MINOR II-V-I ALL KEYS with TRITONE SUBS 120bpm :: Gypsy Jazz Backing Track @ChaStewFiddle
MINOR II-V-I ALL KEYS with TRITONE SUBS 120bpm :: Gypsy Jazz Backing Track @ChaStewFiddle
Uploaded July 2017 | Updated September 2026, 3 days ago
In this set of Minor 2-5-1s the Dominant 7th chord has been
re-harmonised using Tritone Substitution.

For example, the V7 of a 2-5-1 in C would usually be G7. If you count up three whole tones (a tri-tone) from G you get C#. You can play a C#7 in place of the G7. It results in a walk-down bass line effect, in this case D - C# - C.

Faster version here @ 180bpm
youtu.be/6Q6n2FHFF-8

Play along with the track to get used to the sound of a substituted
2-5-1 chord sequence.
Enjoy!
MINOR II-V-I ALL KEYS with TRITONE SUBS 120bpm :: Gypsy Jazz Backing TrackBLUES in B major 110bpm :: FIVE MINUTE JAM Gypsy Jazz Backing TrackBeginning Violin improvisation Gm7 C7 Two Chord Vamp :: Gypsy Jazz Fiddle Backing Track (180 bpm)2-5-1 (II-V-I) E major 110bpm :: FIVE MINUTE JAM Gypsy Jazz Backing TrackBLUES in Eb major 190bpm :: FIVE MINUTE JAM Gypsy Jazz Backing TrackImprovising over DOMINANT 7 Chords: Key C Major - G7 - 120bpmPaquito Em 180bpm :: Gypsy Jazz & Blues Violin Backing Tracks - PlaybackIt Dont Mean a Thing :: Gypsy Jazz & Blues Violin Backing Tracks - Playback2-5-1 (II-V-I) G major 110bpm :: FIVE MINUTE JAM Gypsy Jazz Backing TrackBeginning Violin improvisation Em7 A7 Two Chord Vamp :: Gypsy Jazz Fiddle Backing Track (180 bpm)Jazz & Blues Improvisation :: Licks for Violin :: Lick Library 001Line 6 Relay G10 Wireless system revisited after 1 YEAR of use (2019)
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MINOR II-V-I ALL KEYS with TRITONE SUBS 120bpm :: Gypsy Jazz Backing Track

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