Uploaded March 2021 | Updated September 2026, 16 hours ago

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Led Zeppelin live at the Capital Centre
Landover, Maryland
May 25th, 26th, 28th, and 30th, 1977

0:00 The Song Remains the Same
5:42 The Rover/Sick Again
12:31 Nobody's Fault But Mine
19:32 In My Time of Dying
30:36 Since I've Been Loving You
40:18 No Quarter

1:04:14 Ten Years Gone
1:13:44 The Battle of Evermore
1:19:49 Going to California
1:24:32 Dancing Days/Black Country Woman
1:27:20 Bron-Y-Aur Stomp
1:33:06 White Summer/Black Mountain Side
1:39:51 Kashmir

1:51:28 Over the Top
2:15:15 J.P. Solo
2:26:05 Achilles Last Stand
2:36:05 Stairway to Heaven
2:47:52 Whole Lotta Love/Rock and Roll

Here it is, at long last.
For this project, I wanted to create something truly definitive for Led Zeppelin's 1977. As all official content omits this North American tour, I wanted to do 1977 justice, and saw a golden opportunity to do so with the four Landover concerts in late May. Not only were these concerts very good, but each one had both a complete soundboard AND audience recording.
I would argue that this is a threefold project. Not only does it feature Led Zeppelin's best from those Landover concerts, but it also totally remasters the recordings, AND presents a full matrix of soundboard and audience recordings. I think each of these three elements is equally important in delivering the experience.

For this project in particular, I wanted to push the boundaries of this kind of remastering thing I do. This ended up taking the form of using AI (artificial intelligence) assistance for some parts of the production process.
I owe a good amount of the sound quality to Matchering 2.0, which is an open-source audio mastering AI. With its help, I was able to push the soundboards to their absolute limit in terms of quality, in ways that even I wouldn't have thought of. Given the outstanding results I got, I'm strongly considering doing a video tutorial for how to use Matchering 2.0. However, it is a little more on the technical side of things. Full disclosure, I am not sponsored by its creators in any way, it was simply an invaluable tool for this project's creation.
github.com/sergree/matchering

[I'm adding this paragraph long after I put this project out, but I must also credit the reference material used for the Matchering process. I used various snippets of material from How the West Was Won (2003), which was mastered by the great Kevin Shirley, and later remastered in 2018 by John Davis. I regret not including this credit in the cover art seen above, but I wanted to try to rectify this, as it truly is deserving of credit.]

I also did a little fun thing with the art, experimenting with the Deep Dream Generator AI to create something interesting to spice up the cover. This one doesn't need a video tutorial, though its results are, at times, a bit wonky.
deepdreamgenerator.com