Davester2296 | Metal Gear 2 - Zanzibar Breeze [Cover By DAR] @DAR-Davester2296 | Uploaded July 2020 | Updated October 2024, 1 week ago.
Many thanks goes out to all whom kept up their support for Metal Gear during the last couple of Cover Battlegrounds! Thanks to your votes, as well as Solid Snake's performance during CB, this channel finally has its very first Metal Gear cover! Also, shoutout to ren for nominating "Zanzibar Breeze"!
Man, it feels great coming back to do the guitar dance once again here on this covers channel. I've been gone for far too long, but I think this break was exactly what I needed. I'm feeling refreshed and hyped to churn out more jams!
Before I get into my usual details about this current cover, I just want to say that, no, I did not forget about Space Manbow... nor have I completely abandoned it. I don't know why, but for some reason, something just hasn't been meshing well. I DO plan to do it eventually, but for the time being, its time to play catch-up!
So originally, I never planned on having any synths in this cover. I had planned for the opening to be more orchestral, and have an almost kind of Middle-Eastern sound. However, unable to figure out how to properly achieve that, I started playing with SQ8L and some other synths. At this point, rather than really focusing on trying to be super faithful to the original, I just REALLY wanted to rock and jam out to my heart's content (regardless of accuracy)!
Also, this cover marks the first time I've ever used the "synth toms" from the Roland SoundCanvas General MIDI soundfont. I think with everything going on in this cover, the normal toms got overwhelmed most of the time. Since I had already went with this synth/rock sort of sound, I figured that the (usually) cheesy-sounding synth toms would be great for layering on top of the normal toms. I definitely hope to use these toms more often in my future works!
Oh also, a bit of a disclaimer, the Strat wasn't used for the actual audio recording. I decided to bust out the Strat again since I think it makes differentiating the parts in the video a bit easier. Plus, its more eye-candy for the video too!
Anyways, I hope you all enjoy the cover! Sorry to have kept you all waiting! ~DAR
--[đđ±đ¶đđŒđż'đ đĄđŒđđČ]: đ đ°đ¶ đšđ¶đșđŽ đ«đ¶đŽđ” đŠđ·đŠđł... đžđąđ”đ€đ©đŠđ„ đą đ€đ°đ¶đ±đđŠ đ°đ§ đșđ°đ¶đł đ§đłđȘđŠđŻđ„đŽ đ”đȘđŠ đŁđŠđđ”đŽ đąđłđ°đ¶đŻđ„ đ”đ©đŠđȘđł đ©đŠđąđ„đŽ đąđŻđ„ đ”đ©đŠđŻ đłđŠđ±đŠđąđ”đŠđ„đđș đŽđąđș "đđđđŒđ đđđđđđ" đ”đ° đŠđąđ€đ© đ°đ”đ©đŠđł?.... đșđŠđąđ©, đźđŠ đ”đ°đ°... ~đđłđ€đ©đȘđŠ--
OPUS DOWNLOAD: mediafire.com/file/c65thuldzxyseol/Metal+Gear+2+-+Zanzibar+Breeze+[Cover+By+DAR]+.opus/file
Originally Composed By:
Mutsuhiko Izumi (ăăăż ăă€ăČă)
/
Konami Kukeiha Club (ăăȘăżăăăăŻăăă¶) - [ Masahiro Ikariko (ăăăă ăŸăăČă), Mutsuhiko Izumi (ăăăż ăă€ăČă), Yuko Kurahashi, Tomoya Tomita (ăšăżă ăšăă), Kazuhiko Uehara (ăăăŻă ăăăČă), Yuji Takenouchi (ăăăźă㥠ăăă), Tsuyoshi Sekito (ăăăš ă€ăă) ]
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Many thanks goes out to all whom kept up their support for Metal Gear during the last couple of Cover Battlegrounds! Thanks to your votes, as well as Solid Snake's performance during CB, this channel finally has its very first Metal Gear cover! Also, shoutout to ren for nominating "Zanzibar Breeze"!
Man, it feels great coming back to do the guitar dance once again here on this covers channel. I've been gone for far too long, but I think this break was exactly what I needed. I'm feeling refreshed and hyped to churn out more jams!
Before I get into my usual details about this current cover, I just want to say that, no, I did not forget about Space Manbow... nor have I completely abandoned it. I don't know why, but for some reason, something just hasn't been meshing well. I DO plan to do it eventually, but for the time being, its time to play catch-up!
So originally, I never planned on having any synths in this cover. I had planned for the opening to be more orchestral, and have an almost kind of Middle-Eastern sound. However, unable to figure out how to properly achieve that, I started playing with SQ8L and some other synths. At this point, rather than really focusing on trying to be super faithful to the original, I just REALLY wanted to rock and jam out to my heart's content (regardless of accuracy)!
Also, this cover marks the first time I've ever used the "synth toms" from the Roland SoundCanvas General MIDI soundfont. I think with everything going on in this cover, the normal toms got overwhelmed most of the time. Since I had already went with this synth/rock sort of sound, I figured that the (usually) cheesy-sounding synth toms would be great for layering on top of the normal toms. I definitely hope to use these toms more often in my future works!
Oh also, a bit of a disclaimer, the Strat wasn't used for the actual audio recording. I decided to bust out the Strat again since I think it makes differentiating the parts in the video a bit easier. Plus, its more eye-candy for the video too!
Anyways, I hope you all enjoy the cover! Sorry to have kept you all waiting! ~DAR
--[đđ±đ¶đđŒđż'đ đĄđŒđđČ]: đ đ°đ¶ đšđ¶đșđŽ đ«đ¶đŽđ” đŠđ·đŠđł... đžđąđ”đ€đ©đŠđ„ đą đ€đ°đ¶đ±đđŠ đ°đ§ đșđ°đ¶đł đ§đłđȘđŠđŻđ„đŽ đ”đȘđŠ đŁđŠđđ”đŽ đąđłđ°đ¶đŻđ„ đ”đ©đŠđȘđł đ©đŠđąđ„đŽ đąđŻđ„ đ”đ©đŠđŻ đłđŠđ±đŠđąđ”đŠđ„đđș đŽđąđș "đđđđŒđ đđđđđđ" đ”đ° đŠđąđ€đ© đ°đ”đ©đŠđł?.... đșđŠđąđ©, đźđŠ đ”đ°đ°... ~đđłđ€đ©đȘđŠ--
OPUS DOWNLOAD: mediafire.com/file/c65thuldzxyseol/Metal+Gear+2+-+Zanzibar+Breeze+[Cover+By+DAR]+.opus/file
Originally Composed By:
Mutsuhiko Izumi (ăăăż ăă€ăČă)
/
Konami Kukeiha Club (ăăȘăżăăăăŻăăă¶) - [ Masahiro Ikariko (ăăăă ăŸăăČă), Mutsuhiko Izumi (ăăăż ăă€ăČă), Yuko Kurahashi, Tomoya Tomita (ăšăżă ăšăă), Kazuhiko Uehara (ăăăŻă ăăăČă), Yuji Takenouchi (ăăăźă㥠ăăă), Tsuyoshi Sekito (ăăăš ă€ăă) ]
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![Metal Gear 2 - Zanzibar Breeze [Cover By DAR]](https://i.ytimg.com/vi/HIBMBUSEutI/hqdefault.jpg "Metal Gear 2 - Zanzibar Breeze [Cover By DAR]
Many thanks goes out to all whom kept up their support for Metal Gear during the last couple of Cover Battlegrounds! Thanks to your votes, as well as Solid Snakes performance during CB, this channel finally has its very first Metal Gear cover! Also, shoutout to ren for nominating Zanzibar Breeze!
Man, it feels great coming back to do the guitar dance once again here on this covers channel. Ive been gone for far too long, but I think this break was exactly what I needed. Im feeling refreshed and hyped to churn out more jams!
Before I get into my usual details about this current cover, I just want to say that, no, I did not forget about Space Manbow... nor have I completely abandoned it. I dont know why, but for some reason, something just hasnt been meshing well. I DO plan to do it eventually, but for the time being, its time to play catch-up!
So originally, I never planned on having any synths in this cover. I had planned for the opening to be more orchestral, and have an almost kind of Middle-Eastern sound. However, unable to figure out how to properly achieve that, I started playing with SQ8L and some other synths. At this point, rather than really focusing on trying to be super faithful to the original, I just REALLY wanted to rock and jam out to my hearts content (regardless of accuracy)!
Also, this cover marks the first time Ive ever used the synth toms from the Roland SoundCanvas General MIDI soundfont. I think with everything going on in this cover, the normal toms got overwhelmed most of the time. Since I had already went with this synth/rock sort of sound, I figured that the (usually) cheesy-sounding synth toms would be great for layering on top of the normal toms. I definitely hope to use these toms more often in my future works!
Oh also, a bit of a disclaimer, the Strat wasnt used for the actual audio recording. I decided to bust out the Strat again since I think it makes differentiating the parts in the video a bit easier. Plus, its more eye-candy for the video too!
Anyways, I hope you all enjoy the cover! Sorry to have kept you all waiting! ~DAR
[đđ±đ¶đđŒđżđ đĄđŒđđČ]: đ đ°đ¶ đšđ¶đșđŽ đ«đ¶đŽđ” đŠđ·đŠđł... đžđąđ”đ€đ©đŠđ„ đą đ€đ°đ¶đ±đđŠ đ°đ§ đșđ°đ¶đł đ§đłđȘđŠđŻđ„đŽ đ”đȘđŠ đŁđŠđđ”đŽ đąđłđ°đ¶đŻđ„ đ”đ©đŠđȘđł đ©đŠđąđ„đŽ đąđŻđ„ đ”đ©đŠđŻ đłđŠđ±đŠđąđ”đŠđ„đđș đŽđąđș đđđđŒđ đđđđđđ đ”đ° đŠđąđ€đ© đ°đ”đ©đŠđł?.... đșđŠđąđ©, đźđŠ đ”đ°đ°... ~đđłđ€đ©đȘđŠ
OPUS DOWNLOAD: https://www.mediafire.com/file/c65thuldzxyseol/Metal+Gear+2+-+Zanzibar+Breeze+[Cover+By+DAR]+.opus/file
Originally Composed By:
Mutsuhiko Izumi (ăăăż ăă€ăČă)
/
Konami Kukeiha Club (ăăȘăżăăăăŻăăă¶) - [ Masahiro Ikariko (ăăăă ăŸăăČă), Mutsuhiko Izumi (ăăăż ăă€ăČă), Yuko Kurahashi, Tomoya Tomita (ăšăżă ăšăă), Kazuhiko Uehara (ăăăŻă ăăăČă), Yuji Takenouchi (ăăăźă㥠ăăă), Tsuyoshi Sekito (ăăăš ă€ăă) ]
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![Mabinogi - The Final Stand [Cover By DAR] - G1 Final Boss Theme](https://i.ytimg.com/vi/I12-IawE3vc/hqdefault.jpg "Mabinogi - The Final Stand [Cover By DAR] - G1 Final Boss Theme
Shoutout to LegalShade for nominating this track! Special thanks also goes out to my friend, Sam, for voting Mabinogi into COVER BATTLEGROUNDS III.
Man, this was real fun to make. I really wanted to stick very close to the original on this one. I also did my best to try and imitate the synths from the original. I was going to do one of the synth parts with the guitar, but it just didnt sound quite right. In the end, I decided to save the lead guitar for the final stretch of the song.
I did however, make some other little additions. I made up the guitar part around 0:26-0:58 because I couldnt quite tell what the guitar was doing in the background of the original. I also made up new/different piano parts as well. I also added in a calm little interlude as well (3:25).
As for the video, my footage of the Glas Ghaibhleann boss fight got mostly borked. So I had to improvise and shot some more footage elsewhere. I decided to go off and do a couple of my favorite pastimes in Mab: Running Rabbie and Ciar Dungeons. Also at some point the video seems to have become about a boy and his bear wrecking everything, but anyways...
Hope you all enjoy the cover, and look forward to the upcoming COVER BATTLEGROUNDS IV!! ~DAR
OGG DOWNLOAD: https://www.mediafire.com/file/qp5bvathfrs2v0f/Mabinogi The_Final_Stand_%5BCover_By_DAR%5D.ogg/file
Gameplay recorded over on the MabiPro private server: https://mabi.pro/
Originally Composed By: HanStone Lee
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![DOOM | Plutonia MIDI Pack - Dead Plumbers Song [Cover By DAR] - MAP28](https://i.ytimg.com/vi/I4Gs2fYGypM/hqdefault.jpg "DOOM | Plutonia MIDI Pack - Dead Plumbers Song [Cover By DAR] - MAP28
Really ambient and spooky track.
Decided to go for this sorta lo-fi drum sound by rolling off the highs.
Anyhow, hope you all enjoy the track! ~DAR
.OGG DOWNLOAD: https://mega.nz/file/1b9QTR4Z#gR0_D0Gb_J4ALyql4AtMEu2fO1ZjIz3S-Mi6MxhI2Vw
CREDITS:
Originally Composed By ClumsyDoomer
Final Doomer+: https://forum.zdoom.org/viewtopic.php?t=55061
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![DOOM | D64D2 - Lurking [Cover By DAR] - MAP19](https://i.ytimg.com/vi/IFoFH0OzjME/hqdefault.jpg "DOOM | D64D2 - Lurking [Cover By DAR] - MAP19
Really loved working on this one! This really made me think back to when I did my E2M6 cover back during the DOOM 1 Marathon. Most likely those sinister (pun sorta intended?) guitar harmonies is what made me think of it. Just felt rather nostalgic throughout the whole process!
I followed the original for the most part, but sorta extended things and injected some of my own original bits starting at 2:34.
Bit of influence from my song Fever Dream, as well as some RED PLANET influence in this new segment. Noodling around and making the solo was also pretty fun.
The solo is actually a blend of both my Ibanez and my Strat. This happened since I had originally wanted it to just be the Strat doing the leads, but I decided I liked the tone of my Ibanez more for this. So, rather than scrapping the Strat solo I recorded, I lightly blended it under the new re-recorded solo that I did on the Ibanez.
On the subject of rhythm guitars, it feels like its been forever since I last did a pick slide/scrape!
Im also pretty happy about the new technique Ive been using to mix my bass guitar now. Really sits well in the mix, while also managing not to get completely buried under the rhythm guitar.
Got one mixer track going down the center, my normal bass signal-chain that Ive used for years now. Then Ive also got a very very quiet distorted track that I carefully blend in. Lastly, I have another mixer track that is quite similar to my normal signal-chain, except I take the cabinet-sim out of the chain and throw in a flanger/chorus instead. This track manages to give the bass a bit more mid-presence. In particular, around the 785hz-800hz range where I slightly dip the EQs for both the rhythm and lead guitars. The chorus effect on that track also helps fill and round the sound out more too.
Technical audio rambling stuff aside, I LOVE the bassline in this song. It just felt so satisfying to play!
As for other little details, I added some gongs for dramatic effect. You can almost never go wrong with gongs, man. Its like, a crash cymbal... but bigger and thus more epic. Also, I threw in a subtle tom roll at the very end since it just felt right.
Speaking of toms, after all this time, Ive realized that Ive had my gain-staging all goofed in my signal-chain for the toms! It had been a mystery to me for a while now. I would wonder why Id have a hard time getting my toms to sound right. Turns out that I had the signal coming out too hot out of my multi-band compressor. That loud signal then fed into the compressor/saturator that was next in line, and wound up making the toms sound rather overly-aggressive at times. After a slap to the forehead and pulling down faders in the multi-band compressor, all was well again!
Before wrapping things up here, just wanted to apologize since this honestly shouldve been out like 3 days earlier. I was totally prepared for video-day/the-guitar-dance, however I had a bout of bad luck. Got sick from my instant coffee, which I never had a problem with before (maybe something in it went bad?). I had also wound up pulling something in my left-shoulder the day prior to that. Needless to say, I decided to recharge for those 3 days. Alls good now of course, felt 100% again when recording this video.
Anyways, hope you all enjoy this excellent jam, and hope you all look forward to D64D2s MAP21 up next! That one has some serious Legion of the Lost vibes about it, so Im certainly excited about starting audio-work on it here soon! ~DAR
OGG DOWNLOAD: https://www.mediafire.com/file/xvdnc5e9nxrf9ga/D64D2+-+Lurking+(MAP19)+[Cover+By+DAR].ogg/file
Originally Composed By CoTeCiO
https://www.youtube.com/channel/UCsD53Ezi1d7mhfEYtSGPU4Q
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![DOOM | Plutonia MIDI Pack - Denied [Cover By DAR] - MAP10](https://i.ytimg.com/vi/IMcr1gaZTXc/hqdefault.jpg "DOOM | Plutonia MIDI Pack - Denied [Cover By DAR] - MAP10
Time to get gritty and industrial for this tune.
So this one was pretty interesting to tackle. First thing I did right off the bat was stare at the MIDI channel/track titled 8 string and went Hahaha oh no!
However, it was about time that I finally got to test out one of a several ideas Ive had for faking an 8-string. In the interest of saving time, I decided to try the simplest of my ideas... recording it all with my bass. Yep, thats right, all the guitars in this is actually me running my bass through my guitar signal-chain. I wound up tweaking a few things on my amp sim, but other than that, the rest of the signal-chain was the same as my normal one.
Now, just straight up strumming power chords on the bass was going to sound awful. So, knowing this, I decided to record the chords one note at a time. After quad-tracking the guitar parts, I went and spread them out. The root and its octave taking up the left side, and the 5th and its octave taking up the right.
Pretty happy with how this fake-8-string turned out. But man, my bass was noisy as hell. However, I wound up heavily chopping up the starts and ends of the notes, so the noise really wasnt much of a problem.
Eventually at some point, I finally had an idea for how I wanted this track to sound. I wanted it to sound really gritty and ugly (but like, in a good way!). Cue lots and lots of distortion on everything! It started with the guitar parts, but then quickly spread to nearly every other element in the mix. I especially love what the added distortion did for the kick and snare, it really gave them some balls!
Only thing that I think was spared from distortion hell was my shaker sample... which, fun fact; I went and chopped up and repurposed the shakers that I had recorded for my Watch Your Rock cover. Thats right, the (near-empty) bag of alfalfa seeds strikes again!
Also, with everything going on, it may not be as apparent, but I changed up my bass tone. I was messing around with something else and I wound up trying out a different bass amp sim. Definitely going to be sticking with this new amp sim!
Overall, Im pretty happy with how this turned out. I think I managed to stay really close to the original. That, and Im satisfied with how my fake-8-string experiment turned out. Its something that Ive messed with on and off for at least two years now. Its nice finally being able to put it to the test and use it for something here on the channel!
Anyways, I hope you all enjoy this gritty addition to the Plutonia Marathon! On the next episode, arch-vile maze-madness awaits us. Stay tuned! ~DAR
OGG DOWNLOAD: https://mega.nz/file/saVSAArL#-oSt1-Xmnw_k9D36rZM6tRRPrjQWuXG-95vpf8QSj8c
Originally Composed By Doomkid92
https://www.youtube.com/@DoomKid/featured
Final Doomer +:
https://forum.zdoom.org/viewtopic.php?t=55061
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![Dreutinaz vs The Disciples of DSparil | [DAR n Friends]](https://i.ytimg.com/vi/IqZutgi5RnI/hqdefault.jpg "Dreutinaz vs The Disciples of DSparil | [DAR n Friends]
Meanwhile, as this channels very own Dark Wizard awaits the return of DAR and the COVER BATTLEGROUNDS... a couple of potentially troublesome guests pay him a visit. MailGuy also comes to deliver a very important message.
So, I had a lot of fun goofing around with this. I always love being able to voice both Drew and MailGuy whenever the opportunity arises!
Ive had the idea for this skit for like over a year now. After having my ear talked off by a couple of Jehovahs Witnesses as I did routine maintenance on my car... the idea quickly popped into my head shortly after they finally left.
I thought itd be hilarious to have DSparils remaining disciples going around door-to-door trying to get folks to worship their now long-dead Serpent Rider god (well not dead technically, according to lore from the Hexen II expansion).
For a while, I hadnt quite worked out how Id introduce these door-to-door disciples. However, recently, with COVER BATTLEGROUNDS V coming ever closer, I finally had an idea for this short skit!
Anyways, I hope you all get a chuckle out of this, I also hope you are all feeling hyped for COVER BATTLEGROUNDS V! The proper announcement video and the start of the voting-period will be coming very soon.
Also, fun fact (before I totally forget how I had come up with the name Dreutinaz): Drews name came to be one day when I was trying to think of a name for the then new Master of SlaughterSphere. I forgot how exactly I came across it, but I stumbled upon Druhtinaz an old Proto-Germanic word meaning a military leader, warlord, or something to that effect. I took a liking to it and then wound up realizing later that I had mispronounced it. However, I stuck with my mispronunciation since I could easily refer to him as just Drew.... Thus the mispelling, Dreutinaz came to be! ~DAR
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![Metroid Prime 2: Echoes - Title Theme [Cover By DAR]](https://i.ytimg.com/vi/JL5AtAKVU0I/hqdefault.jpg "Metroid Prime 2: Echoes - Title Theme [Cover By DAR]
Another entry to the Subscriber Event! Shoutout and thanks goes out to longtime subscriber: 6usfsd adsfe, for suggesting this song during the event.
Apologies for how long this took to get out, I seriously needed a nice break after that Infinite Sky cover! Because of that, I wound up sitting on this one for way longer than I should have.
I was unsure about this one since I wound up deviating a bit from the originals more subdued energy. Originally, I was going to follow this very closely, but I wound up really liking how my double-tapped part came out. After the tapping shenanigans, I decided at that point that Id go for this electronic rock kind of sound. I also had a tricky time trying to figure out what to do with my rhythm-guitar tracks... all was good though after I ran them through a gated filter!
For a while, I was trying to think of what was missing during the choir parts. When I finally sat back down to finish this, I decided to try throwing in some strings. I felt like this addition layered underneath the choirs gave things more impact, and made it sound a bit more grand.
Other than all that, I went back and referenced how I got certain sounds for my previous Metroid cover. Also, as simple as it was, I quite enjoyed making the heartbeat sound. Past the intro, I wound up also using the heartbeat in other spots (for dramatic effect!).
Anyways, I hope you all enjoy the cover! ~DAR
OPUS DOWNLOAD: https://www.mediafire.com/file/abliii6edgz8nqf/Metroid+Prime+2+Echoes+-+Title+Theme+[Cover+By+DAR].opus/file
Originally Composed By Kenji Yamamoto (ć±±æŹ ć„èȘ)
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![DOOM Hellcore - Danielles Face [Cover By DAR] - MAP01](https://i.ytimg.com/vi/JVA903xRJPo/hqdefault.jpg "DOOM Hellcore - Danielles Face [Cover By DAR] - MAP01
DOOM Hellcore - Danielles Face [Cover By DAR] - MAP01")
![DOOM (PSX) - Finale [Cover By DAR]](https://i.ytimg.com/vi/K5WOUvNwp2o/hqdefault.jpg "DOOM (PSX) - Finale [Cover By DAR]
Meanwhile, in a continuity where the demons stay defeated, and our Doomguy gets to retire to a lifetime of frivolity...
Shoutout and thanks goes out to Sraigius, for suggesting/requesting this one!
So this one took a while, mainly because I got stuck being picky with how I was layering all my orchestral bits and pieces. It wasnt so much about transposing as it was about texture. I had crazy amounts of layers and stuff loaded up for this one.
I tried to faithfully stick to the original, all up until the last 1/3 of the song. Until then, I added little things like those epic taiko and orchestral bass drums (for dramatic impact). I also made a slight alteration to some brass bits like at 1:13. Really liked the way the brass resolves in these parts.
As the song heads into its final stretch, I had finally come up with something special for this cover! I wanted to give a nod to Doom 64 here, so I threw in some power chords on the guitar, as well as adding some marcato and staccato violin and viola sections. In these new violin and viola parts, the melody is a bit of a play on the synth-harp bit from the Doom 64 theme. I wound up stacking things up and had some harmonies going in those parts, in order to really drive home that epic and heroic flair.
As for the video, rather than going with my original idea of just holding the ending text, I decided to get a little artsy. My idea being to try and cram in as much Doom as I could in the span of roughly 3 minutes. Parodied/recreated the box art for Doom 1, 2, 3, and PSX. RIP AND TEAR. Encounters with the bosses (even threw in the Mother Demon just for good measure there toward the end). I actually wanted to try and fit a whole lot more into this video, but had to cut and streamline some ideas in order to try and fit it all in this cover.
One idea that partially made it was having the two marines in dress blues turn out to actually be the Protagonist and his buddy from my Infinite Sky cover. Though due to trying to fit everything here, the only thing to go off of are the hair and eye colors of those two dressed-up marines.
All in all, Im glad I finally wrapped up this one, however were not done with this mini-marathon just yet! Weve still got the Credits & Demo song left to go.
Anyways, I hope you all enjoy the cover and look forward to the last cover for this PSX DOOM mini-marathon! ~DAR
.OGG DOWNLOAD: https://mega.nz/file/UKNkTI5K#FDf-b44CVpKuZEOFKRhGERnK0wgQXco8K-Sgb8uATv8
Originally Composed By Aubrey Hodges
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