![Kashmir - Led Zeppelin (Seattle 1977) [REMASTERED 60FPS] @LedZeppelinRarities](https://i.ytimg.com/vi/bS2dgWS2jZ0/hqdefault.jpg)
Uploaded October 2018 | Updated September 2026, 15 hours ago
From the concert of July 17th, 1977.
Aside from the audio remaster, this is my first venture into video remastering. I did a bit of color-correcting and used Adobe Premiere's optical flow to boost the framerate to 120 frames per second, although it is limited to 60 here.
Although this was neat, the video work was very very tedious to do. I don't think I'll do the full concert, but I wanna try to do an Earls Court video like this.
From the concert of July 17th, 1977.
Aside from the audio remaster, this is my first venture into video remastering. I did a bit of color-correcting and used Adobe Premiere's optical flow to boost the framerate to 120 frames per second, although it is limited to 60 here.
Although this was neat, the video work was very very tedious to do. I don't think I'll do the full concert, but I wanna try to do an Earls Court video like this.
![Kashmir - Led Zeppelin (Seattle 1977) [REMASTERED 60FPS]](https://i.ytimg.com/vi/bS2dgWS2jZ0/mqdefault.jpg "Kashmir - Led Zeppelin (Seattle 1977) [REMASTERED 60FPS]
From the concert of July 17th, 1977.
Aside from the audio remaster, this is my first venture into video remastering. I did a bit of color-correcting and used Adobe Premieres optical flow to boost the framerate to 120 frames per second, although it is limited to 60 here.
Although this was neat, the video work was very very tedious to do. I dont think Ill do the full concert, but I wanna try to do an Earls Court video like this.")
![Led Zeppelin: Destroyer [Remastered]](https://i.ytimg.com/vi/d0yDdUBA2wc/mqdefault.jpg "Led Zeppelin: Destroyer [Remastered]
Led Zeppelin at the Richfield Coliseum in Cleveland, Ohio, on April 27, 1977
0:00 The Song Remains the Same (cuts in)
3:45 The Rover/Sick Again
10:50 Nobodys Fault But Mine
18:08 In My Time of Dying
29:45 Since Ive Been Loving You
39:28 No Quarter
1:00:07 Ten Years Gone
1:10:20 The Battle of Evermore
1:16:50 Going to California
1:22:02 Black Country Woman
1:23:45 Bron-Y-Aur Stomp
1:29:26 White Summer
1:33:12 Black Mountain Side
1:34:45 Kashmir
1:44:22 Over the Top/Moby Dick
2:01:49 Guitar Solo
2:11:58 Achilles Last Stand
2:21:48 Stairway to Heaven (solo only)
2:27:51 Rock and Roll (cuts in)
2:32:02 Trampled Under Foot
This is really just to demonstrate exactly what I can do with remastering, given that this is a very familiar bootleg.
Compare to the original upload https://www.youtube.com/watch?v=0bJ27LoRXcI")
![In Celebration For A King - Led Zeppelin [Landover 1977 Live Album]](https://i.ytimg.com/vi/g8VRvNF5y0E/mqdefault.jpg "In Celebration For A King - Led Zeppelin [Landover 1977 Live Album]
Led Zeppelin live at the Capital Centre
Landover, Maryland
May 25th, 26th, 28th, and 30th, 1977
0:00 The Song Remains the Same
5:42 The Rover/Sick Again
12:31 Nobodys Fault But Mine
19:32 In My Time of Dying
30:36 Since Ive Been Loving You
40:18 No Quarter
1:04:14 Ten Years Gone
1:13:44 The Battle of Evermore
1:19:49 Going to California
1:24:32 Dancing Days/Black Country Woman
1:27:20 Bron-Y-Aur Stomp
1:33:06 White Summer/Black Mountain Side
1:39:51 Kashmir
1:51:28 Over the Top
2:15:15 J.P. Solo
2:26:05 Achilles Last Stand
2:36:05 Stairway to Heaven
2:47:52 Whole Lotta Love/Rock and Roll
Here it is, at long last.
For this project, I wanted to create something truly definitive for Led Zeppelins 1977. As all official content omits this North American tour, I wanted to do 1977 justice, and saw a golden opportunity to do so with the four Landover concerts in late May. Not only were these concerts very good, but each one had both a complete soundboard AND audience recording.
I would argue that this is a threefold project. Not only does it feature Led Zeppelins best from those Landover concerts, but it also totally remasters the recordings, AND presents a full matrix of soundboard and audience recordings. I think each of these three elements is equally important in delivering the experience.
For this project in particular, I wanted to push the boundaries of this kind of remastering thing I do. This ended up taking the form of using AI (artificial intelligence) assistance for some parts of the production process.
I owe a good amount of the sound quality to Matchering 2.0, which is an open-source audio mastering AI. With its help, I was able to push the soundboards to their absolute limit in terms of quality, in ways that even I wouldnt have thought of. Given the outstanding results I got, Im strongly considering doing a video tutorial for how to use Matchering 2.0. However, it is a little more on the technical side of things. Full disclosure, I am not sponsored by its creators in any way, it was simply an invaluable tool for this projects creation.
https://github.com/sergree/matchering
[Im adding this paragraph long after I put this project out, but I must also credit the reference material used for the Matchering process. I used various snippets of material from How the West Was Won (2003), which was mastered by the great Kevin Shirley, and later remastered in 2018 by John Davis. I regret not including this credit in the cover art seen above, but I wanted to try to rectify this, as it truly is deserving of credit.]
I also did a little fun thing with the art, experimenting with the Deep Dream Generator AI to create something interesting to spice up the cover. This one doesnt need a video tutorial, though its results are, at times, a bit wonky.
https://deepdreamgenerator.com")
![Led Zeppelin: Whole Lotta Love [Isolated Bass and Drums]](https://i.ytimg.com/vi/gc8XUE-aehs/mqdefault.jpg "Led Zeppelin: Whole Lotta Love [Isolated Bass and Drums]
Uploaded per request.
Just the rhythm section of Whole Lotta Love.
The guitar bleeds through pretty significantly in some parts, but its best that I leave that in, otherwise the multitracks would sound all weird from the editing.
You can hear Bonzo yelling a few times.")
