Uploaded March 2026 | Updated September 2026, 1 week ago
Join us for a conversation with artist Jesse Mockrin and Adam Harris Levine, Associate Curator of European Art at the Art Gallery of Ontario, to discuss her career, her process, and the inspirations behind her critically acclaimed solo exhibition Echo at the AGO.
The conversation offers insight into a practice that brings historical imagery into the present moment. Through her paintings, Mockrin recomposes details from European renaissance and baroque works through a contemporary, feminist lens. Rather than simply retelling familiar stories, she reconfigures figures such as Bathsheba, Daphne, and Eve, creating works that feel rooted in classical painting while exploring urgent questions of gender, power, and representation. Alongside her dialogue with art history, Mockrin’s practice also reaches into contemporary culture, including a recent portrait of Billie Eilish for Vogue.
This is an exciting opportunity to hear from an artist whose work redefines visual storytelling and makes history feel immediate.
Join us for a conversation with artist Jesse Mockrin and Adam Harris Levine, Associate Curator of European Art at the Art Gallery of Ontario, to discuss her career, her process, and the inspirations behind her critically acclaimed solo exhibition Echo at the AGO.
The conversation offers insight into a practice that brings historical imagery into the present moment. Through her paintings, Mockrin recomposes details from European renaissance and baroque works through a contemporary, feminist lens. Rather than simply retelling familiar stories, she reconfigures figures such as Bathsheba, Daphne, and Eve, creating works that feel rooted in classical painting while exploring urgent questions of gender, power, and representation. Alongside her dialogue with art history, Mockrin’s practice also reaches into contemporary culture, including a recent portrait of Billie Eilish for Vogue.
This is an exciting opportunity to hear from an artist whose work redefines visual storytelling and makes history feel immediate.





![Many Lives: Picture Frames in Context – Day 1: Midday Session
This online conference on the history and conservation of frames is co-organized by the museum’s curatorial and conservation departments to promote inter- and multi-disciplinary dialogue. The AGO is home to an important collection of historic frames, and a project is currently underway at AGO to catalogue and conserve this collection to make the collection more accessible for study and use. In light of this project, the symposium aims to present current research that contextualizes frames in their many incarnations, including research on frame makers, framing traditions, frames’ afterlives, frame collections, pairings of frames to paintings, artists’ frames, the commercial history of framing, and related topics.
For more information visit:
https://ago.ca/events/many-lives-picture-frames-context
Midday Session:
Gerry Alabone [National Trust, England]: “Mary Ashfield: seventeenth-century London framemaker”.
00:03:51
Géraldine Bidault [Musee national du Chateau de Versailles]: “Notable bordures of the 18th century from the Versailles Palace”
00:32:30
Marie Dubost [Freelance Conservator, France]: “La Reparure in Western Europe”
00:51:54 Many Lives: Picture Frames in Context – Day 1: Midday Session](https://i.ytimg.com/vi/i4_jbXC4Trk/mqdefault.jpg)




