Uploaded November 2023 | Updated September 2026, 4 minutes ago
"Blues for Nana", an insanely catchy song composed by Manfred Schoof. Performed by jazz legends Klaus Doldinger (clarinet), Ingfried Hoffmann (organ), Manfred Schoof (trumpet), Albert Mangelsdorff (trombone), Peter Trunk (bass) and Cees See (drums).
This is from an April 1966 concert (audio only, screenshot is from the rehearsal) called "That Bluesy Sound". A rehearsal which occured a day prior is on my channel too. Both the full rehearsal and concert performances are on the Ingfried Hoffmann Archive (link in comments). As for which version is better, I honestly can't decide (maybe this version but i love the rehearsal too).
A song that isn't composed by Hoffmann for once, but my goodness is it catchy. We have awesome solos from Mangelsdorff on trombone, Schoof brilliantly playing the trumpet, Doldinger rocking out on his clarinet, and Trunk providing an excellent part on bass. Strangely no other instruments are heard during Trunk's solo. The beginning and end parts (idk what you'd call them in music terms, 0:33-1:09 and 5:37-6:11) sound phenomenal, my personal take from the whole song. I gotta say as well, the change in tune at the end is AMAZING (6:25).
"Blues for Nana", an insanely catchy song composed by Manfred Schoof. Performed by jazz legends Klaus Doldinger (clarinet), Ingfried Hoffmann (organ), Manfred Schoof (trumpet), Albert Mangelsdorff (trombone), Peter Trunk (bass) and Cees See (drums).
This is from an April 1966 concert (audio only, screenshot is from the rehearsal) called "That Bluesy Sound". A rehearsal which occured a day prior is on my channel too. Both the full rehearsal and concert performances are on the Ingfried Hoffmann Archive (link in comments). As for which version is better, I honestly can't decide (maybe this version but i love the rehearsal too).
A song that isn't composed by Hoffmann for once, but my goodness is it catchy. We have awesome solos from Mangelsdorff on trombone, Schoof brilliantly playing the trumpet, Doldinger rocking out on his clarinet, and Trunk providing an excellent part on bass. Strangely no other instruments are heard during Trunk's solo. The beginning and end parts (idk what you'd call them in music terms, 0:33-1:09 and 5:37-6:11) sound phenomenal, my personal take from the whole song. I gotta say as well, the change in tune at the end is AMAZING (6:25).
