Uploaded April 2018 | Updated September 2026, 2 weeks ago
Fussy Mabel
Music by Jelly Roll Morton
Jelly Roll Morton and His Red Hot Peppers
Recorded March 20, 1930
Victor 38125A
Jelly wrote this one for his girlfriend Mabel Bertrand. Also born in New Orleans she was the sister of percussionist and xylophone player Jimmy Bertrand whose small groups were a staple of the 1920's Chicago jazz scene. A dancer by profession she had sent time in Europe and was married to Ferd Morton in 1929.
Personnel: Ward Pinkett and Bubber Miley trumpets, Wilbur de Paris trombone, Eddie Barefield clarinet, Jelly Roll Morton piano & leader, Bernard Addison guitar, Bill Benford bass brass, and Tommy Benford drums
Ferdinand Joseph Morton (Jelly Roll Morton) (1890-1941)
Major early jazz figure as pianist, band leader and composer. Started playing piano in New Orleans with a style with ragtime roots, but style unique, advanced in harmony, composition and solo conception. In the early 1900s played in New Orleans "sporting houses". Jobs throughout Louisiana and Mississippi. Toured south with minstrel show around 1909-1911. 1911-1917 Jobbed in St. Louis, Kansas City. Jazz composition, "Jelly Roll Blues" published in Chicago in 1917. Based in California five years, worked all over the west coast. Back in Chicago, 1923, worked for Melrose Brothers Music Company, had more jazz pieces published. Began extensive recording in 1923 using small groups of excellent jazzmen. Greatest recording period 1926-1930 for Victor. During this period toured with other bands, led groups. In 1928 led band at New York's Rose Danceland. Jobbed in New York early 1930s. Led band 1935-1936, settled in Washington D.C., 1937-1938 in comparative obscurity. Managed jazz club, also performed. Alan Lomax recorded him solo on long series for archives of Library of Congress. More recording sessions 1939-1940, limited engagements in New York 1939 and California 1940. Ill health 1940-1941, before death.
Fussy Mabel
Music by Jelly Roll Morton
Jelly Roll Morton and His Red Hot Peppers
Recorded March 20, 1930
Victor 38125A
Jelly wrote this one for his girlfriend Mabel Bertrand. Also born in New Orleans she was the sister of percussionist and xylophone player Jimmy Bertrand whose small groups were a staple of the 1920's Chicago jazz scene. A dancer by profession she had sent time in Europe and was married to Ferd Morton in 1929.
Personnel: Ward Pinkett and Bubber Miley trumpets, Wilbur de Paris trombone, Eddie Barefield clarinet, Jelly Roll Morton piano & leader, Bernard Addison guitar, Bill Benford bass brass, and Tommy Benford drums
Ferdinand Joseph Morton (Jelly Roll Morton) (1890-1941)
Major early jazz figure as pianist, band leader and composer. Started playing piano in New Orleans with a style with ragtime roots, but style unique, advanced in harmony, composition and solo conception. In the early 1900s played in New Orleans "sporting houses". Jobs throughout Louisiana and Mississippi. Toured south with minstrel show around 1909-1911. 1911-1917 Jobbed in St. Louis, Kansas City. Jazz composition, "Jelly Roll Blues" published in Chicago in 1917. Based in California five years, worked all over the west coast. Back in Chicago, 1923, worked for Melrose Brothers Music Company, had more jazz pieces published. Began extensive recording in 1923 using small groups of excellent jazzmen. Greatest recording period 1926-1930 for Victor. During this period toured with other bands, led groups. In 1928 led band at New York's Rose Danceland. Jobbed in New York early 1930s. Led band 1935-1936, settled in Washington D.C., 1937-1938 in comparative obscurity. Managed jazz club, also performed. Alan Lomax recorded him solo on long series for archives of Library of Congress. More recording sessions 1939-1940, limited engagements in New York 1939 and California 1940. Ill health 1940-1941, before death.


![Ramona (1928) - Brunswick Hour Orchestra
Ramona
Words by L. Wolfe Gilbert, music by Mabel Wayne
Brunswick Hour Orchestra, directed by William F. Wirges
Vocal Chorus by Frank Munn
Recorded April 1928
Brunswick 3919
As a child, Mabel Wayne (1904-1978) had piano lessons, studied composition, voice and dramatic art at the New York School of Music. But at the age of sixteen she ran away from home to become a dancer and vaudeville pianist. After a failed marriage at the age of 18, she began a career as a song writer. Soon seasoned writers like L. Wolfe Gilbert, Sam Lewis and Joe young were supplying form-fitting lyrics for her melodies.
In 1943, Mabel Wayne recalled the circumstances surrounding the origin of the song Ramona the first motion picture theme song. Edwin Carewe [motion picture director] and Dolores Del Rio were in the office of her attorney one day when Mabel bounced in.
I want you to meet the little girl who wrote In a Little Spanish Town. was the presentation.
Why not write the theme song for Ramona? Carewe asked.
Phil Kornheiser [music publisher], who also was present, remarked half-kiddingly, Theres a commission for you!
Everything was terribly serious to me then, Mabel recalls. I was strumming at the piano that night when suddenly the three notes which fit the title slipped out as if by magic. I knew immediately that I had something. Twenty minutes later I had written the complete chorus which seemed to trip out from some hidden source. In almost no time three million copies were sold and I got about $100,000.
Other Achievments:
1925 - Wrote first popular song Dont Wake Me Up, Let Me Dream
1926 - In a Little Spanish Town (with Sam Young and Joe Lewis) her first million-copy seller.
1928 - Chiquita (with L. Wolfe Gilbert)
1930 - It Happened in Monterey (with Billy Rose), performed by John Boles in KING OF JAZZ
1930 - Ragamuffin Romeo (with Harry De Costa), performed by Jeannie Lang, George Chiles in KING OF JAZZ.
1931 - WJZ New York radio program Mabel Wayne Hour
1941 - It Happened in Hawaii (with Al Dubin) five months before the attack on Pearl Harbor!
1949 - Dreamers Holiday (with Kim Gannon)
1951 - Declared by Billboard Magazine as First Lady of Song
1972 - Inducted to the Songwriters Hall of Fame Ramona (1928) - Brunswick Hour Orchestra](https://i.ytimg.com/vi/gpZF0QDRkfA/mqdefault.jpg)
![Guido Deiro - Pagliacci Vesti La Giubba (1917)
Pagliacci (Vesti La Giubba)
From the opera, Pagliacci by Ruggero Leoncavallo
Guido Deiro, accordion
Recorded February 1917
Count Guido Pietro Deiro (1886 - 1950) was a famous vaudeville star, international recording artist, composer and teacher. He was the first piano-accordionist to appear on big-time vaudeville, records, radio and the screen. Guido usually performed under the stage-name Deiro. Guido and his younger brother Pietro Deiro (known as Pietro) were among the highest paid musicians on the vaudeville circuit, and they both did much to introduce and popularize the piano accordion in the early 20th century.
Vesti la giubba (Put on the costume) is a famous tenor aria from Ruggero Leoncavallos 1892 opera Pagliacci. Vesti la giubba is the conclusion of the first act, when Canio discovers his wifes infidelity, but must nevertheless prepare for his performance as Pagliaccio the clown because The show must go on. The 1904 recording by Enrico Caruso was the first million-selling record in history. [Wikipedia] Guido Deiro - Pagliacci Vesti La Giubba (1917)](https://i.ytimg.com/vi/hSyakkyWlYg/mqdefault.jpg)






