Uploaded August 2026 | Updated September 2026, 2 weeks ago
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Marie-Juliette Olga "Lili" Boulanger (1893 – 1918) was a French composer and the first female winner of the Prix de Rome composition prize. Her older sister was the noted composer and composition teacher Nadia Boulanger.
Boulanger grew up in a time of musical transition and her music fits easily into what was becoming defined as a post-Romantic style. Like Debussy, Boulanger associated herself more with Symbolism than Impressionism, with her music featuring the sense of obscurity and indirection more common in Symbolism. However, she also “explored the ‘Impressionists’ palette of nonfunctional seventh and ninth chords, parallel chords, and modal progressions.”. While much of Boulanger’s music reflects the feelings of isolation and alienation that were starting to emerge during the twentieth century, it also reveals her own struggles with depression and loneliness caused by her long-term illness.
Performers: Marie-Catherine Girod
New videos and pieces everyday.
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Marie-Juliette Olga "Lili" Boulanger (1893 – 1918) was a French composer and the first female winner of the Prix de Rome composition prize. Her older sister was the noted composer and composition teacher Nadia Boulanger.
Boulanger grew up in a time of musical transition and her music fits easily into what was becoming defined as a post-Romantic style. Like Debussy, Boulanger associated herself more with Symbolism than Impressionism, with her music featuring the sense of obscurity and indirection more common in Symbolism. However, she also “explored the ‘Impressionists’ palette of nonfunctional seventh and ninth chords, parallel chords, and modal progressions.”. While much of Boulanger’s music reflects the feelings of isolation and alienation that were starting to emerge during the twentieth century, it also reveals her own struggles with depression and loneliness caused by her long-term illness.
Performers: Marie-Catherine Girod
![Haydn - Symphony No. 100 in G major, Military, Hob. I:100 (4º Mov., Finale - Presto)
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The Symphony No. 100 in G major, Hoboken I/100, is the eighth of the twelve London symphonies written by Joseph Haydn and completed in 1793 or 1794. It is popularly known as the Military Symphony.
The nickname Military derives from the second movement (and the end of the finale), which features prominent fanfares written for C-trumpets and percussion effects. One reviewer wrote after the premiere that the second movement evoked the hellish roar of war increas[ing] to a climax of horrid sublimity!
The symphony is scored for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, triangle, cymbals, bass drum and strings (violins, violas, cellos and basses). In several editions there is only one flute.
It is in standard four-movement form:
1. Adagio – Allegro, 2/2
2. Allegretto, 2/2 in C major
3. Menuetto: Moderato, 3/4
4. Presto, 6/8
The piece of this video, Symphony No. 100 in G major, Military, Hob. I:100 (4º Mov., Finale - Presto), is the fourth piece of the Haydns Symphony No. 100 in G major, Military, Hob. I:100.
Performers:
- Handel and Haydn Society Chorus
- Handel and Haydn Society
- Harry Christophers (Conductor) Haydn - Symphony No. 100 in G major, Military, Hob. I:100 (4º Mov., Finale - Presto)](https://i.ytimg.com/vi/srQFFzxY7CU/mqdefault.jpg)









