Uploaded February 2026 | Updated September 2026, 2 weeks ago
Spider-Man & Wolverine looked like one of Marvel’s rare modern wins — two A-list heroes, a killer artist, and a clear premise with real momentum. And then it quietly ends at issue #10. That’s not “Spider-Man can’t sell.” That’s not “Wolverine can’t sell.” That’s Marvel’s ongoing problem — and why readers don’t believe any new series is built to last.
This should’ve been a pillar book: marquee characters, strong visual identity, and action that felt significant every issue. But quality and star power don’t matter when the audience expects the rug-pull. After years of relaunches and short “ongoings” that function like minis, readers assume there’s an expiration date. When fans expect ten issues, they wait. When they wait, sales stall. When sales stall, Marvel cancels — and the cycle continues.
Then it’s time for the week’s must-read comics:
Hyde Street #10 — Ghost Machine
Writer: Geoff Johns
Artist: Francis Portela
A major return issue after the hiatus with big character backstory reveals and a bigger Hyde Street mystery taking shape.
TMNT: Saturday Morning Adventures #34 — IDW
Writer: Erik Burnham
Artist: Dan Schoening
A pitch-perfect 80s cartoon-style adventure with big action, villain chaos, and consistent “Saturday Morning” fun.
Conan the Barbarian #29 — Titan Comics
Writer: Jim Zub
Artist: Doug Braithwaite
A bold villain origin issue that sets up the next major threat and expands the world without relying on Conan to carry every scene.
Punisher #1 — Marvel Comics
Writer: Ben Percy
Artist: José Luis Suárez
Frank Castle is back on the streets with brutal energy, nasty crime-family tension, and some of the strongest interior art Marvel’s had in a while.
Infernal Hulk #4 — Marvel Comics
Writer: Phillip Kennedy Johnson
Artist: Nick Klein
Big answers about where Hulk is and what’s happening, with Nick Klein putting on a clinic through visual storytelling.
Hulk Smash Everything #3 — Marvel Comics
Writer: Ryan North
Artist: Vincenzo Carratù
The series finally leans all the way into the premise with bigger, crazier smashing and a much stronger payoff.
Green Lantern #32 — DC Comics
Writer: Jeremy Adams
Artist: Xermánico
A major relationship turn and a big emotional pivot as the series sets up the next era.
Superman #35 — DC Comics
Writer: Joshua Williamson
Artist: Eddy Barrows
A standout DC K.O. tie-in with huge moments, sharp escalation, and dynamic art that sells every beat.
The Bat-Man: Second Knight #3 — DC Comics
Writer: Dan Jurgens
Artist: Mike Perkins
A gorgeous period Batman/Superman clash with real atmosphere, strong payoffs, and a satisfying close.
🎧 Want More No-BS Comic Talk?
The latest Hot or Not Podcast is live right now, covering even more weekly releases and deeper discussion.
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Back Channel Memberships
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Chapters
00:00 Intro
00:48 The End of the Road of Spider-Man & Wolverine
03:38 Hyde Street #10
05:08 TMNT: Saturday Morning Adventures #34
06:50 Conan the Barbarian #29
08:39 Punisher #1
10:20 Infernal Hulk #4
12:03 Hulk Smash Everything #3
13:35 Green Lantern #32
15:29 Superman #35
17:43 The Bat-Man: Second Knight #3
Follow the Channel
📱 TikTok: tiktok.com/@thinking_critical
📸 Instagram: instagram.com/thinkingcrit
📘 Facebook Group: facebook.com/groups/1368359010382132
💬 Discord: discord.gg/uHM3Z68
🎮 Twitch: twitch.tv/thinking_critical_yt
Contact Wes
🐦 Twitter: twitter.com/Wes_from_TC
📧 Email: wesdigscomic@gmail.com
🔊 Automatic Dubbing Disclaimer
This video includes YouTube’s automatic dubbing feature for non-English speakers. Translations may contain minor errors and do not always reflect tone or expression. You can switch back to the original English track in the settings if needed.
Spider-Man & Wolverine looked like one of Marvel’s rare modern wins — two A-list heroes, a killer artist, and a clear premise with real momentum. And then it quietly ends at issue #10. That’s not “Spider-Man can’t sell.” That’s not “Wolverine can’t sell.” That’s Marvel’s ongoing problem — and why readers don’t believe any new series is built to last.
This should’ve been a pillar book: marquee characters, strong visual identity, and action that felt significant every issue. But quality and star power don’t matter when the audience expects the rug-pull. After years of relaunches and short “ongoings” that function like minis, readers assume there’s an expiration date. When fans expect ten issues, they wait. When they wait, sales stall. When sales stall, Marvel cancels — and the cycle continues.
Then it’s time for the week’s must-read comics:
Hyde Street #10 — Ghost Machine
Writer: Geoff Johns
Artist: Francis Portela
A major return issue after the hiatus with big character backstory reveals and a bigger Hyde Street mystery taking shape.
TMNT: Saturday Morning Adventures #34 — IDW
Writer: Erik Burnham
Artist: Dan Schoening
A pitch-perfect 80s cartoon-style adventure with big action, villain chaos, and consistent “Saturday Morning” fun.
Conan the Barbarian #29 — Titan Comics
Writer: Jim Zub
Artist: Doug Braithwaite
A bold villain origin issue that sets up the next major threat and expands the world without relying on Conan to carry every scene.
Punisher #1 — Marvel Comics
Writer: Ben Percy
Artist: José Luis Suárez
Frank Castle is back on the streets with brutal energy, nasty crime-family tension, and some of the strongest interior art Marvel’s had in a while.
Infernal Hulk #4 — Marvel Comics
Writer: Phillip Kennedy Johnson
Artist: Nick Klein
Big answers about where Hulk is and what’s happening, with Nick Klein putting on a clinic through visual storytelling.
Hulk Smash Everything #3 — Marvel Comics
Writer: Ryan North
Artist: Vincenzo Carratù
The series finally leans all the way into the premise with bigger, crazier smashing and a much stronger payoff.
Green Lantern #32 — DC Comics
Writer: Jeremy Adams
Artist: Xermánico
A major relationship turn and a big emotional pivot as the series sets up the next era.
Superman #35 — DC Comics
Writer: Joshua Williamson
Artist: Eddy Barrows
A standout DC K.O. tie-in with huge moments, sharp escalation, and dynamic art that sells every beat.
The Bat-Man: Second Knight #3 — DC Comics
Writer: Dan Jurgens
Artist: Mike Perkins
A gorgeous period Batman/Superman clash with real atmosphere, strong payoffs, and a satisfying close.
🎧 Want More No-BS Comic Talk?
The latest Hot or Not Podcast is live right now, covering even more weekly releases and deeper discussion.
Support the Channel / Join the Community
Support Thinking Critical on Patreon for Exclusive Content
🔗 patreon.com/thinkingcritical
Back Channel Memberships
🔗 youtube.com/@Wes_From_TC/join
🛒 Official Thinking Critical Merch
🔗 redbubble.com/people/T-Critical/shop?asc=u
Chapters
00:00 Intro
00:48 The End of the Road of Spider-Man & Wolverine
03:38 Hyde Street #10
05:08 TMNT: Saturday Morning Adventures #34
06:50 Conan the Barbarian #29
08:39 Punisher #1
10:20 Infernal Hulk #4
12:03 Hulk Smash Everything #3
13:35 Green Lantern #32
15:29 Superman #35
17:43 The Bat-Man: Second Knight #3
Follow the Channel
📱 TikTok: tiktok.com/@thinking_critical
📸 Instagram: instagram.com/thinkingcrit
📘 Facebook Group: facebook.com/groups/1368359010382132
💬 Discord: discord.gg/uHM3Z68
🎮 Twitch: twitch.tv/thinking_critical_yt
Contact Wes
🐦 Twitter: twitter.com/Wes_from_TC
📧 Email: wesdigscomic@gmail.com
🔊 Automatic Dubbing Disclaimer
This video includes YouTube’s automatic dubbing feature for non-English speakers. Translations may contain minor errors and do not always reflect tone or expression. You can switch back to the original English track in the settings if needed.










![Marvel Introduces New Danger Room [X-Men #27 Review]
The Danger Room isn’t training the X-Men anymore… it’s hunting them. Marvel just turned one of the most iconic concepts in comics into something completely different in X-Men #27—and not everyone is going to like it.
In this review, Wes breaks down X-Men #27 from Jed MacKay and Netho Diaz, including the debut of the new “Danger Room” — now a full team of manipulative villains led by Maxine Danger. Instead of building tension over time, Marvel dumps multiple new characters at once, all with overlapping abilities and questionable motivations, raising serious concerns about execution, pacing, and long-term payoff.
There are ideas here that could work. The problem is how they’re being delivered. This feels less like a natural evolution and more like a retroactive explanation for earlier plot decisions that didn’t land. At the same time, Netho Diaz continues to elevate the material with dynamic, high-energy visuals that make even the slowest scenes look engaging.
Big thanks to The 616 Comics — the #1 producer-retailer in the comic book industry. Use code THINKINGCRITICAL at checkout for 10% OFF their exclusive variant covers on their site or app: 🔗 https://the616comics.com
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Listen to the entire Dok Unfiltered Podcast right now on Thinking Critical Patreon and Channel Memberships, where Wes and Dok go deeper on Iron Man #1 and Marvel’s future.
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Support Thinking Critical on Patreon for Exclusive Content
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Covered in this Video:
* X-Men #27 full review and analysis
* Marvel’s new Danger Room villain team explained
* Maxine Danger and her role in the story
* Why the villain introductions feel rushed
* Repetitive “manipulator” character problem
* Plot holes and questionable story logic
* Techno-organic virus twist breakdown
* Comparison to classic Danger Room concept
* Netho Diaz artwork review and strengths
* Final score and recommendation
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📸 Instagram: https://www.instagram.com/thinkingcrit/
📘 Facebook Group: https://www.facebook.com/groups/1368359010382132
💬 Discord: https://discord.gg/uHM3Z68
🎮 Twitch: https://www.twitch.tv/thinking_critical_yt
Contact Wes
🐦 Twitter: https://twitter.com/Wes_from_TC
📧 Email: wesdigscomic@gmail.com
🔊 Automatic Dubbing Disclaimer
This video includes YouTube’s automatic dubbing feature for non-English speakers. Translations may contain minor errors and do not always reflect tone or expression. You can switch back to the original English track in the settings if needed. Marvel Introduces New Danger Room [X-Men #27 Review]](https://i.ytimg.com/vi/ifFtTp067m0/mqdefault.jpg)