Uploaded August 2022 | Updated September 2026, 3 weeks ago
This is a live cinematic synthwave electronic music performance inspired by later Tangerine Dream music, where I wanted to setup a more meditative environment and create a slow musical progression by interweaving layers with the Eurorack, using the electric bass as a guitar type of instrument, providing bass from the Moog Grandmother, chords from the DSI OB-6, and texture from the ARP-2600, and more texture from the Buchla 208c Easel Command. This is an entirely live and unrehearsed improvised performance, and I included annotations to show some of what I'm thinking about and also to demonstrate the different musical themes weaving in and out of the texture Since I'm a film composer by trade, this came out relatively cinematic and would work in certain movie score settings. This is a very simple setup to make a big sound. I hope this is educational for you as well, in terms of how I put these performances together. Hopefully this camera angle also helps you learn something!
If you enjoyed this, please consider supporting my Patreon: patreon.com/ethanjamesmusic
My shorts channel: youtube.com/channel/UC_BcJob-VaouHlwAKm7mxkA
My long form channel: youtube.com/channel/UCggb6vbFk8aWDY8zqlgK47Q
Patch Notes:
Eurorack:
Stillson Hammer running at x6 multiply but using 1:1 gate from 0-ctrl to make bass. Two envelopes, one to VCA, one to filter.
Tempi clock divider running two channels of Make Noise René. First channel is to Dixie II oscillator to Jove filter to Erberverb. Second is to Serge NTO to Serge VQVCF to Echophon. I'm using a x4 clock divider to the Y channel, which is 1:1 to the VCA gate, but I'm using the C channel gate to the filter, which creates an interesting rhythm.
Moog Grandmother:
Normalled patch
ARP-2600:
3 oscillators tuned in octaves.
DFAM:
Pitch to Noise volume to create snare.
OB-6:
Polysaw chord setting
This is a live cinematic synthwave electronic music performance inspired by later Tangerine Dream music, where I wanted to setup a more meditative environment and create a slow musical progression by interweaving layers with the Eurorack, using the electric bass as a guitar type of instrument, providing bass from the Moog Grandmother, chords from the DSI OB-6, and texture from the ARP-2600, and more texture from the Buchla 208c Easel Command. This is an entirely live and unrehearsed improvised performance, and I included annotations to show some of what I'm thinking about and also to demonstrate the different musical themes weaving in and out of the texture Since I'm a film composer by trade, this came out relatively cinematic and would work in certain movie score settings. This is a very simple setup to make a big sound. I hope this is educational for you as well, in terms of how I put these performances together. Hopefully this camera angle also helps you learn something!
If you enjoyed this, please consider supporting my Patreon: patreon.com/ethanjamesmusic
My shorts channel: youtube.com/channel/UC_BcJob-VaouHlwAKm7mxkA
My long form channel: youtube.com/channel/UCggb6vbFk8aWDY8zqlgK47Q
Patch Notes:
Eurorack:
Stillson Hammer running at x6 multiply but using 1:1 gate from 0-ctrl to make bass. Two envelopes, one to VCA, one to filter.
Tempi clock divider running two channels of Make Noise René. First channel is to Dixie II oscillator to Jove filter to Erberverb. Second is to Serge NTO to Serge VQVCF to Echophon. I'm using a x4 clock divider to the Y channel, which is 1:1 to the VCA gate, but I'm using the C channel gate to the filter, which creates an interesting rhythm.
Moog Grandmother:
Normalled patch
ARP-2600:
3 oscillators tuned in octaves.
DFAM:
Pitch to Noise volume to create snare.
OB-6:
Polysaw chord setting
