Uploaded October 2024 | Updated September 2026, 2 weeks ago
Excerpt from 9 Evenings: Theatre & Engineering, A Series of 10 Documentary Films
Directed by Barbro Schultz Lundestam
Produced by Billy Klüver and Julie Martin
Original footage by Alfons Schilling
ca. 1995–2007
In 1966, Swedish electrical engineer Billy Klüver and American visual artist Robert Rauschenberg gathered 10 avant-garde artists and 30 Bell Labs engineers to participate in a collaborative, multidisciplinary project combining new technologies with theatre, dance, and music. The event, 9 Evenings: Theatre & Engineering, took place at the 69th Regiment Armory in New York from October 13–22, 1966. More than 10,000 people attended the performances. The event led to the founding of the organization Experiments in Art and Technology the following month.
John Cage, Variations VII, performed at 9 Evenings: Theatre & Engineering, October 15 and 16, 1966
Performance Engineer: Cecil Coker
To create Variations VII, Cage utilized only sounds that were in the air at the time of the performance. He placed contact microphones in locations throughout New York City, including Merce Cunningham’s dance studio, a restaurant kitchen, the sanitation department, and composer Terry Riley’s turtle tank. Telephone lines brought these sounds of city life into the Armory, via phones placed alongside additional sources of sound including a blender, a box fan, and electrodes affixed to performer David Behrman’s head that transmitted physiological sounds. A series of photocells installed below the appliances and phones emitted beams of light that cast dramatic shadows on a screen behind the performers. More than simply visual, the photocells were integral to the sound of the composition; as performers moved around, they interrupted the light beams the photocells produced, triggering switches which turned individual sound on and off.
This clip is part of the Getty Research Institute exhibition Sensing the Future: Experiments in Art and Technology (E.A.T.), on view at the Getty Center from September 10, 2024 through February 23, 2025. Learn more at getty.edu/sensing_the_future
The complete footage of 9 Evenings: Theatre & Engineering, A Series of 10 Documentary Films is available for researchers at the Getty Research Institute (accession number 2023.M.37):
http://primo.getty.edu/GRI:GETTY_ALMA21123876310001551
***
The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its library and special collections of rare materials and digital resources serve an international community of scholars and the interested public. The Research Institute's activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.
Getty Research Institute: https://www.getty.edu/research/
Getty is a world-renowned cultural and philanthropic organization that shares and advances the world’s visual art and cultural heritage. Collectively and individually, our programs pursue our mission in Los Angeles and throughout the world. Our engagement in culture, arts, and philanthropy is achieved through our constituent programs: the Getty Conservation Institute, Getty Foundation, Getty Museum, Getty Research Institute, and Getty Trust.
Getty: https://www.getty.edu/
Getty Conservation Institute: https://www.getty.edu/conservation/
Getty Foundation: https://www.getty.edu/foundation/
Getty Museum: https://www.getty.edu/museum/
Getty Villa Museum: https://www.getty.edu/visit/villa/
Getty Research Institute: https://www.getty.edu/research/
Excerpt from 9 Evenings: Theatre & Engineering, A Series of 10 Documentary Films
Directed by Barbro Schultz Lundestam
Produced by Billy Klüver and Julie Martin
Original footage by Alfons Schilling
ca. 1995–2007
In 1966, Swedish electrical engineer Billy Klüver and American visual artist Robert Rauschenberg gathered 10 avant-garde artists and 30 Bell Labs engineers to participate in a collaborative, multidisciplinary project combining new technologies with theatre, dance, and music. The event, 9 Evenings: Theatre & Engineering, took place at the 69th Regiment Armory in New York from October 13–22, 1966. More than 10,000 people attended the performances. The event led to the founding of the organization Experiments in Art and Technology the following month.
John Cage, Variations VII, performed at 9 Evenings: Theatre & Engineering, October 15 and 16, 1966
Performance Engineer: Cecil Coker
To create Variations VII, Cage utilized only sounds that were in the air at the time of the performance. He placed contact microphones in locations throughout New York City, including Merce Cunningham’s dance studio, a restaurant kitchen, the sanitation department, and composer Terry Riley’s turtle tank. Telephone lines brought these sounds of city life into the Armory, via phones placed alongside additional sources of sound including a blender, a box fan, and electrodes affixed to performer David Behrman’s head that transmitted physiological sounds. A series of photocells installed below the appliances and phones emitted beams of light that cast dramatic shadows on a screen behind the performers. More than simply visual, the photocells were integral to the sound of the composition; as performers moved around, they interrupted the light beams the photocells produced, triggering switches which turned individual sound on and off.
This clip is part of the Getty Research Institute exhibition Sensing the Future: Experiments in Art and Technology (E.A.T.), on view at the Getty Center from September 10, 2024 through February 23, 2025. Learn more at getty.edu/sensing_the_future
The complete footage of 9 Evenings: Theatre & Engineering, A Series of 10 Documentary Films is available for researchers at the Getty Research Institute (accession number 2023.M.37):
http://primo.getty.edu/GRI:GETTY_ALMA21123876310001551
***
The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its library and special collections of rare materials and digital resources serve an international community of scholars and the interested public. The Research Institute's activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.
Getty Research Institute: https://www.getty.edu/research/
Getty is a world-renowned cultural and philanthropic organization that shares and advances the world’s visual art and cultural heritage. Collectively and individually, our programs pursue our mission in Los Angeles and throughout the world. Our engagement in culture, arts, and philanthropy is achieved through our constituent programs: the Getty Conservation Institute, Getty Foundation, Getty Museum, Getty Research Institute, and Getty Trust.
Getty: https://www.getty.edu/
Getty Conservation Institute: https://www.getty.edu/conservation/
Getty Foundation: https://www.getty.edu/foundation/
Getty Museum: https://www.getty.edu/museum/
Getty Villa Museum: https://www.getty.edu/visit/villa/
Getty Research Institute: https://www.getty.edu/research/
