community, connection, and the timeless energy of House music.
Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Tal Fussman, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.
Oliver Dollar’s ‘Contemporary’ LP on Rekids is a genuine team effort, bringing together some of the brightest voices and producers for a masterpiece that seamlessly blends modern and classic House, Dub, and Disco.")
![Odee X - Agent X (Reprise) [RKD009]](https://i.ytimg.com/vi/aIh6RMiqtes/mqdefault.jpg "Odee X - Agent X (Reprise) [RKD009]
Out now: https://orcd.co/Rkd009")
![Oliver Dollar & Brillstein - Pill Popper [REKIDS276]](https://i.ytimg.com/vi/aJ0gBb2nbU8/mqdefault.jpg "Oliver Dollar & Brillstein - Pill Popper [REKIDS276]
Out now: orcd.co/REKIDS276
German House artist Oliver Dollar announces his ‘Contemporary’ LP on Rekids, arriving 21st November 2025. Since 2024, he has released four EPs on Radio Slave’s label, featuring collaborations with over a dozen artists and singer-songwriters, supported by the likes of Dam Swindle, Louie Vega, Honey Dijon, Hunee, Kai Alce, and more.
Contemporary stands for what Im playing right now, from deeper tunes to more jacking and booty bangers. Ive been working on this album for the last four years and want to thank all of the collaborators and remixers (so far) involved in making this album happen. Also, big thanks to the Rekids team who gave me full creative control and the stage to bring my favourite artists and friends along for the ride.”
Oliver Dollar
Since 2011, Industry Standard label boss Oliver Dollar has become a trusted name in House music, he was one of the leading proponents of its Fidget subgenre in Berlin at the height of its popularity, propelling him towards releases on labels such as Snatch!, Classic Music Company, and Defected, alongside a reputation as a formidable collaborator that’s worked with the likes of Crazy P, Mousse T, and Todd Edwards. For the ‘Contemporary’ LP, he doubles down on this spirit of partnership, bringing together a transatlantic cast of friends and peers, linking Berlin and Detroit through a shared House vision.
The album begins with ‘The New Is Here’, where Oliver Dollar teams up with Nils Ohrman for a soulful sermon that sets the tone with warmth and gravity, which was previously reimagined into a club-focused dub for ‘Contemporary Part Four’. From there, the mood shifts into ‘Downtown’ with Phil WZK, a deep, Jazz-inflected groove underpinned by a spoken monologue that feels both intimate and eternal.
Vocalists like APROPOS, Boog Brown, and Billy Love then bring soul and gospel fire, while producers including ADMN, Seven Davis Jr., Harvard Bass, Brillstein, and Austin Ato shape grooves that range from Disco-tinged uplift to deep, dubby hypnotism. Rather than a showcase of features, the album flows as one unified statement, a celebration of community, connection, and the timeless energy of House music.
Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Tal Fussman, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.
Oliver Dollar’s ‘Contemporary’ LP on Rekids is a genuine team effort, bringing together some of the brightest voices and producers for a masterpiece that seamlessly blends modern and classic House, Dub, and Disco.")
![Mark Broom - Touch [REKIDS288]](https://i.ytimg.com/vi/aXYV6m1YkRo/mqdefault.jpg "Mark Broom - Touch [REKIDS288]
Out now: orcd.co/REKIDS288
UK Techno and House lynchpin Mark Broom returns to Rekids with the ‘Touch’ EP, landing 8th May 2026. Active since the late ‘80s and widely regarded as one of UK dance music’s most enduring figures, Broom’s catalogue spans key imprints including Warp Records, M-Plant, Hardgroove, and his own Pure Plastic and Beardman, alongside collaborations with the likes of Riva Starr, Baby Ford, and James Ruskin. Since first appearing on Rekids in 2019, he’s gone on to deliver 13 further releases, including his five-part ‘Mutated Battle Breaks’ EP series on sister label RSPX.
Following 2024’s ‘Showtime’ EP, his last House-leaning outing for Rekids, Mark Broom now drops the ‘Touch’ EP. The title track leads the charge, pairing a nostalgic vocal with a Disco-House hybrid feel and jackin’ edge, setting the tone for ‘Eyes’, where he works the filters to build suspense as a loopy sample drives those feel-good dancefloor moments.
The B-side shifts into Techno territory with ‘MXM’, a robust, driving groove marked by a machine-like swirl that steadily pushes the pressure, before closer ‘Don’t’ rounds things out with a hard-hitting drumline and tough, strobe-lit stab work.")
![Mike Shannon - Back To The Hood [REKIDS279]](https://i.ytimg.com/vi/a_2IhaDZRzo/mqdefault.jpg "Mike Shannon - Back To The Hood [REKIDS279]
Out now: orcd.co/REKIDS279
Canadian DJ and producer Mike Shannon kicks off the year on Radio Slave’s Rekids with the ‘Off World Synthetics’ EP, landing 16th January 2026 and marking his first appearance on the label since 2023’s ‘Shadow Moves’ for sub-label RSPX. A long-standing force in Minimal and House with a discography stretching two decades, collaborations on Richie Hawtin’s Plus 8, and his own Cynosure and Haunt Recordings labels, Shannon has carved out a reputation as a respected staple in the booth and the studio.
Inspired by Alejandro Jodorowsky and Möbius’ INCAL graphic novels, Mike Shannon’s ‘Off World Synthetics’ EP opens with ‘Synthetic Salsateca’, where a static groove drives a playful, squelching synthline. ‘Back To The Hood’ follows with rattling, mechanical energy, before the flip reveals ‘Off World Sparkle’, with its wonky sequences bending around a rubbery low-end. Closing cut ‘Only Noodles’ pushes deeper into warped clicks, scratches, and subtly shifting textures, rounding off an EP that’s raw, restrained, and devastating in the right hands and on the right system.
Off World Synthetics was greatly inspired by reading the Jarodofsky and Möbius’s graphic novel INCAL. Plus the films Blade Runner and The Lost Boys. The Track Only Noodles has a little sample of Kiefer Sutherland in it. “Theyre only Noodles Michael” Blade Runner and the INCAL both mention the concept of OFF world experiences that inspired me. Mike Shannon")
![Ketiov - My Version of a Kickdrum [REKIDS293]](https://i.ytimg.com/vi/abaVzoS8mZ8/mqdefault.jpg "Ketiov - My Version of a Kickdrum [REKIDS293]
Out now: orcd.co/rekids293")
![Sam Shure & Deer Jade - String Theory [REKIDS292]](https://i.ytimg.com/vi/aj2H3nSJeL0/mqdefault.jpg "Sam Shure & Deer Jade - String Theory [REKIDS292]
Out now: https://orcd.co/rekids292
Berlin’s Sam Shure arrives on Rekids 3rd July 2026 with the ‘Belinda’ EP, a three-tracker including a collaboration with Swiss-French DJ and producer and I AM YOU label boss Deer Jade. Since his debut release in 2016, Shure has been backed by a long list of supporters, including Pete Tong and Âme, racking up over 66 million streams via music on the likes of HABITAT and Cercle, as well as releasing Tomorrowland’s CORE label’s best-selling track.
Sam Shure’s ‘Belinda’ EP opens with the title track, where a robust, organic rhythm playfully underpins the fidgety, bitcrushed sounds and stabs above, all while the titular vocal is evenly dotted throughout the arrangement. Shure then teams up with Innervisions, Diynamic and Kompakt artist Deer Jade for the aptly named ‘String Theory’, a strong and steady groove shot through with uplifting strings and synth work.
Closing the offering, Sam Shure returns solo with ‘No Time To Play’, squelchy sequences winding through rich melodies that steadily build the pressure for a strobe-lit dancefloor adventure.
“Belinda came to life after a sweaty Sunday night at Panorama Bar where I saw Floorplan playing for the second time. I woke up the next day, deeply inspired by them, and made Belinda within 2 hours or so. It was one of those dreamlike flow-state sessions where everything just works the first try and you don’t have to think about your creative decisions at all.
At first I felt it was too fast/heavy to be a Sam Shure track, so it sat on my hard drive for about a year. This year I am feeling a strong and clear gravity toward this more classic, raw house and Detroit approach, and Belinda suddenly made much sense for this project and found its way onto my USB stick.
I am very honored it found a home with such a legendary label that has equally accompanied and inspired me over the years and helped me shape my sound in that direction.” - Sam Shure")
