Uploaded March 2021 | Updated September 2026, 1 week ago
Make new art connections and spark conversations! If you are an older adult, join us for the virtual Seniors Social program, a monthly series that combines conversations with art and art making. The AGO believes that providing opportunities to experience art and art making increases wellbeing.
Gerald Gladstone, a multidisciplinary artist, explored earth and space themes in his artwork. Art, according to Gladstone, is an essential part of the process of how we understand the world around us.
Gerald Gladstone’s Galaxy paintings are a fabulous way to explore mark making and texture with geometric shapes and dissected lines. Using either a pen, sharpie, pencil or chalk we will explore the nature of overlapping forms and lines. We recommend going big with large paper, like 18 x 24 newsprint. The larger the paper, the larger the gesture.
This series has three parts: a conversation about art, an art instruction tutorial and an art making video inviting you to make an artwork inspired by the conversation. Watch all three videos at once, or at your own pace. Share your artworks with us at #AGOmakes.
Tools used:
Kraft paper, super fat sharpies, medium sharpies, fine sharpies, white conte, charcoal, and oil pastel
Make new art connections and spark conversations! If you are an older adult, join us for the virtual Seniors Social program, a monthly series that combines conversations with art and art making. The AGO believes that providing opportunities to experience art and art making increases wellbeing.
Gerald Gladstone, a multidisciplinary artist, explored earth and space themes in his artwork. Art, according to Gladstone, is an essential part of the process of how we understand the world around us.
Gerald Gladstone’s Galaxy paintings are a fabulous way to explore mark making and texture with geometric shapes and dissected lines. Using either a pen, sharpie, pencil or chalk we will explore the nature of overlapping forms and lines. We recommend going big with large paper, like 18 x 24 newsprint. The larger the paper, the larger the gesture.
This series has three parts: a conversation about art, an art instruction tutorial and an art making video inviting you to make an artwork inspired by the conversation. Watch all three videos at once, or at your own pace. Share your artworks with us at #AGOmakes.
Tools used:
Kraft paper, super fat sharpies, medium sharpies, fine sharpies, white conte, charcoal, and oil pastel




![Many Lives: Picture Frames in Context – Day 1: Midday Session
This online conference on the history and conservation of frames is co-organized by the museum’s curatorial and conservation departments to promote inter- and multi-disciplinary dialogue. The AGO is home to an important collection of historic frames, and a project is currently underway at AGO to catalogue and conserve this collection to make the collection more accessible for study and use. In light of this project, the symposium aims to present current research that contextualizes frames in their many incarnations, including research on frame makers, framing traditions, frames’ afterlives, frame collections, pairings of frames to paintings, artists’ frames, the commercial history of framing, and related topics.
For more information visit:
https://ago.ca/events/many-lives-picture-frames-context
Midday Session:
Gerry Alabone [National Trust, England]: “Mary Ashfield: seventeenth-century London framemaker”.
00:03:51
Géraldine Bidault [Musee national du Chateau de Versailles]: “Notable bordures of the 18th century from the Versailles Palace”
00:32:30
Marie Dubost [Freelance Conservator, France]: “La Reparure in Western Europe”
00:51:54 Many Lives: Picture Frames in Context – Day 1: Midday Session](https://i.ytimg.com/vi/i4_jbXC4Trk/mqdefault.jpg)





