Uploaded May 2026 | Updated September 2026, 2 weeks ago
Bring your pressing grading questions.
•••••••••
Improving you color grading requires the mindset of a colorist. Learn the mental models of pro colorists in my ebook "The Colorist's Ten Commandments": cullenkellycolor.com/toolkit/colorists-ten-commandments
Ready to move from grading shots to creating looks? Get a free trial of Contour, my look design plugin for Resolve that uses battle-tested, Hollywood color science: cullenkellycolor.com/contour
•••••••••
You can also grab my free Kodak 2383 film LUT for free: https://procolor.ist/freelut
Check out my Voyager LUT pack here: cullenkellycolor.com/toolkit/voyager-luts-pro and cullenkellycolor.com/toolkit/voyager-luts-essential
•••••••••
0:00 Introduction
1:40 Should we move the middle grey value if the cinematographer didn't aim for middle grey?
3:25 DWG vs Camera Color Space
4:55 Mastering curves
7:20 Getting exposure right
14:09 Best quality in Youtube
17:30 Film LUTs as DRT
23:30 Film scan look vs Blu Ray
29:55 Combining JP2499 and Referent
33:00 Delivery best practices
34:30 Linear gain vs HDR for color balance
41:50 XDR Mac Monitor best practices
46:45 Using Referent in HDR
49:55 Alternatives to qualifying saturation
57:10 Emulating Film Softness
1:02:30 Referent in ACES
Bring your pressing grading questions.
•••••••••
Improving you color grading requires the mindset of a colorist. Learn the mental models of pro colorists in my ebook "The Colorist's Ten Commandments": cullenkellycolor.com/toolkit/colorists-ten-commandments
Ready to move from grading shots to creating looks? Get a free trial of Contour, my look design plugin for Resolve that uses battle-tested, Hollywood color science: cullenkellycolor.com/contour
•••••••••
You can also grab my free Kodak 2383 film LUT for free: https://procolor.ist/freelut
Check out my Voyager LUT pack here: cullenkellycolor.com/toolkit/voyager-luts-pro and cullenkellycolor.com/toolkit/voyager-luts-essential
•••••••••
0:00 Introduction
1:40 Should we move the middle grey value if the cinematographer didn't aim for middle grey?
3:25 DWG vs Camera Color Space
4:55 Mastering curves
7:20 Getting exposure right
14:09 Best quality in Youtube
17:30 Film LUTs as DRT
23:30 Film scan look vs Blu Ray
29:55 Combining JP2499 and Referent
33:00 Delivery best practices
34:30 Linear gain vs HDR for color balance
41:50 XDR Mac Monitor best practices
46:45 Using Referent in HDR
49:55 Alternatives to qualifying saturation
57:10 Emulating Film Softness
1:02:30 Referent in ACES










