Uploaded June 2022 | Updated September 2026, 2 weeks ago
In this video, I explain some considerations about mastering, both in the context of the Clip To Zero approach, and also just in general. I pay special attention to the controversy surrounding True Peak levels, and the controversy about whether you should create separate masters for streaming platforms. I also talk about controlling harshness, and how to easily check for any potential problems with lossy codecs.
This is episode 23 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".
0:00 - In this video
2:50 - The mastered waveform
6:15 - Audio demo
7:15 - Don't rush!
9:08 - The harshness check
16:02 - The mono check
18:32 - The wall check
21:20 - The high check
23:00 - The sides check
24:25 - The club/SUV/car check
26:44 - "Pretty Processing" aka "Mix Candy"
31:41 - The best mastering limiter
41:16 - Why to NOT use True Peak limiting
46:43 - Why to NOT master for streaming platforms
52:04 - Proof that TP and Streaming targets are a myth
1:05:24 - Dithering and bit depth
Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:
youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx
Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)
This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.
If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!
Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8a
DubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQC
soundcloud.com/baphometrix
================
Big shoutout to niico for the amazing credit reel graphics!
Did you know that niico is also a great producer? Check out their work at:
beatstars.com/niicolondon
================
Credit reel graphics: beatstars.com/niicolondon
Credit reel music: Baphometrix
In this video, I explain some considerations about mastering, both in the context of the Clip To Zero approach, and also just in general. I pay special attention to the controversy surrounding True Peak levels, and the controversy about whether you should create separate masters for streaming platforms. I also talk about controlling harshness, and how to easily check for any potential problems with lossy codecs.
This is episode 23 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".
0:00 - In this video
2:50 - The mastered waveform
6:15 - Audio demo
7:15 - Don't rush!
9:08 - The harshness check
16:02 - The mono check
18:32 - The wall check
21:20 - The high check
23:00 - The sides check
24:25 - The club/SUV/car check
26:44 - "Pretty Processing" aka "Mix Candy"
31:41 - The best mastering limiter
41:16 - Why to NOT use True Peak limiting
46:43 - Why to NOT master for streaming platforms
52:04 - Proof that TP and Streaming targets are a myth
1:05:24 - Dithering and bit depth
Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:
youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx
Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)
This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.
If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!
Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8a
DubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQC
soundcloud.com/baphometrix
================
Big shoutout to niico for the amazing credit reel graphics!
Did you know that niico is also a great producer? Check out their work at:
beatstars.com/niicolondon
================
Credit reel graphics: beatstars.com/niicolondon
Credit reel music: Baphometrix


![Bitwig 07 - Automation and clip editing in Bitwig vs Ableton
In this video I show you how automation and clip editing works in Bitwig versus in Ableton. Bitwig has quite a few tricks up its sleeve that make for faster workflow and more sophisticated automation and editing capability.
(Big thanks to Robert Crawford for compiling this list of timestamps!)
0:00 - INTRODUCTION
3:17 - Bitwigs Utility Device (AKA Tool)
4:37 - VST Parameters
8:35 - Modifier Key for Fine Adjustments (Holding SHIFT)
9:58 - Adjustments w/ Arrow Keys
12:02 - Moving Automation Points (in Time Domain)
14:25 - Automation Editor Panel
15:01 - Clip Editing in Edit View
16:02 - Event View
20:07 - Shortcuts to Switch Views ([E]dit, [A]utomation, [D]evice)
22:00 - Different Cursor Tools in Arrangement View
23:51 - Split (CTRL + E)
24:33 - Vertical Notches w/ Eraser Tool
26:45 - Vertical Notches w/ Pen Tool (Holding ALT)
28:21 - Moving Vertical Notches (Holding CTRL)
30:14 - An Easier Way
31:25 - Automation Curves (Holding ALT)
32:41 - Symmetrical Curves (Holding ALT)
33:54 - Show All Automation Lanes
34:37 - Automations in Clip Launcher View
37:07 - Switch Playback to Arranger Timeline
38:00 - Clip Level Automations + Benefits
39:01 - 3 Types of Automations in Clips (Absolute, Additive, and Multiplicative) * - HOLY SHIT
45:37 - Moving Clip Automations to Different Tracks in Arranger View
50:05 - Clip Editing in Detail Editor
53:50 - 3 Main Parts of Detail Editor (Audio Events, Stretch, and Onset)
54:45 - Automatic Crossfades
1:00:12 - Stretching & Onsets
1:03:17 - Warping & Warp Modes
1:10:25 - MIDI Clip Editing
1:14:41 - Layered Editing Mode
1:21:23 - Superimposing Audio & MIDI Clips
1:25:30 - OUTRO
Here is a link to the Bitwig Handbook that I use in the video. This is an evergreen document that I will continue to expand and improve as I make more Bitwig tutorials.
https://docs.google.com/document/d/1XRd6Y_u8HuAo8PvnY4AzLMX7PoikIhUoqHM4ABgxumI/edit?usp=sharing
If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on SoundCloud and Spotify. Thanks!
http://soundcloud.com/baphometrix
https://open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8a Bitwig 07 - Automation and clip editing in Bitwig vs Ableton](https://i.ytimg.com/vi/8PLInkXYKKg/mqdefault.jpg)







