MAJOR II-V-I ALL KEYS with TRITONE SUBS 180bpm :: Gypsy Jazz Backing Track @ChaStewFiddle
MAJOR II-V-I ALL KEYS with TRITONE SUBS 180bpm :: Gypsy Jazz Backing Track  @ChaStewFiddle
Uploaded July 2017 | Updated September 2026, 2 days ago
In this set of Major 2-5-1s the Dominant 7th chord has been
re-harmonised using Tritone Substitution.

For example, the V7 of a 2-5-1 in C would usually be G7. If you count up three whole tones (a tri-tone) from G you get C#. You can play a C#7 in place of the G7. It results in a walk-down bass line effect, in this case D - C# - C.

Play along with the track to get used to the sound of a substituted
2-5-1 chord sequence.
Enjoy!
MAJOR II-V-I ALL KEYS with TRITONE SUBS 180bpm :: Gypsy Jazz Backing Track2-5-1 (II-V-I) Bb minor 170bpm :: FIVE MINUTE JAM Gypsy Jazz Backing TrackSummertime (Em)  :: Gypsy Jazz & Blues Violin Backing Tracks - PlaybackBLUES in E major 190bpm :: FIVE MINUTE JAM Gypsy Jazz Backing Track2-5-1 (II-V-I) Bb minor 120bpm :: FIVE MINUTE JAM Gypsy Jazz Backing TrackBLUES in D major 110bpm :: FIVE MINUTE JAM Gypsy Jazz Backing TrackJeepers Creepers G :: Gypsy Jazz & Blues Violin Backing Tracks - PlaybackIse a Muggin Eb 160bpm :: Gypsy Jazz & Blues Violin Backing Tracks2-5-1 (II-V-I) Db major 180bpm :: FIVE MINUTE JAM Gypsy Jazz Backing TrackVisiting Whitby Folk Festival (to get my fiddle set up) :: 2018Beginning Violin improvisation Cm7 F7 Two Chord Vamp ::  Gypsy Jazz Fiddle Backing Track (120 bpm)2-5-1 (II-V-I) F# major 110bpm :: FIVE MINUTE JAM Gypsy Jazz Backing Track
ChaStewFiddle |

MAJOR II-V-I ALL KEYS with TRITONE SUBS 180bpm :: Gypsy Jazz Backing Track

SHARE TO X SHARE TO REDDIT SHARE TO FACEBOOK WALLPAPER