Ermagerd! Sounds Bad! - Super Separator Trick (Bitwig style) Part 2 Baphometrix 2022-04-03 | In my previous video about de-masking with Dan Worrall's "Super Separator Trick" (but done the Bitwig way), a few people complained that the trick sounded "too phasey" (too comb-filtered). This is because I was exaggerating the effect to make its demasking easy to hear, and I assumed that Bitwig users would just download the rack and discover the "Attenuate" control for themselves. YouTube being what it is, that was a bad assumption on my part, so here's a video showing that you have all the control you need to achieve some appreciable de-masking WITHOUT too much noticeable "phasing" (comb filtering).Video link to the original Dan Worrall video. It's a fantastic technique; thanks so much, Dan, for sharing this with the community!youtu.be/x6C2E7I8Cy8If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
MaschineWig!! Bitwig + Maschine = Secret Weapon (a master class) Baphometrix 2022-09-27 | Don't freak out at the video length! The first 8 minutes demonstrate what I'll be showing you, and there are timestamps to jump around to parts that interest you. This is a super deep-dive MASTER CLASS showing you how Bitwig above any other DAW makes working with NI Maschine a relative breeze, enabling you to supercharge your production speed with the amazing content available in Maschine expansions.I think you'll get a lot of benefit for sticking with the entire video, but YMMV. Please don't complain that the video is too long. I'll just delete comments to that effect. 0:00 - Intro and demos8:41 - How Maschine is amazing12:02 - How Maschine is awful15:50 - How Bitwig makes Maschine easy to use31:07 - Important things to know about Maschine33:48 - Setup in Bitwig59:27 - Setup in Maschine1:14:18 - Rebalancing audio among kits in Maschine1:34:04 - Saving your setup as a Bitwig template1:38:19 - Applying Maschine colors to Bitwig tracks1:42:28 - Workflow for making your Audio Stems2:16:02 - Special prep of clips that use probability2:23:13 - The trick for bouncing stems2:33:09 - How to process stems that have tails2:44:01 - Why we use a separate project for Maschine2:46:53 - Getting the stems into your main projectThe custom Maschine track color palette I mention in the video (which you can import to Bitwig) is here:dropbox.com/s/ptqu9arpej48e7m/MaschineColorPalette4.png?dl=0 Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. I paid for Maschine and its expansions. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Beat Scholar - First Look - Making complex dance beats work in loud genres Baphometrix 2022-09-15 | In this video, I demonstrate why I think Beat Scholar is an exciting tool for producer DJs who work in loud club/festival-oriented dance genres.Note: This video isn't strictly one of the "Mixing Loud with CTZ" episodes, because it's of general interest to anyone trying to make complex drum patterns work in sub-heavy bass music. But I am including this in the playlist for that series because the subject matter is also very related to the CTZ strategy.Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. Most of the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse. That said, I was given a copy of smart:comp 2 by Sonible for testing and feedback just before release, but I'm not otherwise being compensated by Sonible for this video.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 24 - Controlling (and using) width and depth Baphometrix 2022-09-09 | In this video, I explain some considerations about managing width and depth. Spreading sounds out in the stereo field and in the depth field can help make more sounds happening all at the same time be more distinctly audible AND with less volume required per sound, which means less potential clipping in really loud genres.This is episode 24 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video3:29 - How width and depth affects loudness7:48 - Why mono-compatibility is SUPER important10:07 - Walkthru of the demo song we're using13:40 - The demo song versus some reference tracks15:03 - How the mix falls apart in a mono-check18:30 - Checking the too-wide mix in a translation checker24:30 - Checking a controlled-width mix in a translation checker28:12 - Comparing the too-wide mix vs the controlled-width mix30:20 - Short demo of depth placement for the lead pluck36:04 - Explaining the width control technique1:06:55 - Explaining the depth control techniqueTIP: If you want a less expensive alternative to Space Control, there's several versions of a tool called "SideMinder" by Raising Jake Studios. These all sit in the $30-40 range. If you look close at SideMinder, you'll see the same basic features as everything I show you happening on the right side of the Space Control UI. raisingjakestudios.com/sideminder%20series.html TIP2: Also see Metall1ac's reply to the pinned comment. If you have Ozone 8 or later you might also be able to do most of what I show you with the Ozone Imager module.Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Ducking one sub against another with smart:comp 2 Baphometrix 2022-09-04 | In this video, I do a short deep dive about making multiple subs work well together by ducking one against the other. To pull this off well, it's easiest to use a spectral ducking tool such as smart:comp 2 or DSEQ. (In this video, I use smart:comp 2).Note 1: I don't really show *how* to set up smart:comp 2 for spectral ducking in this video. I do have a short unlisted video where I walk through the process and talk about settings I tend to use that you can watch separately here: youtu.be/NA_2h780QWM Note 2: This video isn't strictly one of the "Mixing Loud with CTZ" episodes, because it's of general interest to anyone producing sub-heavy bass music. But I am including this in the playlist for that series because the subject matter is also very related to the CTZ strategy.Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. Most of the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse. That said, I was given a copy of smart:comp 2 by Sonible for testing and feedback just before release, but I'm not otherwise being compensated by Sonible for this video.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Removing Harshness - Why RESO is superior to Soothe 2 Baphometrix 2022-06-10 | EDIT: PLEASE BE SURE TO READ THE PINNED COMMENT!In this video, I do a deep dive about harshness removal. I see lots of people raving about Soothe 2 for this purpose, but I honestly think there is a MUCH better tool for the job, called "RESO" (by Mastering the Mix). I'll be explaining why I feel this way, and also showing general tips and tricks for resonance removal regardless of which tool you prefer to use for the job.Note: This video isn't strictly one of the "Mixing Loud with CTZ" episodes, because it's of general interest to anyone looking to employ resonance reduction tools in their production workflow. But I am including this in the playlist for that series because the subject matter is also very related to the CTZ strategy.Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
CTZ Episode 23 Bonus - Full Mastered Song Baphometrix 2022-06-03 | Some people asked if they could hear the full end-to-end song from my video "Mixing Loud with CTZ - Ep. 23 - Considerations for mastering"( youtu.be/6Ya0s0z3v7c )
Mixing Loud with CTZ - Ep. 23 - Considerations for mastering Baphometrix 2022-06-02 | In this video, I explain some considerations about mastering, both in the context of the Clip To Zero approach, and also just in general. I pay special attention to the controversy surrounding True Peak levels, and the controversy about whether you should create separate masters for streaming platforms. I also talk about controlling harshness, and how to easily check for any potential problems with lossy codecs.This is episode 23 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video2:50 - The mastered waveform6:15 - Audio demo7:15 - Don't rush!9:08 - The harshness check16:02 - The mono check18:32 - The wall check21:20 - The high check23:00 - The sides check24:25 - The club/SUV/car check26:44 - "Pretty Processing" aka "Mix Candy"31:41 - The best mastering limiter41:16 - Why to NOT use True Peak limiting46:43 - Why to NOT master for streaming platforms52:04 - Proof that TP and Streaming targets are a myth1:05:24 - Dithering and bit depthFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 22 - Should you (and how to) use a mastering compressor? Baphometrix 2022-04-14 | In this video, I explain some considerations about mixbus compression--aka mastering compression--in the context of Clip-to-Zero gainstaging, workflow, and goals.This is episode 22 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Getting Kicks Right - Why your great-sounding kick might NOT be so great Baphometrix 2022-04-10 | In this video, I do a deep dive into a common problem with kicks that even moderately experienced producers can run into. Typically only more experienced producer DJs are aware of this problem and how to avoid it.Note: This video isn't strictly one of the "Mixing Loud with CTZ" episodes, because it's of general interest to anyone choosing/designing kicks in their production workflow. But I am including this in the playlist for that series because the subject matter is also very related to the CTZ strategy.Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Demasking with The Super Separator Trick - the Bitwig way! Baphometrix 2022-04-02 | In this video I demonstrate a Bitwig audio rack preset I built, which makes it super easy to apply "The Super Separator Trick" (mirrored comb filtering) to perform some real de-masking voodoo. (EDIT: Also check out the "Part 2" video where I show you how to minimize the audible comb filtering. youtu.be/KWMnYwhCoGk ). I got this idea from a recent Dan Worrall video explaining how he does this in Reaper. In the video I also explain how you can find and download this preset if you're a Bitwig user.Video link to the original Dan Worrall video. It's a fantastic technique; thanks so much, Dan, for sharing this with the community!youtu.be/x6C2E7I8Cy8If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 21 - Performance testing: KClip | TrackLimit | NF Saturate | Pro-L2 Baphometrix 2022-04-01 | In this video, I test and compare the performance of the three clippers that I recommend using in the CTZ strategy. And just for grins, I also look at the performance of a typical mastering limiter like Fabfilter Pro-L2.This is episode 21 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 20 - Limiters vs Clippers Baphometrix 2022-03-30 | In this video, I expand on the difference between using a clipper versus using a limiter to control your peaks.This is episode 20 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Episode 19 - Advanced Clipping CORRECTION Baphometrix 2022-03-27 | I made a boo-boo in the very last segment of Episode 19 "Advanced clipping (plus replacing KClip with something else)". So here's a very short re-make of the part I messed up.
Mixing Loud with CTZ - Ep. 19 - Advanced clipping (plus replacing KClip with something else) Baphometrix 2022-03-26 | In this video, I expand on the basic pattern I taught you about "clipping from the top" way back in episode 6. I'll be explaining four specific advanced clipping concepts. A) Clipping very wide stereo tracks. B) When you might want to set the clipper threshold LOWER than 0 dBFS. C) How to A/B compare the clipping on a bus to decide whether there's a problem. D) When (and IF) you might want to replace KClip with something else.This is episode 19 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video2:44 - Why/when to lower clipping threshold below 0 dBFS17:28 - How to listen for a problem on a bus clipper33:13 - Why/how to clip BELOW zero44:50 - When/why/how to replace KClip with something else58:47 - Why TrackLimit or NF Saturate is SOMETIMES better1:16:14 - Tips for configuring TrackLimit and NF Saturate Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 18 - Linear-phase HPF in sub region = BAD (Low end control Pt. 3) Baphometrix 2022-03-23 | In this video, I explain and demonstrate why linear-phase high-pass filters anywhere in the sub region is bad news. (And I also show why even minimum phase high-pass filters in this region are ALSO bad news.) This is episode 18 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video3:30 - Demo of the problem with pre/post-ringing24:29 - Why new peaks from a "cleanup" filter are a non-issueFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 17 - Should you HPF the sub region? (Low end control Pt. 2) Baphometrix 2022-03-22 | In this video, I explain and demonstrate some important considerations about whether you should put a high-pass filter on your sounds that own the low end in your mix. Specifically, whether you should do this on your kick and sub tracks. This is episode 17 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video6:05 - Why you should *not* HPF your mixbus or master12:36 - Don't HPF the extreme lows if you can't hear a problem14:29 - Demo of the mix we're using20:20 - The arguments for HPFs in the extreme lows 29:47 - The phase shift problem with HPFs37:33 - Proper sidechaining reduces the phase shift problem41:29 - The sub note unevenness problem with HPFs57:28 - An HPF doesn't always increase headroom1:02:55 - The better way to fix "Rumble below 30 Hz"Warren Huart - Don't be afraid to high pass OTHER tracks (that aren't in the low end): youtu.be/JOexEz0bOG8?t=1131David Gnozzi - Cutting highs/lows in mastering: youtu.be/vk2GQEfrKukDavid Gnozzi - Don't cut lows on the sides: youtu.be/5tGpNAC1x2Q?t=691David Gnozzi - Detailed demo of "the bell trick": youtu.be/mZWQtjJXrEkBONUS LINK - I didn't mention this in the video, but here's an extremely well-written article from iZotope that reinforces and agrees with nearly personal viewpoint I've asserted in this video:izotope.com/en/learn/6-ways-to-use-a-high-pass-filter-when-mixing.html Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
The problem with oversampled clippers (and why I prefer KClip 3) Baphometrix 2022-03-19 | In this video, I do a deep dive into the potential problems with oversampling in a clipper (or any type of non-linear processing such as limiting, saturation, distortion, and compression). I also explain and demonstrate why I recommend KClip 3 above all other clippers for the goal of dynamic range control and loudness. (With one exception being Newfangled Saturate, but that's a subject for another video coming soon.)Note: This video isn't strictly one of the "Mixing Loud with CTZ" episodes, because it's of general interest to anyone using clippers. But I am including this in the playlist for that series because the subject matter is also very related to the CTZ strategy and why I recommend KClip as the main clipper for CTZ gainstaging and workflow.0:00 - In this video8:17 - If you need a crash course in Oversampling11:18 - Yep, I made a boo-boo17:14 - Why I prefer workflow in KClip26:51 - Why I prefer oversampling in KClip38:12 - How aliasing is perceived in dynamic range control49:29 - How oversampling messes up dynamic range control53:52 - Why oversampling might not sound "good"57:44 - When is it useful to try oversampled clipping?1:00:07 - When is it useful to try a different clipper or limiter?1:04:15 - Caveats about oversampling for COLORED saturationLink to Dan Worrall's video explaining how sampling rate and oversampling works, and demonstrating how aliasing is often VERY subtle and not worth obsessing about: youtu.be/-jCwIsT0X8M Link to David Gnozzi's video saying "oversampling isn't always better for limiting": youtu.be/zm7J3WI7nV0Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
KClip 3.5 Testing (versus 3.2.4) Baphometrix 2022-03-17 | Some of my viewers said the new version 3.5 of KClip 3 was problematic (on Windows), so I did some testing of 3.2.4 performance vs 3.5 performance. Summary: if you turn off the new visualizer, performance is essentially the same. If you enable the new visualizer, 3.5 uses up 15% more DAW CPU resources than 3.2.4. Also, the new visualizer is worthless. The old visualizer was much more useful for real-world use cases. On the plus side, you can make the KClip window nice and small in v 3.5.EDIT: Grrrr - OBS flaked on me during the very last part and didn't record the end. With 50 instances and the Visualizer turned OFF, the Load (AVG) (i.e., the "CPU usage") was 0.460. Which was exactly the same as 50 instances of the older 3.2.4 KClip. CONCLUSION - Turn off the worthless new visualizer and it's the same impact as 3.2.4, and you can at least make the window smaller now. Or just stay on 3.2.4 until Kazrog can improve performance and (hopefully) revert the visualizer back to a more useful "crest factor" view like before.
Mixing Loud with CTZ - Ep. 16 - Giving sounds their own focus in the spectrum Baphometrix 2022-03-16 | In this video, I explain and demonstrate some considerations about EQ bracketing to focus overlapping sounds into their own discrete area of the spectrum, in the context of the CTZ approach. This is episode 16 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video1:05 - How do you "bracket" a sound?2:49 - Low-shelf vs high-pass below 500 Hz3:42 - Kicks and snares should be full spectrum4:15 - Avoiding harsh buildup in the highs7:12 - Focus overlapping midrange sounds in different regions12:17 - Trick for examining your spectrum focus Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 15 - Considerations for low end control Baphometrix 2022-03-15 | In this video, I explain and demonstrate some considerations about controlling and cleaning up your low end, in the context of the CTZ approach. This is episode 15 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video0:51 - Why low end is a big challenge6:07 - Quick demo of VSX11:22 - How to hear typical low end problems with kicks21:40 - How to hear typical low end problems with subs41:24 - High-pass or low-shelf your midrange sounds?Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 14 - Considerations for sidechain ducking Baphometrix 2022-03-14 | In this video, I explain and demonstrate some considerations about sidechain ducking sounds to other sounds, in the context of the CTZ approach. This is episode 14 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video1:17 - Duck EVERYTHING to the loudest framework sounds5:18 - Don't forget to duck your aux/FX returns too6:20 - Don't forget to duck your drum tops too 8:44 - Duck on busses, not on tracks11:40 - Every bus needs a different ducking length and shape17:04 - Use spectral duckers for vocalsFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 13 - Structured bussing & a tour of my own project template Baphometrix 2022-03-13 | In this video, I explain bussing strategies that help the CTZ approach yield a good result, and I'll take you on a tour of my project template and explain the bussing strategy that I personally use. This is episode 13 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video1:10 - Why you want MANY sub-busses6:00 - Walkthru of my project bussing structure16:58 - Why I make a Pre-Master bus22:33 - Why I make a Listen Bus (and how to do it)31:23 - Bussing tricks for sidechain-ducking37:26 - Bussing tricks for ducking/clipping aux returnsFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 12 - Collabs and stem sharing Baphometrix 2022-03-11 | In this video, I explain some considerations for collaborating with other producers when you use the CTZ approach for loudness and gainstaging. This is episode 12 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 11 - Keeping your mastering engineer happy Baphometrix 2022-03-09 | In this video, I explain how to keep your mastering engineer happy, so they don't complain that your mix is too loud--or too clipped sounding--and because of that, they're unable to give you their best possible results. But I'm also going to be explaining how the CTZ approach HELPS your mastering engineer to do their best work. And, I'll also explain how the CTZ approach helps YOU determine whether you've got the right mastering engineer for the type of music you produce. This is episode 11 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video1:39 - Mastering engineers are worth the cost2:49 - Labels might require you to work with an ME3:40 - Why MEs can do better than you5:51 - How CTZ enables you to give your ME what they want16:39 - How CTZ enables your ME to do their best possible work24:09 - How CTZ helps you know you have the best ME for your music Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 10 - Using Analog-Modeled Plugins Baphometrix 2022-03-08 | In this video I show you how to use analog-modeled plugins (aka "vintage" plugins) in a CTZ project where the signals on every track and bus are running much hotter than these vintage plugins typically want. This is episode 10 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 In this video1:51 What is the "sweet spot"?4:47 Walkthru of the process16:50 2nd walkthru on a more complex plugin34:02 - Real project demo on a track41:58 - Real project demo on a busFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing Loud with CTZ - Ep. 9 - Setting Your Mix Anchor & Framework Baphometrix 2022-03-07 | In this video I show you how to set up the anchor and framework sounds for your entire mix. The loudness level this framework is hitting will determine how loud your overall mix will be in the end. (And of course, that's assuming you build a well-balanced mix around this framework.) This is episode 9 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video1:55 - What are "framework" and "anchor" sounds? 5:48 - How to set the framework and anchor loudness13:42 - Some candidate sounds cannot be made loud enough15:07 - How loud should the sub be?16:49 - Knowing how loud the final mix will beFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing LOUD with CTZ - Ep. 8 - Hitting ANY loudness target with the VCA trick Baphometrix 2022-02-24 | In this video I show you how easy it is to use ONE KNOB to adjust the entire clipper cascade , so that you can test what your mix sounds like at ANY loudness target. Want to hear what the mix sounds like with more dynamics and less loudness? Twist a knob. Want to hear what the mix sounds like clipped even harder, with more loudness (and less dynamics)? Twist a knob. The CTZ approach makes this super easy and 100% consistent and predictable. This is episode 8 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video2:00 - How to set up the VCA group11:35 - Adapting things if you use a Listen Bus19:25 - Make life easy with device racks21:45 - Demo of the VCA trick in a real project1:00:35 - What have we learned?Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing LOUD with CTZ - Ep. 7 - The Clipper Cascade (Busses, Aux Returns, Master) Baphometrix 2022-02-23 | In this video I focus on how and why we also want to clip at every single bus in our project, where all those different tracks sum together on the way up to the master bus. This "clipper cascade" is super important, and it's a big part of why the CTZ strategy works so well and sounds so good. This is episode 7 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video3:18 - KClip vs NF Saturate vs TrackLimit6:56 - Why we also clip every bus in a project12:08 - Why many small clips are best17:34 - How we choose which busses to check for clipping problems23:59 - How to tell whether the bus clipping is too much39:14 - More examples of checking the bus clipping for problems53:36 - Recap of the basic bus checking process57:28 - Handling Aux Returns (FX Tracks)1:12:37 - Clipping on the Pre-Master and Master-------Video by **Reframinator** demonstrating why many small clips are better than one big clip:youtu.be/T9liqH38PMMVideo by **Luca Pretolesi** saying you should make many small clips all over your project instead of one big clip:youtu.be/Ov4WR5xx5Dc?t=1994Video by **Seed to Stage** explaining how your arrangement affects how loud you can actually make any given mix:youtu.be/r4Xu4GoeSuU------Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing LOUD with CTZ - Ep. 6 - Controlling dynamic range by clipping from the top Baphometrix 2022-02-22 | In this video I explain what it means to "clip from the top", which is the secret sauce for making sounds loud enough to fit into a loud mix. This is episode 6 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video2:47 - Don't clip more than necessary4:28 - Demo project walkthru16:18 - The philosophy of CTZ clipping32:04 - The mechanics of CTZ clipping 41:14 - Re-adjusting the clip after adding new track processing47:16 - Advanced tricksFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing LOUD with CTZ - Ep. 5 - Controlling dynamic range by saturating from the bottom Baphometrix 2022-02-21 | In this video I explain what it means to "saturate from the bottom", which is always the first step when trying to make sounds loud enough to fit into a loud mix.. This is episode 5 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video3:00 - Saturation vs clipping8:05 - Crest Factor10:53 - Saturate first to reduce the clipper's workload12:15 - How to measure Crest Factor15:39 - Walkthru of different saturation types22:10 - Why Spectre is so awesome35:50 - Fast AB comparisons of every saturation typeFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing LOUD with CTZ - Ep. 4 - Do clippers hurt speakers? Plus a 4th must-have plugin Baphometrix 2022-02-20 | In this video I dispel some myths and fuzzy understanding about whether clippers are somehow BAD for speaker drivers. (Spoiler -- they're not.) I'll also be showing you a 4th plugin that is also a "must have" for the CTZ method. This is episode 4 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video1:42 - The 4th "must have" plugin4:45 - Why clippers don't hurt speakersFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing LOUD with CTZ - Ep. 3 - The plugins youll need Baphometrix 2022-02-19 | In this video I show you the plugins you'll need for the Clip-to-Zero strategy. This is episode 3 in a series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video2:08 - If you're on a budget4:04 - Walkthru of each pluginFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
Mixing LOUD with CTZ - Ep. 2 - Why Use CTZ Gainstaging? Baphometrix 2022-02-18 | In this video I explain the benefits of my Clip-to-Zero strategy. Why should you use this approach? This is episode 2 in a new, focused series about how to mix for loudness, in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy".0:00 - In this video4:50 - Demonstration - Why the old school approach is BAD15:50 - What is gainstaging?26:59 - Apples-to-apples comparison with ref tracks32:46 - Awareness/control of dynamics on every track and bus37:03 - Clipping at bus points exposes important flaws50:51 - Loudness vs arrangement & sound design freedomFind all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix================Big shoutout to niico for the amazing credit reel graphics!Did you know that niico is also a great producer? Check out their work at:beatstars.com/niicolondon================Credit reel graphics: beatstars.com/niicolondonCredit reel music: Baphometrix
How To Route System Audio Through Slate VSX (or any VST) Baphometrix 2022-01-30 | In this video I show a solid approach for listening to system audio (from YouTube, your favorite streaming platform, Discord, or any audio outside of your DAW) through Slate VSX (or through any VST). This approach isn't janky and doesn't result in crackles and pops from buffer underuns. I demo this approach on Windows, but the same tools and approach should work on Mac too.This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Mixing Loud with CTZ - Epi 1 - Clip-to-Zero (CTZ) updates for 2022 Baphometrix 2022-01-22 | In this video I'm starting a new, focused series about how to mix for loudness, and in large part by using a specific approach to gainstaging and dynamic range control that I call the "Clip-to-Zero (CTZ) strategy". This first video in the series gives you an overview of what I plan to cover in this series.Find all of the "Mixing LOUD with CTZ" episodes in one convenient playlist:youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. All the tools you'll see me using or hear me mention were paid for by myself. These are just great tools that I use every day, and that I personally endorse.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Has Dan Worrall convinced me? - Loudness vs Dynamics - THE REVEAL (a master class) Baphometrix 2022-01-03 | Don't freak out at the video length! There are timestamps below to make it easier to jump around in the content. Also, this is a super deep-dive MASTER CLASS on the subject of whether more dynamics is ALWAYS "better". Those of you who hate long videos will get what you need in the first 20-30 minutes of the video, and you can check out after that. The rest is pure master class content to elaborate on my conclusions and DEMONSTRATE how loud music can be done in a way that RIVALS the best that "more dynamics" has to offer. I think you'll get a lot of benefit for sticking with the entire video, but YMMV. Please don't complain that the video is too long. I'll just delete comments to that effect. Wondering what the CTZ Strategy is? Start with this YouTube playlist that explains the process: youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx . You can also read this short 17-page written guide here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)0:00 What's in this video?13:48 Demo of the original song being mixed into a typical DJ song from Rezz & Kotek21:50 How I set up the comparison testing30:50 The actual comparison tests - CTZ at -6 vs at -1146:00 The actual comparison tests - CTZ vs Traditional Limiting55:42 Why I prefer the louder -6 version for use in a real-world DJ set 1:06:20 The OTHER legitimate reason for less dynamics and more loudness1:11:49 Why the CTZ Strategy is superior to traditional limiting (on the master)1:14:45 Why the "clipper cascade" approach in CTZ yields a better sound than traditional limiting1:18:38 What's NEW and NOVEL about the CTZ Strategy (beyond just the clipping cascade)1:30:03 The trick for making sub-heavy songs in the key of D or C (and WHY you might want to)1:47:25 How to gainstage your ANCHOR sound (the kick) to hit your specific LUFS target2:05:17 The three fears that hold back newer producers and cause bad mixing decisions2:20:19 The importance of structured bussing2:32:52 The importance of surgical sidechaining2:43:44 The importance of "slotting" midrange sounds within the spectrum2:47:58 The importance of mid/side positioning and front/back depthThe Reframinator video I mentioned, explaining why many little clips is FAR better than one big clip:youtu.be/T9liqH38PMMThis is NOT paid promotion, but there IS *one* tool I mention briefly what was given to me by the vendor long ago. I bought all the other tools you see myself. These are just great tools that I use every day. I'm not shilling for any vendor or product you see. Any recommendations I seem to make are 100% genuine, and come from me alone.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Has Dan Worrall convinced me about dynamics vs loudness? Baphometrix 2022-01-02 | This is a short teaser for a video I'll be dropping in another day or two. Enjoy!
Loudness is in the MIx, not the Master! PART TWO Baphometrix 2021-12-26 | In this video I am continuing with PART TWO of my previous video "Loudness is in the Mix, not the Master! -6.4 Integrated LUFS with NO limiter!" ( youtu.be/YmWVRXbcPCk ). This video is a deep-dive, taking you one level deeper from the high points made in the first video. If you haven't yet seen the first video, I recommend you go watch it first, to get the most out of this one. 0:00 Summary of topics I'm covering9:05 Demo of loudness in the mix versus loudness in the mastering limiter13:53 Reminder that red on channel meters does NOT mean clipping18:00 The maxims of mixing for loudness43:45 My opinion about the sweet spot for loudness55:08 How to solve for loudness1:23:10 How to set up a VCA group to control the total amount of clipping with one knobThe Seed-to-Stage video I mentioned, explaining how loudness STARTS with your arrangement:youtu.be/r4Xu4GoeSuU The Reframinator video I mentioned, explaining why many little clips is FAR better than one big clip:youtu.be/T9liqH38PMMYou might notice I'm mixing with peaks hitting 0 dBFS. This is part of my Clip-to-Zero strategy that just makes gainstaging and mixing easier when you work in louder genres. Wondering what the CTZ Strategy is? Start with this YouTube playlist that explains the process: youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx . You can also read this short 17-page written guide here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. I bought all the tools you see myself. These are just great tools that I use every day.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Loudness is in the Mix, not the Master! -6.4 integrated LUFS with NO limiter! Baphometrix 2021-12-18 | In this video I show you how you achieve MOST of your loudness with thoughtful mixing decisions, not through your mastering chain and mastering limiter. I'm demoing this principle on a nightmare bass-heavy track that has characteristics that typically make it really difficult to cleanly hit competitive loudness targets. This is NOT how you should really sequence and arrange your tracks in real practice. It's an artificial example of common mistakes that less experienced producers typically make in their sequencing and over-layering of sounds. (All of which make it *really* hard to get loud in a clean way, especially for bass music.) I'm showing you how even in the face of such newbie arrangement mistakes, you can still get competitively loud without destroying the mix. It all boils down to applying some basic mixing principles that are necessary for working in louder genres (especially in loud bass-heavy genres).You might notice I'm mixing with peaks hitting 0 dBFS. This is part of my Clip-to-Zero strategy that just makes gainstaging and mixing easier when you work in louder genres. Wondering what the CTZ Strategy is? Start with this YouTube playlist that explains the process: youtube.com/playlist?list=PLxik-POfUXY6i_fP0f4qXNwdMxh3PXxJx . You can also read this short 17-page written guide here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. I bought all the tools you see myself. These are just great tools that I use every day.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Vital Synth Hacks and Secrets Baphometrix 2020-11-26 | In this video I take you on a fast-paced tour through some non-obvious hacks and secrets and shortcuts for Vital.Learn more about Vital here: https://vital.audio HUGE shout-out to "0.5 degrees" for creating the following set of chapter markers. You rock!0:12 Master output: red bar and (not) clipping2:45 Kind of ignore this meter, there is no clipping below 6.4 dB4:14 Now it starts to clip; just plain hard clipping5:09 Set your track volume to −6.4 dB and do whatever inside Vital6:02 Click on the oscilloscope and it becomes a spectrum analyzer6:37 === BROWSER ===7:27 (Obsolete) To un-filter by pack, minimize and restore the window9:45 Finding where do duplicates come from: right-click11:53 Reorganize files live and Vital won’t freak out12:56 Add underscore to a bank name to float it up in list14:01 By default anything is saved in “User”14:56 Cut and paste a file to move it to another bank16:08 Menu: load or create Vital banks16:58 …they are just ZIP archives, so you can preview what will be loaded18:45 === PARAMETERS ===18:51 Hold Ctrl for finer increments19:05 Hold Alt and click to enter a value (without right-click menu)19:32 Double-click to reset19:56 Hold Shift for changing semitones in octaves (±12)20:47 === OSCILLATORS ===20:51 Unison: for 4 voices and more, drag little voice bars to change spread20:13 SP[ectral] view: where do you have harmonics in your wave23:54 …useful to make sense of spectral warping modes26:08 === FILTERS ===26:12 Drive knob is loudness-compensated!27:10 Making louder: use compressor, distortion; don’t be afraid to use master gain!28:03 Advanced tab, click on “Hertz” to choose semitones29:00 The default position of a peak is middle C29:36 === MODULATORS ===29:52 Holding Alt turns off snapping31:08 Double click on a modulator to remove it31:11 Don’t drop the modulator: scroll to change amount, listen in real time31:31 …drag it anywhere and preview other options without commiting32:03 …holding Ctrl, Alt or Shift switches to bipolar mode33:05 Clicking on “Smooth” in LFO allows to use fade-in time instead33:48 Pressure and Slide are MPE signals34:39 Lift is velocity of note-up, when available34:51 Octave Note supplies 12 values depending on which note C C# D … B you play37:17 Stereo applies fixed offset between L and R39:11 Random triggers per every note40:06 === MOD MATRIX ===40:30 Click the lane number to (un)bypass a modulation40:51 Morphing knob allows simple waveshaping41:05 Mod remap is more complex (check out the recommended video)41:44 Modulate morph and amount42:15 === EFFECTS ===42:17 Compressor: defaults are almost exactly like in OTT43:13 Comparing to OTT47:00 === WAVETABLE EDITOR ===47:24 Using a line source48:48 Making sense of a wave source50:21 Free-form drawing with a wave source52:04 Line source warps other sources53:37 ConclusionThis is NOT paid promotion. I've been a long-time beta tester for Vital and just love it to pieces and want to share useful tips and tricks.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Vital Synth - How to do Serum style PWM warping Baphometrix 2020-11-24 | In this video I show you how to do PWM warping in Vital that works and sounds _exactly_ like PWM warping in Serum. I'll also show you some basics about the unique way that Vital does warping, and also show you some basics about working in Vital's _very friendly_ and intuitive wavetable editor.Learn more about Vital here: https://vital.audio This is NOT paid promotion. I've been a long-time beta tester for Vital and just love it to pieces and want to share useful tips and tricks.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Vital Synth - Browser Tips & Tricks UPDATED Baphometrix 2020-11-24 | In this video I show you some useful tips and tricks for making Vital's browser work the way YOU want. Plus some general tips for managing and organizing Vital's content folder.Learn more about Vital here: https://vital.audio This is NOT paid promotion. I've been a long-time beta tester for Vital and just love it to pieces and want to share useful tips and tricks.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Organizing Your Song Ideas - the Backlog Song Technique (any DAW) Baphometrix 2020-11-07 | In this video I demonstrate a very simple technique for organizing your song ideas in a way that is super easy to browse through and listen to all the ideas, without needing to open each song project one by one. This technique can work for any DAW.Links I mention near the end of the video:- Alckemy presets: alckemy.com/store - Databroth presets: gumroad.com/databroth If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Loudness Walkthru feat. the Clip-To-Zero (CTZ) Production Strategy Baphometrix 2020-10-20 | In this video I walk you through a demonstration of the Clip-To-Zero (CTZ) production strategy revolving around single instances of KClip Pro 3 on every track and bus (instead of the "CTZ Pair" that I showed in earlier videos on the CTZ strategy). I show you how I set up the clipping and gain-staging on every track and bus on the way up to the master, demonstrating how loudness is best achieved. This walkthrough clearly shows how CLEAN, PUNCHY loudness is accomplished in the arrangement sequencing and in careful application of hard clippers all across the tracks and busses of a project. Loudness is in the arrangement and mixing--NOT in the mastering.Wondering what the CTZ Strategy is? Start with this short 17-page written guide. Find it here at docs.google.com/document/d/1Ogxa5-X_QdbtfLLQ_2mDEgPgHxNRLebQ7pps3rXewPM/edit?usp=sharing)This is NOT paid promotion. I bought KClip and all the other tools shown here. I have no relationship with Kazrog nor ADPTR nor FX23.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Why KClip Pro 3 Is My Go-to Clipper (and how I use it) Baphometrix 2020-10-03 | In this video I explain why KClip Pro 3 is my current favorite clipper, and I demonstrate how I use it and set it. I also explain how to recognize whether some sound is a good candidate for clipping, and I demonstrate (yet again) how you don't need to be afraid of clipping when done correctly.This is NOT paid promotion. I bought KClip myself and simply want to demonstrate why it's IMO the best of the bunch.If you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Why you NEED Psyscope Pro by FX23 (and Duck by Devious Machines) Baphometrix 2020-09-20 | In this video I show why Psyscope Pro by FX23 is an indispensable tool for electronic music production. (I also show a little of Duck by Devious Machines, which I think is the best ducking plugin out there, by far.) This is NOT paid promotion. I bought both of these products and have no arrangement with their developers. They're just both THAT good.Psyscope Pro: fx23.net/psyscope-pro Duck: deviousmachines.com/duckIf you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Bitwig 3.2 Audio Editing - Pt. 6 - Acapellas Baphometrix 2020-06-11 | In this video (part 6 of a 6-part mini-series), I describe tips and techniques for working with those tricky Acapella stems when editing audio in Bitwig 3.2 and later.You can find a playlist with all 6 parts of this mini-series here:youtube.com/playlist?list=PLxik-POfUXY5SuWJa-SE7aqVbs8ah2WF_ Although I don't reference it in this video, here is a link to the "Bitwig Handbook" that it often mentioned in this series. This is an evergreen document that I will continue to expand and improve as I make more Bitwig tutorials. There is a section in this handbook called "AUDIO Clip and Event editing" that summarizes many of the points made across all 6 videos of this mini-series.docs.google.com/document/d/1XRd6Y_u8HuAo8PvnY4AzLMX7PoikIhUoqHM4ABgxumI/edit?usp=sharingIf you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
Bitwig 3.2 Audio Editing - Pt. 5 - Layered Editing Baphometrix 2020-06-11 | In this video (part 5 of a 6-part mini-series), I describe how layered audio editing works in Bitwig 3.2 and later.You can find a playlist with all 6 parts of this mini-series here:youtube.com/playlist?list=PLxik-POfUXY5SuWJa-SE7aqVbs8ah2WF_ Although I don't reference it in this video, here is a link to the "Bitwig Handbook" that it often mentioned in this series. This is an evergreen document that I will continue to expand and improve as I make more Bitwig tutorials. There is a section in this handbook called "AUDIO Clip and Event editing" that summarizes many of the points made across all 6 videos of this mini-series.docs.google.com/document/d/1XRd6Y_u8HuAo8PvnY4AzLMX7PoikIhUoqHM4ABgxumI/edit?usp=sharingIf you enjoyed this video, please do me a solid and not only like the video (and subscribe to my channel), but also give me a follow on my TWO different artist accounts on Spotify! Thanks!Baphometrix: open.spotify.com/artist/6OvuAOnVItgHAD1yuCRU8aDubSkald: open.spotify.com/artist/5CuK2JuI8RmXjJ8ZQBOHQChttp://soundcloud.com/baphometrix
